Amazing! Please, invite Meshuggah’s light guy next time for even better light effects! 🤘🤘🤘

You are just an absolutely incredible gift to the music world! I deeply enjoyed your performance at the recent PASIC 24 Convention as well!!!

Quelle interprète ❤

Saw this live a few days ago at PASIC, absolutely jaw droppingly perfect

Thanks a lot for sharing🙏❤

Hello, where can I buy the score?

absolutely great. Greetings from Poland.

❤❤❤

Ferrière really exceptional, but the piece of music is frankly boring and lacking in ideas. Everything has been seen and heard more than once. Nothing happens.

sodelicious.............................

Interesting 🤔

puro talento sabe tudo .

I cannot play this because I didn’t learn the doppelgänger magic

Where can I get the sheet music?

Absolutely astounding performance !!

Simply superb. Great arrangement, it almost sounds as thought there were a dozen musicians, not just two!

Love the transcription, and your paying is divine!

Wow! Bravo! Beautiful performance!

Remarquable transposition ..ambiance captivante

An outstanding rendition by a supremely talented artiste, but completely spoilt, as a video experience, by the banal camera work!! "So, you can move the camera around and around and around in circles? Bravo!" Now try remembering that the whole point of this video is to showcase the genius of Bach the composer, Busoni the arranger and last, but by no means least, Adélaïde the performer. NOT the totally distracting spinning camera work. (As a genuine suggestion, look up Hélène Grimaud's performance of this exact piece to see how camera-coverage should be done). But I must again praise the astonishing musicality of Adélaïde's playing.

i suppose the instrument is a marimba, but this word is not mentioned

United had just released their newest safety video

Thank you for sharing this perfomance! I am now under the impression of this composition with such high technique of Adelaide! Excited! 🎼❤️🎼💎🎼

Pięknie!!

❤❤❤🎉🎉excellent ase

Nobody out there in the audience 😂😂😂😅😅😅 yeah, one of my dearest satisfaction, watching musicians happy having fun performing and entertain us fans oh yezzzzzz, heavenly bliss indeed...maybe some extra microphone might help next time 🎉❤🎉

Son étonnamment doux pour ressortir de la masse orchestrale et pourtant cela fonctionne. Il faudrait nous faire une vidéo explicative sur le choix des baguettes et les différents résultats possibles. Mais le plus mystérieux c'est la variation de l'intervalle entre 2 baguettes en fonction du contexte.

La musicienne la plus étonnante et transcendante que je puisse imaginer. Tout ce que vous faites est marqué par la même musicalité et la même inspiration. Vous êtes une serviteur de l’art et je ne saurais trop vous remercier.

Étonnant et magnifique

2:10 😮

KÄMPFE nicht DAGEGEN - spüre ES ! <#

Elle joue comme un ange et ... elle est belle comme un cœur !

Wonderful ❤ bravissima 👏

Thank you!!!!

Formidable ! Merci

Marvellous... Comic-tragic sounds from an enchanted universe. Merveilleux... Des sons comic-tragiques d'un univers enchanté.

VIVALDI, Antonio (1678-1741) - Concerto per Flautino in C major, RV 443 (aka Recorder Concerto in C major, RV 443) [1728-1729], arr. for marimba and piano -- Adélaïde Ferrière (marimba) & Matthieu Cognet (piano) 00:00 = I. [Allegro] 04:06 = II. Largo 06:52 = III. Allegro molto

[FRE] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", extrait des "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite en Sol", RCT 6 - 8e et dernier mouvement. Les "Nouvelles Suites" constituent le troisième et dernier recueil de pièces pour clavecin, publié par Rameau en 1727. ------------- [ENG] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", from "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite in G", RCT 6 - 8th and last movement. The "Nouvelles Suites" form the third and final book of pieces for harpsichord, published by Rameau in 1727. ------------- [PT-pt] RAMEAU, Jean Philippe (1683-1764) - "L'Égyptienne", das "Nouvelles Suites de Pièces de Clavecin", RCT 5-6 - "Suite in Sol", RCT 6 - 8º e último andamento. As "Nouvelles Suites" formam o Terceiro e último livro de peças para cravo, publicadas por Rameau em 1727.

Excellent!😃

Bach is genius, wonderfully supreme, sublime... He could be played on any instrument, and he would still sound divine. I don't know the technical specificities of the Marimba, but as a former student of pipe organ and harpsichord, I know that all instruments are difficult to master, especially to the point of playing works on them with the characteristics we find in Bach. The result of the Adélaïde Ferrière interpretation is very pleasant and satisfying, which is what in the end matters. A percussion idiophone like the Marimba has curious sonorities, certainly different from what a Western classical music lover is used to hearing. It has a kind of aquatic timbre, as if the sounds were produced by balls of air blowing gently underwater. I find it very relaxing. I'd love to hear more works by Bach performed by Adélaïde. I am waiting for it...

Такое страное звучание знакомой вещи, как это вообще в голову пришло девушке сыграть на ксилофоне танго, но какие космические звуки, какой нездешностью и покоем проникаешься - прямо во Вселенную уносишься душой под дробь этих звуков, как будто каждый удар шаг по лунной дорожке в звёздное небо.

Hi do you have the music for this?

Piazzolla: « Libertango » performed by AiSzu Chiu (邱艾思) 👉 kzbin.info/www/bejne/iGWaXnl4gZqVeqc 🎶 #PrestigiousArtist Season 1, Ep03 #MIVENUE #OnlineConcert

Bravo, Adélaïde! 👏👏👏 I compose a piece for solo marimba. If you like it, you can play it. kzbin.info/www/bejne/epCsmqmLideihpY All the best!

Sublime interprétation, comme toujours 🤩

Great playing, great setting.

Incroyable ! ❤

Only 300 likes for this great work? This is telling a lot about our world... unfortunately...

A masterpiece (or two, if you count both Bs) on a new instrument. And it works so well. A wonderful production, start to finish. Thank you.