voices are both from Stefano's Ethera Atlantis and our Omen -Shamanic Voices and war chants

@@dafingaz thanks! drop us a message on our website and we'll try to help 🙂

@@littlemouse7066 there's a mixture a drums from many cultures. The inspiration came from the Punic Wars between Rome and Cartago, where Hannibal employed war elephants. The picture of these massive elephants stomping on the battle field inspired the idea of the kind of sound we wanted to achieve.

This is a very appreciated comment, thanks. Are you referring to the Aztec War Trumpet instrument? I'm asking as it features both Moche trumpets as others which I believe where proper of the Aztecs (the samples belong to a folder called Moche-Tiger Trumpets).

@ I meant about the moche trumpet and the whole thing with relating them to the aztecs, since the moche culture was nowhere near mesoamerica (so I’m saying mainly that it makes no sense to call the moche trumpet as a “aztec trumpet” as what the 15 original fx section thing says especially since it doesn’t show up as its own thing that’s why I assumed it was placed alongside other trumpets like it). Also if you ever do proper south american horns, there are a lot of really cool ones that have never been sampled before. The Clarin Cajamarquino (there are two types, roncador which does atonal or one note, and the walaycho that can actually play melodies). The mapuche have two horn instruments that are similar to the clarin cajamarquino called the trutruka and the ñolkin, both of which are atonal though they are mainly different in shape. In the andes there is also another horn instrument called the waqra puku which is also just as similar like the previous ones. Then there is the argentinian Erke which is really really huge. There is even an oboe/shawm instrument in the andes called the chirisuya played just as atonally. Lastly often times in the andes horns like these can even be replaced with valveless trumpets. All these are very interesting instruments and none have been sampled unfortunately, and I think for a series like maleventum they would be interesting additions.

@@Someone45356 thanks. Do you know where I can find the horns you mentioned? I'm planning some updates for my libraries so these ones would be very appreciated.

@@SilenceOtherSoundsyes I found some leads and I tried sharing it but i think youtube deleted my comment for whatever reason, can I send you an email for the information?

@@Someone45356 sure. [email protected]

@@leonardwolf5336 hi, thanks for the suggestion. I get your point, but with these videos I'm trying to get a bit more into the details of the instrument 🙂 we have some sounds only walkthrough videos, they're the very first ones we release with a new library.

​@@SilenceOtherSounds this is the first video I came to from your sale email - you might consider reco'ing those others instead to begin to snag a sale ...

@@leonardwolf5336 you have a point. Btw, here's the full walkthrough video with no voiceover at all, just sounds: kzbin.info/www/bejne/gZamYmuuh9aYgM0si=4OY_Vlc8bJfem8RI

@@SilenceOtherSounds thanx

@@mr.manifestor the solo female voices is Stefano's Atlantis III. The male lower chants are from our shamanic voices library Omen

@@KristjanThomasHaaristo thanks a lot, very nice you say that.

@nomorezyx listening now. Sounds like a doable thing in Cartago 🙂 thanks!

@@TheApple76 thanks a lot 🙏🙏

@@nettlecarrier8259 thanks a lot! a bit of context about our sampling choice if you don't mind: we opted for prerecorded movements and not single notes because of the original instrument itself, which is more suitable for rhythmic melodies than typical legatos like violin and cello. You still have legato in Nordic Folk Strings, but it's a rhythmic one because instead of long sustained notes you have rhythmic individual notes that you can combine 🙂

@@ロイド-z7g it doesn't.

Same here... After finishing the development, I suddenly felt like getting some MIDI PADs. 🙂

@@JoshVelez7 thanks so much

thanks Josh!

Hi there, thanks for purchasing Pompeii. Which of the two War Horn Builders are you using? The soft release sliders have been conceived to slightly moderate the release volume of some samples and avoid an abrupt transition.

@ Hello. You had responded to my email. If you like, we can continue communicating that way and hopefully get it worked out. Thanks for your reply!

Thanks :-)

@@komplexxor 🙏🙏

I wish my kidneys were in a better condition so I could sell them in order to be able to buy all of the awesome libraries you guys make.

@komplexxor thanks for your kind words 🙏🙏

@ Thank YOU for making these fantastic virtual instruments for us mere mortals! Any super special price for loyal customers? 😇

@@TheApple76 thanks a lot! we'll soon release a discussed walkthrough that explains in detail the functionalities of the library 🙂

Thank you 🙂

@@jakobolofsson7780 hi, in the first instrument there's a room microphone level (plus 2 close mic levels)that you can control independently per layer of drums. But you can add convolution reverb sends per layer as well.

hi, thanks a lot! yes we worked together on this one and hopefully on many other ones in the future. Stefano is the best!

Thanks Man! I'm really happy to collaborate with Giuseppe!

@@dillonmderosa thank YOU for your support and appreciation 🙏🙏

@@joshnite9265 thanks a lot!

@@brainmove you can use any daw as long as you use Kontakt full , that's the only requirement

@@markdavenport2613 definitely. you can find similar grain cloud controls in Padshop

thanks a lot!

@@LotusEater14 hi there, next month we'll probably release an update where you can set the movements at half speed. If for example you're at 130 BPM but want the movements to play at 65, which can create more sustained tones.

@@guyshard He's great indeed!

@@dillonmderosa haken continuum fingerboard

🙏🙏

hi, if you have the full version of Native Instruments Kontakt you can certainly use it on garage band. If you don't, you can still drag and drop the wav files on the audio tracks in garage band

​@SilenceOtherSounds thank you.