VANITAS (2021) Trailer - Sony PMW F3 film

[@marianolunaartevisual]

i love the music and the colors!!!

[@nacheter2424]

Nice video! The music is awesome and the shots are so beautiful, very clean . Moreover, the photography is great. Greetings from Argentina!

[@ronnyjonah8342]

amazing, i have question? how u grade it

[@MichaelWeizenfeld]

Very intriguing trailer! I'll been waiting to see the full film. It seems that not only cinematography but directing is on the high level.

[@dpixvid]

Very beautiful footage!

[@hayhaydz]

this was vry cool

[@treedeblue]

Great composition bro can you tell me the lens you used I need to get one! marci

[@tecnolatino5552]

Beautiful images!

[@almabjellerup2769]

Where can we watch this? trailer is so intriguing also cinematography and colors are sicccckkk!

[@jamesblobo9947]

Blown away by this trailer. I just picked up an F3 and am having a little trouble exposing in SLOG. Do you have a tried and tested method you could recommend? Ideally i'd just use zebras for skintone and take it from there. Thanks!

[@great.verity]

Spectacular work. Awesome! Did you make any film emulation? Because it looks like film and i cant find what is actually it.

[@HDCAMAN]

Images are GOLD

[@Leo.filmstories]

Hello, does the tiki a lens fit straight to the camera or do I need an adapter?

[@MichaelWeizenfeld]

When can I watch the movie?

[@renemersi5209]

what a beauty!!!

[@FABIOLAKOCHENBORGER]

which lens did you use how many millimeters which model exactly?

[@vittoriobiscaro1245]

It’s a tokina 28-70 f2.7 for Nikons

[@AlexLopez-iy4by]

Lovely film.

[@josuenunez5353]

Congratulations, You have gotten the best colors I've seen from the F3! These images are so meaty and look like film. Great grading skills man. The only thing I wish this camera could handle better is the backlit aliasing.

[@vittoriobiscaro1245]

Thanks! I would have never thought to be able to reach those colors in my life ahah! Sorry, I searched online but I don't see what you mean by backlit aliasing. Could you be more precise?

[@josuenunez5353]

Yea, the aliasing is more like a Moire/aliasing that happens when shooting at sharp edges with a light source behind it. Sometimes, When you focus on the sharp edge it will create a blue and green pattern. It not a huge deal but something to be aware of. Is not present most of the time. I only see it when shooting at harsh backlit buildings, windows or lamps. It’s a weird artifact. Nevertheless, everything else about the camera is superb haha.

[@vittoriobiscaro1245]

@@josuenunez5353 I can agree with you, the F3 has that. Thanks for sharing your thoughts!

[@stephantuta5534]

Magnifique images ! 🙌🏼🙌🏼🙌🏼

[@harrisonkirk7924]

This is gorgeous. I really want an F3 now... do you have any recommendations for other lenses that work well with this camera?

[@vittoriobiscaro1245]

The beauty of the f3 is that it will work with both modern and old lenses (PL and in my case Nikon Mount lenses). I tried it with red pro lenses and the look is very modern, tried with Helios and the look is vintage, you can do it all. Just like any other new PL mount camera

[@pseudosalon]

If you are looking to buy a Sony F3, I am selling a great model with 444 S-Log. Less than 300 hours on it. I have to say, this trailer looks fantastic! Bravo! Bon chance. As shown by the trailer, the F3 creates beautiful images. Highly recommended.

[@alexitanguay]

@@pseudosalon have you sold it and if not, how much are you letting it go for ?

[@harrisonkirk7924]

@@pseudosalon How much are you selling for?

[@matthewfarag]

Chris Burke hi Chris! How much did you manage to sell your f3?

[@fuji.affair5522]

Congrats to this work, you will definitely make your way! May i ask where is this location on the beach?

[@vittoriobiscaro1245]

Thank for your beautiful words! It’s Normandy, Etretat

[@fuji.affair5522]

Vittorio Biscaro you are welcome. I just like this style and the mood of how its filmed! Normandy, good to know. Few years ago i was there but more direction omaha beach. Will visit again once and for sure etretat:)

[@donatellotanga5134]

wonderful, congratulations. where can you see the whole movie?

[@vittoriobiscaro1245]

It’s on some festivals I can’t share it for the moment!

[@donatellotanga5134]

Appena possibile mi piacerebbe vederlo.

[@Robinw0od]

Hi ! well done ! I'm interested in seeing the whole movie! how can i see it?

[@vittoriobiscaro1245]

Hello! Actually it’s inside some festivals now so I can’t show it anymore :/ but more work is coming soon

[@drsjamesserra]

Like to see the film!

[@okarime21]

OOOOOOOOOOh my god !!!

[@laurenramecourt1829]

Hello, when I put the S-log otpion on my f3, the White balance button and the Picture profile button get stuck (I cant change the settings). Did you have the same problem ? I am stuck :(

[@josuenunez5353]

Its not a problem. Its just one of the quirks from enabling the RGB output from the camera's A and B SDI ports. If you use the normal SDI out port on the side you can still enter the picture profile menu and select a different white balance. With the RGB output you are stuck with 3200k or 5600k. If you shoot 444 you have the flexibility of changing white balance in post. Its not like Raw but its better than 422 files and its hard to notice degradation.

[@laurenramecourt1829]

@@josuenunez5353 Thanks a lot (I was going crazy)! So, can I use the "normal" SDI out port with my black magic video assist 3G and record in 422 1,5 ?

[@josuenunez5353]

@@laurenramecourt1829 Yea! make sure to turn off the RGB output first. Then, connect your video assist to the SDI out port and then you can record 422HQ 10bit. You can select the Slog on the picture profile.

[@laurenramecourt1829]

@@josuenunez5353 ok! Where to turn off the RGB output ? Actually it only works when I am in "3G slog"..

[@laurenramecourt1829]

Ok in the "others" menu, Ican't remove RGB option. It is grayed :0

[@lucykaleisky]

Salut les gars j'aime beaucoup ce trailer j'aimerai bien venir faire des petit trucs avec vous pour discuter de cinéma .et BORDEL bien choisi la f5 le look rend parfaitement bien. C'est Etretat les falaise nan? (Pas besoin de répondre à la demande de se voir je suis juste en manque de gens motivé avec qui travailler. Lov et force a vous n'abandonnez jamaissss

[@lofifilm25]

brilliant!! How did you grade?? Got my Sony F3 recently.

[@vittoriobiscaro1245]

Thanks! Grading was in resolve and I learned everything from Avery Peck here on youtube

[@lofifilm25]

@@vittoriobiscaro1245 amazing!! I have fcpx, did you use an slog to rec709 conversion lut to start off?

[@vittoriobiscaro1245]

@@lofifilm25 yes exactly! I did it in resolve

[@lofifilm25]

@@vittoriobiscaro1245 do you know which one?

[@vittoriobiscaro1245]

1) when on my project, I go down and click on project settings: Resolve Project Settings > Color science > DaVinci YRGB Color Menaged Resolve color management preset > DaVinci Wide Gamut Output Color Space > Rec709 Gamma 2.4 save 2) and then on my media window I do right click on the clip I want to grade and then > Input Color space > S.Gamut/S-Log2 boom you re ready to grade

[@alain7634]

Congratulations Vittorio for your first film ! Nice work between sound, narrative and imagery. I have this love hate feelings towards my F3. Sometimes it delivers such beautiful filmic images, but sometimes footage reminds me it is still a digital camera... I find that the sensor delivers those magical images depending on the kind of light it hits it. Did you feel that way sometimes in this project?

[@vittoriobiscaro1245]

Hello Alain, thanks! I see what you mean and I experienced this on my camera too. I realized that when outside is cloudy, everything is gray and there are no shadows, the camera doesn't know what to do and the colors look like crap! On the other hand, it shows its full potential in all other kinds of lighting situations, especially for example a strong light source coming into the room from outside, or a windy/cloudy day at the beach, or during the blues hours or the golden hours. But I know that in any case, most of the image that are coming out from my F3 are amazings

[@alain7634]

@@vittoriobiscaro1245 I agree. And lenses probably play a big role. Cheers man, have fun with your cinema projects!

[@matthewfarag]

Vittorio Biscaro Hi Vittorio, beautiful video. Are there any lenses in particular you feel work really well with the F3? I’m looking at some on eBay and confused about pmw-F3 vs pmw-F3L. I guess the ‘L’ version just comes with the 3 sony lenses.

[@davidvalens3337]

did YOU record in 444?

[@vittoriobiscaro1245]

422 hq

[@ronniemccrea9961]

Thats amazing, ur first video was the one of videos that motivated me to buy f3! can not fully understand the settings, I really want to get the quality on a par with yours. I want to pay you a sum of money to tell you how you set up the camera, and maybe upload your pic profile. I really want to shoot, but I can't figure out how to get those settings that are needed. Write your email, thanks

[@vittoriobiscaro1245]

Hey Ronnie, I really really appreciate your message! I am thinking to make a video in the future on how to get up to speed with the Sony F3, but for now, I am really busy with other projects. If you are in hurry to shoot, just write me at [e-mail] and I will give you all the information you need!

[@ronniemccrea9961]

@@vittoriobiscaro1245 my regards friend

[@MartonM0]

Hi Vittorio, these pictures are wonderful. May I ask, did You record in 10bit 444 or in 422?

[@vittoriobiscaro1245]

10bit 422 HQ only! Thanks man

[@zarrir]

My mother's name is Vanita