DONATONI / Omar 1 / Contemporary
4:56
RIHM « Marsyas »
0:30
2 жыл бұрын
Пікірлер
@claudemiropavani9412
@claudemiropavani9412 2 күн бұрын
puro talento sabe tudo .
@gksalf10
@gksalf10 26 күн бұрын
I cannot play this because I didn’t learn the doppelgänger magic
@nilliriyaninano
@nilliriyaninano 27 күн бұрын
Where can I get the sheet music?
@mattf.3124
@mattf.3124 Ай бұрын
Absolutely astounding performance !!
@Tocsin-Bang
@Tocsin-Bang Ай бұрын
Simply superb. Great arrangement, it almost sounds as thought there were a dozen musicians, not just two!
@Tocsin-Bang
@Tocsin-Bang Ай бұрын
Love the transcription, and your paying is divine!
@lennypopkin4728
@lennypopkin4728 Ай бұрын
Wow! Bravo! Beautiful performance!
@morris676
@morris676 Ай бұрын
Remarquable transposition ..ambiance captivante
@johnhughes6403
@johnhughes6403 Ай бұрын
An outstanding rendition by a supremely talented artiste, but completely spoilt, as a video experience, by the banal camera work!! "So, you can move the camera around and around and around in circles? Bravo!" Now try remembering that the whole point of this video is to showcase the genius of Bach the composer, Busoni the arranger and last, but by no means least, Adélaïde the performer. NOT the totally distracting spinning camera work. (As a genuine suggestion, look up Hélène Grimaud's performance of this exact piece to see how camera-coverage should be done). But I must again praise the astonishing musicality of Adélaïde's playing.
@johnnisshansen
@johnnisshansen 3 ай бұрын
i suppose the instrument is a marimba, but this word is not mentioned
@jerrythemouse28
@jerrythemouse28 3 ай бұрын
United had just released their newest safety video
@mirakupejeva7377
@mirakupejeva7377 3 ай бұрын
Thank you for sharing this perfomance! I am now under the impression of this composition with such high technique of Adelaide! Excited! 🎼❤️🎼💎🎼
@maciejgrzesiak
@maciejgrzesiak 3 ай бұрын
Pięknie!!
@AguajeLove-uk1sk
@AguajeLove-uk1sk 4 ай бұрын
❤❤❤🎉🎉excellent ase
@melaniamonicacraciun9900
@melaniamonicacraciun9900 4 ай бұрын
Nobody out there in the audience 😂😂😂😅😅😅 yeah, one of my dearest satisfaction, watching musicians happy having fun performing and entertain us fans oh yezzzzzz, heavenly bliss indeed...maybe some extra microphone might help next time 🎉❤🎉
@samueldelaunay498
@samueldelaunay498 4 ай бұрын
Son étonnamment doux pour ressortir de la masse orchestrale et pourtant cela fonctionne. Il faudrait nous faire une vidéo explicative sur le choix des baguettes et les différents résultats possibles. Mais le plus mystérieux c'est la variation de l'intervalle entre 2 baguettes en fonction du contexte.
@lisarichter203
@lisarichter203 4 ай бұрын
La musicienne la plus étonnante et transcendante que je puisse imaginer. Tout ce que vous faites est marqué par la même musicalité et la même inspiration. Vous êtes une serviteur de l’art et je ne saurais trop vous remercier.
@martinjourdan9075
@martinjourdan9075 4 ай бұрын
Étonnant et magnifique
@dominiquetehel2747
@dominiquetehel2747 5 ай бұрын
2:10 😮
@unnoticeably_contradictory
@unnoticeably_contradictory 5 ай бұрын
KÄMPFE nicht DAGEGEN - spüre ES ! <#
@jean-pierredubois7672
@jean-pierredubois7672 6 ай бұрын
Elle joue comme un ange et ... elle est belle comme un cœur !
@Andrea-kv4kk
@Andrea-kv4kk 6 ай бұрын
Wonderful ❤ bravissima 👏
@DmitryTimofeev
@DmitryTimofeev 6 ай бұрын
Thank you!!!!
@Elnico52
@Elnico52 7 ай бұрын
Formidable ! Merci
@onomatopeira
@onomatopeira 7 ай бұрын
Marvellous... Comic-tragic sounds from an enchanted universe. Merveilleux... Des sons comic-tragiques d'un univers enchanté.
@onomatopeira
@onomatopeira 7 ай бұрын
VIVALDI, Antonio (1678-1741) - Concerto per Flautino in C major, RV 443 (aka Recorder Concerto in C major, RV 443) [1728-1729], arr. for marimba and piano -- Adélaïde Ferrière (marimba) & Matthieu Cognet (piano) 00:00 = I. [Allegro] 04:06 = II. Largo 06:52 = III. Allegro molto
@onomatopeira
@onomatopeira 7 ай бұрын
[FRE] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", extrait des "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite en Sol", RCT 6 - 8e et dernier mouvement. Les "Nouvelles Suites" constituent le troisième et dernier recueil de pièces pour clavecin, publié par Rameau en 1727. ------------- [ENG] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", from "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite in G", RCT 6 - 8th and last movement. The "Nouvelles Suites" form the third and final book of pieces for harpsichord, published by Rameau in 1727. ------------- [PT-pt] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", das "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite in Sol", RCT 6 - 8º e último andamento. As "Nouvelles Suites" formam o Terceiro e último livro de peças para cravo, publicadas por Rameau em 1727.
@onomatopeira
@onomatopeira 7 ай бұрын
Excellent!😃
@onomatopeira
@onomatopeira 7 ай бұрын
Bach is genius, wonderfully supreme, sublime... He could be played on any instrument, and he would still sound divine. I don't know the technical specificities of the Marimba, but as a former student of pipe organ and harpsichord, I know that all instruments are difficult to master, especially to the point of playing works on them with the characteristics we find in Bach. The result of the Adélaïde Ferrière interpretation is very pleasant and satisfying, which is what in the end matters. A percussion idiophone like the Marimba has curious sonorities, certainly different from what a Western classical music lover is used to hearing. It has a kind of aquatic timbre, as if the sounds were produced by balls of air blowing gently underwater. I find it very relaxing. I'd love to hear more works by Bach performed by Adélaïde. I am waiting for it...
@galareanaefremova52
@galareanaefremova52 7 ай бұрын
Такое страное звучание знакомой вещи, как это вообще в голову пришло девушке сыграть на ксилофоне танго, но какие космические звуки, какой нездешностью и покоем проникаешься - прямо во Вселенную уносишься душой под дробь этих звуков, как будто каждый удар шаг по лунной дорожке в звёздное небо.
@mikevilches2740
@mikevilches2740 7 ай бұрын
Hi do you have the music for this?
@MIVENUE
@MIVENUE 7 ай бұрын
Piazzolla: « Libertango » performed by AiSzu Chiu (邱艾思) 👉 kzbin.info/www/bejne/iGWaXnl4gZqVeqc 🎶 #PrestigiousArtist Season 1, Ep03 #MIVENUE #OnlineConcert
@DmitryTimofeev
@DmitryTimofeev 7 ай бұрын
Bravo, Adélaïde! 👏👏👏 I compose a piece for solo marimba. If you like it, you can play it. kzbin.info/www/bejne/epCsmqmLideihpY All the best!
@gilbertszwarc1284
@gilbertszwarc1284 7 ай бұрын
Sublime interprétation, comme toujours 🤩
@gillesderais3848
@gillesderais3848 7 ай бұрын
Great playing, great setting.
@steelapplepipeapfel995
@steelapplepipeapfel995 7 ай бұрын
Incroyable ! ❤
@valiblue
@valiblue 7 ай бұрын
Only 300 likes for this great work? This is telling a lot about our world... unfortunately...
@Afallach2
@Afallach2 8 ай бұрын
A masterpiece (or two, if you count both Bs) on a new instrument. And it works so well. A wonderful production, start to finish. Thank you.
@pav_lad
@pav_lad 8 ай бұрын
Bravo!!!!
@fernandocarofaniello9600
@fernandocarofaniello9600 8 ай бұрын
😮❤❤❤
@frederickmenu3140
@frederickmenu3140 9 ай бұрын
Il fallait oser s'attaquer à une pièce pareille, surtout la fugue, c'est magnifique.
@baygnet6996
@baygnet6996 9 ай бұрын
What grip do you play with?
@ranzio7304
@ranzio7304 9 ай бұрын
This is the most difficult, powerful and beautiful I've ever seen in solo marimba ❤! You are so talented and amazing percussionist!! I wish I could see you live sometime!!
@papertoyss
@papertoyss 9 ай бұрын
This is one of the best pieces of music I ve heard lately, and the performance was superb. I knew Xenakis, Ive heard and appreciated his work, especially on percusions, but its only recently I started discovering this music. Im happy for it
@Youngei402tw
@Youngei402tw 9 ай бұрын
Is there a full video version of this?
@vlecomer
@vlecomer 10 ай бұрын
(Shared)
@user-rq2yc4fx3o
@user-rq2yc4fx3o 10 ай бұрын
I wanna play this for my senior recital!
@rssothon
@rssothon 10 ай бұрын
Masterclass. Impresionante nivel de concentración. Xenakis suena a Xenakis.