Waarom gebruikt u geen watervermengbare verf? Is dat geen goede verf. Dank voor uw info. Met groet.

Great video

I've never yet found a Naples Yellow - other than the very expensive genuine pigment - which doesn't contain Zinc White: have you found one, and if so - who makes it? I think Michael Harding (you showed his King's Blue) is phasing out Zinc - presumably he'll replace it in the King's Blue.

Painting on the right is a distraction; please remove.

Please show what you aré saying

I like everything about Liquin except the gloss. Is there any material you'd recommend to avoid a gloss?

Cool house, beautiful painting! 😊

I spray clear shellac between layers. It doesn't yellow, and has the added benefit of stabilizing the oil layer and prevents cracking, like adding rebar to concrete

🔥🔥🔥🔥🔥

It's magic. INCREDIBLE....

Is this artist a 'gay person? He has an odd way of speaking.

Thank you for your videos and the information you share. Can I use liquin on all layers? thanks for your answer.

What are your thoughts on Prussian Blue?

Thank you so much for this video. But now my question is; Can you oil out on an oil painting that has already been varnished with gamblin gamvar?

Liquin is shit only idiots can use this shit for painting.

Great work

All my old paintings on masonite have ruined corners and they cannot be transfered to another surface.

For me using retouching varnish gives too glossy effect

How would you compare naples yellow, with titanium white unbleached?

so beautiful

It's always a joy to see your video

For archival I go for GAC100 as a sealer and cradled “Russian” Baltic Birch. Is it worth it? Check back with me in 200 years…

Hey thank you for taking the time to make this video! So i oil paint outdoors- i never spilt it before but i spilt some on som stone and also my hands... How do i properly remove it from my hands and from the ground? Did i jusy destroy myself lol

Hi, maybe it is too late but, I just want to point out that those masks are pretty bad to protect your lungs. You better buy a respirator mask for this job. Thanks for the video

Maybe a little bit bigger brush?

Thanks for this! Great info and we’ll explained 🎉

Love your video. If I have multiple layers in one painting, Do I must use liquid original for all my layers? Can I only use liquin original only at the first layer? Thank you.

its all fun and games until you try to paint a sky without having the blue u need, and you have the one that cant copy it.

This was what I needed. Thx a lot.

Using the water-mixable oils I can confirm that my 37ml cadmium yellow almost lasted for 2x titianium white 200ml tubes. Same for ultramarine blue, cadmium red went a bit faster. I also like raw and burnt umber. Raw is nice for its greenish tint.

There goes the brush

Thanks for the video, but I think that your shadows are dirty. The main trick here is to make transitions between lights and shadows warmth and orange/red. Because of subsurface scattering under the skin, we have such warm areas.

My english ıs not enough. You might had explained too. But i have a simple question. Can i use linseed oil and liquin together or not ? I want to give my oil pai tings deep effect , glossy, and glazing. I hope used correct words and thats what i meaned. Thank you

Tanner I like how you fold the corners! Just a suggestion I've seen from other artists who stretch paper over wooden cradle box or frame, which is to grab the middle of on side and pull up the paper to wrap on frame, then staple first at the middle of one side, repeat on the opposite side; then repeat this process on the perpendicular sides. No need to crease, keep pulling up/wrap/staple from middle till a couple inches from a corner, now fold/staple your corner and repeat on other 4 sides/corner. The paper will make it's own crease as it shrinks till dry and each side will be more evenly stretched. I've done this for my watercolor paper over a wooden box and have seen video tutorials to do this over a canvased frame or even an open frame. 🙂

U said alizerin crimson but prior not to get that one

my fav. too ❤

Liquin is a fantastic medium although it used to irritate my throat so I stopped using it.

h0w do you get in touch rosemarry?

Great video. Thank you! Can Liquin be used in the same way with W+N water soluble oils? I'm a beginner and trying these paints to avoid air contamination due to allergies/asthma of family members.

So….if I do a lean underpainting with say some type of solvent, then an oil layer(s) out of the tube, I can’t use a medium over that layer right? It’s already fat over lean right? But….can I glaze with oil paint mixed with linseed oil over oil out of the tube since I’m actually adding fat? Asks old confused lady. 😂

WN whites currently have at least some zinc in them, which is problematic in any percentage if you concerned about permanence. The jury is still out on the percentage but it seems to be extremely small. (If not, disregard all that I have to say.) Permanent alizarin crimson with PR177 has an ASTM lightfast rating of I, but it depends on the particle size that is used by the manufacturer which the artist will not know. Test these paints in swatches (half of it covered to be unaffected by light) that are put into the sun for a few months and see for yourself beforehand. My samples showed a lightfastness of II or more and I do not use them for serious paintings but for studies and experiments. To make matters worse, (and I am hesitant to even mention it) the lightfastness of a color also depends on which white is used so that you cannot entirely depend on the ASTM lightfast ratings. See Trevor Ambrose's September 2023 article, "ASTM Lightfastness Testing in oil paints" in Golden Artist Color's blog, "Just Paint" in which 34 WB oil colors were tested with several whites and found that some lightfast ratings were changed when used in various whits, some better than others. As WB uses many of the same limited number of pigment manufacturers as other oil paint companies, the same may be true of them as well. You may need to adjust your whites according to the paint layer with titanium in safflower or linseed in the final layer depending on the pigments that you use. Check the charted lightfastness results in the article. Lead whites, which are superior for paint film strength and flexibility should be covered by the last layer. Otherwise, just enjoy the painting process and have fun with it. Thanks for your video and the work that you put into it.

Damn outside air is harmful too, if you go crazy and sniff the truck exoust pipe. Just follow normal functions, don't eat it, don't sniff it.

My professional artist introduced it to me when I started my career, and I refuse to run out of it.

Thankyou again, very nice and different approach!

Thankyou, finally someone who says painting outdoors instead of the " P" word!

can I oil out with a mix of linseed oil and liquin? (the painting was done more or less with a similar mixture in the paint, used both mediums) thanks!

Hi, what pencil did you use at the end for the white in eye? I’ve been using a paint pen but maybe a pencil would work better. While I’m at it what brush do you use? lol 😅

The best information, this is invaluable for someone who is self learning....My palette is about to get a makeover with just these colors! Thank you!

Hi! I am from Argentina, a very new oil painter. I finished a painting around one months ago. It is dry in touch. It's an abstract painting. It has one layer, very thin. My question is how I can varnish the piece to protect It from dust. Oiling out is not necessary I think you commented. What can I do? Sorry for my english! Thank u for all your videos, I love them!!

Retouch varnish is best for me. You work with small brush strokes from end to end. Takes time but worth it. Protects the painting but you can keep working on the painting after it dries.