Thanks very much, hope all is well!

@@Mikeedoodee thank you, yes.

@@Beatmaster-55 thank you!

@@maqirama Tama SLP Hickory bop, all cymbals are Istanbul 30th anniversary. I use DW Direct Drive pedals.

@@matthewkelso3280 thank you!

Not sure I follow but thanks for watching.

Thank you!

Thank you!

@@matthewkelso3280 thank you!

Thank you!

Thank you!

Thanks very much!

Check out pdf I added in description, second trade.

The ride pattern varies based on long and short notes.

Thank you! I added an explanation in the comments. I will write something up I have just not gotten to it. Let me know if that helps. Work on just the ride concept first before adding the other limbs, then 2/4 on high hat, than snare bass drum once comfortable.

Thank you!

Thank you!

@@juanfrancoyu thanks very much!

@@kevinturner5857 thank you!

@@user-iy2zt3yx8q thanks very much!

One of the first things I did was reverse the limbs in Chapin's book. In the section where bass drum is notated, play four quarters on the bass drum, and the notated bass drum parts on the hi hat. Also, Jazz Ride, second and third notes of the triplet every beat on snare, then walk the feet reading syncopation, Jazz notation).

what ur thoughts on marcus ? @@michaelnesi0827

Thanks for watching!

@@jigthepuff4540 thanks very much for watching!

@@goodmanbrown8131 thank you very much!

@@clarknova7331 thanks very much! Istanbul Agop 30th Anniversary

I will add more details and a pdf to help. Essentially I developed exercises to play any accents patterns within paradiddles.

Would be grateful to see the exercises you developed. I’ve got as far as trying to play groupings of 3 4 5 etc within a double stroke roll. perhaps I could just use Ted Reed synco exercises to develop it further…thx for inspiration

@@grantallardyce5282 Write out the notation for a couple of measures, if dealing with 5, 7, I usually go until it resolves. I then put the sticking underneath, for example if a paradiddle in 1/8 note triplets is the target sticking. Then put the accents on top and see where it lands in he sticking. For Jazz notation I start with down beats, practice that in the sticking, then up beats, then consecutive 1/8 notes (shuffle). Hope this helps.

Thank you!!

@@polyduckwanaland thank you!

Hello thank you for watching! I am playing doubles but the right hand doubles are being split between the floor tom and snare. I love split doubles. The left hand is accenting the first note of the double, the articulation makes it sound like more than what it is.

@michaelnesi0827 that's great insight thank you

Thank you very much!

Thank you very much!!

Thanks, I will create one.

Added.

Thank you!

I will check out the tune for sure.

@@EthanNistor I was just speaking about that book with someone. It is really great the way he moves the diddle to accommodate where he wants the accent, also the rate changes, great book. I will do something for sure.

@@EthanNistor and thank you!

No problem mate, your creativity is wild! I've transcribed a few of your exercises and played some of it for my drums exam at music school! It's great I love your stuff! Of course, I gave you credit and also showed my drum teacher your videos! Can't wait for some Dave Tough!😃

@@EthanNistor thank you very much that is awesome!

Do you mean the top line, Ride Cymbal pattern? If so the ride pattern is written in 16th notes throughout the book. I remember Dom once telling me something about why that was but I don't recall. I studied with Jim but was too young to ask.

@@michaelnesi0827 Thanks for your reply. Do the a's of triplets land at the same time as a's of 16ths?

@@alanross2876 No it would be a 4 against 3 polyrhythm. Pass the Bread and Bu tter is a good mnemonic to help. Pass both hit at the same time. The is the second not of the 16, the is the second not of the triplet, and is the third note of the 16th, first syllable of butter is the third note of the triplet, and the second is the final note of the 16th.

Say that and play the three side on the left hand, 4 on the right, then reverse.

The triplet sections in Jim's book, play the ride as triplets. Mixed rate exercises, I change the ride when triplets are encountered, and also try and stay true to the book as written.

Thank you! I have been using these Istanbul 30th Anniversary cymbals for a while now I really love them and can't seem to switch them out. Although for rehearsals I have been using my K Kerope cymbals which I am really liking more and more as well! Thanks for watching!

@@jigthepuff4540 thank you!

I’m gonna need some toast for that tasty jam!

lol, thanks!

This one was actually very tricky for me, beyond the orchestration. The phrase is in 3/4 essentially, two times through each version I count it in 6/4. I am going to add a pdf for the math.

@@michaelnesi0827 Either way I really enjoy your channel. I watch how your hands move around the set to give me some ideas. I really need to bite the bullet and get a bebop set to drop my Tom down. But I only play for fun. Remember the first time you played on a drum set you felt that magic? That’s me every time I get on them.

Thank you!

Thank you very much! I played a 22" for years then switched and never went back.

Thank you very much! I currently sub for a big band here on Long Island. I will try and get some videos, playing with that band leaves me little time to record anything, I am always focused on the chart. Next rehearsal I will set up my camera for the entire duration and then create a shorter video. Thank you again for watching.

Just a term I came up with to describe the part of the song Elvin plays the tom as part of the groove, this one is in 3/4 so it is hard to classify.