i'm in love with this man

The goaaaaaaaaaaaaaat

Dans notre temps actuel, il n'y a pas ce langage vrai concernant la littérature. C'est à la casse maintenant. Aujourd'hui, il n'y a plus que des bibelots à part les exceptions de hautes lignées d'écrivains.

Evil is that which degrades the soul. Don't have to be a genius to figure that out. A troubled soul indeed. May God have mercy upon him.

Fallegur og góður maður sem við Íslendingar gleymum aldrei.

Какая чудесная интерпретация произведений Баха от Марии Юдиной. Она играет с только ей присущим чувством охвата глубины содержания исполняемого произведения! Стиль, техника и эмоция! Неповторимая Мария Юдина! Браво!❤🙏🙏👌

Deathspell Omgea brought me to Bataille.

Very interesting film.

swagalegt

Viðar minn, ekki get ég nú sagt að ég sé mikill spennufíkill, og hef yfirleitt forðast að horfa á slíkar myndir, eða alveg frá því að ég sá eina slíka hjá Þrótturunum (knattspyrnufélaginu) sem höfðu aðstöðu í eitt af herbröggunum sem herinn skildi eftir niður við Ægissíðu hérna í upphafi 7 áratugsins er ég sá myndina "Strokufanginn" og ég varð svo hræddur að ég varla lagi í að fara heim, sem var nú reyndar all stutt frá. Nú en nóg með þá þær minningar. En að horfa á þetta stykki ykkar Odds Björnssonar (sem sat og skrifaði handritið öll kvöld er hann sat í stólnum á skiptiborðinu i Sjónvarpshúsinu að Laugarvegi 176, en á þessum árum vann ég einmitt þarna í húsinu (varð þó aldrei var við nokkurn draugagang öll þau árin sem ég starfaði þarna. En að sjá þetta eftir öll þessi ár var svo súríalíst að það hálfa væri nú nóg um. Já ég get ekki annað en sagt enn að þetta var mjög svo súríalegt að þekkja hvern krók og kima í þessu húsi sem saga á að hafa gerst. Og sjá einnig alla samstarfsmennina okkar frá þessum tíma var einnig athyglisvert. Takk fyrir mig.

Literature is childish?

Megas = Besta tónskáld íslands.

þetta er næstum of gott til þess að vera satt 🫡

Guð hvað maðurinn eyðileggur þetta yndislega fallega lag.

thanks for uploading

Webern was the genius of serial music He's the only one I can meaningful listen to

This is just like gorbinos quest. This is the gorbinos quest of life

Ég var á þessum tónleikum :) Það er ástæða fyrir því að hann er Meistarinn..

It's so funny, my mom is an incredibly squeamish person who hates any depictions of violence but I got her hooked on reading the beginning of The Accursed Share and she thinks that Bataille is so funny

I saw Tilbury on Swedish national Television around 1988 when i was 20. Just after I did my military service. The atmosphere in the movie and the story has stuck with me ever since. There are very few movies I remember so well 35 years later! I'm so glad to see this! Thank's Vidar, Ulf.

I can't believe I came here from a fucking schizo game

The death of the author?

What about the Jewish scene? How'd you not catch hell over that?

I never realized how Freudian or Lacanian Bataille seems to be, or at least resonate with some of their ideas.

Very interesting, Vidar! I watched Tilbury last week and Draugasaga last night. I really loved the atmosphere of both films. More people need to see them! Hope you are doing well!

Pönkari

Amazing Film, Vidar! I've watched Tilbury twice already and can't stop thinking about it. Easily my favorite film I've seen in a long time. I Immediately had to watch Draugasaga afterwards and enjoyed it even more. I hope it gets a proper release too! Thank you for making such great works of art! I hope you get to make another one soon! Best, Morgan

I'd like to see it!

Bataille is so eloquent. The ideas and the language he expresses them in are so clear.

What does any of this actually mean? Writing being evil? Activities not related to commercial work being evil?

kzbin.info/www/bejne/bZPXnqSap7qgbdU

This is raw fatherly advice.

Snilld.

At his time he was MAJOR IN LIT. ANDRÉ MAUROIS, VERY DIFFERENT HOWEVER HE TALKED ABOUT BATAILLE. FUCK BAUDELAIRE AND KAFKA!!!!!@@@@@@@@@@@

I HAVE MANY BOOKS OF GEORGES BATAILLE. YOU COULD TAKE THEM.

Evil is what thickens the plot.

Here's a transcript of the English subtitles: Interviewer: First I want to ask you about the name of this book. What evil are you talking about? Bataille: I think there are two opposite kinds of evil. The first one is related to the necessity of human activity going well and having the desired results, and the other consists of deliberately violating some fundamental taboos like, for example, the taboo against murder or against some sexual possibilities. Interviewer: As in do evil and act evil. Bataille: Yes. Interviewer: Does the name of this book indicate that evil and literature are inseparable? Bataille: Yes, I think so. Maybe it’s not very clear at first, but to me it seems that if literature stays away from evil, it rapidly becomes boring. This might seem surprising. Nevertheless, I think that soon it becomes clear that literature has to deal with anguish and that anguish is based on something that is going the wrong way, something that no doubt will turn into something very evil. When you make the reader see this or, at least, put him in front of the possibility of a story with an evil ending for the characters he’s concerned about (now I’m simplifying what novels are about), when the reader is in that unpleasant situation the result is a tension which makes literature non boring. Interviewer: So the writers, any good writer, is guilty of something when writing? Bataille: Most writers are not aware of that, but I think there is a profound culpability. Writing is the opposite of working. This may not sound logical, but still, all the amusing books are efforts that went against real work. Interviewer: Could you name one or two writers who felt guilty of writing, who thought they were criminals because they were writers? Bataille: There are two whom I wrote about in my book who are exemplary in that regard. They are Baudelaire and Kafka. Both of them knew that they were on the side of evil, and consequently that they were guilty. With Baudelaire, it’s clear by the fact that he chose the title “Flowers of Evil” for his most intimate writings, and with Kafka, it’s even more clear. He thought that when writing he went against the wishes of his family and therefore he put himself in a guilty position. It’s a fact that his family let him know that it was evil to spend his time writing, that the right thing to do in life was to devote himself to commercial activities, and if you did something else you were doing something evil. Interviewer: But if being a writer is being guilty of something then for Kafka or Baudelaire, being a writer is also not being very responsible. That was the opinion of their families. This feeling of guilt is for them something childish. Do you think that Baudelaire and Kafka felt guilty of being childish when writing? Bataille: I think it’s very clear, they even say so. They felt that they were in the same situation as a child before his parents: A child who’s been naughty and who consequently has a guilty conscience because he thinks of his beloved parents who are always telling him what not to do, that it was an evil thing to do in the strongest sense of the word. Interviewer: But if literature is childish, if writers are guilty of childishness when writing, does that also mean that literature is childishness? Bataille: I think there is something essentially infantile in literature. It may seem incompatible with the admiration that one has for literature and which I share. But I believe it’s a profound and fundamental truth that you can’t really understand what literature means if you don’t approach it from the child’s point of view, which is not to say from a lower perspective. Interviewer: You wrote a book on eroticism. Do you think that eroticism in literature is infantile? Bataille: I’m not sure if literature differs from eroticism in that respect, but I think it’s very important to realize the infantile character of eroticism in general. To feel eroticism is to be fascinated like a child who wants to take part in a forbidden game, and a man fascinated by eroticism is like a child before his parents. He’s afraid of what might happen to him, and he never stops until he has a reason to be afraid. It’s not enough for him to only do what normal adults content themselves with. He has to become scared. He has to find himself in the same situation as when he was a child and constantly afraid of being scolded and even punished in an unbearable way. Interviewer: Maybe you and I have given the impression that you were condemning this childishness. But in fact, it’s time to go back to the title of your book: “Literature and Evil”. You are not condemning neither literature nor evil. Could you tell us more about the ideas in the book? Bataille: It certainly is a warning. It says there is danger, but, maybe, once you realize the danger, you have good reasons for confronting that danger. I think it’s important for us to confront the danger that is literature. I think it is a very great and real danger, but that you are not a man if you do not confront that danger. I think that in literature we can see the human perspective in its entirety, because literature doesn’t permit us to live without seeing human nature under its most violent aspect. You only have to think of the tragedies, Shakespeare - there are lots of examples of the same genre. And finally, it’s literature that makes it possible for us to perceive the worst and learn how to confront it, how to overcome it. In short, a player finds in the game the force to overcome what the game contains of horror.

I was intrigued by a lover of Bataille works to search out this gentleman. He has discredited himself for me in the first 4 minutes.

This reminds me of some of my private adventures. Never thought that I secretly wanted to be punished, but when I'm reminded of it it's not even that much of a secret lol

i feel this so much.

Chi spera, prima o poi, di avere la Luce del giorno secondo me deve imparare a perdere anche la speranza. Si sa che la Luce getta la merda propria e altrui nel wc.

Intendo cagarci su tutta la settimana e soprattutto alla fine. Ho tanto atteso quel quadro tempo perché prima o poi avrebbero osato presentarsi alla Luce, che sono io. Li aspettavo per cagarci su anche alla fine. E tra l'altro l'avevo detto. E' no.

Reading Georges Bataille brought me to this video, which brought me to Deathspell Omega. The circle is complete.

No entendí ni madres.

Tack mannen

He is right. It ties together at the end.

He predicted "drama queen".

What is death spell omega

QUI CE RESSEMBLE CA SEMBLE .....

TU A GAGNER LA BATTAILLE