Honestly wondering how this pianist was able to play those glissandi ossias simultaneously with what is written for both hands, as I thought it was physically impossible to do so.

Very first measure sent me to the heaven. Thanks for the upload

How can someone even play the 3:33 and 3:44 glissandos while also playing the chords

아아 들립니노....

Crazy colors, I love this, sometimes it sounds like early Sorabji, WOW! ❤❤❤

WOW!

이거 합성이죠?

채널 재밋누 ㅋㅋ

진짜 최고의 라발스

so true

It’s wild to imagine that he also has an orchestra version of this. Especially considering how it was performed here. Like what do you MEAAAN? Amazing job

Fabuloso. Thank you

1:43

피아노 건반 움직이는게 노짱의 사후경직수준입니다

waltercosand.com/CosandScores/Composers%20Q-Z/Sibelius,%20Jan/Five%20Pieces,%20Op.%2075/The%20Spruce,%20Op.75_No.5.pdf

Best part is 10:24

I saw an unexpected performance of this at my university and my goodness, it was so spectacular. I had never heard the piece before. I was in shock.

8:36 How do you play that tremolo at that speed?

3:33 How on earth do you play that glissando? Even ignoring the fact that it's a chromatic glissando, don't you have those other chords in the way?

9:43

????

insane 🙏

선생님 오랜만에 생각나서 왔어요 이젠 제가 27세 모태솔로가 됐슴다... 나이가 들수록 뭔가 뭔가가... 잘못되고 있는 게 아닌가 생각이 듭니다 ㅠㅠ...

어떤 곡을 쳐도 완성도가 높구나! 라발스는 제대로 치는 피아니스트 몇 명 안되는 듯~특히 더블 연주는 각자 쿵쾅거리고 시끄러워서 저런곡이 맞나싶을정도... 조성진연주를 들으니 너무나 매력적인 곡

My response after my mom told me to clean your keyboard: 9:43

Шикарное исполнение! Спасибо!

악보 따라가기도 힘드네 ㅋㅋ;

😊

😍

전생에 대통령이었던 내가, 이세계에서는 피아노?!

I prefer to follow the composer's dynamic markings.

Heard the last 30 seconds of this on Radio 3, and found it here. Wonderful music.

9:42

Quel univers magnifique !

Thanks for introducing me to the rabbit hole of touhou and the amazing piano transcriptions.

This sounds like it could be a modern improvisation. I've never heard of this piece before but it sounds really nice

This video reminds me of that video where the student goes into math class late and sees two problems on the board and assumes they are homework. He then goes home and eventually solves them. The professor later tells him this was not homework, but instead were previously unsolved problems.

5:46

yup he definetly needs a big bravo

This piece is garbage. A ridiculous gimmick, completely missing the point that this must be *music.*

오랜만에 생각나서 들으러 왔습니다~ 처음 들을 땐 마냥 웃겼는데 23살이 되니까 남 얘기 같지 않아 점점 슬퍼지네요 ㅠ

와 대박 이에요 이걸 어떻게 한 거에요??? 천재...

SCP-523ㅋㅋㅋㄲ

It certainly is an amazing adaptation of this piece for the piano - so it's unfortunate that, while listening to it, no fewer than twice was it interrupted by advertising cutting in, completely spoiling it. This is getting worse and worse. First of all we had to suffer advertising befoire the piece began - and then it began intruding between the movements of symphonies or concertos. Still not satisfied, it is now cutting inside movements or short pieces. When or where did KZbin and their advertisers ever get the idea that it is a good sales strategy to mightily piss off their prospective customers? I don't get it. If I am annoyed by being interrupted by an advertiser, I am hardly in a frame of mind to be receptive to them - even if I actually am looking for a product like the one being advertised. I'm afraid the only remedy for this is to use one of those utilities to save the music to one's computer and playing it from there. I suppose there's an unspoken bargain here between advertisers and watchers of content on KZbin - content being not the advertising, but whatever the advertising is interrupting, that the viewer actually came to watch: the viewer has to put up with one or two advertisement, but then they can be left in peace to watch whatever they came for. The advertisers are definitely breaching their side of this unspoken contract by interrupting the content once it has begun to play. It's got to stop - how are they attracting customers anyway when they do this?

the end of the beautiful fin de siecle/edwardian age as the time of world destruction begins...the old world swept away in a tide of chaos. the genteel waltz of yesteryear veering to madness.

Poetic rendition

3:27

1:45~2:23