If memory serves, I was playing through Joe Satriani’s prototype Cornford head.

@@rossedwards73 nice.- sorry I thought I'd told you I had this. I probably mentioned the Jemfest one which the sound was rubbish on

@@HaydnMowbray I wish I could remember what chorus pedal I was using - it sounds lush!

I recently sold the seagull pedal as the Schenker Gulls meets my needs. The Seagull in this video was one of the limited run ones before they decided to do full production runs. The new production one now has the ability to do both the gilmour and schenker thing like the Schenker Gulls

@@HaydnMowbray Thanks, I didn't know there were two versions. It's impressive how perfectly it mimics the sound from the original recordings.

No idea. There was a lot of pushback from listeners to Copeland singing when Belew and King were in the band and much better singers. But they're Copelands songs and his vehicle so I guess it's his call. I remember Belew saying he was open to doing more. I certainly hope they do but am thankful I got a chance to watch them. I've seen King a couple of times before but I'd wanted to see Belew and Copeland live in some form for decades and they didn't disappoint

@@HaydnMowbray Thanks Haydn! I cought Level 42 at Gothenburg summer 2018 and wore a Gizmodrome T; at end bow Pete Ray Biggin recognized it and pointed it out for Mark and they both did a small dance and did thumbs up! It was hilarious and also a great thank you!

You have alot of catching up to do😃

Go there and be happy you did.

It's played straight on the bass, no foot pedals. He's fretting the higher notes with his right hand

Here's a video of how to play it kzbin.info/www/bejne/iKetqWyobdiUqac

I figured it out, it's a pedal to do the vibrato, hes got it set on a momentary switch patch, that little trill would be impossible on bass strings hence why he came up with that idea. Sounds great. Kudos to him for pulling the stick part off so well.

@@evankeal I hadn't actually noticed the pressing of the pedal before. I don't think he's resetting a loop or anything like that. I suspect he's got a momentary switch to act as a sustain with a compressor? between the end and beginning of the riff. You clearly see him playing it as per the already linked video so there'd be no reason for him to trigger a looper. And yes I am both a guitarist and bassist

@@HaydnMowbray I finally figured it out, it's for the vibrato on the end of the riff where Tony does trills on the stick with his fingers on those tiny strings. On a bass that would nearly be impossible to trill those strings like that, and certainly difficult enough for this bassist to figure out this clever workaround. It sounds really good to me. In short, hes got a vibrato set up to mimic string trills.

Claypool got the technique from Elephant Talk which was written by King Crimson in about 1980. The bass line was written by Tony Levin on a Chapman Stick. Mark Levin would have been more accurate ;-)

Primus got 'Jerry Was A Race Car Driver' from Elephant Talk. Early 80s King Crimson were a big influence on Primus

I'd forgotten I'd even put this up! I think the supply of the seagull pedal is very limited. I've since had a pedal made for me that I named the 'schenker gulls'. It's half cocked wah and half seagulls. A niche thing but if you want those sounds..... Perhaps I should do a comparison between the two|!

I agree Eddie. I borrowed my friends professional walkman for the evening but as you said a cold and also tuning difficulties with his Ricky 12 string didn't help. A privilege to see him there and later that year at Glastonbury though. Gone too soon like his father

You uuuuu... the luckiest one❤❤❤❤❤❤❤

No, he had a stinker of a cold the day he did this. 'The Late Show' performance was a few days later as I remember