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Yep, I am here. 🌝 My credit card number is 86753098675309 (okay, not really...) But don't lose that number, Ricky.

I love these videos and look forward to it every time it’s posted

Can confirm Aston is still down??

Just got a laser tape measure for Christmas ;)

Josh sux.

I am very curious about Dolby. I haven't had an opportunity to hear it other than on my phone, but something about the deliverable being able to do from mono all the way to multi-channel makes a whole lot of sense to me.

What’s up guys! IDK why but the algorithm has buried you guys for me :(

Shout out! Dr. Murray!!!!

He right

Missed you guys! Glad you’re back.

who else speaks whale?

Do you use a summing mixer like the Neve 5057?

I haven't had the opportunity to listen to Atmos mixes, so I have no frame of reference. That said, I don't see the point of having it sound like I'm sitting in the middle of the band while they play all around me. It also seems like the prosody aspects would get gimmicky fast. Regard the argument that the average person isn't listening on a pair of $7500 speakers like the song was mixed on, while that's true, the average person probably IS listening on a pair of speakers/phones/buds and not on their own Atmos installation, so the stereo mix is still a closer representation of what they'll ultimately hear. At some point hopefully soon I'll be able to experiment with Atmos mixing and maybe I'll see it differently then. 🍎

the biggest problem at the moment with ATMOS are the crappy mixes. When I hear a good mix it's amazing. But a lot of heavy rock stuff just sucks the guitars out of it and it sounds terrible

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🍎 I am fairly convinced that stereo is the new mono. The influence Atmos has had already is so big that I don't anticipate it disappearing soon. Tracks sound better on my two year old iPhone than newer consumer devices without Atmos. I understand the arguments against it, but they aren't very well supported in my view. The thing most nay-sayers forget, is that it isn't about how many speakers the consumer has, it's about creating a good reference point for delivering a great product. Atmos folds down to mono and still holds up; that's the point. Well--if it is mixed right... Atmos is a method of delivering a great audio experience to the consumer without the complication of wondering how to make it work on a given system. But this complicates the production end by giving us more options and methods of mixing. This is more expensive, so yeah people are going to push back. I get it. But I think Atmos is worth it from everything I have seen.

I'm old enough to remember all the BS about Quadraphonic records and it failed. I think Atmos will fail for even more today because of the cost and need to dedicate a room to it. I meant one person in the room was in the sweet spot it not for a group of people to listen too. Even with headphones now people that got together to talk and listen to music can't talk because they all have headphones on. I went to a Pink Floyd concert when they toured with a Quadraphonic PA and again unless in the sweet area of the venue the experience wasn't good. Even in the sweet area of the venue it really was only good for special effects like when a jet taking off was projected behind the band so you heard it come from the stage and fly over and away. Maybe when people get into VR AR headsets combined with good headphone Atmos will be of use, but back to it's a single person experience. I don't see it catching on with the masses and it need that level of adoption to make it last.

dolby labs atmos is garbage trash m its been around for 14 years stop it all of you on youtube acting like it came out few days ago , put a sock in it

Would you say these are good for vocals?

It should feel like an Ibanez AZ neck. They’re also 12 inch radius

It's because the preamp is actually veery different. The 1084 is actually a Class AB design instead of Class A, and has one more gain stage

I love my recently acquired h90 but I get no use from the stock programs. I consider them just a way of hearing what could be done. In terms of my use of it though I always create my programs from scratch for delay, mod, pitch etc using my CXM 1978 for the reverb. And it's fantastic

I am going to put one! Just imagine a foot emoje,.. great show guys!!!

Where you guys been?

hi guys, great in depth on this. I had a Vola Vasti KJM which I sold because it had really thick neck (causing just the slightest neck dive). And TBH didn't think their in-house pickups were very good. How's the neck on this guy, and what did you think of their P90s compared to the SDs or Dimarzios?

For 900 bucks? Lol I’ll stick with a Sansamp

Name it Betty 🎸

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Love my H90! Possibilities endless. Thanks for the upload boys.

👞👟🥾🥿👠👡🩰👢🩴

Shakey cam is my friend

I think the other side of the Velcro is the Hook side. I could be wrong. But thats the first thing that came to mind watching. Love the video guys.

🦶 you guys gave me the itch to rearrange my board… now all my pedals and cables are spread across the floor 😣😆

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If you Ditto a Ditto wouldn't it either be a Double Ditto, or a Dittimus Maximus?

That was quite a twist with the ending...

Have been thinkikg for a long time (too long) between this and the EL version…

🦵Closest I could get to a "top"less lady. Because you'll never find out where the bodies are buried. Great episode this week, lads.

I can see where its buried from where I sit each day to remind of what I've done.

what's up dudes!

This podcast is so underrated. Hopefully more people find it. Keep up the great work!🔋

Push in button then pull to engage just the single coil?

🔋😮‍💨. 😄

In the mid 1990s I bought my first real Strat. It was a Japanese made in the mid/late 80s. I’ve played many other Strats, but nothing holds a candle to this one. It’s still in my care. In fact it’s in my profile picture… Did you summon @RickBeato?

This pod is so legit; I swear that’s the best description section ive seen on KZbin

hi from Brasl!

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Take a tone-generator, set it to 30-40 Hz. Put a gate on it, key the gate with the kick in mike. Tweak the attack / release and tune the tone-generator towards the real kickdrum. Put some compression on it. Can be done in any daw. Voila, here's your subkick.

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