Thank you for listening! ✌

✨

Cheers, great to hear you enjoyed it

Hey, thanks for the message. I replicated your set-up and I had a similar result to you, which makes me think it might be a gain staging issue. By using a DAW, you'll have more control over the dynamics - tools like gain, EQ, compression and saturation will make a difference to your sound and give you that impact you're looking for. Hope that helps!

So glad I pulled the trigger on getting the Nightsky ✨

🙏

Thank you, got lost in this one

💀

Thanks for listening!

🙏🏼

The BS2 isn’t going through the Lyra, just the Microcosm - but it’s something I’m keen to experiment with!

Cheers, thanks for the message 🙏🏼

I haven’t heard it - you’ve given me some listening homework 🎧

Hey, I use Ableton. Thanks for the message!

Thanks for listening 🙏

They can do amazing things 💫

@@FalseFate666 if you know how?

@@DJ-Lazy-Lodger With just a lil’ practice

@@FalseFate666 and god willing🙂

@@DJ-Lazy-Lodger 😉

Thanks mate

🙏

Thanks mate 🙏

✌

🖤💀🙏

Cheers, I got lost in this one ✨

🙏🏼

💀

🙏

Thanks for the message, I'm glad it was a fitting soundtrack for your night. 😊

Highly recommend getting one followed by most of Soma Laboratory's very alien instruments.

One of the charms/frustrations of using the Lyra! Keep exploring, I'm sure you'll find some incredible sounds. Thanks for listening mate. ✌️

Hey, for sure. The Lyra is going into Ableton. It goes through a compressor, an EQ removes the harsh frequencies, and then a limiter at the end of the chain tames those wild volume spikes the Lyra can sometimes produce. The signal is then sent out of Ableton into the Microcosm, into the Nightsky, then back into Ableton for just a touch more compression and EQ. Hope that helps!

Thank you ✨

Same 🎬

Thank you for tuning in, hope you got lost in it ✨

Hi, I plug everything into a Focusrite Scarlett, which then sends it all to Ableton. I use Ableton as my mixer and to make EQ and compression adjustments. If you don’t want to use a laptop, you can use a standalone mixer instead. As for a drum machine, that’s up to you! If you want to add drums or other samples, it’s a great idea. I don’t use one in this set up, nor do I worry about a clock with improvised drones like this. Hope that helps!

🙏🏼

Cheers

I saw the Lyra 4 had just been released - looks awesome!

Hey, for sure. To achieve the ambient swells, I quickly sweep though the wave shape of the Lyra from a sine wave to a more harsh saw tooth and back to the sine wave. With some EQ, compression and processing through a Valhalla Super Massive reverb, it can result in a big, wide ambient pad sound. Hope that helps!

Cheers, thanks for listening

Thanks for the message! I'll try my best to answer your question about the set up. The Lyra is going into Ableton via one of the Scarlett's inputs. In Ableton I tidy up the signal with some EQ and compression - the Lyra's dynamics can be pretty wild so I find it helps keep them in check. Then, I send it to the Microcosm via the Scarlett's outputs, before bringing it back into Ableton via different inputs on the Scarlett. The last step in Ableton is to put it through the Valhalla Super Massive reverb. Took me a while to find all the settings I liked, but once I did I was hooked. Hope that helps.

@@FalseFate666 wow, so good. Thanks for the response, it really helped me for the future. Im now waiting for my Lyra to arrive 🖤

@@FalseFate666 what means Lyra's dynamics? What do u mean by dynamics?

@@locustt7 It can sound quiet and then get loud really, really, really fast.

@@FalseFate666 Wow, learned something new from you now, many thanks and can't wait for your next video <3

💀💀💀

Cheers, I was really happy with how the ROAT sounded through the Microcosm and a Super Massive reverb. Great to hear you enjoyed it!

Hey, thanks for the message! ✌

🙏🏼🙏🏼🙏🏼

Thank you