I'm honestly so confused. People asked for a box camera (a style of camera that has to be built out), and now some people are upset it has to be built? The URSA IS a box camera that has built in ND, flip out screen, 2 full size XLR, and more. Because of those extra features it costs more and is a little bigger. This is the opposite of that, a camera that can be cheaper because all those features are removed. The screen is there for the menus and maybe an AC who would stand to the side of the camera. Everything about the camera is designed for a build, just like a RED or Z CAM. If you want this sensor in a body that needs less building, that's the Cinema 6k.

Not really helpful when your decision came down a personal choice and not a performance one - there are better ways to do that. Good comparisons overall

Modern lenses take the fun out of photography and can be so expensive, but vintage glass has no electronics to stuff up are tougher and more reliable. For example Nikon 1 lenses stuff up the apature iris will stick and are next to useless, so by using adapters and vintage glass you no longer have to throw away your perfectly good Nikon 1 camera bodies. The Nikon J5 has a working light meter but the Nikon 1 V1 does not, so this will teach you how to use an external light meter and teach you how to bracket and with time you wont even need your light meter for most of your photography. But i still advise to have a camera with dedicated lenses as well. This is only my opinion. I now have bought myself a Nikon Zfc and have ordered its first adapter PK to Z mount, i will buy more adapters as required, cant wait to put some vintage glass on it.

AND YOU CAN BUY A 2TB SSD LOL. HOW MUCH Will IT COST YOU FOR N CFEXPRESS 😆😆😆

first s5 is the best

Stop boasting around Mr @derryk1 . You’re saying as if “Autofocus” ain’t a Pro tool? Then talk the cameras manufactures out of it, so they don’t work on that in their next releases! KZbinrs could be pro as well, and there’s a bunch of them out there who make way better money than you make! Not only people in the film industry are pros.

LOVE seeing eager noobs trying things out and getting a hands on education. Keep sharing with the next generation!

I have an s5ii,the problem is it uses Panasonic old auto focus technology in some video formats,like full frame 4k 60.if its in aps-c there is no focus issue

Any chance you could review the Ulanzi Video Fast Heavy Duty Tripod? Was just released about 2-3 months ago. Supposedly it addresses lots of the flaws of the Smallrig and has advanced features like the Sirui but at around the price of the Smallrig one. Would love to see what you think about it! (And how it would compare to the Pineta Peak and to just mounting a gimbal on an ordinary tripod as a baseline test).

What do you care? You sold your lumix

Hey with this being said, from the auto focus and the fact that even tho the ibis is phenomenal you use a gimbal, how do you feel about this camera vs the sony fx 30.

The HDMI placement and lag is very annoying, but I use an external monitor anyway, closing the LCD to save some battery. Not ideal, they should do something about it. About the desqueezing issue: I can’t try it, because I don’t have any anamorphic, but what if you don’t apply the desqueeze on camera and let the monitor do the work? Is it possible?

The problem is the price is soo near to the s5ii I mean If they can get rid or at least extend the time limit to 30min like Canon of old I think it would be reasonable The 10min record limits just weird

Vintage lenzize

You should 100% be manual focus for client work, especially talking heads and weddings. I can't imagine using auto focus for something important.

Beo, do you recommend I buy the SONY A7CII or the LUMIX S5iiX right now?

Shit review

Autofocus is nice to have? Yes. It’s is a deal breaker? Not for me. I’ve shot tons of things on different systems, and I regretted not having good autofocus just a couple of times. And when you shoot a big project, usually it’s on cinema lenses, ergo no AF at all. What I’m trying to say is that using AF is, most of the time, laziness or inability to pull manual focus. Not all the time, I agree that sometimes it’s AF or nothing, but on professional shooting? Get good at manual focus (you can use it even on a gimbal with the right tools)

Hi sir Which camera you have used to shoot on the studio because this looks grate

9:46 bro this looks sensational… what length was this shot? Looks so cinematic with that profile track :)

Waiting to see s1m2.

Did you by any chance upload the short film shot on the remus?

In prores is easier to work with, even on weak PC, without using a proxy. In addition, the picture is more voluminous, more colorful, and more interesting, including due to the increased dynamic range. With these settings, it is easier to do color correction.

I thought the autofocus issues were a thing of the past with Panasonic ? is the problem back ?

As flowtech owner, i can say it was really really funny!!! Well, i like that hypothetical robber chooses Sirui over my Sachtler 😂😂😂

Fantastic video! I have the BMCC6k. Would you suggest I get the L mount version or PL along with a PL -> L mount adapter? I am gravitating toward the L mount, because Im reading about having to potentially shim the lens if it ends up not being sharp at infinity. You also talk about the adapter choice contributing greatly to the vignetting. Wouldnt getting the L mount version defeat that headache and just provide with the best possible lens in this case?

Hey Anthony! Great video as always, thanks! Which Phantom LUTS are you using for your family videos at the beach as well as the main video? I bought them but I haven’t had good results, must be me

Can you put it on a 24-70 L mount???

Congratulations on finding the right tool for your needs. How crazy is it that the S35 sensor of the C70 is forcing the FX6 to be manipulated to look more like the C70. That extra effort in practical terms really does eat into profits so hopefully you sort that out and get to keep more in your pocket. thanks for the video.

recording to a SD card is way better 😂😂

Hey man, thank you for sharing your thoughts. Can I ask what type of SSD you use for the Blackmagic video assist 12G? Thank you

But is it parfocal?

We’re camera buddies😂😂 same 2 cameras

Does he have a Davinci Wide Gamut version of his Eastman LUT?

Thank you! I’m still waiting for something better to arrive on the market. Gimbals are pain in the butt to set up every time

With the focus peaking the 6K is a dream to pull focus with. I am constantly amazed at how scared folk are of putting their hand on the lens. And it is a ton of fun to make pictures this way. The biggest point I think that is missed is that a hybrid camera while being technically capable of doing as good a job just has too much stuff in the way. It’s a design problem. The BM is designed so every control is at hand and predictable so it flows with your shoot. It makes a huge difference in usable footage.

Just to make sure....I import the lut I want and then just select that as my picture style? Don't have to mess with V-log?

Agreed, I don't see the point to spending money on lenses to get a specific soft look when that automatically locks your raw video into that softness as a starting point.

But here the million dollar question is, how do you get perfect focus on the BlackMagic, what do you use?

Small camera doesn't make those lenses small or portable... Lumix have to fix that now

Is the NISI black mist filter threaded in the front side? So I can attach other filters to it with standard thread?

Do you recomend buy separately 45mm and 65mm and avoid the 100mm?

I think the issue with the internal NDs is that it's more difficult to do those with a mirrorless mount. It's not impossible, but much more difficult to do when you have much less space between the back of the lens and the sensor. If you look at their cameras with internal ND its the Pocket 6K Pro and Ursa 12Ks. What are the mount options available in those? PL, EF, and LPL which have flange distances of 52mm, 40mm, 44mm respectively. The L mount has a flange distance of just 20mm and M43 is 19.25mm. They already have to fit an OLPF there so squeezing an ND wheel in there is complicated.

Great video, thank you !!

Waiting for the S9 Pro

Did open gate a Braw option change with the new update?

When you use the phase "the images are usable" this makes you think that the footage that this lens deliver is noy good, Is just barely good to not thow it the garbage, and can use. This is not fine at all if the intention is talk good about this lenses.

So I’m going down the rabbit hole searching for the best option for anamorphic look and it seems that adapters are the closest thing to it, especially this brand. So now I’m searching this brand and would like to pull the trigger on it. But I can’t help to notice that every video review I see, every one is using an old vintage lense weather is contax zeiss, leica r lenses or some other old vintage lense. Why? Can it not fit a normal prime lense or for instance in my case a 7Artisan lense? I would hate to buy this and then needing to buy more lenses to work with it, as it will defeat the purpose of it. I hope this reaches you 😊

hello sir..first of all love from india.your content is so amazing.. second please make a video on fuji xh2s ..

I currently shoot talking head videos in my indoor studio with my FX3, but I want to upgrade. Should I get the FX6 or the C70? I care mostly about image quality, image sharpness, clean shadows with no noise since I shoot in a dark moody background and autofocus