Subscribed. There are a lot of great channels on KZbin that explain these topics, but this video makes me feel like I am fully understanding the topic, going to remember the concepts, and be able to generalize this knowledge to grow as a musician in general. So great, thank you.
@PaulvanOsss10 сағат бұрын
This is very nice, instructive and amusing. Reading the keys of a piano is not my forte, i would prefer normal musical notation instead. (My piano teacher forbid us to look at the keys.)
@onpatrolforthejuice13 сағат бұрын
I understand what you are saying but getting it into my fingers without writing it all down very painfully is another thing all together
@piggdsbest33315 сағат бұрын
Im asked this for an audition : scales will be followed by either an arpeggio, a Dominant 7th arpeggio built on the 5th degree of the scale, or a Diminished 7th arpeggio built on the 7th degree of the scale, and will resolve to the tonic. I know when to use the Dominant 5th degree chord but when should the diminished 7th be used on harmony? Thanks.
@onpatrolforthejuice15 сағат бұрын
That dimished thing with the dropping any note to make it a dominant is from Barry Harris' method. He has a really interesting concept of jazz harmony based on these "families of chords."
@kanapkalol16 сағат бұрын
And lydian interchange? What transposition is that?
@michaelkeithson16 сағат бұрын
Using that same technique, Lydian would be moving everything up a 5th but let me warn you, not all modal interchange is made equal, Lydian and Mixolydian aren't anywhere as pleasing as the minor modes, they don't really work using that same trick. You can still effectively borrow from them but it doesn't really work shifting an existing chord progression up a 5th or 4th. Fun to explore though!
@kanapkalol11 сағат бұрын
@@michaelkeithson thank you! :o)
@onpatrolforthejuice16 сағат бұрын
Very good video can't wait to try some of this when I get off work
@michaelkeithson16 сағат бұрын
Thank you 🙏 I appreciate the comment. Happy exploring!!
@onpatrolforthejuice19 сағат бұрын
The way I remember the sound of the backdoor 2 5 is the victory song in final fantasy
@AmodeusR20 сағат бұрын
This video is absurdly amazing. This is the type of content I really need, and more than ever I see I really need to learn about The different modes other than the common major/minor, I can't delay it anymore 😅
@michaelkeithson16 сағат бұрын
Thanks man, glad you enjoyed it! Happy exploring! 🎵
@Dutch_DrD21 сағат бұрын
Excellent!
@kanapkalol21 сағат бұрын
You explained it wonderfully. Thank you
@michaelkeithson16 сағат бұрын
You are very welcome! Thanks for the nice comment 🙏
@mariolamadridКүн бұрын
just what I needed to understand this concept. Thanks so much!
@michaelkeithsonКүн бұрын
You are very welcome Mario! Pleased that it was useful 👍
@plouf1969Күн бұрын
Pretty mindblowing. I love how you explain the contrast between the strong tension of the tritone in the dominant vs the slightly weaker one in the backdoor dominant.
@michaelkeithsonКүн бұрын
Thanks Joel, I appreciate your comment 🙏. Glad you enjoyed the video 👍
@MrGlowBaby2 күн бұрын
The Bm7b5 resolves to A - probably because you’re borrowing the Bm7b5 ii chord from the parallel key of Am Plus the F note is going to an E - and the D note is going to C# - the A note stays the same
@MrGlowBaby2 күн бұрын
Another guitarist here - SOLID CONTENT - cheers!!!
@michaelkeithsonКүн бұрын
Cheers man, appreciate the comment. 👍
@Ohlala.lalaoh2 күн бұрын
totally agree with you that it's not [parallel], they have the same tonic. Just like branches spreading from a tree. Thank you for giving your time making this video!
@michaelkeithson2 күн бұрын
You're very welcome. Thanks for watching and taking the time to leave a comment 🙏
@insight8272 күн бұрын
Wow, this is high quality
@michaelkeithson2 күн бұрын
🙏 Thank you. Pleased you enjoyed it. 👍🎹
@italoop78502 күн бұрын
Hi Michael! I appreciate your work very much. Guitarist here, for 50+ yrs. Guitar is a tricky bitch... as transposition is easy and most guitarists are trapped into chords w/Root in the bass and transposing a few shapes they know. Most of them don't see a shape as other possible chords, unless VERY advanced musicians. I moved away from chords with a root in them, unless I want to strongly state their function in a harmonic progression. Learned a lot about these things from Charlie Banacos, back in '90s, when he was around. See... another problem with guitarists is often poor voice leading; most of them are trapped by knowing chords shapes rather than "morphing" one into the next chord. Like in a II V I or other progressions. As a simple example... take the Dom7 b9 sus voicing from this video... and play it like this Ab C D G as D h/dim, then simply lower that C to B for a G add b9 (7b9 function) and finall down to C G Bb Eb G for a complete minor II V I . On the other hand, the magic of this voicing from the melodic minor scale can also be great in the typical guitarist transposition mindset, so you could play Ab C D G and move it up a minor 3rd to B D# F A# and move it up again a maj 3rd to Eb G A D and here you have your minor II V I, DH/Dim/G7b9/Cm69. Melodic minor scale chords are VERY useful in the way they can be used for many different families... and the scale has that powerful unstable character given by its double tritone. Guitar has a hard time with clustery chords. Those multiple seconds are impossible to play, whereas on the piano it's much easier. The voicing you are showing here is VERY hard when making inversions on the guitar. Impossible seconds in it. But spreading the notes a bit helps to get some other voicings and helps the adventurous guitarist to wander in piano land! Great to see somebody talking about these things on YT.... where too many chat about the same old stuff... Cheers to you!
@michaelkeithson2 күн бұрын
Thanks for the nice and thoughtful comment, and I appreciate you sharing your insight 🙏 Glad you enjoyed the video. Cheers
@Sue-op1di3 күн бұрын
About that alien third hand, do you offer a discount?
@michaelkeithson3 күн бұрын
😂🤣. No discounts, no refunds.
@stevesawyer42863 күн бұрын
Great stuff. Watched multiple times already. But confused about adding the ii to the tritone substitution - C|Am7|Abm7|Db7|C The Abm7 is the ii of what?Gb? ??? I understand the Ab is V/Db, and Db7 subs for G7 which acts as a V, so it’s a progression of descending 5ths. But why do we call the Abm7 a ii chord? It isn’t a ii of the tonic, nor is it a ii of the Db.
@michaelkeithson3 күн бұрын
Hey Steve, thanks for the question. It's probably not a very good answer but I think it's just become vernacular that gets used. ii-v is such a common progression so it's easy to spot them as a set up to a resolution. Typically a dominant 7 chord will resolve to something, oftentimes times a fifth below and in this case thought of as V chord. We know we can nicely and smoothly precede a V chord with a ii chord and this has become a common tool even when the dominant 7 chord isn't actually a diatonic V chord, we still think of it as a V chord and put the ii before it. So in that example the Db7 is a non diatonic dominant 7 chord but if we think of it as a V chord and then create a ii-V, the ii would be an Abm7. Hope that helps! 😬
@WP-pn6nu3 күн бұрын
You are not only master at your craft, but also a master at being really clear in your teachings. I think i've commented this before, but your channel really deserves more subscribers and attention. Also, you seem like a really down to earth guy who deserves it. Very grateful for the great content. It has really kept me occupied since i've found your channel. I would like to share that this year my sister passed away due to cancer, and i haven't played guitar nor practiced music for several years, but i played on her funeral with her daughter singing and after that i have started coming back to music, it is my therapy.. And your content and the way you teach, helps a lot on how i can evolve my way to express myself through music and deal with the pain.. So thanks a lot, and i really really hope you can grow this channel to the extent it deserves. I hope i can do my share on your way and help come up with ideas for content/topics that would be interesting to learn deeper about. Thanks Michael, best regards from Sweden 🇸🇪❤
@michaelkeithson3 күн бұрын
🙏 Thank you! I really appreciate your support and encouragement. I'm glad you're enjoying the content and keep coming back for more! We can only hope that others feel the same as you and the channel continues to grow! Sorry to hear about your sister but it's great to hear that you're returning to music and using it to help you heal and I am really pleased that I'm a small part of that, thank you for sharing. Cheers. See you in the next video!
@ivanovivan47043 күн бұрын
Nice 🙂👍
@michaelkeithson3 күн бұрын
🙏
@refonbass3 күн бұрын
Fantastic demonstration. Cogent and concise, well done sir.
@michaelkeithson3 күн бұрын
🙏 Thank you kindly! I appreciate your comment. Cheers
@user-xu8bl3nl5r3 күн бұрын
So glad i came across your channel! Very well explained videos
@michaelkeithson3 күн бұрын
I'm glad you're here too! Thanks for watching and leaving a nice comment 🙏
@normanspurgeon53244 күн бұрын
One of the significant problems connected to this chord, is that most people do not play the E natural, over the B flat 7th- the correct note is e natural, of the chord d minor 7th flat five, with an e natural, with B flat in the bass. its's a 4 minor chord- with the e flat used as the melodic tone, and entirely different harmonic scenario results. Example- C maj7, C 7th, F major 7, B flat 7 with #11 is the correct melodic scenario, as in Misty. the B flat note is a melodic tone, not a root-
@relativetimeworx84594 күн бұрын
It is an interesting arena for creative debate... I've always considered myself one of the more "Music Theory Aware" musicians in the numerous rock bands I've played in. However, one time, while working with a band comprised of Musician's Institute students in LA, I presented a new composition where the first section of the verse was a slow, two chord progression that modulated between D6 and Amaj7. My rather gifted guitarist's initial reaction was, "You can't do that!" To which I responded, "Can't? There's no can't"
@michaelkeithson2 күн бұрын
Thanks for sharing. I agree, definitely an interesting arena for debate. The way I see it is that there's no right or wrong but a spectrum of conventional and unconventional and that will obviously differ from style to style, genre to genre.
@LuddeB4 күн бұрын
So instructive, informative yet comical "insertions" here and there! Love it, great stuff will be watching more of your videos!
@michaelkeithson4 күн бұрын
Cheers man, glad you enjoyed it. Thanks for leaving the nice comment, much appreciated 🙏
Mr. Keithson, you are so organic. Thank you so much.
@michaelkeithson4 күн бұрын
You are very welcome Sergiy! Glad you enjoyed it 👍
@davidhowe54155 күн бұрын
Brilliant. Thank you. P.S., I see it, "Sweet Baby James" album on the floor....nice
@michaelkeithson4 күн бұрын
Cheers David! Yeah, can't beat a bit of JT 👍
@erickgales99915 күн бұрын
This reminds me the good times at the music college, it would be great to have you as a harmony teacher!
@michaelkeithson4 күн бұрын
Cheers Eric, appreciate the comment 👍
@inanitas5 күн бұрын
I get the feeling this is more applicable to Jazz right? I'm trying to find out how to use modes in "simple" music. I want to make Progressive House with a sad touch
@michaelkeithson4 күн бұрын
It's probably more leaning towards jazz although I made a follow up video and talk a little about writing in mode, that might be more helpful for you. kzbin.info/www/bejne/kJ-nZnlspJx1Z8k
@davidhowe54155 күн бұрын
Very good. (Double bass player.)
@michaelkeithson4 күн бұрын
Thanks David 🙏
@concerninghobbits55365 күн бұрын
How did I see someone mention backdoor chords, google what the hell they are, analyse the wiki page until it made sense (took a lot of talking to myself and trying to visualise diatonic chords and a piano keyboard to figure out what notes were in each chord and how they overlap because I was too lazy to get up and walk ten feet to a piano) and THEN WHEN I LOOK INTO MY WATCH HISTORY TO FIND VIDEOS I DIDNT WATCH/FINISH BUT CLICKED ON TO WATCH LATER, I SEE THIS. Would've been really handy an hour ago or yesterday when I apparently clicked it but I guess now it'll reinforce my new knowledge and maybe give me some advice.
@michaelkeithson4 күн бұрын
Well I think there's a lesson to be learnt here. Never leave one of my videos unwatched!! 😂
@concerninghobbits55364 күн бұрын
@@michaelkeithson I've been watching a lot of random theory vids lately thanks to the algorithm and me having searched for some, as I'm trying to get to the next level now. But I'm not sure if I'd seen your channel before, and now it's added to my list!
@michaelkeithson4 күн бұрын
@@concerninghobbits5536 Happy to have you here! 👍
@klev15295 күн бұрын
9:52 Giant Steps
@billwilkie62116 күн бұрын
Options yes, but we're guided in our choices by the vertical chords that come before and after each chord. But very solid.
@mugwump-bk7os6 күн бұрын
Still got mine, bought new, still calculating... I've also still got my SK-1, the original fart machine...😁 (Still burping and farting to a bossanovo beat...).🤗
@RyanMurgatroydMusic6 күн бұрын
The way you teach theory in incredible and i feel that you use of simple numerical dictation for chord progressions opens your audience up to thousands of MIDI and synth musicians who cant read notation. So many options in C Major i would have never considered, and there is a lifetime of possibility in those pivot chords, cant thank you enough!
@michaelkeithson4 күн бұрын
Thanks Ryan! Really appreciate the kind comment. Glad you're enjoying the content 👍
@sholynphotoworks6 күн бұрын
This is awesome Michael! This needs to become a series that evolves into the advanced stuff ❤
@michaelkeithson4 күн бұрын
Thanks man, hope it was useful. Thanks for the suggestion.
@ramalama92707 күн бұрын
Hi Michael, thank you so much for your service to the music community, your breakdown of these concepts is the best ive ever come across and so helpful. I do have one doubt, the last two progressions in the video went over my head. How's the F# half dim moving to the F min? And the D half dim back to C?
@michaelkeithson6 күн бұрын
Thanks for the nice comment. Glad you’re enjoying the content. To your question, have you watched my video on half dim chords that I released a few weeks ago? Maybe there’ll be some answers there. Cheers 👍🏼
@ramalama92704 күн бұрын
Aaaah yes, of course it's modal interchange!! The b5 half dim is from C Lydian and the D half dim is the same as iv min in disguise. So cool! Awesome, thanks for pointing towards it ❤
@LennyPrice7 күн бұрын
Your content is brilliant! Period. Cheers. 🎹
@michaelkeithson6 күн бұрын
🙏 Thanks Lenny, appreciate the kind comment.
@brianfuller72417 күн бұрын
Another brilliant tutorial! My primary instrument is the alto sax, but I dabble with keys, mostly as a learning and compositional tool. A couple of things I noticed is that a) the C , C+, C6 progression sounds very much like Miles Davis's It Never Entered My Mind b) I really love your chord voicings
@michaelkeithson6 күн бұрын
Thanks Brian! I really appreciate your comment 🙏
@stephenowen52297 күн бұрын
As a ham fisted keyboard playing guitarist, this is pure gold. Really love your content.
@michaelkeithson6 күн бұрын
Ha! Cheers Stephen, glad you’re enjoying the content 👍🏼
@jonathanustin62957 күн бұрын
Excellent content and presentation. I'll be referring my students to your channel. Keep up the great work.
@michaelkeithson6 күн бұрын
Ah, cheers Jonathan! I appreciate the support and you sharing the love. Thank you 🙏
@GoKnee8 күн бұрын
I just iscovered your channel and you're an awesome teacher! Thanks for sharing your knowledge in such a simple way to understand!
@michaelkeithson6 күн бұрын
Ah, thank you! I appreciate the kind comment. Glad you’re enjoying the content 👍🏼
@ralstonstoddart47928 күн бұрын
So clear and precise feels like I'm at Berklee college of music great content
@michaelkeithson6 күн бұрын
🙏 Thanks man. I auditioned for a Berklee scholarship when I was younger - didn’t get in 😣
@Frank_Cyr8 күн бұрын
Just found your station, and love your approach to explaining music and piano! Greatly appreciate what you do! Jazz piano student.
@michaelkeithson6 күн бұрын
Hey Frank! Thanks for your comment! I appreciate you being here and leaving a kind comment. Glad you’re enjoying the videos. 👍🏼
@renecadenas36108 күн бұрын
Me encanta esa progresión de Cm -> E y de Cm -> Abm. Simplemente es mágico. gracias por compartir. <3