Good, but....damn looks like you are recording the video in a hurrycane

Thanks for this, it helpes a lot!

Would you kindly share this maya file so I can use it to teach my students ?

this was a really amazing and helpful tutorial! and it still holds up to this day! thank you so much!

This whole series is incredibly in depth. Thank you for sharing this knowledge.

Thanks buddy you saved my day in office

its really cool that unreal already has this feature, my way of doing it is usually to change particle travel time based on a raycast distance and its travel speed.

Amazing. First time I could have understood the pipeline of that confusing and complicated Render Setup. The way you made and presented the tutorial is itself a tutorial for me about how to teach a novice like me. Hats off to you. Love you.

13:05 python for 구문

Never had someone explained things so well before, I understood every step and the visualization of the forcefield was really big help! Thank you!!

I have a material applied and nothing happens, they won't fade out?

Great and Thanks! simple and straight forward how to do that effect on an eye lid

will this work the same way in FK also

ایولا داش، دنبال همچین چیزی بودم.

Thankssss for this tutorial !

How to connect both controller?

really helpful, thanks man!!

Hey dude! nice tutorial. I have a question about the group. What should i do if i am referencing the rig? cause in that case, you can not create the group in the ik ctrl. Please any help is really helpfull for me, thank you!

Promo-SM

so complex, friend, you need to do this class with a less complex scene.

Wonderful!!!

At the time of adding the shader override, the shadows do not appear, the whole white figure appears, do you know why?

I avoided the render new render layers for the longest time because I always thought it looked so complicated but only 10 minutes in and I realize its actually very simple and much more efficient than the legacy render layers. Cant wait to try them out!

Why you need to duplicate passes though

Thank you so much! This was very helpful

Cool idea. Why isn't this video more popular?

Everytime I see a video on collision in Niagara, it is always people using the default sprite renderer. I would like to see one where they use a custom created material/shader or even the fire sub UV that comes with the starter content. Now that is where the work is and for sure that would be interesting to see.

most difficult of this series, so far but you explain it so well. thanks, in unreal 5 its a bit different from i noticed it has uniform option to start with

Thanks!!!! you're amazing!!!!

excellent explanation for the 2 forces in different modules! i was struggling to grasp the idea of why’d i have a force in the particle spawn and the same force in the particle update, but now i understand. thank you!

ur amazing bro

This is great.... question though, how do you export it to still have the multiply divide nodes affect when exporting the character rig.... I tried exporting my character after doing everything you showed and then importing it into a new scene and it didn't save the multiply divide connection affect

Well, this is a very long winded and wordy tutorial for the amount of content (should have been half the length), but is a nice quick overview of the most important basics of the incredibly convoluted mess that is Render Setup. However, the production approach is questionable -- doesn't take into account the need for things like reflections, GI or AO from the scene as a whole (none of the three layers knows about the other two render layers, and should have been set up with everything on each layer but with primary rays off for invisible elements). Also, if you're going to output your shadows this way, you might as well just use the matte shadow AOV in whatever renderer you're using, since you did not separate out the ground shadows (often what compers want) from self shadowing, which is what I was expecting. And you seem confused about the matte shadow AOV, which you enable but then don't need or use anyway since your shadow passes are in the alpha of the shadow render layers. I know this tut is four years old, but also on top of all of this the advent of cryptomattes has changed the way that compositing is done anyway. Overall this is quite an overly complex setup for such a simple scene. A simple set of back to beauty AOVs and cryptomattes would be the way to go today, with possibly the ground shadows on their own layer only.

Really nicely explained ! Thanks a lot :)

Superbly demonstrated and explained :)

Excellent tutorial, exactly what I was looking for. Easy to follow and learn new render set up for Maya. Thank you 🙏🏻

Thanks man, this is easy to understand and really helps.

How i can make an invisible collider?

13:20 Yes we need, for the bounce light.

JUST AMAZING HOW CALMLY YOU EXPLAINED IT>>>> UNDERSTOOD OVERRIDE SHIT FOR THE FIRST TIME

This is amazing but, what about FK? How can i do that, if you coulkd answer it will bv very helpfull for me

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Awesome video thank you!

Kindly work on increasing your voice and decreasing video time. Thanks

Great tutorial, thank you! Quick question: I'm using redshift 3.5 with Maya render layers, and I was wondering if instead of separate render layers for shadows, you can just use the redshift AOVs for shadows instead? It would of course include the shadow information in beauty render layer but you would have your diffuseLighting/diffuseRaw AOVs to piece the scene back together. Any thoughts? Thanks!

Thanks for the very clear clarification! Straight to the point without too much here and there, easy to follow.

thanks so much for your time , you said that spawn rate spawn particle per frame but its per second not frame ...

great tutorial! I love these shorter, straight to the point style tutorials

This is so cool! You actually made it rigged!