11:38 pandon figth

Where words end, music begins. Where music ends, the silence speaks volumes. Haydn, like Mozart and Beethoven, has reached the point where nothing more can or needs to be said, the summit of a lifetime of crafting sound.

Makes me cry. 🎹

17:52 the voicing is amazing in this part

High alpine meadows where each wild plant and stone is a perfect artful arrangement.

Much love and thanks for the sharing of music through all these years

Спасибо, прекрасно!😊

14:08

One of the best clarinetists ever - a true musician and inventor - he sang in the clarinet

At :35 and subsequent repeats of this phrase, I can hear parts of "Oh where oh where has my little dog gone". Of course, that children's song was written more than 20 years after this concerto.

16:25

Listening to Mozart brings an image of notes bouncing off a raging sea, in perfect harmony, happy in their enjoyment 🥰🙏🏽🌷✨

This is really great noise.

This Concert for piano and Orchestra was the first that I heard and therefore is one of my prefered , though the Concert of Tschaikowsky is more famous and clearly better. Another is the Concert for piano of Eduard Grieg , that also I wis that is better than is of Shumann.

1:10

Horowitz brings a remarkable poetic sensibility to this piece.

The Second movement of this is easily one of the best pieces of music I've ever heard

Mozart. Um gênio!! Música SUBLIME!

Best start of all music

A God with its weapon but you call it Karl Leister and its clarinet

2nd movement is the part you’re looking for

Une véritable drogue.suis depuis toujours intoxiqué jusqu'au plus profond de moi

Recently learned this piece and really fell in love with Prokofiev's music

M O N E Y...

“No story lives unless someone wants to know it…!” (…) Wolfgang Amadeus Mozart’s Clarinet Concerto in A Major K. 622 was completed in October 1791 for the clarinettist Anton Stadler. It consists of three movements: I. Allegro (in A major and in sonata form), II. Adagio (in D major and in ternary form) and III. Rondo: Allegro (in A major and in rondo form). The work was completed a few weeks before the composer's death. It was to be his last completed work, and has been described as his swan-song. The date of its first performance is not certain, but may have been 16 October 1791 in Prague. The concerto was written to be played on the basset clarinet, which can play lower notes than an ordinary clarinet, but after the death of Mozart it was published with changes to the solo part to allow performance on conventional instruments. The manuscript score is lost, but from the latter part of the 20th century onwards many performances of the work have been given on basset clarinets in conjectural reconstructions of Mozart's original. Anton Stadler, a close friend of Mozart, was a virtuoso clarinettist and co-inventor of the basset clarinet, an instrument with an extended range of lower notes. It went down to low (written) C, instead of stopping at (written) E as standard clarinets do. Stadler was also an expert player of the basset horn. Mozart first composed music for that instrument as early as 1783, and for the basset clarinet in 1787. In early October 1791 Mozart wrote to his wife from Prague that he had completed "Stadler's rondo" - the third movement of the Clarinet Concerto. The concerto was the final major work Mozart completed. There is no surviving autograph for the concerto, and the printed score was published posthumously. The only relic of the work written in Mozart's hand is an excerpt of an earlier rendition written for basset horn in G (K. 584b/621b). This excerpt, dating from late 1789, is nearly identical to the corresponding section in the published version for A clarinet, although only the melody lines are completely filled out. After rethinking the work as a basset clarinet concerto, Mozart gave the completed manuscript to Stadler in October 1791. The date of the first performance is not known for certain, but was probably on 16 October 1791 in Prague. Stadler gave a concert there on that day, but no programme survives. Several notes throughout the piece go beyond the conventional range of the A clarinet, but the basset clarinet was a rare, custom-made instrument, and when the piece was published after Mozart's death, a new version was made by unknown arrangers, with the low notes transposed to regular range. Mozart's widow told a publisher that Stadler had either lost it, pawned it or had it stolen from him. The basset clarinet fell out of use after Stadler's death and no original instruments from his time have survived. The instrument was revived in the latter part of the 20th century: attempts were made to replicate the original version, and new basset clarinets have been built for the specific purpose of performing Mozart's concerto and clarinet quintet. Some have been based on 1790s engravings showing Stadler's instrument. -Wikipedia The bass clarinet for which this concerto was composed was not widespread; has been disappearing, like the bass horn. If the concerto is actually played on the bass clarinet, with a lower register than the clarinet, it produces a very different effect with its “uncut” intervals, it is more serious and solemn, less pleasant and, however, more transparent. Apart from this, it becomes a definitive statement by Mozart: “…here I show you once again - the last time - what the concerto for a wind instrument should be at all: singable, without virtuosic morondanga, precise, although never too dense …” -Wolfgang Hildesheimer (1977). Ariel Bignani (T) “MOZART” (pp. 357). Javier Vergara Editor, S.A.

Когда то играла финал на гос экзамене, посмотрела спустя сорок лет на текст, ужас. Как только справлялась, а ведь играла с легкостью, в любое время дня и ночи.

I love so much to listen or to play the 3rd Mvt Andate, it's so hypnotic ❤

Squidward is happy

0:09

While I love the lightness of Horowitz treatment in this movement, I adore the precision and use of rubato in in Richter's performance. Perhaps the gods will combine them.

Amazing rubato. We need this romantic style playing back, not robot-like playing

money...

6:37

Hey, KZbin -- I'm trying to enjoy a piece of classical music while reading. I don't need to be interrupted every 1:30 by some obnoxious idiotic ad screaming at me. Not to mention it's a total disgrace to the music.

I heard this genius music first time as a film music in the movie "american gigolo" . What a master of music, what a genius composer. We will remember this music in centuries.

The 2nd movement makes me cry.

1:51

Beautiful. I've been practicing that piece for months, needless to say I can't play this as well as she can.

What a version!! So well played. 😭

strange ending is that the end really????????????????

“I am not a human being, I am Ultraseven of Nebula M78!”

A clarinet is a flute with a blocked nose An oboe is a clarinet with a blocked nose A trumpet is an oboe with a blocked nose

Un clarinettista leggendario, fantastico, ascoltarlo è una gioia per lo spirito e per l'anima. BRAVO !!

2:50 very good

Jefferson

Skdixuuciffudu

Of all the cycles, Dohnanyi did the ultimate best that is consistent from one symphony to the next! His Schumann made me cry! My gold standard for Schumann now, just as Gunter Wand is to me for Beethoven, Brahms and Schubert; Gunter Wand's Bruckner is also equally brilliant as Skrowaczewski on Oehms label.

3:48

pg 4: 4:34 5:01 pg 5: 6:05 7:10 pg 6: 8:25 pg 7: 9:36

This wi quench and moisturize your parched soul, and evoke comfortable feelings