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@frederickthegreat4801
@frederickthegreat4801 21 сағат бұрын
I love these analysis videos. Do you ever plan on doing one of Mahler?
@jonaswolfmusic1775
@jonaswolfmusic1775 7 сағат бұрын
@@frederickthegreat4801 thanks for your feedback 😊 Which Mahler piece would you suggest?
@jonasv.kirchbach5621
@jonasv.kirchbach5621 23 сағат бұрын
Sagenhaft gesungen und arrangiert. Vielen Dank
@jonaswolfmusic1775
@jonaswolfmusic1775 22 сағат бұрын
@@jonasv.kirchbach5621 Dankeschön, das freut uns 😊
@ulrichkrieg2224
@ulrichkrieg2224 3 күн бұрын
This song I have in my will when I’m buried. I’ve always been a bittersweet person. This song is perfectly bittersweet. Major Tom dies doing what he loves. He dies happy doing his job. Can’t explain it but this song digs deep in my soul.
@vincentedelmond5404
@vincentedelmond5404 4 күн бұрын
Liszt was lucky that there were no copy right rules by his time he didnt leave any composers that he didnt copy and put his signature Compare this fraud Liebestraum to Schubert impromptu op 90 n 3 and you will find out who Liszt was
@darchy4314
@darchy4314 6 күн бұрын
I am truly gobsmacked!!! Thank you for explaining this. For many years I always had it in my head that there was a synthesizer "slide" from the C♮ (around 5.20). What a GREAT video and break down of such an iconic 80s tune. A very greatful thank you Jonas Wolf Music.
@jonaswolfmusic1775
@jonaswolfmusic1775 5 күн бұрын
thank you for your enthusiastic response! 🙂
@zebbiezebra3055
@zebbiezebra3055 7 күн бұрын
i dont know how i got here, but i listened to some Nik Kershaw after seeing The Riddle on a Music Channel, the breakdown of that song came up and i watched it last night at 3am, and now im here at midnight, with this in the background sort of taking things in
@aura_e5392
@aura_e5392 8 күн бұрын
What about wouldn't it be good! That is an excellent song too!
@jonaswolfmusic1775
@jonaswolfmusic1775 8 күн бұрын
I think you will like my 1 hour analysis of a whole bundle of Nik Kershaw's 80s songs ;-)
@AndreaS-j5v
@AndreaS-j5v 10 күн бұрын
❤ absolutely amazing. Thanks a lot
@jonaswolfmusic1775
@jonaswolfmusic1775 10 күн бұрын
@@AndreaS-j5v happy you enjoyed it 😀
@joergz.9073
@joergz.9073 10 күн бұрын
Nur damit ich das richtig verstehe. Du und sie singt das Lied mehrfach ein und du fügst die Tonspuren zusammen? Richtig?
@jonaswolfmusic1775
@jonaswolfmusic1775 10 күн бұрын
@@joergz.9073 Genau, wir haben vorher eine gesonderte Tonspur für den Rhythmus und die Tonhöhe erstellt. Die Mischung haben Valentin (Tabeas Bruder) und ich gemeinsam vorgenommen.
@cutunai
@cutunai 11 күн бұрын
What a wonderful job!!! The female's choir is awesome... beautyfull!!! 😍😍😍
@jonaswolfmusic1775
@jonaswolfmusic1775 11 күн бұрын
@@cutunai Thank you!
@andreiter
@andreiter 12 күн бұрын
I don't think you have a license to be able to sell this arrangement, but is it available for free? What other songs have you scored?
@jonaswolfmusic1775
@jonaswolfmusic1775 12 күн бұрын
Hey there, write me via my instagram or facebook page, then I can share you a score.
@d4rkness455
@d4rkness455 12 күн бұрын
I dont understand how V resolvs to IV and i thought V to VI was a deceptive cadence. Can someone explain to me?
@jonaswolfmusic1775
@jonaswolfmusic1775 12 күн бұрын
V to VI is one of the most common types of deceptive cadence. In a wider and more historical context, deceptive cadence refers to any phenomenon where the V doesn't resolve into I but anything else, so for example V to IV, V to VIb, even V to I^6.
@d4rkness455
@d4rkness455 11 күн бұрын
@@jonaswolfmusic1775 Thanks, i thought that tonal music had it so that alle dominant functions have to resolv to a tonic function. Like V - I, V- iv or V - iii
@Ploist
@Ploist 15 күн бұрын
I think something’s off about his C#5. You could always hear it sticking out. At 5:27 It’s got its own rhythm going. That’s so cool.
@andyscott5277
@andyscott5277 16 күн бұрын
Always wondered if Nik was inspired by Godley & Creme’s "An Englishman In New York" for this song? Has that similar mallet part, pulsing rhythm and interesting chord changes.
@keyboardheuvelrug
@keyboardheuvelrug 19 күн бұрын
Nik Kershaw is a harmonic genius indeed. Listen to You Might also. It contains almost every power chord there is (except E flat :-)) in one song.
@jonaswolfmusic1775
@jonaswolfmusic1775 19 күн бұрын
Thanks for your feedback! You might be interested in my one hour analysis video where I also cover You Might. ;-)
@officialpierluk
@officialpierluk 26 күн бұрын
Ok i need to ask the weird bridge from the song Know How at 42 minutes i am obsessed with and unfortunatly i don’t read sheet music yet its a skill i want to learn but is it possible to write the name of the chords cos jeez that stuff is wild .. Amazing video im discovering nik kershaw and its pure gold thanks for the analysis
@officialpierluk
@officialpierluk 26 күн бұрын
Just watched too much of your videos especially the long one on nik kershaw which i’m obsessed with lol and subscribed cos you do an incredible job at explaining all that !! Theres a strange thing though i find in the perception of music and how we feel it differently as humans with different backgrounds and maybe nature anyway my perception here is that even though the concept of shifted meter is really interesting but i wouldnt apply it there as the groove in the bridge feels more simply like a kind of rythmical call and response with the keyboard and vocals putting the accent on the 1 and 3 and the bass and drum on the 2 and 4 which has this ping pong exchange effect that makes you want to dance Meaning the bass and drum probably feels where the 1 is like all the other instruments through all the song but makes it bouncy with the emphasis on the 2 and 4 instead but thats my perception how i feel the song i guess everyone can feel it differently .. Also Never noticed the chord progression changed keys and used modal interchange it sounds much simpler than it is its all really consonant Anyway Great analysis 😊😊
@jonaswolfmusic1775
@jonaswolfmusic1775 26 күн бұрын
Thank you for your enthusiastic comment and also your honest feedback!
@raulalves1887
@raulalves1887 27 күн бұрын
Just amazing. Congratulations
@jonaswolfmusic1775
@jonaswolfmusic1775 26 күн бұрын
@@raulalves1887 thank you! 😊
@Der_Ueberhamster
@Der_Ueberhamster Ай бұрын
Ich find, dass ist die beste Version die ich bis jetzt gefunden hab :0 Schöne stimmen, gutes Zusammenspiel, klar und kräftig gesungen und auch die Betonung ua. Durch die Lautstärke find ich schön :)
@jonaswolfmusic1775
@jonaswolfmusic1775 Ай бұрын
@@Der_Ueberhamster Dankeschön! 😊
@lolcrazygirl3857
@lolcrazygirl3857 Ай бұрын
Hammer so wundrrschön gesungen ! Gänsehaut pur !
@jonaswolfmusic1775
@jonaswolfmusic1775 Ай бұрын
Dankeschön! :)
@bryanchristopher75
@bryanchristopher75 Ай бұрын
I love Ravel and his Impressionistic Style especially in his works about water.
@Majorpain32677
@Majorpain32677 Ай бұрын
If you put this much effort and to believe it in Jesus and reading the Bible you would totally believe in Jesus and have an amazing life be happy and have a peace that surpasses all understanding cuz I heard those little missionary thing that you said in I could get right away where you're coming from I'm military veteran from United States and it would be sad to waste your life on doing stuff like this that means nothing when you need Jesus to go to heaven I think after you die that's way more important it then trying to make a big deal about worldly things create about man God's creation is way more amazing he says in the Bible he named every planet he loves you so much he knows the hairs on your head he died on the cross for you he says pray for your enemies what other God in all the fake gods out there say that they don't because they're fake Jesus is the only way and I hope you realize that and I hope you realize if you become a Christian and believe in him he will change your life and so happy you can't even understand it you'll still have tough times you'll still sin and mess up but that doesn't matter because what you're saying you're always say that I don't care what any pastor tells you God says trust no man not one trust the Bible That's why the Bible has never been this proven not one mistake has ever been found I don't care what you've heard did research it has never been this proven because if it had been then Christians wouldn't believe in it still to this day and is still the number one selling book in the world for last decades so you can't argue with my comparison saying if Jesus wasn't real and the Bible was it true then it wouldn't still be selling at the number one position of all books old every year around the world and go do all the research there's documents that prove 500 people saw him after he died and rose I'm just telling you because you like your very smart and you put a lot of effort into this song and that end of the day it doesn't mean anything The one thing that mean stuff is stuff we do for others not ourselves and stuff we do for God that's what matters The problem with you two it makes people self-centered they want to be famous they want to be seen they feel like then need to have attention they find a way to try to make money easy KZbin has produced nothing will not nothing but mostly garbage it is turn society into garbage and there's so many other things that it's done that too
@yerbaconsoda
@yerbaconsoda Ай бұрын
3 Redondas en 4/4?????
@schneevongestern9898
@schneevongestern9898 Ай бұрын
Why, oh why was Wagner such a horrible and disgusting person? Listening to his music in awe goes a bit in the direction of admiring a painting of Hitler. I will never be able to wrap my mind around the fact that this divine, supreme music was written my maybe the most repulsive character in music history. But it simply is exquisite music. Elegant, thought through, overwhelming, touching, timeless, beautiful, exciting, intelligent. And he lived long ago enough and didn't mass murder people. So I will forgive myself for listening to his works. But it will always have a certain aftertaste. Because he simply was a haggish, nasty and bitter narcissist with a profound, passionate hate and disgust towards Jews. It is a paradox to me how such a horrible person could possibly create music/lyrics dripping with tenderness, longing, melancholy, love, pathos, elegance and purpose. Incredible.
@jonaswolfmusic1775
@jonaswolfmusic1775 Ай бұрын
Thank you for your comment. I've wrestled with the same thought a lot as well, but during my most recent years of training in classical music theory, I also came to the conclusion that writing beautiful music is really a craft, and one doesn't have to be a particular good person in order to master this craft. We've been raised with the genius trope a lot, but one always has to keep in mind that even the 'masters' really were trained crafts(wo)men whose ability to write music wasn't gifted from heaven but they actually went through a hard process of learning, experimenting and doing. And in this, they were both just as extraordinary and as ordinary as crafts(wo)men from every other discipline, with their bright and with their (some with their very) dark personal sides.
@WarerBrow
@WarerBrow Ай бұрын
сделайте то же видео с сыном Алоизия
@brumamatinal
@brumamatinal 2 ай бұрын
love you
@dysto__pia0
@dysto__pia0 2 ай бұрын
I've been listening to it since I was 12 (so 16 years) and I always liked it, I found it special. Today I heard it randomly on the radio with a friend in a car. I told my friend "the song does something with me". I never knew what it was
@christianvennemann9008
@christianvennemann9008 2 ай бұрын
That EMaj7 at the end is simply wonderful and never gets old 🥰🥰
@mouthbrooder5728
@mouthbrooder5728 2 ай бұрын
Scientifically catchy
@shahhahajsjs
@shahhahajsjs 2 ай бұрын
That's a lot of fancy words I only partially understand but needless to say this song is a BANGER
@mateusfelipe2018
@mateusfelipe2018 2 ай бұрын
What a great lesson! Congrats!
@StockyScoresRaoraPantheraFC
@StockyScoresRaoraPantheraFC 2 ай бұрын
IT'S A FIFTH LOWER!
@k.w.8451
@k.w.8451 2 ай бұрын
How could something this extraordinary sophisticated become a world wide hit?
@julianpratt9616
@julianpratt9616 2 ай бұрын
Absolutely incredible analysis Jonas - I came here after learning this on the acoustic with ¡Guitarra, Guitarra, Guitarra! - I am no intellect regarding to the theory but I love the fact that you have arrived in the same space and that this song as are so are many of Nik's song harmonically genius!
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
@@julianpratt9616 thank you! Nice to hear that you came over from the !Guitarra, Guitarra, Guitarra! channel. 😊
@accord-de-9eme
@accord-de-9eme 2 ай бұрын
44/3 : your chord 6-4 means d# g# b but your III means d# f# a#. It's not the same sounds.
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
Different system: you are referring to Roman Numeral system, where your statement is absolutely correct. Here, with the Roman Numeral the scale degree of the bass is referred to (confusing, I admit).
@AndersRomin
@AndersRomin 2 ай бұрын
Interesting, I’ve never had any issues of feeling the 1 in that section… And considering that the bass line continues with the same groove even in the last A section, I feel that the heavy 2 and 4 beats are just a part of the feeling of this song. But I do think it’s an interesting idea to explore more.
@PauloBaptista-jj6ek
@PauloBaptista-jj6ek 2 ай бұрын
Dreamer was composed only by Roger Hodgson when he was 17 years old. He had Sony recorder that (maybe was broken) could record and playback without limit. He played his new Wurlitzer, all the instruments and voices. Used cardboxes and even galsses with water. When the band tried to play Dreamer in the studio the music was so complex that they give up and used the original recording to play over it.
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
Hey there, thanks for the insight! I would be happy if you coud share a source where all of this can be looked up. Thanks in advance. :)
@PauloBaptista-jj6ek
@PauloBaptista-jj6ek 2 ай бұрын
@@jonaswolfmusic1775 I'm not completely certain because i'm 57 years old and I'm a supertramp fan since 13 (a lot of reading about them), but I think I read it in The Supertramp Book, an almost 200 pages biography written by Martin Melhuish By Sound and Vision Omnibus Press published in 1986. There are also a DVD Supertramp 1974 - 1978 where many of the songs of this period are musically analysed by specialists, but nothing like your wonderful analysis. Thank you for your work!
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
@@PauloBaptista-jj6ek Thanks for your response!
@MiguelSBR
@MiguelSBR 2 ай бұрын
-How many? -Yes
@MiguelSBR
@MiguelSBR 2 ай бұрын
This piece actually goes 🔥🔥🔥🔥🔥🔥 I remember how astonished I got on the first hearing... That feeling still today is quite fresh
@philipthonemann2524
@philipthonemann2524 2 ай бұрын
Nice analysis - thanks!
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
you're welcome :)
@findJLF
@findJLF 2 ай бұрын
Outstanding work!!!
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
Thank you! :)
@findJLF
@findJLF 2 ай бұрын
This explanation of the harmonic complexity of the song brings tears of joy to my eyes and so much happiness to my heart.
@TheOnBoardLife
@TheOnBoardLife 2 ай бұрын
Like the other commenters, I have often wondered where the happy tension in Dreamer came from. Nice job. Great band, great songwriting.
@Rasperdan
@Rasperdan 2 ай бұрын
I know its four your later but I had to comment. I have talked about this song for years to my friends and family but they just look at and nod there heads (none of the play an instrument). When you started talking about this song I started to cry a bit with joy. Thank you for posting.
@jonathan130
@jonathan130 2 ай бұрын
This composers use as complex and epic harmony as this before chopin? Or is it his innovation
@CrazyPianist2160
@CrazyPianist2160 2 ай бұрын
this was an excellent harmonic analysis! I love how the figured bass was so detailed and all of your facial expressions representing the feeling each chord evokes! one major thing that you could've improved though, is putting lowercase roman numerals for minor and diminished chords, for example, the chord at 1:08, the 7 chord, is correct, but the roman numeral should be lowercase (write it as vii instead of VII) to make the chord quality clearer, as it is a type of diminished 7th chord.
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
Thank you for your enthusiastic response! The roman numerals that I used here aren't actaul roman numerals but circled arabic numerals in disguise, therefore I completely disrespected the lower and upper case writing system. I can understand that this is confusing, and I don't do these mixtures any more. Thank you again!
@johnbirkby2913
@johnbirkby2913 2 ай бұрын
I went to see him the other night on his "1984" Tour. A-May-Zing! Great analysis by the way.
@sophiadunkin2682
@sophiadunkin2682 2 ай бұрын
1:58 1:53
@nicknelson9450
@nicknelson9450 2 ай бұрын
Hmmm, alas lots of approximations of English or straight mistakes in the commentary...for me a better idea would have been to use your mother tongue and then a translator to produce an English version. While analysing the song may be an interesting exercise, I think you also have to bear in mind that 20-something Kershaw, while musically inclined and gifted, was not extensively trained but rather self-taught, and would no doubt have been writing what he heard, unencumbered by these theoretical paradigms. The freedom of modulation in the synth part of the interlude reminds me, of all things, of the b-side synth accompaniment on the French TV program Chapi Chapo by François de Roubaix!...who was also formally untrained, incidentally.
@RiccardoDiPaola
@RiccardoDiPaola 3 ай бұрын
Congratulations for your work. But, I have to say, though, I strongly disagree with your point about the time shift. What you're hearing in the bridge I would not actually define as a shift in meter, but rather a stylistic choice in the arrangement-something that's very common in popular music, especially with weak beat accents. For example, listeners familiar with the one-drop rhythm in reggae (where the kick and snare land on 2 and 4) might find this sensation of displacement you're talking about simply non-existent. It's all about the arrangement, not the meter itself.
@RiccardoDiPaola
@RiccardoDiPaola 3 ай бұрын
And before your reply, I'm talking about the displacement of chords and anticipating rhythm as well. 🙂
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
@@RiccardoDiPaola thank you for your kind comment. I agree that one can come to different solutions / hearing dispositions. I am aware that putting kick and snare on 2 and 4 is a common practice, but what I try to bring about with this video is that it is a special phenomenon with this track for several reasons, as discussed in the video. I am trying to share my perception while fully aware there is lots of different hearing dispositions. So, thanks again for your thoughts, I totally understand your point!
@RiccardoDiPaola
@RiccardoDiPaola 2 ай бұрын
@@jonaswolfmusic1775I understand, but the feeling you’re referring to is a perceptual one influenced by your academic background. When you say, “we can’t do anything but accept this as the new one,” you’re making a statement that you present as universal, but it’s very much your own. I find it extremely difficult to perceive it as you do, especially because you add that the perception of two different meters comes from the fact that the vocals remain where they are, which is exactly what anchors everything to the regular meter. It would have been a different story if the melodic line had shifted as well. Another element you mistakenly assume as universal is the downbeat of the bass, which you perceive as the 1, whereas to my ears it clearly remains on the 2, and my reasoning is backed by the fact that the phrase starts on the upbeat, even in the previous section.
@jonaswolfmusic1775
@jonaswolfmusic1775 2 ай бұрын
@@RiccardoDiPaola To your first point: yes, it's presented in the video as universal. I take this critic with me. Second point: if the melodic line shifted as well, then everything would be the same, so (in my understanding) no shifted metre, right? But I think both of us can live on with different perceptions, especially with such a personal thing as a listening experience, it's only the most natural thing to happen. Again, presenting something as universal fact in the video is a critic I take as valid with me, and I thank you for pointing it out.
@RiccardoDiPaola
@RiccardoDiPaola 2 ай бұрын
@@jonaswolfmusic1775 glad to have such a nice and polite confrontation. Thank you.