Theres a complete version out now with Monks straight no chaser and Coltranes Impressions on it. Etc. I cant find out who is on sax. The complete gig runs for over two hours and Benson is mesmerizing. As he could be back then. The greatest jazz guitar of all time. Back then.

1hr 11m eight miles high. Bliss

This album, which I played incessantly in my youth, is inexplicably impossible to find on line. THANK YOU for posting.

I actually like this better than his psychedelic well known stuff.

the Tuesday Night Concert series broadcast from WLIR-FM, Hempstead, Long Island, NY. Ultresonic studio was around the block if my memory serves me well. in-a-gadda-davita was recorded there plus many others.

❤

❤he warms Bonnie Hands and ialso love Chris Smither as Mr Lovell Here Bonnie and the musicns comes in shooes for 1000 Miles to take me. Higher And hgher......yeaaaaaaaah

Thanks for posting. This music never get old....

Just astonishing!

LIAR!!! Content not as advertised. Huge down vote.

Why is "String of Pearls" omitted?

thanks for the upload!

Bonnie and Jackson learned alot from Lowell ❤❤❤

Thanks for posting this. I was there that night, and it's wonderful to hear this again.

I bought the vinyl record 40 years ago and some of the best songs of this album are missing on this playlist on You tube....what a pity !!!

Corey Sterling was the best vocalist! R.I.P. my brother Thank you for putting this video!

Oh they really suck especially Ralph'

This Artist had a very powerful and beautiful Voice great melodies.

This is great. The whole thing. love the sax.

Great music, Luciano invernizzi trombone player

I was there in 89. thank you!! - Stacie OG Krewe of Snafu

Indexes 00.00 Introductions and tuning 01.31 I Mean You 11.55 Blue Bolivar Blues 21.57 We See 32.32 Misterioso (incomplete) 41.53 Round Midnight (incomplete) My usual remark: After nearly a decade in which his ability to improvise (except in the New Orleans "embellishment" way) seemed to be in permanent decline, Monk's scarcely-documented final years of performance suggest he was recovering.

thank you for the upload this is great anyway i can get this on cd or digital dl let me know i am going to listen to this for years to come man this is so good and funky awb at there prime

i also remember the ellis hall band they were a local band in boston mass they were also good not no awb but good too

wow this is great how can we get this on cd or digital download awb at there finest the sound is awesome

I really love that candy Man😎🍄🍄😎

Why doesn’t this have a million likes ?

steve ferrone is a beast laying down the groove !

All us serious trombonists have a copy of this and probably wore out all the grooves in the record. Examine this list of trombone players and you will find the cream of the crop of New York city based freelance trombonists of the late 1960's, also this has an excellent rhythm section and was all arranged so Urbie was clearly the only solo trombonist and featured in every single track, with the big trombone group acting as the ultimate backing trombone section. I particularly love the slower, more contemplative tunes on these tracks. So, Stardust, The Look of Love, Here's That Rainy Day, Watch What Happens, You Only Live Twice, Stars Fell On Alabama, If He Walked Into My Life, Without a Song, all of which feature Urbie with that wonderful cantabile approach. Urbie clearly was one of the greatest trombone players of the 20th century. He had stints with Woody Herman's band, leading the Tommy Dorsey Orchestra and in world famous Dixieland groups. His jazz trombone soloing is on big selling albums like Walter Wanderly's "Rain Forest" (if you at all like Bossa Nova, and Hammond organ, go out and get this album - it's incredible). Urbie plays the famous Milt Bernhart "I've Got You Under My Skin" jazz trombone solo at the Sinatra "Live at Madison Square Garden" concert from 1974. For a while Urbie was everywhere, and we all got a ton of great music out of it. This album probably would not have been made except Bobby Byrne who was an A&R exec at the record company was also a major big band principal trombonist and a top player in his own right when he was in the thick of it. Byrne brought in the cream of the big band era musical people onto this label, and was behind the great run from band leader Enoch Light, who dominated the titles out of Project 3, or Command Records. Urbie was a regular in those trombone sections. You would also often find Doc Severinsen playing in the trumpets. Dick Hyman would often play piano. Byrne was an incredible musician and not nearly appreciated enough in my opinion.

This was my first jazz album and I dug it. His earlier Lps (60s and 70s) were great and varied. Did not get bored.

בושה וחרפה,תגובה 1....

My grandmum plays this album regularly, and this version on KZbin sounds every bit as good. And it's much easier to play than to set up her player! Thanks very much for posting this.

I know video cameras were very rare back then . It's a crying shame none of this priceless audio recording that a 16mm news and documentary movie camera or even just a kodak 8mm camera was used then to see who was playing and singing when & where during this wonderful audio "video" .. i know, know i ramble . i'm fu*ked up with screamin painful arthritis and can't fu#king think straight

Great playing here.

Amazing!

I mixed live sound for the audience in Grant Park that year, and this set was one of several dozen that stand out in the hundreds I mixed over 40 years. After the last performance of the evening, I headed to the Jazz Showcase to hear more from this great band. A colleague, NPR's Paul Blakemore, did the fine music mix we're listening to here. As the station break reveals, thanks go to the Chicago listener who saved it for prosperity and posted it for us here.

💖💖💖

Непревзойденный талант, играл сердцем... вечная память.

Fantastic!!! Thanks for sharing!!!

Very good 🎉

❤❤❤

This guy is probably the most underrated guitarist I've just heard of....holy cow this sound is HOT and tight. And don't forget the FUNK baby

Holy $h!t! That Viola Lee Blues was something else!!!! That acapella ending was wonderful! Thanks for this upload!

John Mayall on electric piano, vocals, and harmonica, Freddie Robinson on electric guitar and vocals, Blue Mitchell on trumpet and flugelhorn, Fred Clark on tenor and baritone saxes, Victor Gaskin on bass, and Keef Hartley on drums.

PRICELESS !!! Takes me back to '71 & my misspent High School years . Oh , to be home again ...

Best lady of jazz

TY🐻🐻🚌🚌🌈🌈🎇🎇❤❤

I mixed live sound for the audience at this festival; my old friend and colleague, Paul Blakemore, did the fine music mix for the broadcast that we're listening to. When I heard this happening, I thought Dennis Rowland kicked Joe's butt. More than 50 years later, I still hear it that way! Many thanks to those who recorded this music off the air, saved it for 50+ years, and posted it here!

I mixed live sound for this festival; my good friend and colleague Ken Rasek did a great mix for the broadcast, which we're listening to. I spoke with John Campbell a few weeks ago. BTW -- the bio here is about someone else! AI?

I was mixing live sound for the audience at Grant Park during this festival. What you're hearing here was recorded by someone at home listening to the broadcast on WBEZ, the Chicago NPR station (we know this because we hear WBEZ's station break). That accounts for the occasional noises that intrude. My good friend and colleague, Ken Rasek, is responsible for the fine broadcast mix we're listening to here. It's always great to hear Eddie Johnson, the legendary Chicago tenor player who chose to stay there rather than go on the road with Duke Ellington decades earlier. I love his very distinctive sound. So did Kurt Elling, who came of age musically in Chicago, nurtured by Eddie and a host of other Chicago musicians. Kurt returned the favor by often using him on his recordings until the end of Eddie's life. There were many great performances on this festival, and I hope that more of them will emerge. One that I especially remember is the band led by Ira Sullivan, and featured the wonderful pianist, Chris Anderson. Chris was another Chicago musician, who was an early influence to another Chicagoan, Herbie Hancock. Chicago trumpeter Art Hoyle, who grew up with Chris, described his playing to me as "like a beautiful little butterfly on the keys." Chris, who was blind and suffered from a debilitating bone disease, settled in New York, where he spent the rest of his life. There was another awfully nice set by a small band that included lead alto Earl Warren and trombonist Dickie Wells, from the Basie band of the late '30s and early 40s that included Lester Young. They also made some wonderful small band recordings with Pres. All the musicians in the dressing room before this performance were very concerned about Helen Humes, who was quite ill, and died only a week later. Helen was a lovely person, a real sweetheart. I had the wonderful experience of mixing sound for her in a Chicago club a few years earlier.