Stefan, is this Love!

♥♥♥

mannaseh

From a time! What a time! 90s styles.

Remembering these recording sessions and thinking about drummer Cornel Marshall. A master drummer, friend and creator. We had such a unique bass and drum sync. RIP my brother! Respect to all other players and technical crew too.

killer

killerrrr!!!

What a Voice ❤️

Big tune ❤

❤️❤️❤️🌟🌟🌟💥💥💥🔥👍💪👊🤸🎶🍀🏋️🦁😘😎

No vocals? Very strange for GTM.

Waited a long time for this one to be pressed, it's a 4 cut (12")

Boom!

tuff 💥

🔥

More life. Real talk.

yes yes rasta Alpha and Omega step rite in an cool off the scene. JAH know time coming wen each and every man mus know he purpose and destiny.

monster track

Great tune! It would be really nice to see a vinyl release of Pharoah's Dub from the Manasseh - Dub Plate Style 1990-1999 CD

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Big big thune, i just got it ! It would sound real good on a sound system tbh

Wicked tune!! 🔥🔥

Hot tunez 💯💯🔥

Riz sounds like no one else ! Nuff respect ever.

Thankyou ❤

thank you for posting.

Yes Steve... This is great. Big up yourself

Magic

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Large

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i know this is Dougie and Lian but i don't know who plays what ...... assume Dougie is programming drums ....... 2nd track sounds like 'house of the rising sun' meets 'Free State' by Radical Dunce Faction AKA Ian Dreary and The Smackheads ..... percussion on 3rd track sounds like arse and the guitar is cheesy as hell, like 'the darkness' doing a track about Spain ...... 4th track white boy nyahbinghi drumming will always be cringe ...... track 5 somehow i hear Malcolm 'Goldgrasper' Diss doing his best Judge Dread impression on this tune ...... track 6, at this point you may as well get an AI to write the songs it is so generic, a collection of Dub Reggae cliches, ....... this music is 'modular' in the sense that you could take the separate instruments of 10 Dougie tunes , jumble them up and randomly reassemble the drums of one with the Bass of another with the skank of another and the tunes would sound the same ...... i understand HOW Dougie and so many learned this Reggae building thing, from 'back engineering' Jamaican Reggae, disassembling it into it's component parts and then making a simulacrum of each part and assembling your copy, We Europeans back-engineered JA Reggae like an African back-engineered a radio ....... and in this process people can start to think of Reggae music as 'modular', and especially with Steppers where all the action is in the effects and mix......... it's a simple formula : drumbeat+Bassline+skank+minimal melody=song and thus the homogeneity creeps in ........ track 7 The bassline again is doing that 7th note to the Root note thing which is very #WhiteReggae, very RDF and very Steve Swann, it's also very Rock and the reason so many whites love Swanny and his Basslines is they are rooted in Rock, with a strong leaning towards Funk. But he loved that 7th note to the Root thing, it's very assertive, and it's reassuring and grounding to return to the Root note and the 7th naturally leads you there. the moment you touch that 7th note the urge to resolve it to the Root is there in all of us and Steve unconsciously plucked at that very human heart-string in his Basslines a lot, 'Hope' by Radical Nonce Faction is one good example, the whole song is that 7ths to the Root thing ....... Steve told me that 'Hope' was entirely his composition and he was very proud of it, i think it was his best tune (no 'Jah' BS and it's a GOOD TUNE, credit where credit is due, i only go hard on Steve because Lynn Forte tried to USE Steve in his creepy gangstalking gaslighting narratives about me) ..... Steve told me that a Palestinian dude commented on youtube that the song gave him Hope and that was worth more to Steve than any validation he got from popularity or big gigs ....... it is a shame that song was only released on the RDF album as 90% of the people who would love it are totally turned off by Bowsher's voice and the RDF scene ...... That song should have been released as a solo single by 'Steve Swann', WITHOUT the token bit of Bowsher that ruins it ............. Reggae people, of any color would love that tune if it got a single release, you could do it, Bowsher has the original tapes, but dealing with that old junkie cnut would be guaranteed PTSD ...... Track 8 has that 7th to the root thing also.....

Classic track, still got the LP ^^ It started the Stepper Dub wave afaik. Didn't know the dub v tho. Thx !!

Manasseh's best stuff is the collaborations with Equalizer and the always excellent Gil Cang. When Jonkanoo Jones started his 'Roots Garden' label i was keen to hear the new Manasseh productions, alas after a few releases i realized "oh, it was always The Equalizer and Gil Cang who made those 90s Manasseh records good... " , i have nothing against Manasseh, he seems devoid of the narcissism and pseudery that handicaps Jonkanoo Jones... i was keen to hear Manasseh's mixes of Soothsayers and i bought that album, only to find that only the Reggae tunes got a full Dub mix, all the Jazz-funk/afrobeat tunes he mixed by Soothsayers petered out and faded out after 2 minutes, a real shame...

Repress bullshit... my original copy has no value anymore

Hi where can I purchase jah shaka live cassettes I have checked online but not able to purchase them any links please thanks

Still powerful vibes.. give thanks for upload

I man av dis on cassette from dem time.😲 jah kno shaka kno.👊👍

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The intro is VERY badly done, it's out of sync.... it feels HORRIBLE when the song kicks in OUT OF SYNC, typical 'Jah Rej' mistake, using clumsy and awkward methods to tack on a weak and pointless guitar intro.... i can tell from the first listen that the intro was recorded seperately and 'tacked' onto the start of the song, most likely recorded on a seperate reel and either very badly spliced onto the song tape or the guitar intro was started before the song tape on final mix by a process of trial and error, mostly error.... it's just badly done, THAT is the 'Jah Rej' signature sound

As usual Malcolm lies and claims credit for work he did not do, it says 'Produced' by malcolm but the reality id that in that time it was Pete Condon who was having the most influence on Goldmaster recordings, as a recording engineer and a mixing engineer Pete Condon quickly leapfrogged Malcolm in production knowledge and skills and simply having the EAR for it. I know Pete did more Dub Mixing in this time than Malcolm.... Malcolm is a very poor Dub mixer, very sloppy, ARTless, Malcolm has posted Dub mixes by me online claiming it was him and me but it was me alone, we only mixed ONE tune together and that was Tena Stelin's song over Tonight Riddim...... Malcolm ripped me ooff for thousands of pounds, i never received one penny yet he put my compositions on 2 albums after i quit the band and he licenced a tune written and arranged by me (Push Harder) to 3 different Dub CD compilations.....

That's a big one Liam! 🔥👊

Hi I have heard jah shaka plays jah protection 2:17 by alpha & omega on a tape at a live dance can some one down load & tell me what dance was it at & is their any other alpha omega tunes jah shaka has played at a dances please thanks

Stefan, ich liebe Dich & es!! Du weißt, was ich fühle!

"PromoSM" 😄

brilliant!! Big up Liam!

Tough tough tough tough

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Big up Steve... sounding v. good man.

Fyah musical album. When it's due out fyah 🔥🔥