So beautiful!

This symphony has made a deep impression on me. A very fine work.

Heinz Hall had a magnificent recording sound, brilliant, clear, but still deep. Kudos to the sound engineer, as well as Steinberg and the players

Назиб Жиганов татар халқының кәсіби музыка тарихындағы ірі тұлға, бүгін Орал қаласының тумасы, жерлесім Назиб Жигановтың туған күні. Әйгілі композитордың шығармалары әлемдік классика сахналарында шарықтай берсін!

Sounds like a score from an early Hollywood movie.

Is this copyright free? May we use this for video? We credit the composers and the channel/program

Anyone have sheets ?

Dubois described this as a a symphonic poem in three parts rather than a suite; there is an overall narrative structure based on poems by Leconte de Lisle

Vladimir Jurovski was a music genius. This is an older recording. It has some excellent content. I would like to see a modern recording with state-of-the-art acoustics.

I think I might be an actual majority of the views of this video. Brusilovsky rocks!

5.22 LAMENT

She's magnificent. Talent and technique with few peers over the 17th, 18th, 19th and 20th centuries. Shostakovich, Mahler come close, but this is still well beyond their reach.

A showy piece. Not very difficult, but needs careful fingering to bring out its otherwise hidden dimensions.

annoying

The pianist's name is Gernot Sieber, not Gerhard

Where did you get this recording? Can it be downloaded? Auerbach's orchestral pieces are astounding! This, Dreams of Poseidon, Icarus... How can anyone get a recording of this?

CENTROPA CONCERT ORGANISATION WIEN III, LOTHRINGERSTRASSE 20 (KONZERTHAUS) DIENSTAG, 27. APRIL 1948, 19 UHR GROSSER MUSIKVEREINSSAAL ORCHESTER-KONZERT DIRIGENT: PROF. RUDOLF MORALT SOLISTIN: EVA SEBOK (SOPRAN) DIE WIENER SYMPHONIKER PROGRAMM Leonoren-Ouverture Nr. 1 L. v. Beethoven "A Perfido" - Arie L. v. Beethoven Paganiniana Alfredo Casella Nil-Arie aus „Aida" Giuseppe Verdi Selige Nacht Josef Marx Waldseligkeit • Josef Marx: Hat dich die Liebe berührt Josef Marx Arie aus „Die Spielstube" Zoltan Kodaly Symphonie Nr. 1, Zwischen zwei Welten (Öffentliche Welt-Uraufführung) Paul Siegel

Nach wie vor ein gigantisches Werk meines Vaters

Pleasant enough but utterly forgettable I am afraid. From a native son.

Very nice!

COMPOSITION 1953 : Third Prize at the Queen Elisabeth competition in Brussels - Belgium. The Belgian National Orchestra is conducted by Franz André. (january 1953). Carlo Franci has worked for most of the major Italian opera houses, including La Scala in Milan, the Teatro La Fenice in Venice, the Teatro San Carlo in Naples, Rome, Florence and the Arena di Verona. Outside Italy he has appeared with the London Symphony Orchestra, the BBC Orchestra, the Vienna Philharmonic, the Vienna Symphony Orchestra and the Salzburg Mozarteum Orchestra. Carlo Franci has been a regular guest at the Frankfurt Opera for decades, most recently for concert performances of Catalani's La Wally and a new production of Don Carlo. He has conducted more than 90 performances at the Metropolitan Opera in New York. Other engagements in the United States have taken him to Boston, Cleveland, Minneapolis, Atlanta, Detroit and Dallas. He has also been a regular guest in Berlin, Hamburg, Munich, Mannheim, Vienna, Madrid, Barcelona, ​​Zurich, Tokyo, Seoul, Caracas, Rio de Janeiro, Singapore and Johannesburg. From 1990 to 1997 he was chief conductor of the Transvaal Philharmonic Orchestra in Pretoria. In addition to his career as a conductor, Carlo Franci is also a composer. Source: concoursreineelisabeth.be/nl/laureaten/carlo-franci/167/ The Queen Elisabeth competition no longer has a section for composition as such.

I've loved Paganini's works for 2 years, how have I only learned about this piece recently?

Es una verdadera obra de arte. Dios la tenga en la gloria. Saludos desde San Luis Potosí, México

Many promise to evoke place and time, many fail. The Suffolk Suite immediately took me back to my childhood in Suffolk in the 1950s. It is a beautiul piece of inspired music, and even if you have never, or will never visit Suffolk look at a few phtographs, it could be your musical refuge in stressful times.

😊

hints of sibelius in places

What a musical imagination.

There's a rare performance coming up by the Elgar Sinfonia in London on 24 November (2024)

This is a most entertaining & enjoyable symphony! Sulek is a master of eclecticism. I hear unmistakable "allusions" to Tchaikovsky, Martinu, Bruckner, Prokofiev, Shostakovich, Brahms in the last movement, & Mussorgski in the coda!!!! But the strange thing is that I like the way he brings them all together, hodgepodge, better than the originals in some cases! I have & treasure all the Sulek symphonies on CD. He's my favorite Croatian composer by far.

Your image lists Etler's year of death as 1951, but he actually died in 1973.

Great recording! WQXR used the Barcarolle as a theme. :)

The orchestra is the Croatian Radio-Television Symphony Orchestra.

Porrino was taught by Respighi and the influence is very obvious here. Enjoyable and flamboyantly orchestrated.

One of my best pieces. A beautiful recording. Thanks so much for posting.

I pay this concerto a high compliment by saying its 1st mvt. reminds me of Bartok's 1st and 2nd piano concerti.

Don York was a classmate of mine in Delmar, NY...He helped me learn to play piano when we were around 14.

The orchestra is the CBC Radio Symphony.

Compositeur et pianiste né à Verviers en 1865 et décédé à Nice en 1918. Professeur au conservatoire de Genève. A fréquemment accompagné son frère Eugène.

Wonderful - it’s not on Spotify so I’m glad that it’s at least available here

My mother introduced me to Menotti when I was very young. I can hear a little predecessor to Amahl in this. Menotti's violin concerto was my mother's favorite piece of music; I later heard his magnificent piano concerto. Now that I am a senior citizen I enjoy his music even more. This is a real treat!

So much great music that's overlooked just because there's so much to sift through. Parker deserves to be remembered for more than being the teacher of Charles Ives.

The first movement is actually Poco lento - Vigoroso.

Zwei Klaviere plaudern, le titre en allemand.

Ach, panie Henryku! Gdybym mógł, dałbym Panu tysiąc łapek w górę. Za całokształt. Koledzy muzycy profesjonalni, zacznijcie znowu grać Czyża! Na pierwszy ogień, nasze drogie teatry operowe, przywróćcie inscenizację "Kynologa w rozterce"!

This Symphony is the best I have heard of all the music made in the second half of the 20th century. A true masterpiece. An intense first movement with exuberant themes. A brutal second movement with enormous rhythmic force. A third movement with manly lyricism and an explosive finale with great energy. Traces of Prokofiev, Shostakovich, Bruckner, Dvorak, Elgar, etc. can be seen. But at the same time, there is great thematic, combinatory and timbral creativity and inventiveness and, in general, a structurally impeccable symphony. The composer knows at all times what he wants and the public does not get bored. But the institutions of contemporary music do not dare to allow this type of work to proliferate further in concert halls. We are therefore grateful to conductor Pavle Despalj for having dared to offer the Symphony Orchestra of the Croatian Radio Television this wonderful performance, in order to help raise awareness of this magnificent music of our time, which is on a par with the music of post-romanticism.

Does anyone know when this recording was made? I noticed that the beginning of the recording does not match the score published by Editions Choudens in 1961, but I know Thiriet wrote several versions of this piece-- a partial one for performance in his POW camp in 1940-41, a complete version performed in Paris in 1942, and a version that was more like an opera first performed in 1962-- so I'm wondering which version this is. (Est-ce que quelqu'un sait quand cet enregistrement a été réalisé? J'ai remarqué que le debut de l'enregistrement n'associe pas avec la partition publié par Editions Choudens en 1961, mais je sais que Thiriet a écrit plusieurs versions de cette œuvre-- un incomplet pour répresentation au camp PG en 1940-41, une version complete joué à Paris en 1942, et une version plus comme un opéra joué pour la première fois en 1962-- donc je me demande de quelle version il s'agit).

Okay, this is pretty epic.

Love the sad, romantic almost hesitant tone to this piece. 🤗 Thanks for posting a Canadian composer too. 😘

Никогда не слышал про такого человека,хотя могу предположить в Литве он довольно узнаваемый герой

As always! Butting his head to the max against the musical orthodoxies of the day!🎶💥🐐