❤

Great Advice.

Guy talks too much, get with it.

Peter love your videos. I'm a subscriber. But a 400 or 600 lens? Come on. Most of us are shooting our kids or working for a high school. What about practical advice with a 70-200? Some day if I shoot for SI, then they can buy me an $11,000 lens.

Appreciate the video, great info. For someone that's a relative beginner looking to do some good work on a budget, what would you think about an older gen. 300mm 2.8 instead of the 400? I shoot the crop sensor Nikon D500. The 400 is a beast of a lens, and expensive. Would I be missing much going with the 300 instead with an extender in hand? Thanks again!

Wisdom of the wise, thank you.

with so many fake photographers, it's fresh air to see and hear a real phtographer.

The electronic exposure level in the view finder on the 1dxmkiii 0 its on the right hand side of the screen - is it possible to relocate this to the bottom?

hey Pete, are you still using the canon 1dx mark iii? Looks like canon dropped the ball when they called their new r1 their flagship camera ...I mean seriously that was the best they could do? I was very disappointed so i was thinking of snagging a 1dx markiii..Iove the feel of a full body pro camera and most of the mirrorless cameras are junk compared to the build quality of the pro bodies and you get great deals on lens now because everyone is jumping ship:) Do you think the canon 1dx markiii is still relevant today?

Yes it has GPS

Been shooting high school football for many years & leaned a lot from you on this video Thank you!

thank you Peter….

Oh - one thing I think I may do is go to the main fields where my son plays on weekdays and take some empty field shots from the location I shoot at the rough time the games are. Then I can swap out the field and background without putting them on a foreign field.

Fantastic Thank You Sir!!

I have only a 70-300mm telephoto lens,is it okay?

Thanks Peter for sharing your Photography Knowledge

I really liked this video and basically changed to your settings on my new-to-me 1DX Mark II. There were a couple of minor things that I've done differently. One was changing the ISO from 1/3 of a stop to a full stop. I can just get to a new ISO more quickly if I don't have to wade through all of those extra thirds. The other, and similar in some ways, is under Custom Function 3/3 Restrict Shooting Modes. I turn off P, Tv, and C1, C2, C3. I don't use them and I don't want to cycle through unneeded modes. I used to just have Av and M enabled but find that I do cable release stuff (Bulb) often enough that I want to have it available without having to search menus to figure out how to do it! Personal preference no doubt.

The loss of quality photography going onto websites... preach, Peter!! Preach! It's sad that people don't care anymore. Content is content. It's the worst thing that happened to the field of photography.

♥♥♥Canon love for ever♥♥♥

Hi, just a quick question. I noticed your hands are a bit shaky and I was wondering, since I have the same problem and I think this effects my photos on the telephoto range no matter the shutter speed.

Why shoot with expander lens? It's better to take a picture with the lens and crop the picture and keep the sharpness, right? Anyway, your recommendations are excellent and helpful.

I attended the camp from last year, and some of these images I took behind Peter. I can attest that these are quality people we learned from, collaborating with other sports photographers from across the country. You’ll learn to hone your images for maximum effect under the tutoring of Peter, Steve Fine and Ali Gradischer. Excellent people to learn from.

VERY tempting, but I'm already committed to two client photo shoots that week. If you run this workshop again, I'd be interested! :-)

sounds fun!

❤ Long time no see

Long time no see Peter!

You can shut that image review off so as not to distract your shooting.

What program is that you are using on the computer

It's a shame what's happened to Sports illustrated. They were a powerhouse for years. And now they've been reduced to shooting bikini's and things that have nothing to do with the sports. Really sad.

FOOTBALL

... and yes, surely it's not only about capturing the layup. Thanks for saying that. Basketball has a lot of drama in a lot of places.

Thank you so much for boiling down some of what you have learned over many years of working and perfecting your craft. You're never going to make back what you're worth for the resources you put into a KZbin video, especially for a specialty like professional-level sports shooting. I realize this is a gift given to us and appreciate you sharing some of what you know and love. ... and thanks for the great pix! Something to aspire to.

How do I fix noise

I thought picture style doesn’t affect RAW?

Bom dia Estou a pensar em comprar uma substituta para a minha G7 O meu interesse é filmar a família principalmente os mais pequenos que jogam futebol e basquetebol Creio que a focagem tem de ser MUITO rápida, e em ginásios a luz é muito reduzida pelo que à sensibilidade à luz +e IMPORTANTE Não vale a pena estar bem focada se a foto for muito escura, nem vale a pena a foto ter luz e não estar focada Desta vez pensei numa A7 III, A7 IV ou uma A7s apesar do preço Também me falaram na Lumix da gama S Com 2500 €, podem dizer-me qual é a melhor ou melhores escolhas? Muito obrigado pela ajuda

Great and helpful stuff from a photographer whose work I've admired for decades. Thanks for posting this!

Thanks Peter some great tips

Superb

I wonder what shutter speed does he shoot at for this fights

Why not set the shutter speed, the aperture and use Auto ISO? Just curious.

Great vidio

Getting ready to do my first diving assignment. Found helpful tips here. Thanks

"It's an interesting game.....I guess" - my sentiments exactly. It's like watching paint dry.

Peter, thanks for the video, but not one question about typical f/stop or shutter speed? Most professionals I've spoken with suggest somewhere between f/2.8 and f/3.5, shutter speed 1/1250th to 1/1600th, and heard ISO was typically 2,500 at pro arenas (where I shoot - local rinks - more like 4,500). No discussion of where at floor level would his go to vantage points.

Thanks, that was a ton of advice in a short period of time!