YOu got it!

Thank you! That could be very beautiful. Do you know about the A Capella version by David Minnick?

Thanks for writing and sharing you stories! Glad you dug this lil video.

@@addyd.3140 - Elliot (Winged Eel) joined the touring Magic Band after Trout Mask and he learned all of the songs. He transited on January 22, ten days ago. I still have some of his mail, including a check from Warner's Music, saved from the bin by me after he moved out in 2017. I couldn't find his address and when I was searching for it again I found out he joined the non-physical realm. We were telephone partners for years and when psycho neighbors started blasting Elliot and I would call the cops in relay because L.A.P.D. would not respond to one call. We both rode bicycles in the 80s in West Hollywood and always noticed one another. He gave up the bicycle in the 90s, me in 2018 (seven concussions in 9 years from cars). When he moved in here I was shocked. Was he following me? Don gave me 6 of his paintings in 1969. Your piano interpretations are beautiful, Trout Mask in essence. I once asked Elliot to jam and he snorted and walked away, he don' know me and my guitar. There is a Winged Eel interview somewhere in YT and I recognized his apartment on the 4th floor.

Hell yeah! That is awesome and a worthy endeavor. You're welcome, good luck!

Thank you! Hell yeah, love Moondog

Yes, this approach certainly has its limitations! Similarly when trying to work out Bill's Corpse, the guitars playing a step apart, it was totally impractical, yet you can see us try it at then ending "outtakes." Thanks for watching and for your thoughts!

Thanks! so glad you dig.

Thank you kindly for writing! And really glad that they are helpful.

@addyd.3140 No problem! Thank you for all the videos!

Thank you so much! I hope you'll also check out the companion video about this song, (Beach Boys "Don't Talk" Analysis/Journal/Daydreams) it was really fun to make and my favorite thing I've done. Take care!

Hey, I'm glad you appreciate it, and you're welcome!

Oh! I didn't know Robin covered it, though I could've guessed he'd be a fan. I'll have to check that out. Thanks for writing. Yes, I always find something clever and unexpected to latch on to in Sill's songwriting, truly a gift.

It’s on the live at Boston Harbor album. Totally agree - she is right up Robin’s alley!

Thanks for sayin' that!

Thank you for your kind words!

Heck yeah! All of their albums are solid.

Correct, on the second line of A the bassline tends to the C on the downbeat of what I'm calling Gsus to G. I see it as a clever inversion that adheres to the logic of voiceleading. I wouldn't blame a guy for avoiding a direct tritone leap in the bass, and creating a (favorable) chromatic stepwise movement. Also, you're more than welcome to call that some type of C chord when you play it, I just prefer simplicity in analysis. (Csus4add9 and G7sus are the same chord) Adding more chord names where they are not needed clouds up the motivations of the progression, and makes more work for everyone IMO. And like I said in the introduction "it isn't until the 2nd verse that we get to hear these chords plainly and with proper bass notes," so you can refer to the root position chords in that verse if you don't agree. The 70s Baldwin Acrosonic was tuned in August, and as you noted it doesn't hold super well! Found it free on craigslist 2 yrs ago and have it tuned every 6 months. But thanks for the tip. Currently saving up the cash to consider my options, but I hope my deficient tool didn't detract from the clarity of the information I was attempting to convey on it. Thanks for writing and for your feedback! Be well!

@@addyd.3140 I just realised there's no sus4 if you take that chord to be a C. Hallucinating! It'd just be a C5add9. In any event a double-altered chord and I take your point about simplicity. But a Gsus4/C is also doubly altered if you treat inversion as an alteration! But I won't fight you about it. I can see both sides. It's a funny chord progression. I'm listening to it now again... you could almost read that D♭maj7 as a continuation of the previous tonic minor with the bass continuing its step-ish-wise descent via an extended passing note, and so(ish) as an Fm6/D♭. I think I'm now advocating the approach to naming that you take re the G (or C)! I'm sorry to hear about the piano. Every six months is some expense. Maybe what I'm hearing just is the warped frame: it messes up the overtones of the strings, I understand, and so makes it sound out of tune even when it isn't. (Like the dissonance that arises if two singers play the same note but one sings an 'ah' and the other an 'ooh'). The piano is kind of charming in the context of the video, though.

Thanks so much for writing! Yes, that's one of my favorites on HOOM as well, love her tunes that have a bit of blues injection.

Thanks, you are so kind!

Thank for your kind words!