That’s what call close and encounter

Great stuff Chris!

Awesome to the max 🙂

Very good, nice job!

Star trek themes are a thing to brighten the soul, really..

Okay, the cues from Corpse Bride: 1. Main Titles 2. According to Plan 3.Remains of The Day 4. Tears to Shed 5. The Wedding Song 6. The Party Arrives 7. The Finale 8. Credits P1&2

Thx for sharing. Can this score be downloaded as pdf?

Excellent as always. _Titanic_ is one of those scores that I’ve always wanted to get a peek behind the curtains of - the specific ways in which he blends synths and orchestra, for both the moving and terrifying portions of the film, make this score among his most chilling.

R.I.P. James Horner Orchestrated

Nice job. I do miss the awesome hn/tb fanfare in the last eight bars though.. 😆

When I read at Patreon and heard it here that there might be a full printed score of "Cutthroat Island", I couldn't believe it hehe. That is one of my favourite scores and easily John Debney's opus magnum. You do so many Horner scores, thank you for that. I love that composer, in fact, the very first film music cd I bought was James Horner's "Willow" back in 1988 or 1989, and to this day, another favourite of mine. I recently bought his "Honey, I Shrunk the Kids" from Intrada. Is that maybe a project for the future? I like that score as well. So many different "colours" :o) or "Casper"? hehe. Ans speaking of Michael Kamen... "Robin Hood, Prince of Thieves" would come to my mind. Sorry for the many questions. Greetings, and keep up the great work!

Okay, let's see on the cues for Sleepy Hollow. 1. Introduction 2. Main Title (Original or Revised) 3.The Will 4. Evil Eye (Original/Revised) 5. Family History 6. The Chase 7. The Windmill 8. Final Confrontation 9. End Credits

Thank you very much for this very interesting video. Both versions have a lot of character, the first one is more adapted to the unfolding of the beginning of the film, I think it was the right choice. Besides, who made this choice at the time? the composer, the musical director, or was it a consultation with the composer and the production? In the second version the "Dixieland Band" part is really good, perhaps a reminiscence of the Weintraub Syncopators of his youth in the years of the Weimar Republic. The 6 bars of the piano part are particularly well thought out, it gives relief and a color that brings a contrast. I find it a shame that this part was not kept for the first version. But it is very good music anyway, and A Place In The Sun is one of Waxman's best scores.

Very interesting comparison. I can see why the studio decided for the version that is in the film, as it seems less “distracting” for lack of a better term. However, the orchestration, especially in the last part, is exquisite in the original version written by Waxman. Thanks a lot for transcribing the score and I hope you enjoyed the sunny day! ☀️

He was a masterful orchestrator, like truly gifted. And his use of reference/homage to other relevant orchestral pieces is on point. People call it stealing, or lazy and uninspired, but it was really quite well done and thoughtfully considered to apply to thematically similar parts of the story.

I think that this is actually a contrabass clarinet, because a lot of film score composers use "contra alto clarinet" and "contrabass clarinet" interchangeably. Moreover, a contra alto clarinet can't hit a C1, but a contrabass clarinet can.

I❤Mark Mancina

I can’t believe this!! I asked Chris to do this a while ago but didn’t actually think he’d take it up. Woo hoo!

Awesome thanks for doing this!

Amazing Goldsmith! I do love what Silvestri did after Goldsmith was unable to do the score though. Judge Dredd in full score? One can dream!

Damnnnnnn

Awesome!

R.I.P. Jerry Goldsmith Composer 🎼

The great legend Vince De Rosa on horn!

I like this version more than the original score.

Well done, Chris! What a fantastic cue. Definitely more synth here than I remember as well...yet it blends seamlessly with the orchestra.

The slept-on gold standard of James Horner and animated scoring. 🔥 Such a blessing to see it all written, and it shows how much a modified, all-acoustic soundscape holds up over decades. Thank you for sharing, hopefully there will be a full score release 🙌🏾

I'm impressed. How did you find these tracks?

"It's the American, they are launching a counter offensive!"

"Can we move as long!"

RIP Welcome Wagon.

"Checkmate."

"You coming David?" "No, I got to see this!"

"Earthquake? Not a 4 pointer go back sleep."

I wish one of you guys would publish "A River Wild" by Jerry, either you or Tim. Just watched the movie again, and there's also the documentary about scoring session for this film. This is probably the only scoring session of this length filmed featuring Jerry Goldsmith, and it was done by initiative of Fred Karlin (you know which footage I am talking about, obviously). I Think "The River Wild" would be a great score to publish, since all media music students could watch the recording session footage with sheet music. Just a suggestion...

this is the one that gives me chills, the tension and russell coming to save the day n giving his life

Cues from titanic: 1. Logo/main title 2. 2 1/2 miles down 3. Take her to sea, Mr. Murdoch 4. The sinking 5. Death of titanic 6. An ocean of memories 7. Post 8. My heart will go on (love theme)

“…I found a signal hidden inside our own satellite system.”

What are you doing practically ?? Copy score ?? I am really hard to understand , thank you !!

Bravo !

Been waiting for this one for a long time - thanks Chris! Biggest revelation here -- the majestic tune that everyone remembers is actually played by a baritone horn, not a French horn. It never occurred to me, though on reflection it was on the wrong side of the stereo field for a French horn.

I've been looking for this (version) since I first watched the movie as a kid so thank you for uploading this 🙌🏾🙌🏾🙌🏾

The omen? Oh boy… 1. The new ambassador 2. The dogs attack 3. The killer storm 4. Safari park 5. The piper dreams

Shirley Walker Isolated Score Main Title (Singing 🎶 In Latin)

Cues for planet of the apes: 1. Main title 2. Crash landing 3. The hunt 4. The revelation

I love how JW marks the piece as "Burlesque". It's really one of his typical traits whenever he settles to score action scenes with a lighter tone (thinking also of "The Forest Battle" from Return of the Jedi). I think he referred to this as "vaudeville"-type of accompaniment.

Absolutely amazing! But I prefer the handwritten scores!😊

Incredible transparent writing. The orchestral resources are enormous, but it looks almost like chamber music when looking at how it's written on the page. A great shout-out also to Horner's then-regular orchestrator, Greig McRitchie. He was a master.

Thank you very much