Love your music as well... It's a beautiful sound.

Hi Jenn! Thanks so much! Yes, I feel the 80s are great for classical music. They offer a wide range while keeping the program material transparent. Absolutely worth considering! Wishing you the best with your music! ~ Lisa

@@LisaBellaDonnaMusic thank you so much!! I’m thinking I’m going to get a pair from Sweetwater now.

Hi Dennis! You most certainly can! Use the multiple on the mother 32. Send mother 32 KB OUT into the MULTIPLE, then send both lines out to each oscillator input if the Subharmonicon. Then patch the GATE out of the Mother32 to the Trigger in. Tune all oscillators to desired intervals, play the keyboard on the Mother 32. Enjoy! 🩷

Hi Alex!! 🩷☀️✨ Of course! Typically, I route main theme sequences, Oberheim DX, & bass through the super-analog channels. When setting this up, I spend time experimenting with gain staging the VCA/Mixing section of the modular with the SSL BigSix until I get the crunch or smoothness that I am after. Then I will patch the Bus+ into the inserts. From there, I will set it up to side chain the main sequence channels. Setting up an extra sequencer output to musically control the side chain of the Bus+. Look at it as a programmable attenuator for the compression. I love setting up a separate Moog960 just for this purpose so I can implement 3 rows of thematic attenuation via a sequential switch. This allows each section of a piece to have its own range of dynamics. The stereo channels I will submix a plethora of stereo groups via my Holland Synthesizer. Which is a 72 input/output mixer. This can also include stereo delays or reverbs as well as printed tape returns. Once everything is dialed in, I perform the piece while mixing live through the BigSix. That’s simultaneously routed into the computer for multitrack, or many times I will simply record direct to DSD 2-track. Of course, depending on the music… If there are drums involved, I will always multi-track. I will send time code or gate buses from the modular to the DAW so I can take drum sounds further in the final mix. My favorite way of working though is simply routing to 8-channel tape or 2-Track DSD. The less mangling that I have to do in the computer, the better. I love taking flight with a piece of music and mixing it live while I’m in the altitudes of those moments. Even some of the pieces in this video are live to 2-Track. The fun thing about the BigSix is that it’s great to have templates setup for mixing a project live, routing the G-bus out into your mastering chain and right back into the computer or DSD for extremely dynamic results. It’s such a fun, compact, and tremendous sounding studio tool. Hope this answers your question. Sure appreciate you and all the wonderful work you’ve been doing out there!! 🩷 LBD

@@LisaBellaDonnaMusic Ah thank you so much for the detailed answer! That's awesome. Really appreciate you too! Keep on rocking.