Hello! Yes there are services for subtitle translation online. This video is for people already utilising DaVinci resolve in their workflows. Thanks for watching!

Check out our colour management masterclass! Search for it on our channel :)

Yeah, that’s a difficult question. One is for colourists the other is for editors. There’s no overlap. Ideally you would have both devices. Can you provide more info?

@team2films I guess it's just a personal question, whether you feel one is more important than the other for your workflow. Totally depends on a creators needs, and both would definitely be best.

​@@Jeff_Lathrop Yeah, it's a hard one. Love the search dial. on the keyboard. Love the rings and trackballs for primary corrections. But you can live without either... as it's possible to do everything with a keyboard and mouse. Remember they don't make you a better editor or colourist... they make you a quicker one. So if you have to choose between the two it's worth considering whether you spend more time colour grading or more time editing. Really sorry we can't give you a more concise answer. Thanks for watching and commenting!

@@team2films Thanks for the feedback! Either one would be a luxury for me at this point, no doubt. I think making simultaneous adjustments to lift/gamma/gain would be pretty neat, and the dial seems really nice for timeline work. However, my grades are getting simpler the more I learn; and my videos are pretty short - so it will be a splurge that I justify as an an ergonomic upgrade once I get some more projects done this year. Physical controls like these are always nice! Happy editing :)

19” Domke

You are welcome

Hello, in this video we are using audio engine a2’s. We would not recommend them for mixing though. Leon uses Yamaha HS5’s. They are a much better choice.

@@team2films Thanks a lot again, I was actually considering the HS5's or some KRK's, but with this reference I'll have kind of a direction where to go. Greetings to both of you and thanks for such an amazing job and the guidance!

Glad you enjoyed the video

Yeah, that’s a good tip. Proxy resolution should be set to full. To be precise, I think dynamic zoom still works, but I think the viewer controls are messed up. Hopefully this will be fixed.

19 only.

Do you have color management turned on? Is the timeline that is currently open set to use project settings? If not is it configured to use color management?

Aaaaah! Yes. I finally sussed out the answer to your questions. Thank you very much for your quick reply. I am a noob, so it took me a few minutes of trial and error. No, it was not set to use project settings. I will outline my solution for the benefit of other readers: Right click on the current timeline icon in the media bin. Hover over "timelines" in the context menu then select "timeline settings" in the fly-out menu. Go to the color tab, and at the bottom left find a selection box for "use project settings". Mine was greyed out and unselectable. However, I changed "color science" to "daVinci yrgb color managed", and then checked the box for "automatic color management". Returning to my media, I was able to select several clips, and right-clicking on them now showed the "input color space" selection.

Thank-you so much. That's really nice to hear.

Thanks so much! Speakers: Yamaha HS5, Monitor: LG Ultrafine 4K. We’re using an ASUS PA32UCXR in some of the latest videos.

@@team2films I know you’re a cinematographer, but what camera do you use for photography or what would you recommend?

@@jamescook5931 Heya James Most of my photography is on film currently. I really like the look of Fuji's GFX medium format cameras. I really like what Fuji has been doing with their other stills cameras too. Photograph is such a mature market now, so you can pretty much buy any FF mirrorless camera and you're going to get amazing pictures. I'm more familiar with Canon's line up so that would be their R series. You don't have to spend major dollar! Remember, if budget is limited, put your money in lenses not in bodies. Currently, my main digital photography camera is a Canon 6D! It's old, but like I said, digital stills cameras are really really mature. The biggest improvements have been in things like auto focus, resolution and video features... Beyond those things a 10+ year old camera like the 6D will still hold it's own really well.

That's a great question. We've added it to the top of our list to cover in a future video.

No, sorry!

Thanks so much. We love Bundaberg! It's our favourite ginger beer and we can get it here in the UK :)

Thanks so much. Glad you are enjoying the videos. Thanks for leaving such a kind comment.

@@team2films Well deserved. Carry on your good work. Pace, content, presentation, usability and scope, Your videos are perfect and do not need any improvement. Stick to your style. Like Andrew Kramer and after affects, Your videos will still be watched in 20 years time.

🖐 hello!

@@team2films 😮❤️

We are not sure. Do you experience similar issues with other clips?

Thanks so much for watching and commenting. We get where you are coming from! It can be confusing, but in general Fusion is a little easier than people think. We’ll make some beginner Fusion videos in the future. Im the meantime @CaseyFaris has some excellent beginners guides for Fusion. It’s great to have you here.

@@team2films thaank youuu. I have another question. Do you think Fusion is an inferior motion graphics tool compared to After effects? I hate Adobe and would not like to use AE. Thanks.

We’d suggest connecting directly via IP instead of through the cloud if you are saving problems. Is that what you were referring to?

@@team2films I simply noticed that “sidecar” streames the image at a lower image quality… the iPad looks fantastic when the images comes from itself , but when paired to desktop Mac and using the iPad just as a monitor , the image looks much softer and you can tell a lot of compression is going on. Either if it’s connected via usb c or wireless. The idea of using the iPad as a screen is awesome but to me “sidecar” is a huge bottle neck. Any suggestions? I parchased the iPad Pro and I’m very disappointed as of now …

Yeah sure! You could make another reference clip and link it to that instead.

Thanks Max. We’re looking forward to it

Thank-you! We appreciate that

Ah that's cool! We're so glad you found it doubly helpful!

Much appreciated. Hope the video was helpful.

Thanks!

The dimensions of the final image are dependent on the squeeze factor, the size of the sensor used to capture the image and how the image is cropped. For example, if you shoot on 1.33:1 sensor (4:3) with a 1.5x lens you’ll end up with an image that’s close to 16:9 Does that help?

@@team2films yes it does thank you.

Thanks so much, we really appreciate that and we appreciate having you in our audience. Magic Mask will be hard to use on anime because it's probably trained on live action footage. I'm sorry there's no easy solution for that with Magic Mask. The object mode will most probably be better than the person mode. @CaseyFaris and @VFXStudy are awesome channels. They are both great peeps too. Always a pleasure to point people in their direction.

Thank-you Casey! Really looking forward to ResolveCon.

Hello. That's a great question, I'm so sorry but we don't have any solid data on that. We've been using the 1TB model in our demonstrations but have not had experience with the 512 model to be able to offer a useful opinion. Are there benchmarks from others out there on the internet?

Hi, we're so sorry about the sibilance! We'll make sure we have de esser in our effects stack on future videos. We appreciate the feedback. Thanks so much for watching.

Heya, you can start using the beta if you want. Not sure when the official release will be though.

You are very welcome! 🤗

That’s a great idea. The BM forum is a great place to make suggestions like that. Thanks for watching.

Haha! It is the beta. We clean it up in our videos so they don’t age as quickly.

Thanks so much. We’re on our way! See you tomorrow.

Thanks Barrie

Thank-you. Glad you enjoyed the video

Our pleasure, that’s really kind of you to say.

Thanks so much! Glad people are still enjoying this video.

We’re so glad. We like to call them knowledge pot holes! 😋 Happy to fill them in. Everyone has them, no matter how long they have been using fusion. Thanks for watching

I think it was only added in 18-18.5 its new enough 😅

@@mariotriforce ooooh

We're so glad it's clear and easy to follow. Thanks for watching.

We love @CaseyFaris

Sorted. Thx

Thanks so much. We’re so happy to have you here. I guess it is Similar… but you can do more with a fusion comp.

hey, i got same thought too last couple months. Yes you can use adjustment clip as fusion comp too...both of them have identical output...... But, if i correctly remember, you can render in place Fusion Comp only, meanwhile the adjustment clip cannot be rendered in place alone, except you bring the media underneath to be rendered together.