Why did I ever stop listening to this type of jazz? This is amazing to my ears

名曲だが音質が悪い。残念です。

I love this movie and track

Improvising on this chord sequence sorts out the men from the boys.

My favorite song ever…still miss you pops.

How I wish I'd been in attendance at this recording,. A blissful delight to stumble on tonight. Thank you to all members of the quintet.

ロリンズのレコードを地元の喫茶店に持ってきた人がいて、その音に衝撃を受けてジャズにハマり人生が変わりました ロリンズ、最高です❗️

Insane ❤

The recordings Art made with Cedar, Sam Jones and Billy Higgins equals anything recorded by any trumpeter in Jazz including the best of Miles IMO.

Any way to identify who was playing here? My first grade teacher went to El Camino with him and converted from French horn to trombone to play with his group.

1:12

Amazing! I wish Bill had led a bit more groups in quintet or quartet format

There's nothing better than a sad lyric played up tempo. I WILL smile again!

o K

#freemusic ✨

#freemusic ✨

A legend.

THE LATE GREAT GROVER WASHINGTON JR.

なんか私には同じフレーズ移調させながら繰り返し弾いてるだけのように聞こえるwww

amazing !

Music like this gives you the will to live

Charlie Parker is who I want to see of course!

I want to see this guy in heaven. If there is is a place like that!

Does anyone have any recommendations for other songs like this, please?

Good movie.

❤

💙🌱🌼😯

💚🌸🌱❤️😮

🙄❤️🌼🌱

😮💚🌱🌻

Magnificent.

I just listened to a 10h French podcast radio show on Sonny Rollins (yes, 10x 1h, covering 1951-2001!!!). A torture, but I'm like that, I dive into an artist and I listen to everything, or almost. To have my own opinion. My opinion of Rollins is that he seems very overrated to me. As a player/improviser First of all as a player/improviser, he does not seem to me better than Johnny Griffin, Sonny Stitt, Roland Kirk, Phil Woods, Lateef, Pharoah Sanders, Hank Mobley... but enjoys a much greater notoriety... and unjustified in my opinion. Ok he plays well, but not better in my opinion than the musicians above. Listen to Eternal Triangle which puts Rollins and Stitt together. Here they are VERY evenly matched technique wise but it is Rollins who is the more famous today. There is a lot of study done on Rollins' solos and they are generally accepted to be examples of strong overall thematic construction and development. This somewhat implies that others just play randomly. I'm not entirely convinced by that argument. If you like it, its a strength, if you think its an excuse for repetition, you'd think not. As a composer At the level of the composition, he did not compose anything, everyone knows that his hit ''St Thomas'' is a Caribbean folklore already recorded by Randy Weston in 1955 under the title ''Fire Down There''. St Thomas is an example of cultural transference. It is infact originally The Lincolnshire Poacher. An old english folk tune. It was taken to the Carribean presumably on the slave ships but possibly even earlier by the pirate ships (appropriate given its title). It gets transmuted into a Carribean Folk tune and then Rollins recalls it from his childhood being sung by his mother and renames it after the Island. I had assumed St Thomas was what his mother called it, but the Ted Heath Band, a British Big Band of the 1950s had a big(ish) hit with 'The Lincolnshire Poacher' done presumably as a 'ripost' to St Thomas. His ''Tenor Madness'' is a composition by Kenny Clarke published in 1947 under the title ''Rue Chaptal''. His other compositions from the 50s... well, Oleo, Airegin etc... it can in no way be compared to the compositions of Trane, Bird, Monk or Shorter... One thing that always struck me that I've heard no one else mention is that the Alfie theme is merely a reworking of the intro to 'Singing In The Rain!' Sound and artistic vision I find this a curious aspect. Early on, in the 50s his sound was distinct enough but it became more distinctive later. It is an odd sound for tenor but its one I hear more and more players now using. I'm not quite sure how its done or if there is a physiological reason for it. I have found it to be an aquired taste. Moreover, his playing and his sound are terribly degraded after 1966 (36 years). Something happened on that bridge, he lost his mind. He seems to have been traumatized by the arrival of Ornette, Trane, Ayler... In the 60s he tried to be freer than Ayler, more calypso/blues than Ornette, and more mystical than Trane, but without succeeding because so superficial... Then in the 70s/80s he tried his hand at funk, disco... with really ridiculous and corny results... Did he want to be funkier than James Brown himself? More disco than Chic and Nile Rodgers? On ''SAIS'' from the ''Horn Culture'' album, one example among many, just picking up a random piece between 1966 and 2001....It's a shame. He plays out of tune, out of rhythm, with an absolutely disgusting sound. It is a lack of respect towards himself, the other musicians and the listener. No normally constituted musician would have agreed to let this recording be released. The problem with Rollins is that EVERYTHING IS LIKE THIS after 1966. He even said himself that he was high on marijuana when he recorded his solo album ''Soloscope'' at the Museum of Modern Art. from NYC...Also listen to the result, it's ridiculous and disrespectful towards the listeners... Ego and money Also, on the radio show, they say he was paid today's $300,000 for himself to record the Nucleus album (listen to the result!!!!), and that for his concerts, his Financial claims were unrealistic, only big festivals could afford it. He played with the Stones but didn't want to tour with them because, according to Mike Jagger himself, he wanted too much money! I am not making anything up here. In a blindfold test published in downbeat in 2006, he doesn't recognize ANY saxophonist, even taking James Carter for Don Byas! Totally mind-blowing and revealing! Conclusion In conclusion Sonny Rollins is for me the archetype of a narcissistic complacency encouraged by the fans and the milieu which has placed him on a throne since 1956 and his (very average) album ''saxophone colossus''. You have to be quite arrogant to glorify yourself as a ''saxophone colossus'' at 26 years old when BIRD had just died the previous year.

Wynton Kelly ❤ thank you for all love

this is my favorite Charlie Parker's recorded solos.

That's my boy.

One of the greatest saxophonists Brilliant playing.

​ JOANIE SOMMERS - I Concentrate On You She sang with such deceptive ease - combining superb vocal control with a casual 'little girl' huskiness that caressed our ears. A voice like no other! At this moment, just for me (I like to think) Siriusly Sinatra satellite radio is playing Joanie's version - my favorite - of Cole Porter's I CONCENTRATE ON YOU. With a chart by one of Sinatra's favorite arrangers - Neal Hefti - chock full of witty touches that seem like an extension of Joanie's playful personality: [First offering at KZbin this day, posted 10 years ago with an informed note] 7,271 views Feb 18, 2012 From “Look Out! It's Joanie Sommers” (1963) Joanie Sommers (vo) Shelly Manne (ds) Russ Freeman (p) Chuck Berghofer (bs) Yes, still in love with Joanie's voice - 50 years after her retirement "to raise a family (two daughters and a son) after her husband's sudden death in 1972.” A Wiki entry, frozen in time, (updated by a fan in England) with a single b&w photo of “Joanie circa 1960s.” (Wiki note below). Wikipedia Joanie Sommers (born Joan Drost, February 24, 1941)[1] is an American singer and actress with a career concentrating on jazz, standards and popular material and show-business credits. Once billed as "The Voice of the Sixties", and associated with top-notch arrangers, songwriters and producers, Sommers' popular reputation became closely tied to her biggest, yet most uncharacteristic, hit song, "Johnny Get Angry".[2] In 1962, Sommers' single "Johnny Get Angry", released on Warner Bros. Records, reached number 7 on the Billboard Hot 100. It was held from the top of the charts by such hit songs as "Roses Are Red (My Love)" by Bobby Vinton, "I Can't Stop Loving You" by Ray Charles, and "Sealed With A Kiss" by Brian Hyland. In a 2001 interview, Sommers commented on the legacy of her greatest hit: "Twenty albums with some of the greatest names in jazz and I'm eternally linked to 'Johnny Get Angry'".[14] Her 1965 track, "Don't Pity Me" was a Northern Soul hit in the UK, often featured on Northern Soul top lists.[15] The 45RPM record routinely changes hands among collectors at over $500 a copy.[16] In 2001, Sommers sang two songs on Abe Most's Camard album, I Love You Much Too Much. She performed the title track and "Bei Mir Bist du Schoen." She sang a chorus in Yiddish on both tracks. Sommers was married to theatrical agent Jerry Steiner from 1961 until his sudden death in 1972. Their three children are Carolyn, Nancy and Jason.[26] ----- Thanks for sharing BrightFREE. Celebrated elsewhere [search] " Great Melody, Great Lyric, Great Rendition, Songwriting Workshop, Harmony Central " ​

such a beautiful song, simple as that.

Happy Birthday to Chet Baker 🎂🎉🎉🥳🎁🎈🎇 Rest in HEAVEN Merry Christmas ☃️🎄 Happy Hanukkah Go HUG someone today IF they're been vaccinated or not 🚫 Greet all the Christians with a Holy EMBRACE 1 Thessalonians 5 26 and do it responsibly Blessings and Hugs 💖💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕💕!

A gold classic - I will always remember how Charlie detested what King Pleasure done with this classic As a vocalist, I must admit this song is excellent practice. Be well Charlie wherever you are.

Jaco is smiling

undeniable ........ the wheel turns , out with something miraculous

I look to you for my mountain to climb ..... Happy Holidays ! Please take care of yourself .

My dad was a jazz musician and Stan Getz was his hero. My dad had a photo of me as a baby that was actually signed by Stan Getz, wishing me a happy life. He had it in his wallet until the day he died. My mom gave it to me and I still have it to this day.

superhuman !

reminded of a cat . " I can go anywhere I want to go ! " please keep sharing the love !

Puuuuurfect

Just transcribed the solo

..... and years later, it still moves me to tears. I am like the old woman at the beginning of the film now... but the music still brings romance back to my soul.

How amazingly awesome (Art Marshall)