21 күн бұрын
5 ай бұрын
2 жыл бұрын
Пікірлер
@polmalinowski3967 2 күн бұрын
Dynamic range of the ARRI can’t be beaten
@RiverCody Күн бұрын
So true!
@MonirunMawla 4 күн бұрын
River Cody ,Hi ,I wanna contact with you
@tayebamghar07 4 күн бұрын
it's a best practice that no adjustments should typically come after the Output CST, as this node is responsible for converting the footage into the final delivery color space (e.g., Rec.709, HDR). Any changes after the Output CST risk altering the intended final look and might lead to inconsistencies.
@RiverCody 4 күн бұрын
Awesome, thank you for that🤟🏻
@babacartoure8120 7 күн бұрын
what lens you used on the RED ?
@RiverCody 5 күн бұрын
It was the Meike 35mm FF Cine
@jayrey7 8 күн бұрын
I want both. 😂 Alexa wins any day every time. But Komodo definitely is the cheapest to go with. I want one. 🙏 manifesting it.
@chairmp4 11 күн бұрын
THR COLOR GRADING IS HONESTLY INSANE?!?
@jeremy_woods 11 күн бұрын
I’m only on the second shot at the bench and I’m positive B is the Alexa. Let’s wait and see… Yep.
@mayalove7921 13 күн бұрын
Such a great video, also cannot thank you enough for including both the body AND LENS you used for each shot!
@RiverCody 13 күн бұрын
Of course🙌🏻
@stanleys7330 21 күн бұрын
True🎉
@deviceinside 24 күн бұрын
love the detailed breakdown
@RiverCody 23 күн бұрын
Of course🙌🏻 Let me know if there’s anything else you’d like for me to cover
@mitchforteclassic 24 күн бұрын
The highlight rolloff is just so much cleaner on the RED, its night and day
@AIlied_mastercomputer 26 күн бұрын
How much are they paying you?
@RiverCody 26 күн бұрын
Not a dime😂 They sent me some stuff and I got to say whatever I wanted🤟🏻
@orangehatmusic225 Ай бұрын
I feel hazed
@RayceMortensen Ай бұрын
Well done sir
@RiverCody Ай бұрын
Thanks Rayce🤟🏻
@hunterh9502 Ай бұрын
dope video! subbed
@RiverCody Ай бұрын
God bless!
@masonharris9918 Ай бұрын
That was amazing!!
@RiverCody Ай бұрын
Thanks brotha🔥
@2424rocket 2 ай бұрын
Interesting that you’re node tree is different from every other pro colorist on the Internet. Hmm? Hard to listen to your video because of that obnoxious music. Why do you think we need music to listen to what you have to say?
@RiverCody 2 ай бұрын
I’d say that creativity is subjective… and I like the music lol🤟🏻 God bless
@HybridlyRude 2 ай бұрын
Komodo is in hollywood long ago. Eike, Tudo ou Nada (2022) Motion Picture | 2D | 6K Project | Color | 2.0:1 | 110 Minutes. ... The Matrix Resurrections (2021) ... The Pills (2021) ... Guardians of the Galaxy Vol. ... Kompas (2024) ... The Killer (2023) ... Een Rivier om te Bevriezen (2023) ... Silverstar (2022)
@ISHOPRD 2 ай бұрын
wow thanks!
@infinidzach 2 ай бұрын
I got it right, the 1st clip showed the difference
@MAHASARATA 2 ай бұрын
good thank you
@fedfed96 3 ай бұрын
You managed to make them both look like Canon 600D footage. Congrats bro 🙏 The color grading is so overused, rookie and atrocious 🙏🙏🙏
@alexsuttie16 3 ай бұрын
Yep i could tell immediately ... Arri just has a softer more natural look to it. So nice. The Red looks great though ... I think only camera geeks will realize the difference. Most people wont realize but they might sense that it just looks nicer (even in their subconscious)..
@theosophicalwanderings7696 3 ай бұрын
Yeah I could tell B was the Arri, it just looked "softer" and less digital. Also it saw in those shadows pretty dang well.
@youbian 3 ай бұрын
They all produce images
@CarsWithEndi 3 ай бұрын
Great channel and content! I just got the OG Komodo beside my awesome Fujifilm X-H2s. Here is a quick test car video with the Komodo: kzbin.info/www/bejne/fGfYh4SBbdukjKM
@jamdva8176 3 ай бұрын
Fine. I was right then I was wrong.
@tylerstooksbury3050 3 ай бұрын
I mean the Komodo is a hollywood movie camera lol.
@VINCENT-f7b 3 ай бұрын
Hey I am a beginer I just learn a lot thanks to u
@RiverCody 3 ай бұрын
Happy to hear it! Can’t wait to see what you’re able to create🔥
@VINCENT-f7b 3 ай бұрын
@@RiverCody Thanks you just quick question why your range value is way bigger in the waveform panel ? Mine are from 0 to 1023
@velvetsound 3 ай бұрын
The B cam had well saved shadows but that’s what I was looking for…
@ktcool4660 3 ай бұрын
I hate arri look now, because it's over used.
@TinyObservations 3 ай бұрын
bruh. great work.
@geargeekpdx3566 3 ай бұрын
Sigh. I say this to all artists who rely on specific electronic or other gear--musicians, filmmakers, etc... "A poor craftsman blames his tools". Do you think one person in history walked out of a Hitchcock film complaining about the lack of a drone shot or not having whip-pans? The story, the song, the depth of thinking put into anything artistic--is where the value is, not the fact you shot it in 16-bit with 18 stops of whatever.
@cokebottles6919 4 ай бұрын
I've shot on both the Komodo and Alexa LF dozens of times. I did liked B more, but wasn't 100% sure which was which. When doing side by sides and uploading to youtube, the differences feel negligible. But in actual practice, ESPECIALLY when shooting in high contrast situations like interiors with natural light out the windows, the difference is huge. Any Alexa is going to provide a better looking image IMO... But, the Komodo is an amazing camera that I love so much. Going from the Komodo to the Alexa isn't going to launch your career forward. If I had a choice of a #1 better/larger crew (to a point), #2 better talent, #3 better location, #4 better lighting and grip package, or #5 jumping to the Alexa, the Alexa would be at the bottom of that list.
@Dorntofilm 4 ай бұрын
Got it right
@cinestillsamurai 4 ай бұрын
Yeah this was probably the most obvious test answer yet, that Arri DR be wildin. I knew it's better but this test really solidified it.
@JesusPursuit 4 ай бұрын
Definitely got it right.. wasn’t even close to me.. 🤷♂️. Cool video though 👍👍
@ricardoandrade1932 4 ай бұрын
OUT OF FOCUS :D i didnt get it right. I preffered the Red...
@RiverCody 4 ай бұрын
When I went into the edit and saw the entire talking head was just out… it hurt💀😂
@brandonjay_gotem 4 ай бұрын
yep it was the last clip how it handle the the hot spot from the lamp
@jason.martin 4 ай бұрын
Wow so close, I got it wrong as well, Red seemed a little more smooth and ARRI just a touch quicker or faster in image style.
@gfilmdawg 4 ай бұрын
We used my Komodo, because of its global shutter, on a Paramount film with two Arri LF’s. No one could tell we mixed cameras. Footage from the Komodo was in 20% of the film. It’s a great little camera!
@anthonyrock5039 Ай бұрын
proper exposure and then grading is everything. The vast majority of people regardless of who they are would not be able to tell what camera was used where when the people actually know their tools inside out. Only in extreme situations where there are errors and no choice (like the only take of a shot that can be used was the one taken by the dancing squirrel and a potato) do limitations show through.
@kuraproduction 4 ай бұрын
Thank you for sharing respect
@morucek 4 ай бұрын
i watched the video and didnt see a big diffrence. then i found out i am watching at 720p 😂🤦♀after setting the video to 2160p i saw it. the alexa has a more pleasing image to me. thanks for this video ☺🙌
@morucek 4 ай бұрын
did you use the phantom LUT for the komodo?
@RiverCody 4 ай бұрын
I did not… I’m about to learn more👀
@morucek 4 ай бұрын
@@RiverCody well you made a pretty good job there, bc i though you used it. i use it to grade my gemini footage and it looks like your komodo footage 🙌
@BrighterDaysTV1 4 ай бұрын
what is this laptop tell me his name
@RiverCody 4 ай бұрын
It is the Asus ROG Zephyrus G14
@fpdima 4 ай бұрын
The cameras look almost exactly the same in your examples and many others I seen. My advice is to get the Komodo and add the price savings to your production design or an actor with some name recognition. That’s what will matter the most for a low budget film. The audience will never notice the difference between the two cameras.
@anthonyrock5039 Ай бұрын
exactly. I remember many a year ago where I would receive different footage and cgi. We had to match and integrate all together. The tools 20 years later are way better like resolve and nuke. you can match pretty much anything to anything if you know what you are looking at in qualities from grain size, contrast, black points and diffusion/sharpness level. The biggest differences in cameras produced these days has more to do with reliability and form factor really. if someone has the budget to rent the LF or other cams like it then it makes sense to not even own a cam thats toooo expensive unless you can afford that for your passion. Cams like the komodo and even the new pyxy/pocket 6 ka rehouse are fantastic value in the right hands. Lens, lighting and grading makes much more of a difference than anything in any case. The "digital look" can be effected by knowing what to look for and dealing with that in resolve/nuke or what ever you use.
@JesusPursuit 4 ай бұрын
Cool!!
@JesusPursuit 4 ай бұрын
God is good. Im trying to not buy the Komodo X , but really really love the image from it. Why can't it just have internal NDs lol!!! Nice video
@RiverCody 4 ай бұрын
Thanks man! Definitely wish it had internal nd😅 I’ve yet to find a vnd that has little vignette💀
@JesusPursuit 4 ай бұрын
@@RiverCody only thing keeping me from getting one! Maybe the c400 or I'll just stick with my C70. lol Well see
@Kalimforgetthen 4 ай бұрын
People need to understand one thing about all these comparisons ARRI is that expensive, because the construction quality is very high, an ARRI is close to indestructible. That's half the price. Then you pay a lot for the service you get from ARRI, which is pretty brutally good, but none of this will affect the picture. Whether blackmagic or red or arri, in the end it doesn't matter. None at all. As long as you're not making a feature film and rely on service and maintenance and indestructibility, there's no reason, by God, to buy an ARRI. Even red has now officially reduced its prices by 30% because blackmagic has become so strong.
@Mr123whatevah 4 ай бұрын
The Arri Alexa had no glare when you turned on the lights.