Рет қаралды 122
The idea is that we can insert a extra note into an already existing scale. That extra note will be a passing tone.
Let's take a C Major scale as an example:
C D E F G A B C
Let's now choose to insert a note in between G and A.
We now have:
C D E F G (G#) A B C
This is an 8-note scale, consisting of a Major Scale with an added raised 5th (#5).
We just created a BeBop Scale.
Notice that I'm saying "a" Bebop Scale, and not "the" Bebop Scale...
Instead of the G#, we could have added say, an F#:
C D E F (F#) G A B C
We now have another 8-note scale, consisting of a Major Scale with an added raised 4th (#4).
That scale is just another type of BeBop Scale.
Here are all the possible BeBop scales that may be generated by adding a chromaticism to a C Major Scale:
#5 C D E F G (G#) A B C (preferred Major BeBop scale)
#4 C D E F (F#) G A B C
#2 C D (D#) E F G A B C
#1 C (C#) D E F G A B C
The one scale which is labelled as "preferred" is mentioned by David Baker as the most desirable one over a Major 7th chord.
(You will also notice that some of the scales will sound better descending.)
Now, that very same concept may be applied to any other scale!
See here for an article on my website discussing various "Be Bop" Scales: www.brunojazz.c...
Again, anytime you are adding a passing tone to a scale or mode, you are creating a BeBop scale.
(You may also add more than just one note to a given scale, by the way.)
Feel free to respond, comment, agree, disagree, ask your own questions, and/or submit your thoughts on upcoming episodes.
(oh, and don't forget to subscribe!)
You can also contact me directly through my website: brunojazz.com
I am available for private lessons on SKYPE or FACETIME for more information on this topic, or on anything related to Jazz Guitar, Improvisation or Music Theory.
Click here for details: bit.ly/2JFhOQi
See you again soon!
--Bruno