We need more teachers like this, in all fields! She truly was the real deal.

What a gem of a human being ❤️

Gracias ❤ Y gracias al maestro Pavarotti !!!

Una pena no haber podido estar allí con la experiencia que tengo hoy para poder ayudar a Antonio Gandia a superar algo tan simple, apenas tenia un problema de apoyo y conexión con el fiato, tan simple de arreglar que no me habría tomado más de 5 minutos, pero eso hoy claramente. Ser un gran cantante no significa ser un gran docente, y ser un gran docente no significa ser un gran cantante. Este concepto confunde a mucha gente, y confieso me tuvo confundido por años, pues pensé que al no alcanzar la excelencia como cantante, no podría jamás ser un buen docente, y estuve muy equivocado en ese sentido, era obviamente mi talento ser docente, era obviamente mi destino, y ver estos videos me ayuda a reafirmar lo que hoy ya es un hecho, que se puede ser un gran docente, sin ser un gran cantante, y que los grandes cantantes que fueron mis maestros no eran tan buenos docentes como lo soy hoy. Aunque a ellos debe parte de mis conocimientos también. Es hermoso el canto, desde todos los puntos, del cantante, del docente, del aprendiz, del maestro, del que vive también con la ilusión de cantar, y en esta vida o en otra seguramente lo conseguirá, pues todos somos pajaritos cuya naturaleza, es cantar, y algo nos lo ha impedido, emocional, físico, o de muchas otras índoles, pero todos somos cantantes. Bergonzi si era un buen maestro, pero al entubar los agudos confundió alumnos, sin embargo el canto sul fiato que Antonio Gandia necesitaba aquí Carlo Bergonzi se lo habría dado en minutos, como se lo daría yo, pero claro luego Bergonzi le haría entubar, yo me inclinaría por un sonido Pavarottiano para Gandia, que sin conocerle mucho creo que se quedó en una posición elevada, que no le permitió conectar con su apoyo correctamente, lo que le habría permitido explotar sus capacidades vocales, y talento artístico muchísimo, más pero su voz no creció por cantar elevado y no afondado digamos, y esto pasa por la falta de conocimiento sobre el afondo correcto y verdadero, ya que algunos afondan a lo bestia y quitan prestigio al verdadero afondo, que está conectado con el diafragma amablemente, sul fiato y genera una voz noble, clara, potente, que al golpear arriba permite aprovechar al máximo eso con otras técnicas extra. En fin, que buenos docentes no sólo nacen pocos, y encima tienen que encontrarse con los alumnos con ganas, disciplina, pasión y capacidad de sacrificio, y eso hoy no hay ni para levantarse temprano o salir a caminar :P

I would have just about wet myself having to sing for my favorite Puccini soprano. Interesting she uses a translator as she was married to the great Nikolai Ghiarov I would've thought she knew a bit of Russian....in fact a bit later in her career Ghiarov got her to sing some Russian operas..... Tchaikovsky!

Nicolai was brillant. What is his second Name?

If you look at historical 18th and 19th century singers most studied every day with their teacher. Today singers can barely afford one lesson a week. They were drill in solfegge, all the necessary ornaments required including trills. With the advent of Wagner and Versimo opera these ornaments became less important. Unfortunately they were also necessary in Puccini, and Wagner. Think of the trills especially for sopranos in Manon Lecaut, Nedda, Brunhilde to name three. Some agilty was also needed for instance in L'altra notte. I would love to find someone who'd be willing to work daily with me! Preferably in Italy, Germany, Scotland or Austria since I plan to move abroad next year.

I like pappano on the channel this is Opera archive

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If you want to know how to do this in your singing technique as a Tenor contact Maestro Pierinotti at Pierinotti Academy and he will be pleased to help you with this that involves much more of what Luciano says here since he is not explaining that he doesn't sing like the other singers, he is using tilt larynx technique in an agressive way and other way of supporting the voice, that is less agressive than the support used by other singers of those times, he arrived to the covered technique by Arrigo Pola, imitating him, and that technique as the singing technique is totally different of what most of the Tenors do while singing, that's why he sound so different. Maestro Pierinotti learned from Aragall, Freni, Amauri (teacher of Jose Cura) between many other important singers and teachers, through more than 30 years. And he specially went to learn from Mirella Freni one complete year to learn the technique Luciano Pavarotti uses as Freni shared with him the knowdlege and big part of the lessons and career and one year with Giacomo Aragall that shared a lot of knowdlege with Luciano as they sang together and were friends as Aragall used to tell with beautifull anecdotes of them. You can take advantage of all this knowdlege if you are Tenor, Soprano or Counter Tenor and want to approach that technique.

Genial

Epoca maravillosa. Muy cercano sorprende en cada momento. Magnifico.❤

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For kwhang to come out and sing that classic is brave but i think he doesnt know any better. Jussi's version is what pavorotti goes to bed to.

That beautiful redheaded Italiana had a beautiful voice!

Tenor Jung's performance is so amazing.

A soprano do masterclass ouve mas não executa

11.37

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I wonder if any of those students went on to have decent careers? That poor tenor though struggled so badly from a bad technique through and through. Pav knew his technique could not serve him well in the arias he selected.

04:34 FRITTELLA

04:34, frittella 14:00, Regnava nel silenzio 19:12, Faust 23:35, Freni accenna 25:45, Caro nome 27:20, miò desir 27:52, cali 32:35, Fia dunque vero 34:38, mi devi spettinare 38:20, Non più andrai

Masterclass on bullying

ugh. Pappano is a late night talk show host. He asks a question and then cuts off the person while answering the question.

La vita è questa, non le guerre! Meditate gente, meditate!!!!!

Tornare in dietro, non sarà facile. Forse impossibile. Siamo costretti alla nostalgia. Che ci uccide!!!!!! Meditate gente, meditate!!!!!!!

Merd

Forse avrà avuto dei modi talvolta un pochino diretti ma si vedeva che era un pezzo di pane. E devo ammettere che alla fine questa bella ragazza con la sua bellissima voce ha effettivamente migliorato i suoni. Lei è l'esempio di ciò che dovrebbe essere un buon insegnante.

This masterclass lifts up my dopamine and serotonin 😂levels

Que feo documental, gastamos mucho tiempo en oír al entrevistador y cuando por fin vamos a escuchar algo escasamente relevante de Kaufmann, el impertinente pianista acompañante lo interrumpe. Que horror!

Kraus: el dios del canto.

Did the author of this video delete my comment and responses?

Lo Que or alto decir ess Que hay Que tener orimeramente el don de cantar osea la voz.

Ma che antipatica

It would be wonderful to know who the singers are. The soprano singing Desdemona has a very lyrical, more like a lyric coloratura? Definitely not a full lyric. She has very little if any chest voice.

At 28:24 is Alteouise De Vaughn. She is my singing teacher - she is amazing. Her son is Justin Michael Austin, a well known baritone and rising star.

Excellent! Thank you for the translation!

Non sa insegnare! Non è in grado di spiegare niente della fonazione. È solo capace di fare suoni grotteschi. Che delusione...

Maschuga san

....sorry for gushing all over your post --- just So many wonderful memories connected to that book

My favorites to sing from there are Se tu m'ami, and Sebben crudele Favorite lyrics? Nel cor Mi pizzichi, mi stuzzichi Mi pungichi, mi mastichi "You pinch me, you tease me You sting, you Bite me!" But --- Such a pretty melody!!! 😊😊😊

I will say -- I saw Pavarotti sing "Per la gloria" at the Masterclass he did in early 1979 (Jan/Feb?) at Julliard. Completely different song than I'd ever heard among all my school mates in college...Lolol A whole new respect for those songs ---- Never Mind hearing him coaching the Singers!!! I remember working with a tenor on E lucevan -- and his descriptions of how to sing "e muio disperato" with all this "frontal focus"/tenor ping" has stuck with me 45 years later!

When I view this, I try to put myself into the position of the Master Class participants. I graduated with a Bachelor's degree in physics. I imagine the trepidation I would experience if I were to present before the pinnacle of physics theory: Einstein, or the pinnacle of pedagogy: Feynman. Would I have been able to perform? I'm certain, that - if I had been able to keep my s*@t together, and if I were to have performed as well as these Master candidates, I would have taken the input from the assessments and would forever pursue my dreams without limit!

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If I were singing in that class I probably would have shit myself out of nervousness

Joan Sutherland and Marilyn Horne were dazzling audiences with their artistry long before anyone heard of Pavarotti, Domingo and Nadine Sierra!

I’m a tenor for my church choir, I’m still learning and I ran into this video, I’m trying to learn more techniques, I’m glad I ran into this Video

G.O.A.T 🐐

Maravillosas las lecciones

Thank you Father in the Name of your Son