Hey! Thanks for your comment. No I did not denoise at all, just pure pure footage out of the camera! I added also a bit of subtle grain to make it more like film. I actually love this camera sensor but it’s really heavy for a solo run and gun film maker

​@@vittoriobiscaro1245 hello, lovely video that makes me want to buy one of these :0 the comment below mentions internal recording, is it? in 4:2:2? Thanks :)

Yo! It’s 422 that came out from an external recorder connected to the camera actually, sorry for the mis information !

@@vittoriobiscaro1245 that would have been very nice, too bad ! thanks for your quick answer

Yea I did share the specs in the description!

It’s a tokina 28-70 f2.7 for Nikons

Hey! I used Tiffen Glimmerglass 1 for this video, edited with resolve also. You can achieve the same result in any other editing software! I paid 1800 € for the camera used

The load out from Jackson Brown revisited by me :)

Oh, sorry I have read the description:)) internal recording , so on SxS cards !

Thanks a lot 😌

Thank for your beautiful words! It’s Normandy, Etretat

Vittorio Biscaro you are welcome. I just like this style and the mood of how its filmed! Normandy, good to know. Few years ago i was there but more direction omaha beach. Will visit again once and for sure etretat:)

It’s on some festivals I can’t share it for the moment!

Appena possibile mi piacerebbe vederlo.

Thanks! No filmconvert, I don’t like their results btw, it looks a little bit too much like an Instagram filter IMO. I just played a little bit with Resolve, this result is pretty easy to achieve!

The beauty of the f3 is that it will work with both modern and old lenses (PL and in my case Nikon Mount lenses). I tried it with red pro lenses and the look is very modern, tried with Helios and the look is vintage, you can do it all. Just like any other new PL mount camera

If you are looking to buy a Sony F3, I am selling a great model with 444 S-Log. Less than 300 hours on it. I have to say, this trailer looks fantastic! Bravo! Bon chance. As shown by the trailer, the F3 creates beautiful images. Highly recommended.

@@pseudosalon have you sold it and if not, how much are you letting it go for ?

@@pseudosalon How much are you selling for?

Chris Burke hi Chris! How much did you manage to sell your f3?

Hello! Actually it’s inside some festivals now so I can’t show it anymore :/ but more work is coming soon

Its not a problem. Its just one of the quirks from enabling the RGB output from the camera's A and B SDI ports. If you use the normal SDI out port on the side you can still enter the picture profile menu and select a different white balance. With the RGB output you are stuck with 3200k or 5600k. If you shoot 444 you have the flexibility of changing white balance in post. Its not like Raw but its better than 422 files and its hard to notice degradation.

@@josuenunez5353 Thanks a lot (I was going crazy)! So, can I use the "normal" SDI out port with my black magic video assist 3G and record in 422 1,5 ?

@@laurenramecourt1829 Yea! make sure to turn off the RGB output first. Then, connect your video assist to the SDI out port and then you can record 422HQ 10bit. You can select the Slog on the picture profile.

@@josuenunez5353 ok! Where to turn off the RGB output ? Actually it only works when I am in "3G slog"..

Ok in the "others" menu, Ican't remove RGB option. It is grayed :0

422 hq

10bit 422 HQ only! Thanks man

Hello Alain, thanks! I see what you mean and I experienced this on my camera too. I realized that when outside is cloudy, everything is gray and there are no shadows, the camera doesn't know what to do and the colors look like crap! On the other hand, it shows its full potential in all other kinds of lighting situations, especially for example a strong light source coming into the room from outside, or a windy/cloudy day at the beach, or during the blues hours or the golden hours. But I know that in any case, most of the image that are coming out from my F3 are amazings

@@vittoriobiscaro1245 I agree. And lenses probably play a big role. Cheers man, have fun with your cinema projects!

Vittorio Biscaro Hi Vittorio, beautiful video. Are there any lenses in particular you feel work really well with the F3? I’m looking at some on eBay and confused about pmw-F3 vs pmw-F3L. I guess the ‘L’ version just comes with the 3 sony lenses.

Thanks! I would have never thought to be able to reach those colors in my life ahah! Sorry, I searched online but I don't see what you mean by backlit aliasing. Could you be more precise?

Yea, the aliasing is more like a Moire/aliasing that happens when shooting at sharp edges with a light source behind it. Sometimes, When you focus on the sharp edge it will create a blue and green pattern. It not a huge deal but something to be aware of. Is not present most of the time. I only see it when shooting at harsh backlit buildings, windows or lamps. It’s a weird artifact. Nevertheless, everything else about the camera is superb haha.

@@josuenunez5353 I can agree with you, the F3 has that. Thanks for sharing your thoughts!

Hey Ronnie, I really really appreciate your message! I am thinking to make a video in the future on how to get up to speed with the Sony F3, but for now, I am really busy with other projects. If you are in hurry to shoot, just write me at [email protected] and I will give you all the information you need!

@@vittoriobiscaro1245 my regards friend

Thanks! Grading was in resolve and I learned everything from Avery Peck here on youtube

@@vittoriobiscaro1245 amazing!! I have fcpx, did you use an slog to rec709 conversion lut to start off?

@@lofifilm25 yes exactly! I did it in resolve

@@vittoriobiscaro1245 do you know which one?

1) when on my project, I go down and click on project settings: Resolve Project Settings > Color science > DaVinci YRGB Color Menaged Resolve color management preset > DaVinci Wide Gamut Output Color Space > Rec709 Gamma 2.4 save 2) and then on my media window I do right click on the clip I want to grade and then > Input Color space > S.Gamut/S-Log2 boom you re ready to grade