4 жыл бұрын
Пікірлер
@mariomazzi7894 2 сағат бұрын
There is nothing wrong with Diana's rendition of Caro Nome. You are just jealous of Diana.
@Dylonely42 16 сағат бұрын
Old but gold.
@thomasmichael6509 4 күн бұрын
Do you know of any good audio quality recordings of Giaiotti as the commentatore? All the ones on KZbin are terrible static-y (and he still sounds magnificent)
@armandogabba8966 6 күн бұрын
Great voice and with due respect it is not Christoff
@publicclammer 7 күн бұрын
This is wonderful!!
@comment6864 8 күн бұрын
the devil is not supposed to sound this beautiful 😂
@gomist2018 8 күн бұрын
Ghiarov wins, hands down. Furlanetto sounds puny. I’ve heard him live and was impressed, but that’s a long long time ago. Ghiaurov #1!
@eva9691 9 күн бұрын
Si vamos a hacer comoaraciones siempre habra uno mejor que otro por eso no hay que denostar al cantante duciendo QUE HACE FULANO aqui ese fue mi comentario y tambien puedo decir q sobre gustos no hay nada escrito ... yo no soy profesora de canto .. ni tampoco critica sobre el tema ....... a mi me gusta Placido domingo con tkdos dus defectos y les digo algo a mi la opera no me gusta 😂😂 me cansa
@elsipario 10 күн бұрын
❤
@ibnhazm 13 күн бұрын
Del Mónaco convertía la opera en un circo para lucir sus agudos a costa de desvituar el sentido dramático. En cualquier caso falta la mejor versión de este aria, la de Miguel Fleta
@ibnhazm 13 күн бұрын
Domingo suena nasal porque canta Carmen en el original francés, y es un idioma feo y nasal
@EminGuliyevVIRTUALAND 15 күн бұрын
Who said that Domingo is a good tenor ?!!!!!
@Ryszard-o8k 16 күн бұрын
Boska muzyka. Boski śpiew. ❤
@isabellevanel7887 17 күн бұрын
Magnifique spectacle !
@Ирина-и5щ2ш 19 күн бұрын
Все уезжают,.. Гяуров давно уехал
@Cutehappypuppy 21 күн бұрын
My two favorite BASSES are Gotlob Frick and Jerome Hines.
@Radiobestia1 22 күн бұрын
velikii! Grande grandissimo! perche non lo ascoltano gli TENORI per comprendere la differenza tra voci che risolvano MOMENTI PIENI DI DRAMMATISMO "ALLE GRIDA!" "ALLE GRIDA" !
@dojagi1461 25 күн бұрын
So if I understand your point, you have to be a dead woman to be a good interpreter.
@ЯнаРозенфельд-и5г 25 күн бұрын
У СОВРЕМЕННЫХ ПЕВЦОВ ОДНА БЕДА . ЗАБЫТА ПРАВИЛЬНАЯ ТЕХНИКА ПЕНИЯ . НА ФОНЕ ПРЕЖДНИХ ПЕВЦОВ ОНИ ХУДОЖЕСТВЕННАЯ САМОДЕЯТЕЛЬНОСТЬ. ЗНАЧИТ, НЕТ ХОРОШИХ ПЕДАГОГОВ. ПУСТЬ СЛУШАЮТ ВЕЛИКИХ И УЧАТСЯ У НИХ.
@janosvas8597 26 күн бұрын
very interesting performances. We are friends of old singing Greetings from Vienna
@merkadist 27 күн бұрын
2:13 ambulance car
@giovannievangelista6218 28 күн бұрын
Kaufmann baritono con acuti e voce intubata, assente lo squillo tenorile.
@paulhenryangus5638 29 күн бұрын
Glorious Ghiaurov.
@comment6864 29 күн бұрын
what is this trend of women singing with a sound reminiscent of gagging. I don’t even understand how they produce that sound without throwing up.
@ЯнаРозенфельд-и5г 24 күн бұрын
😮😢😂😂
@tariqskanaal8187 Ай бұрын
If only current productions had costumes like these
@joselatorre1696 Ай бұрын
This video is not a comparacion, it is simply a video AGAINST Domingo.
@janosvas8597 Ай бұрын
900 comments are a record, I assume. Mostly two digits comments are usual for opera-lirica. It shows there is a higher opera community, as I assumed. Congratulation from Vienna!
@NestorSigalesnestor Ай бұрын
Este concierto debe ser recetado para los jovenes que se inician con la musica clasica. Fue un concierto muy cercano a la onda rock. Muy bueno!!!!!
@NestorSigalesnestor Ай бұрын
Apabullante, magnifico espectaculo. Lo disfrute con mucha alegria y me hizo mucho bien. Muchas gracias por participar !!!!!!
@NestorSigalesnestor Ай бұрын
Que presicion y finesa al conducir la orquesta!!!!! Excelente señor Petre!!!!! Es un documento extraordinario, con un magnifico Ghiaurov y un coro super. Que mas de puede pedir????
@NestorSigalesnestor Ай бұрын
Ghiaurov y Petre, !!!!que dupla!!!! Magníficos.!!!!Un placer!!!!Para los melómanos exigentes!!!!. Gracias mil, amigos.
@hartmutlorentzen9659 Ай бұрын
Always the same: quot capita, tot sententiae!
@hartmutlorentzen9659 Ай бұрын
Quot capita, tot sententiae
@d.dragonetti9223 Ай бұрын
who the hell gave netrebko a career
@michiok.2081 Ай бұрын
Oh, I was there watching the live coverage of this magnificent performance of Otello ever in northern Japan in 1959. I was 15 and flipped almost literally to the floor. The most superb duo singing in history notwithstanding, their subtle and constant body movements (like Japanese actors and actresses might apply) and minute facial expressions, were out of this world. Del Monaco’s pure, sensitive, and full of sotto voce approach was second to none. Then in Japan, his voice was known to be the golden trumpet and revered by many. Tucci equalled Tebaldi in the role. Sweet, indeed. This performance alone might be the best presentation of “Gianell notte densa” while other duo performers would just stand along in the center stage like two huge tree logs. I keep listening to this performance and entire opera through my CD so often. Watch del Monaco and Tucci’s Canio and Nedda in their Japan performance in 1961. Del Monaco’s “Vesti la giubba” was the most dramatic, impacting, moving performance ever in operatic history. No comparison!
@gabrieleruffini4884 Ай бұрын
I respect all opinions, but saying that Christa Ludwig and Marilyn Horne are bad singers is a really very extravagant opinion.
@sfbirdclub 27 күн бұрын
Agreed. The only singers that really are...at the very least...not singing appropriate material for their instrument. Garanca sings Cenerentola divinely...but whoever said she should even ATTEMPT Eboli should be fired as a coach. And Netrebko's lack of much of anything except hutzpah and shouting has always made me angry at impresarios who just want pretty and passionate (even fake passionate will do, those who compare her to Callas, should be sent to Dante's lower bolgia's). But her constant and continuous lack of intonation (flat? sharp?--who cares?) after many years as a very famous and top-of-the-heap international star is simply INEXCUSABLE! I can give newbies to grand opera a break, because of jitters or stage fright or being in completely strange surroundings from the practice room, or the small recital with friends and family in attendance. But there is NO EXCUSE (I know, I already said it) for Netrebko's very bad intonation at her level today. Thanks for reading my rant. Crazy opera guy out.
@liguten Ай бұрын
On est loin de la tenue du souffle de Caballé dans le final.
@trentonwilliams9921 Ай бұрын
Mirella Freni had one of the most gorgeous voices of any type in all history. And then she went and married a guy who had one of the most beautiful bass voices of all time!!! Can you imagine them singing a duet???
@trentonwilliams9921 Ай бұрын
I know why you’re criticizing Christa Ludwig. She was one of the greatest mezzo Sopranos of all time. And had a beautiful voice. And the same thing about Marilyn Horne. Are you serious? Probably the two greatest mezzo sopranos of the 20th century. You have a lot to learn.
@lenhorovitz3908 Ай бұрын
Yea she was the real deal
@isabellevanel7887 Ай бұрын
Homme somptueux, il avait tout pour lui.
@СеклитаЛимариха Ай бұрын
Люблю.
@otxagr6006 Ай бұрын
Pues que quieres que te diga, me encanta la voz de domingo, además cantando en directo.
@ninasieger4070 Ай бұрын
Ich bin nicht ganz einverstanden mit den Kritikern. Netrebko war faszinierend wie Giulietta, Anna Bolena, aber schwererer dramatischer Repertoire ist nicht für sie. Was die andere betrifft: man can nicht aus einem Mozart- Mezzosopran ein Verdi-Mezzosopran machen! Auch wenn Eine oder Andere das Tembre verdunkelt bis es nicht mehr geht. 😁
@solanyecaignet1308 Ай бұрын
Correct!
@helendwagen7268 Ай бұрын
Excuse me, what tha aria fron 1:12?
@patrickgallagher3513 Ай бұрын
Very well described and well illustrated with examples. One point - your picture of the glorious Luisa Tetrazzini is actually Dame Nellie Melba. There seemed to be a period where dark chest was frowned upon and Maria Callas was used as a case in point, that her use of the chest had encouraged the beat in her upper register that appeared in the later part of her career. Horne is on record as having decried the dangerous use of the chest voice, which is a bit rich when actually she always sounded like a soprano who butched up her low notes. Very few students these days are encourage to sing with a truly open sound and a low larynx as illustrated by Mario del Monaco. The castrati were taught to practice in front of a mirror. Partly so they they could sing without screwing their faces up. BUT actually, screwing one's face up is indicative of tension in either the tongue or the neck, preventing singing on a fully open throat with a low larynx.
@correasilvio2010 Ай бұрын
Leyla Gencer fantastic the best!
@ChinaJoeSux Ай бұрын
Mario del Monaco is the best dramatic tenor ever. His Pagliacci and Pinkerton are beyond perfect.
@chicagolc7022 Ай бұрын
Overall, this is a great video.