@@brunopelbac franchement terrible en une seconde j'ai compris les fondements du jazz top j'ai hâte de voir tout le contenu de ta chaîne good job
@brunopelbac16 күн бұрын
@@francistshimanga1443 OK Bon courage alors ! Et reste en contact si tu as des questions.
@jmcdlАй бұрын
This is helpful. João Gilberto does the M7 to M6 all the time and it's always a sticking point for me since it's usually a change that needs to happen on a 16th note.
@brunopelbacАй бұрын
Thanks for your comment. Keep in mind though, that the Maj7 and Maj6 are often interchangeable. The Maj7 is considered a bit less stable because of the leading-tone, but those chords essentially serve the same function. So don’t feel that you always have to play what the chart says… the Maj6/9 is also another chord that you can use too.
@jmcdlАй бұрын
@@brunopelbac Oh for sure, but in addition to interpreting the tune, I'm trying to learn his self titled 1973 album more or less note for note (it's a masterpiece!) and he does those changes very often and very quickly kzbin.info/www/bejne/jnnQgGShodJ1hMk. Thanks for your reply.
@jmcdlАй бұрын
For example on Eu Vim da Bahia kzbin.info/www/bejne/gGLFgpqviMqZl9k
@eklatolawson66776 ай бұрын
Bruno, c'est PARFAIT !
@brunopelbac6 ай бұрын
Simple, n’est-ce pas ?
@eklatolawson66776 ай бұрын
Mr Bruno, Merci et félicitations ! Votre approche pédagogique est EXPLICITE (Rien de caché)
@brunopelbac6 ай бұрын
Merci Mr Eklato ! Ravi que ces vidéos soient utiles !
@eklatolawson66776 ай бұрын
Mr Bruno, infiniment merci Je suis au Togo, et j'ai encore avancé en matière de guitare grâce à vos explications
@brunopelbac6 ай бұрын
Ah très bien ! Content d’entendre que mes explications soient claires et permettent à mes auditeurs de faire des progrès. C’est tout à fait le but. De nouvelles vidéos seront en ligne très bientôt…
@davidstansbury11586 ай бұрын
I went back and reviewed your video and also pulled up the transcript to follow along with your demonstration. One question: how do I set my metronome to click on just beats 2 &4. My idea of how to accomplish that is not working. I have the Boss DB-90(Dr. Beat) Set at fifty, I am still getting 4 beats to the bar. In your video, you obvioulsy are having just two beats to a measure.
@brunopelbac6 ай бұрын
David, as I said in my previous reply (not sure if you read it already) you are confusing a "metronome" marking with a "tempo" marking... Just because you set your metronome dial on 50 does not necessarily mean that your tempo is going to be 50 bpm. It can be 50bpm if you mentally assign a quarter note value to each one of your clicks. Now, if you were to mentally assign a half-note value to each one of your clicks, then your tempo would be twice that: it would be 100bpm. So if you want to play a tune at 100bpm in 4/4 with the clicks on 2&4, you will have to set up your metronome on 50 - that is half the value of your tempo, since you only want to hear two clicks and not four clicks. (By the way, the Dr. Beat has too many bells ans whistles in my humble opinion and it can make things confusing). It seems to me that you are making things much more complicated than they are by thinking too hard. I listened to the video again (since I recorded it many years ago...) and one point that I did stress in there is that the whole concept is about a feel - not just a mathematical formula. Snap your fingers, and you will naturally snap on 2 and 4. Think of the back-beat of most American music (Rock, Jazz, R&B) and you will hear the natural emphasis on those stronger beats: 2 & 4. It's what we call a back-beat. I honestly believe that I cannot explain much more through this KZbin comments section. If you are interested in doing a Zoom meeting as you suggested, I would be more than happy to demonstrate and walk you through the steps. My contact info on my website (link in comments section below the video) Thank you for your interest!
@davidstansbury11586 ай бұрын
I am not questioning you . more so I need help! at 6: 47 in your video, I don't get the relationship between the two metronome speeds, although you play the same tempo. Other guitar videos have demonstrated the same thing, the higher tempo and then cutting that in half. I am missing something in truly gaining concept? Intellectually, I do fully appreciate what I see you demonstrating. Maybe I need to do a zoom lesson with you.
@brunopelbac6 ай бұрын
Hello David. In the video the reference tempo is 120 beats per minute. When I set the metronome dial on 120 it lets me hear 4 clicks: one on every beat. Then I set the metronome on 60. That means I'm going to hear twice as much space in between the clicks. I can still "think" of the tempo as being 120 beats per minute, but I imagine that the metronome somewhat erased every other beat. The challenge is to assign those clicks on the chosen beats (2 & 4) and visualize where the missing beats would have been. So when we hear the clicks on beat 2 and on beat 4 we can still play at the same original tempo, but we will only hear those beats (2 & 4) as opposed to every single beat. Here's what often confuses people: when the metronome says "60" it is just a "metronome" marking - it is not necessarily a "tempo" marking... One last thing: put on a recording, let's say a medium tempo jazz tune. While the music is playing, clap your hands on every beat. Then clap only on beats 2 and 4. The music didn't slow down, even though you only clapped half as many times. Hope that clarifies it a bit. I would be happy to meet on Zoom, which is my preferred platform for teaching: I can share my screen in real time to look at charts and/or exercises and you can record the lesson directly on your computer. I also use this application: farplay.io/ It removes latency while on Zoom which allows musicians to play in real time. I've been using it with most of my students and it works really well. You will find my contact info on my website (in comments section below the video) Thanks for your question and for your interest!
@davidkelly12207 ай бұрын
Silly question, is it ok to tap foot on the one and three while counting on 2 and 4? I really struggling on this
@brunopelbac6 ай бұрын
Not a silly question! I do recommend to tap the foot on 1 & 3 while the metronome is on 2 & 4. In fact, I always do that while playing even without the metronome: you want to either tap on every beat or just on 1 & 3 - depending on the tempo. Thanks for stopping by!
@davidkelly12206 ай бұрын
Thanks so much for thoughtful reply, it's going to be a great help, subbed
@thierrydijoux50818 ай бұрын
Super pour commencer et bien avoir la structure du morceau en place, (on a quand même très vite envie de rajouter des tensions, surtout sur les accords 7 😉 ) . J'ai bien aimé l'idée de l'exercice qui amène sur les tierces car la mélodie de Fly me to the moon amène précisément à cette note cible. Merci Bruno pour cet excellentr approche !
@brunopelbac8 ай бұрын
Merci Thierry ! Si tu n’as pas encore vu toute la série sur « Fly Me » voici la playlist: kzbin.info/aero/PLudaZb0zLMuosYWtF7xwqzHEpdbDRZRiK&si=5EZfW1hTCTwmFbQz
@thierrydijoux50818 ай бұрын
@@brunopelbac Merci Bruno.
@ritonlabaston Жыл бұрын
génial
@brunopelbac Жыл бұрын
Merci Eric !
@oldcrow6990 Жыл бұрын
I came from a classical background and never considered using it on 2 & 4. Thanks
@brunopelbac Жыл бұрын
Thank you for stopping by! Clicks on 2&4 will help you develop a stronger swing feel - which is not necessarily a priority in classical music.
@hetknn8600 Жыл бұрын
Hi Bruno!
@yochayjerby3224 Жыл бұрын
Great!
@brunopelbac Жыл бұрын
Glad you liked it. Thanks !
@yochayjerby3224 Жыл бұрын
Great!
@brunopelbac Жыл бұрын
Thanks for stopping by !
@christianaubertin137 Жыл бұрын
Je découvre cette série sur Fly me to the moon . Ce me semble une approche très intéressante de l'improvisation jazz. Bravo et merci
@brunopelbac Жыл бұрын
Merci Christian !
@ACOMPA2 жыл бұрын
Merci
@ACOMPA2 жыл бұрын
vous chantez en jouant , c est recommandé? merci
@brunopelbac2 жыл бұрын
J’en parle dans cette vidéo : kzbin.info/www/bejne/h5nRXmpnrMh8i7s
@ACOMPA2 жыл бұрын
Bonjour Bruno merci pour la video. Je souhaiterais savoir comment jouer sans rater trop des cordes. Sur scène je rater beaucoup...merci
@brunopelbac2 жыл бұрын
Tu rates peut-être les cordes quand tu joues sur scène parce tu joues debout ? Alors il faut travailler les 2 positions: jouer assis et jouer aussi debout. Il faut travailler à la maison dans les mêmes conditions que quand on joue en public. Soit assis, soit debout, soit avec un ampli, sans ampli, jouer fort, jouer moins fort, etc.
@ACOMPA2 жыл бұрын
@@brunopelbac oui quand je joue debout;;; lorsque je suis assis ;;c est la jambe qui tremble , ,, merci pour la reponse
@brunopelbac2 жыл бұрын
@@ACOMPA tu peux essayer de juste taper le rythme avec le pied - peut-être que ça arrêtera les tremblements ? En tout cas, il faut persister et ne pas se décourager !
@ACOMPA2 жыл бұрын
@@brunopelbac mercii
@brunopelbac2 жыл бұрын
Voilà aussi des exercices qui aident pour la précision: kzbin.info/www/bejne/b6WQlXmAhsZ7i8U
@nickelvivace2 жыл бұрын
Le pdf se trouve où?donc le lien du PDF?
@brunopelbac2 жыл бұрын
tu cliques sur le lien dans les commentaires en dessous de la video. Merci.
@londonann61092 жыл бұрын
Great explanation! You really helped me visualize the relationship between the two chord types.
@brunopelbac2 жыл бұрын
Thank you Ann! Glad you found it helpful!
@krzysztofmichalik93102 жыл бұрын
Thank you for the explanation and uploading this video. I am complete beginner so pls forgive me may be funny or naive question. My problem is which arpeggio eg. over 2 octaves is correct and how to treat this issue - namely, I found scheme of arpeggio for example for Major Ionian maj 7 as ofc: 1,3,5, (maj)7 {C, E, G, B } but then 8 and again: 8,12,14 { C2, E2, G2, B2} etc. It seems to be logical to me. But I found also other pattern without the next octave tone: 1,3,5,7 and then 9, 11, 13 etc. without octave so without the tonic/root of the next octave. Theoretically the 2nd case could lead to situation that we start arpeggion C-dur but we start the next octave in other scale or key? Am I mistaken? Should the 8 degre (tonic) be repeated in every new octave of the longer arpeggio? I would be very grateful for reply and any explanation. Regards!
@brunopelbac2 жыл бұрын
Hello Krzysztof and thanks for stopping by! There are many types of arpeggios and nothing really right or wrong in what you are mentioning. You can play a 2-octave arpeggio by simply repeating the same 4 notes you already played: For your CMaj example: play C E G B and then again C E G B up an octave and then usually finishing with another C to close the second octave. Please note: you would not call that arpeggio IONIAN because all it is is just a CMaj7 chord - period. If you wish to add some of the extensions (9, 11, 13) to hear the true IONIAN sound, then you will continue with D F A after the 4 chord tones. You then will get C E G B D F A C (closing there again with the C octave, the root). You realize that in doing so you end up playing all 7 notes of your C Major scale - but organized in 3rds A quick word on extensions of chords: what we call the 9th is the 2nd note of the scale, the 11th is the 4th note of the scale, and the 13th is the 6th note of the scale - but you probably already know that!
@krzysztofmichalik93102 жыл бұрын
@@brunopelbac Thank you very much for your explanations of the issues in my question. Regards! :)
@tyfincher89482 жыл бұрын
dude, you are made of jazz! subscribed!
@brunopelbac2 жыл бұрын
I’ll take that as a compliment then. Thanks!
@tyfincher89482 жыл бұрын
Super cool video. I love the click/hits on the "backbeat" only (if that's even saying it correctly- I'm just a 4/4 rock hack). It feels more like playing in a live setting with a drummer who's really soft on the kick and super consistent on the snare. Your playing and tone are absolute class and a pleasure to listen to. And the next time i hear someone say pickups are all that matters and that a hollow electric won't sweeten with age just like an acoustic will, I will refer them to this video and win the debate.
@brunopelbac2 жыл бұрын
Wow! Thanks so much for your kind words!
@guitarTennisCarHomeFixFlying2 жыл бұрын
Am I simplifying by saying starting a scale, say a C note of a C chord on the 3rd fret of the A string and then playing and sounding out do-re-mi fa so la ti do and recognizing the 3rd and the 5th and the 1st are the main harmony notes if trying to harmonize with a vocal partner? Often I think if a singing partner has nice tone and pitch, we sound fine singing the same notes and not harmonizing notes? At this point I am mainly a popular music guitar Strummer sometimes finger picker the Eagles John Prine, country classics, I'm comfortable playing and singing at open mic but would like to learn more about harmony
@brunopelbac2 жыл бұрын
Thank you for your visit! Generally when harmonizing vocally we use 3rds or 6ths - at least in western music, sometimes 5th. But really 3rds are what you will hear most of the time. You can sing in unison, but then that is not really considered harmonizing…
@pathibulaire43412 жыл бұрын
le genre de cours qui te fait faire un bond .merci a toi.
@brunopelbac2 жыл бұрын
Merci Pat ! Attention à ne pas te cogner la tête au plafond, hein ?
@ljpagbe2 жыл бұрын
Un micro cravate serait le bien venu. On ne vous entend pas.
@brunopelbac2 жыл бұрын
Merci du compliment ;-)
@tontoninbas94962 жыл бұрын
Excellents conseils. Merci. Pour quelqu'un comme moi qui est orienté blues, c'est une manière efficace de "jazzifier" l'impro...
@brunopelbac2 жыл бұрын
Merci tonton !
@maurydavid97322 жыл бұрын
Explications laborieuse aller plus vite a l'essentiel merci pour ton travail
@PIANOSTYLE1002 жыл бұрын
Good teaching. Little rusty on my jazz guitar licks. Very clear teaching.
@brunopelbac2 жыл бұрын
Thank you ! Glad you found this helpful!
@jazzmanouchegadjoduoplus76062 жыл бұрын
Merci beaucoup, votre système est bon , très mélodique, et sonne bien jazz . Pas de PDF ?
@brunopelbac2 жыл бұрын
Merci ! Les liens PDF sont dans les commentaires en dessous de la video
@1superherobryce12 жыл бұрын
You are a beast Bruno!
@brunopelbac2 жыл бұрын
You are too kind! Thanks for visiting!
@jacquesguillo15182 жыл бұрын
Captivant . A quand de nouvelles vidéos ?
@brunopelbac2 жыл бұрын
Merci Jacques ! Je vais m'y remettre bientôt !
@user-kt5ph9fs2v2 жыл бұрын
It's very helpful to me , thanks!
@brunopelbac2 жыл бұрын
Great to hear that ! Of course, you can do the same with any chord type!
@Patrick_Bruno3 жыл бұрын
Excellente introduction à l'impro. Merci Bruno !
@brunopelbac3 жыл бұрын
Merci Patrick - tu as vu aussi la version française de la même vidéo ? L'impro est différente...
@hmmmwhatever3 жыл бұрын
Thank you for doing this!
@brunopelbac3 жыл бұрын
Thank you for stopping by!
@pentadactyle74343 жыл бұрын
Merci Bruno.
@pentadactyle74343 жыл бұрын
Merci Bruno pour ce partage fort intéressant ! Avec des notes d'approches, mes phrasés sonnent tout de suite plus jazzy ! Il faut que je me contraigne à en placer plus souvent...
@brunopelbac3 жыл бұрын
tension - résolution !
@pentadactyle74343 жыл бұрын
Merci Bruno pour cette vidéo très intéressante !
@brunopelbac3 жыл бұрын
merci des commentaires !
@pentadactyle74343 жыл бұрын
Très intéressant ! merci Bruno ! et en plus en Français !!! Super, pour ceux qui (comme moi) ne pratique pas l'anglais... J'ai hâte de découvrir tes autres vidéos, je m'abonne illico !
@brunopelbac3 жыл бұрын
Merci d'être passé, Penta !
@medlion80353 жыл бұрын
Merci beaucoup pour cette leçon très riche, ça m'a vraiment ouvert beaucoup de porte qui me bloquait avant.
@brunopelbac3 жыл бұрын
Merci Mister Bhoye ! Ravi de savoir que tu as apprécié !
@kidpoker0073 жыл бұрын
Can you do a video on playing behind the beat and on the beat?
@brunopelbac3 жыл бұрын
Playing behind the beat, on the beat or even ahead of the beat is really a personal preference or disposition. I never really practiced doing one or the other deliberately. I have a tendency to play a little behind the beat, but it’s most likely the result of listening to players who do that. Check out for instance Dexter Gordon or Errol Garner. Metheny seems to play right on the beat most of the time - even though he claims in his Rick Beato interview that he is more behind the beat. Those feels often fluctuate and sometimes can be subject to interpretation. My best advice here is try to emulate those players whose time feel you like. The rest will follow.
@kidpoker0073 жыл бұрын
@@brunopelbac thanks
@dominiquevaleri3 жыл бұрын
Bonjour Bruno. Merci pour votre aimable réponse Je peux vous envoyer un lien où j'ai enregistré avec les tomates gr 112 Cordialement Dominic
@brunopelbac3 жыл бұрын
Merci Dominique mais je suis aux USA et c’est facile d’obtenir ces cordes directement ici. Merci d’être passé sur mes vidéos !
@brunopelbac3 жыл бұрын
Mais pour voir ton lien, oui je veux bien écouter. C’est sur KZbin ?
@dominiquevaleri3 жыл бұрын
Bonjour Bruno. Sur les cordes Tomastik filés rond les bruits sont absents pour info des GR 112
@brunopelbac3 жыл бұрын
Merci Dominique. Bon à savoir.
@MorningCarnival3 жыл бұрын
Excellent tutorial, many thanks. Subscribed.
@brunopelbac3 жыл бұрын
Thank you Escape. I appreciate the comment !
@jacquesguillo15183 жыл бұрын
formidable vidéo . mérci
@brunopelbac3 жыл бұрын
Merci Jacques !
@CliffordMartinOnline3 жыл бұрын
Great Lesson Bruno!
@brunopelbac3 жыл бұрын
Thank you Clifford!
@gerardletang69093 жыл бұрын
Merci Bruno, je ne l'avais pas vu cette vidéo 👍. Moi aussi, je ne reçois pas toujours les notifications.
@brunopelbac3 жыл бұрын
Merci Gérard. À bientôt pour de nouvelles videos !
@francoisd.89753 жыл бұрын
Bonjour Bruno.Merci pour ces vidéos. Il n'y a quelque chose que je ne comprends pas bien. Si on doit harmoniser les notes de la gamme penta de sol en quarte, le concept c est bien de compter 4 notes à partir du sol.pour obtenir la 4e puis 4 notes pour obtenir la 4e de la 4e sur la base de la gamme penta, c est bien ca?
@brunopelbac3 жыл бұрын
Non pas vraiment. Quand on parle d'un accord en quarte c'est que l'intervalle entre chacune de notes sera d'une quarte. Ici - et dans la vidéo précédente - l'accord de base que je présente est construit avec: Mi La Ré Sol (du grave vers l'aigu). Il y a une quarte juste entre chacune des notes, et il se trouve que ces 4 notes sont dans la gamme de Sol Penta Majeure (qui est la même que Mi Penta mineure). J'espère avoir un peu clarifié, et merci de ton passage !
@KeyzFamily3 жыл бұрын
Professor, this is Robbie from class. You really are helping me become a better musician. Thankyou