Great insights!

Thanks for your honest review Douglas, good work.

How to use the color slicer tool but without artifacts like is shown on 5:50? Is there a way to soften it up or apply some king of effect to avoid the artifacts? That way the tool becomes way more usable without worrying about breaking the image. --Using 10 bit footage

is it footage from Artgrid?

Thanks for this. Good insight. Would love to know a little more about creating a LUT for a specific camera? How would i set up a pipeline if i was working in a particular colour space, like either Aces or DWG?....and i was doing it for a specific camera like a Sony or Red? I know that there are certain tools within Davinci that cannot/do not translate onto a LUT....can this be compensated for? Not a problem if you don't get the time to do this as i know these video take some planning, etc, but it could be interesting. Thanks again for sharing. Enjoyed watching. (New Subscriber) 👍

Great review, Douglas. This backs up a lot of my findings about Dehancer (as well as the Film Look Creator).

Thanks Douglas, this is very informative. will this setup enable me to have my color graded footage be displayed in the fusion page with the accurate color grade as it's shown in the color and cut pages? By the way you just earned my subscription. 👏🏽👏🏽👏🏽

Ah ah je me doutais pas du tout que tu étais français. En tout cas, ta chaine est super et merci pour le partage 😊

Thank you for the interesting review and for your opinion! Fell free to ask us any question about Dehancer😊

Thx for your work. I really like the Point of view of your review of the plugin. Very informativ. appreciated

It's great to see how thorough you were in your review - great job! I do agree with your concerns, especially about the dramatic curve of the RGB split of the profiles. I've had the perpetual license for Dehancer for a while but I find that it's really difficult to get a good-looking result. The well-recognised profiles don't look as you would expect, as you stated. But the Bloom and some of the other texture features are great. By the way, I'd be curious to find out which plugin you were comparing it against at 17:20 if you wouldn't mind disclosing this privately. Thank you!

Plz make tutorial on how to build viewluts on camera

Excellent point de vue

Thank you Douglas for putting in the work, I really liked the 1:1 comparison with the Film Look Creator. Never used Dehancer before but especially the texture tools looking interesting.

Hey Douglas! Question regarding Dehancer/Aces workflow. Is it best to set the project to aces (like your previous YT video) and just select aces cct in dehancer?

Thanks!

🔥 excellent review, thanks again for another top quality video !

Hi about the mismatch between ACES and DWG. I think the main difference you see here is actually because you are comparing Resolve CST with DaVinci Tonemapping to ACES Transform with ACES ODT. The extreme difference in contrast and rendering of edge case colors like the neon lights are a result of comparing two totally different ODTs. Dehancers color management is therefore out of the equation. I also wouldn't apply Luminance Mapping and Gamut Compression in the ACES stream, because you didn't use those in the CST stream either

Film look creator is like lightroom ibwish davinci couldnjus make it easy yo edit fotos and arrange them

Can you introduce each function of panels on the left hand side ,thanks

super vidéo !

Je viens de m'abonner et j'adore déjà cette chaîne ❣ 🥞🍰 Cela confirme pourquoi après plusieurs essais je préfère travailler mes split tones et mon contraste avec les courbes d'origine plutôt qu'avec le film look creator. D'ailleurs le DCTL color density ne me paraît pas aussi bien que celui du plugin payant et que celui de la technique en overlay. Merci

I agree, right now it reminds me of Lumetri in Pr. A simplified do it all thing for the newcommers. They should give more settings to finesse the split tone and the contrast/tone. Also the pivot point of Split Tone is at .3. Isn't DWG mid gray at .336? Sure it's not that far off but it should update depending on the color space used at the top. And the contrast has no pivot point which should again vary depending on the chosen color space + a custom option. It's weird they spent so much time for their own tools and got the pivot points wrong or non existent with a weak split tone. It almost feels they did it purposefully to not impact 3rd party DCTL creators. Speaking of which, there are some phenomenal tools out there, not just for creating but for monitoring exposure, colors, sat, skin. Hopefully this was just dipping their toes and they'll give us more.

That music, if one could call it music… Is so obnoxious. Why do you think a tutorial needs music?

Thank you Douglas for a great intro. 🌿🌷🌿🌷

Great video. Good idea to review every parameter of this tool with your onion. Help a lot.

Thank you Douglas ..ur valuble thoughts learns me alot of techniciques...l like ur way of teaching with how each and every tool works and also the grey scale format learning is gives us more value than picking one picture and add look on it...we wish ur youtube channel lasts well like cullen kellys channel!

I tried film look creator and i dont like it. Yes you can do a lot but dehancer is just better and gives me better looks with the film stocks emulations. The ones in film look creator have strange names that mean nothing. In dehancer i know what i get seeing the names. In the creator you can create looks with dehancer you creat FILM looks

Awesome!!!

Plesso can you give us more info about why you use ACES instead of the “more usual” with two CST nodes, the first beeing the camera color Spaces to DWG+gamma and the last one beeing from DWG+gamma into rec709+gamma ? What advantages you are finding using ACES ? Thanks. PS: I’ll be in Paris this week end … suggestions about events ? 😂

What's your IG let me follow u love your video, I am also trying to become a colorist

Just discovered your channel! Huge congrats landing an interview with Daniele 🙌 Such a kind and brilliant mind

The saturation in the vectorscope is going out of the circle, how we should use that graph to set the right amount of saturation?

Nice walkthrough mate, although a great tool I still prefer the pixeltools Hue-Shift DCTL, maybe I’m too used to it but it’s great addition from the BM team!

Hello Douglas: @jaycreighton here again. While the following question is not the point of this particular video, would you please share the particular tablet you use in your color management work? Is it a Wacom tablet, e.g., the Wacom Intuos Pro Tablet? In my quest to learn more about color science and management, I’m researching the usefulness of various peripheral devices, and in what way those devices enhance one’s workflow while in DaVinci Resolve so a video about the peripherals that you have decided are useful to you would be a great assist. Thanks again for a great video, Douglas. Have a peaceful and productive weekend, sir. (Today is Saturday, August 31, 2024. Sometimes it’s hard to know when comments to a video were made. 😊)

Ok, this is going to completely change how I work with color in post. Thanks Douglas! How do you set up working with this color space if you have various cameras in your project that use multiple flavors of LOG? (This might deserve a video unto itself).

Hello Douglas, what about CST-IN / CST-OUT tecnique ? Si it possibile to use ACES color space and continue to use a combo of two nodes (at start and end of node’s sequence) ? Should I leave Davinci Yrgb at project settings level and then operate situa simmetrical settings pair within the two cst nodes, obviosly using ACES instead of Davinci intermediate ? Which is better and why ? Thanks

Loving the channel. Would love to see a tutorial on making Show LUTs with custom contrast curves!

the HDR wheels always behaves properly in color managed projects. even though you wouldn't select "use color space aware grading tools". this button however affects tools like contrast/pivot, custom curves and qualifiers

Thank you, Douglas. Great as always. It would be wonderful if you could do a video on setting up Davinci Color Managed setting for Newcomers... Best. 🌿🌹🌿🌹

Everything is great, thank you very much. Which one do you usually use in your workflow and why? DaVinci or ACES? For example, if we use ACES, where should we place plugins like Dehancer? I've never worked with ACES before.

thanks douglassss this is super helpful.. was wondering what's your color monitor setup?

Thanksgiving your sharing.I love ur english :)

Been really loving your content dude!

Hello Douglas: Thank you again for another helpful video. I am new to color management (you may remember I wrote a comment in one of your prior videos that I have moved from Final Cut Pro to DVR), so please forgive my ignorance with color management. However, when you were discussing the choices available in the Color Science drop down (1:20 in your video), you said, “choose ACEScct.” In that drop down box, there was another ACES choice: ACEScc. When would one choose ACEScc instead of ACEScct? In other words, while I appreciate your telling us what to choose, I’d like to know why we choose ACEScct over ACEScc. I always find myself asking, “Why do I choose a particular setting over another?” Once I know WHY I choose a setting, then I understand when to use that choice and when NOT to use that choice. Again, thank you for a great video. I love learning DVR!😊

Thanks 🙏

Good explanation! Mind to tell us what monitor you're using?

Finally someone who _REALLY_ explains in detail what a 'mysterious slider' like SAT.DEPTH is doing. Great ! Subscribed, liked, see you soon again :-)

Great content🤟🏼

So this basically is what hsl is in photo software