There is a quality to film that is hard to duplicate with digital sensors. The R8 has a great sensor, but the highlight roll off and how the shadow detail is rendered is going to be a lot harsher than what you might be use to with your T70. That said, there is a lot of great RF lenses that paired with the R8 will give you a very detailed and pleasing image. I am not sure what lens you are using, but the RF primes and RF L Series glass is going to give you the very best image from the R8

The R8 is a fantastic camera and you will definitely see a benefit shooting in CLog3 vs. Rec.709. I’m glad to hear this was helpful, thank you for watching!!

Sub $1,100 for what is in many ways a R6 Mark II is a heck of a deal!! Appreciate you watching!

I would go 24mm. When I shot with a crop sensor body I started with a 50mm which shot closer to 80mm, way too tight, I switched to 35mm which shot similar to 50mm and still found it tight for a lot of what I was shooting. On full frame, 35mm is probably my favorite focal length just for the versatility of it, 24mm is going to give you that on the R7 and if you upgrade down the line you still have a great 24mm lens for those wider shots!

Sure thing, it sounds like you either have a bad track, or your text is too close or too far from the tracked point. I would try redoing the camera track and if you still can't get the text to smooth out, try selecting just a single point instead of using 3 points together. Stabilizing the clip before doing the track is also a way to help if you are struggling with jitters. Worst case scenario you can also do a single point motion track and attach the text to that, but I think you should be able to get the camera track to work! Hope that helps!

Very valid question, normally you would never position a mic like this so close to the mouth. I only did this for this video to help demonstrate what mic is being used and add some visual’s to the video. Traditionally mic’s like this are positioned above the talent and far enough away that plosives would never be a problem. A second solution if you would want to mount a mic this close to the mouth is use a dead cat or thick windscreen to dissipate any sudden blasts of air that cause these plosive hits. The sm7b and Rode PodMic get around this by using very dense foam in front of the mic capsules to act as pop filters. Hope that helps!!

@@JasonPischke excellent. Thanks, Jason. yes, placing it above the frame pointed at the chest/throat/chin definitely eliminates the plosives. maybe a more awkward permanent home studio setup, but a cleaner on-camera aesthetic. I may just have to play around with some stands and booms now because of this video ;p

@@conhecedoresconhecerao For sure! It does messy up the off camera experience having a mic stand or boom pole to deal with, but I prefer the cleaner on camera aesthetic. I feel like having the mic in shot, like the SM7B is becoming more mainstream with the popularity of podcasting, it just comes down to personal preference.

It certainly can be a little confusing haha. I am working on a new video now that will dive a little deeper into CLog3 how to shoot, expose, color grade, etc.

I’m glad you found it helpful!! Thank you for watching!!

That was the goal, appreciate you watching and for the feedback!!

Glad to hear that! Thank you for watching!!

Appreciate you watching!! Glad to hear it was helpful 😊

It could have been my version of the lens I had, I was getting a lot of sharpness in area’s I expected to be soft and vise versa. Overall still a great lens and given the size and price a really nice street lens or just a lens for running around and capturing life!

Appreciate the feedback, I have since updated the setup and how I shoot so my newer video’s are much brighter and better lit haha

Appreciate that! Yeah if you can find any of these new VCM prime lenses go on sale I would not hesitate to pick them up, it’s a great mix of size, weight, performance, they are great set of primes!

Where it does a great job is for sit down interviews, pieces to camera and in more controlled environments. A boom mic like the Rode NTG-2 or MKE 600 are going to do better in outdoor run and gun scenarios or as an on camera mic option. I haven’t noticed excess noise compared to other mic’s, I think that probably has more to do with using a high quality field recorder with good preamps. I haven’t plugged this mic directly into a camera so I can’t speak to that.

@@JasonPischkemic distance would be between 35-40cm from my mouth, indoor. My Recorder zoom f6. Are you using mixpre? How much gain does it need for your situation?

@winfilms3681thank you for your response. And btw, your video quality is awesome

@@ngocehgayabebas2118 I use a Zoom H6 with the gain set just above 50% when recording normally. With this video having the mic's so close it was far less, but at a normal distance 50% gets' you around the -10dB range. We also have an F6 and I find the F6 and H6 to be pretty similar gain wise.

@@JasonPischke thank you very much for your information. Your audio and video quality is awesome btw.

Nice little rig! The VB 99 should give you pretty much all day battery life I would assume?

@ Yes mostly it does. Thanks.

Appreciate that!! I try to incorporate as much real world stuff as I can into my videos', good to know that it is helpful!

The first thing I would check is firmware on the drone and firmware on the controller. Sometimes running older and mismatched firmware can cause issues. If you click on “Auto” in the bottom right, that should put it in pro mode with all of the settings.

Thank you for watching!!

That’s awesome! Appreciate that!!

That’s awesome!! I tried to lay it out how I first set it up myself. Appreciate you watching!

For lenses it really comes down to budget and use case. Prime lenses are going to give you the most quality for the money, but you loose the versatility of a zoom lens. Canon recently released a 28-70mm f/2.8 lens that would make a great all rounder. As far as video advice, I would recommend getting some ND filters or a VND so that you can keep your shutter speed at double your frame rate, this makes a massive difference to how your footage looks and feels. I also have a video on this channel going over Canon Log Profiles and Color Space, that might be helpful if you are trying to get the most out of your R8!

Just a basic color grade. I did a color space transform using the provided Apple Log to Rec.709 LUT from their website. Then just basic tweaks to the white balance, HSL and tone curve. I didn’t want to do anything stylized so that you can get a feel for how the footage looks straight out of camera.

Not shooting any of this, and not really about 99.9% of the time. The only time I have run into a heat related issue was shooting 4K24p for about 2 hours back to back. Canon also added IBP Light as a compression method which helps a lot with any heat related issues. In my tests the difference between IPB and IPB Light where so nuance that I mostly shoot IPB Light for the smaller file size. The biggest annoyance of the R6 compared to the R6 MarkII is the imposed 30min record limit. If you are doing interviews, having to cut every 30min is a massive pain.

Appreciate that!! Thanks for watching!

I would probably go with the RF 16mm. It is going to give you a very different look compared to the 50mm and I think having lenses that are very different from one another make up the best kit. It is also going to give you a great wide angle lens for capturing big scenes and then pair that with the 50mm for tighter more detail work and that would be a great pairing! Thanks for the sub! Hope that helps!!

@ definitely it does help…. Thanks once again and keep it up the good work

Thank you!

Any lens that is f/2.8 and wider is going to do pretty well in low light. Primes like this 24 f/1.8 are going to give you even better low light and are a great mix of quality/price. Another factor is lens stabilization, if you are shooting in low light having a stabilized lens and sensor is going to allow you to hand hold a shot for longer and give you better results than a non stabilized lens. That being said, even with fast lenses, stabilized sensors and everything else, shooting with a tripod at night is going to give you the very best results since you can really turn down that shutter speed keeping your ISO low. Hope that helps a little!!

Pittsburgh’s great!! I grew up about an hour outside and now live about 20min outside of it and work downtown every day. It’s a great city for food, for walking around, for going to games! It also gets featured a lot in my video haha. Thanks for subscribing!

I’m glad it was helpful!! Thanks for watching!!

Thank you!!

Thank you for watching! The R6 and R8 both have no crop in 4K 24p and 30p with a slight 1.1x crop in 4K 60p but honestly it’s not noticeable. The RP has a 1.7x crop in 4k for comparison. Both are very capable camera’s but if you want IBIS, the R6 is the way to go. I have never personally used the Tamron 35mm f/1.4 but in my experience the IBIS has worked great with non IS lenses so I don’t see that being a problem!

Absolutely!! It is a fantastic camera, with a battery grip you should be able to shoot all day without any issue.

Thanks for watching! It is without a doubt the sharpest 35mm f/1.4 lens I have used from any company. It has a great size and weight to it and feels very balanced on the camera, I think you are going to really enjoy it!

Thank you for that!! It has been my favorite lens to shoot with this year, the image you get from it at f/1.4 just puts a smile on your face!

Appreciate that!! No motor caps, I have heard those do more harm than good. For the most part brushless motors are pretty weather resistant, the bigger issue would be water getting into the main body and affecting the flight controller. Luckily the rotor wash kept the drone body clear or any snow!

@@JasonPischke Thank you for the info...love what you done and info bout it...Rube

That’s awesome to hear!! Thank you for watching and taking the time to comment!!

“Budget” is a relative term. In this video I am talking specifically about the full frame camera market where camera bodies can cost as much as $6,500, so in that context these would be considered budget. There are certainly more affordable options in the APS-C and M43 markets, but this video was aimed at those wanting a full frame camera.

@JasonPischke You can invent your own and any language. But in NO language there is something as a "budget" Rolls Royce, a "budget" Ferrari or a "budget" Hasselblad. Nor is the R8 a budget camera. Not in it specs, not in it s functionality nor in its price. It might be the "most bang for your buck" model, but its by no means "budget". As in cheap, limited functionality or low construct.

Love to hear that!!

Appreciate that! It’s a bit if a mixed bag, for landscape work having the additional 4 megapixels of the R8 would be nice, also the updated DPAF II system is going to be slightly better for portraits work and wildlife. The biggest drawback for me is the ergonomics and battery life, it’s not the end of the world, but having used an R6 I think it feels much better to use and having 2 card slots, bigger battery, better EVF and ergonomics makes it a great all around package. I would see which one you can get the best deal on. Canon has been discounting the R8 very frequently and the R6 prices just keep dropping so I would find the best deal. Both are more than capable of doing professional work. Hope that helps!

@ thank you so much!

Glad to hear that!! Thank you for watching!

That’s awesome to hear!! When I first started I had one week to learn before I needed to fly for a job haha, it was hectic but it was videos like this that helped so much! All the best on learning and flying!

Really? That’s interesting, it’s a fairly common thing here in the states. I always keep a water bucket nearby just in case and you can get in a lot of trouble if you leave a fire unattended, but if you are smart about it, it’s not really a problem!

Always great to hear!! Thank you for watching and taking the time to comment!

They are, the Sennheiser specifically has a high SPL handling so it can be used with strings, woodwinds, percussions, etc without distorting and also has a very wide frequency response for vocals and other instruments.

That’s awesome to hear! Thank you for watching!!