10:00 The Red One was used for "The Social Network" from Fincher.

For those that this didn't work, this might help: in my case push the card all the way in wouldn't read certain cards. I generally slide the card in until the light on the reader flicks on and stop there, that fixes the issue for me.

This is an experience, not a tutorial but it has more solutions than all the tutorials on this subject matter. Thank you gee!

Haha, I just got one today!! ;-)

Camera worked great. It was my pc that was the problem. Made a 48 min film in 6 min chunks as the pc ground to a halt using anything longer. Loved the look/ design of the thing.

Canon C200 user here, Right after loading the owlbot and 709 from the custom profile, should I set it to protect? And what's the setting for Gamma and Color Matrix?

I thought I'd watched all the Oren Soffer interviews on KZbin but it found me this one! Nice interview--Thank you!

found you from reddit! blessings!

Unbelievable. Thank you! Worked on my MacBook Air using manfrotto CF Ex reader.. Very pleased.... a ridiculous fault!

nice break down, what about the pixeltools film you add in the grain nodes, you said it was free but can't find it, would you mind share a link of it please

Great video! Thank you for the update.

Adding my comment in support of Canon sending you the C80, will certainly sway their opinion in your favor!

What movie was being projected?

Hello this is George Canon. Just wanted to make sure that the rep who has your contact who looks at your comments sees that we need to get a C80 sent to you right away.

I've got the Komodo-X and the BM6k FF but need an autofocus camera so I'm tempted. I was alway eyeing out the c500 ii but now this is out im very interested

I think it would be a real travesty if Canon doesn’t send you the cameras ASAP.

Get this man the C80 he deserves!

RIP DGO sensor

Canon, get this legend a C80!

Definitely want you to get a C80 to test out! Come on, Canon!!

U should have it @canon !!

Did not work.... Useless waste of money. Seems like you did know him and marketed for him as an anonymous 3rd person...

Kenny, is there a generally accepted creative reporting structure for most productions? Do the Colorists and Editor take direction from the DP and the DP from the Director, or do all three take direction from the Director directly? 😅 I guess a follow-on question; is the Producer generally involved in creative decisions and in a creative sense how do they fit in the creative organization above? My. Current understanding is they get money and green lights and stay oriented creative process once the project is sold.

at 4:53 you zoomed in the window and then draged the screen/slide over, I can't figure out anywhere how to do this. I can zoom in but I can't drag the screen to the part I need to see. I am using a mac and regualr mouse and keyboard. Not sure if I need to change something in my settings, cant find anything about it!

your audio is bad

Holly hell, I need to listen to thoose podcasts!

Thank you for all your work, the videos are awesome! Also, this has to be the most "cinematic" talking head video I've seen. Good work!

Kenny, good episode. BTW the IQ of you is significantly better in this episode than in some earlier episodes. Good change, whatever it is.

Appreciate this video. I currently own the R3 and very much enjoy that camera. That said, I do want the higher megapixel count for my photo work and the updated video features as I have been focusing on more video the past year. Your video solidifies I made the right choice going for the R5MKII rather than the R1. To touch on the R1 for a brief moment - as an R3 owner it feels the R1 falls short for being something truly great, and I say that mostly based on the price. If it were closer to a $5500 camera, sure, but at $6300 it doesn't feel that much different (to warrant buying a new camera) to the R3; essentially for current R3 owners (at least this one) the R1 feels like a facelift rather than something new and better. Side note: I do love the larger body with the built-in grip of the R3 so much so that I never use my R6 handheld anymore. Now, overall gripes I wish Canon would have addressed with both cameras: why oh why doesn't it have dual CF type A? I say this as I never film on the SD card and if I'm shooting burst for photos I also don't use the SD slot. This becomes an issue for me personally as sometimes I want to switch back and forth between photo and video while shooting moving subjects; the slow buffer on the SD card makes it almost unusable, but I can't record both on the CF card as I'll run out of space. On a completely different note, perhaps something you are more knowledgable than I on, but when I record externally with cinema gamut, the colors are always way off compared to when I recored internally. I have heard this is a common issue; 1) is it? 2) is this addressed with the R5MKII (if it's actually an issue)? Back on topic - again, appreciate this review as it validates the R5MKII was the right choice for my current needs.

I'm with Marc, when he said that a making-of gave him a completely different perspective on a film. That's how I felt after watching it. I appreciate this passionate and sophisticated piece of filmmaking artwork now more than ever. Thank you for "The Expert at the Card Table" - a enchanting magical journey - may the force be with you ... JB

thanks! i ran across shutter encoder for a different task long ago, but this video reminded me it existed and could be used for file repair. had catastrophic power loss while one host was 6 hours into an media encoder (after effects) render, and another host was 8 hours into a topaz video ai operation. both of these interrupted tasks left partially rendered but improperly "closed" video file fragments in their cache folders. shutter encoder helped me recover the sections that were already completed

Potatojet did a side by side test with the FX3 & R5 II. He’s a Sony fanboy & he said the FX3 has more dynamic range, mostly in the highlights. It looked like he purposely exposed the R5 II brighter than the FX3. That would surprise me since I’ve seen the R5C have more range in the highlights than the FX3 in person & online tests.

It’s pronounced “mah-me-yah”

Came back to watch this 2 years and it still holds up. Love it.

Thanks for the answers! I had the ear of a Canon rep, but he ghosted me when I tried to ask a 2nd batch of questions. 😂

So nice to see someone talking sense about this camera. Its a monumental release and we see Canon innovating once again. The combination of all these “small upgrades” makes for a massively more powerful tool!

You happen to have an article review on these cameras? LOL

Would you choose Sony Fx3 or r52 great content

Did they fix the wobble of the ibis on a wide lens?

Kenny, i am wondering if the R5ii will have the option to map a button to activate false color like the r5C, cheers.

thank you so much for the confirmation on the wording of the R5m2 readout speed reduction. There was a LOT of confusing about the wording and it is stated differently on the various Canon websites (USA vs Europe).

Awesome thanks. Open gate would be killer certainly before Sony and Nikon (after Panasonic) if that is that could be implemented via firmware.

Emulsion side towards lens, 6cmx7cm convert to mm cut your own mat or mark your focusing screen down to 24mm x....

Good notes Kenny. Both are great new advancements for Canon. Ultimately I think still photographers are best served by these new bodies and the improved autofocus capabilities. Not quite as much upside for video shooters I think. But I still can't wait to pick up a used R5 II in a couple of years. ;)

When is OWLCOLOR coming for R5II?😊