This is very dope! I love this!

Awesome tutorial! I'm wondering if it's possible to extend the footage, let's say, another two seconds and keep the current camera solved?

@SternFX Did you notice the color changes from Red to Magenta for the Tie and Bow from navy blue to cyan blue... how to rectify this....

Thanks for this video Eran!! While watching it, I think that I should clarify some things: 11:45 Kinematic objects are controlled by AE until the last keyframe, then they turn into Dynamic objects. Note the “shift” in position at the end of the last keyframe, it’s because the object (the boat) is superposed to the water. Superposed objects will always try the separate (and they do this pretty violently). You can avoid that by putting them into different Collision groups or you can simply duplicate the last keyframe to the end of your comp (so the objects remain “kinematic”). 11:46 Because the sail boat is a very complex shape (Newton triangulate every shapes to run its simulation, the more triangles you have, the slower and sometimes imprecise it gets) and because we only need the external path, the good practice is to use the “Use Convex Hull” in the Advanced Panel body properties to simplify the shape and have better results in the simulation. In fact, you could have checked this function for every shape in this simulation. 12:20 Most of the time, you don’t need to tweak this value. You can figure “Collision Tolerance” as an envelope around your object that kind of simplifies the detection of collisions. The higher the value is, the larger the envelope. It’s better to stick to this value (50, that usually creates a small gap under 1px between the objects colliding). You can lower it, but you might run into small issues. If you raise it the gap between objects colliding will be higher. This could can create interesting effects! 12:25 "Sub Steps" : I think it’s one of the most important thing in Newton. 2 is by default. But you should not run a simulation with a value under 8. The higher the value is, the more precise the simulation will be. (note: we disagree between developer (Nab) and user (Val). Nab wants "2" to be the right value for use but Val immediately sees that there are simulation problems with this value and systematically uses at least 8. Unfortunately, it's Nab who writes the value in the code but fortunately it’s Val who does the tutorials and write this comment 😆) 12:40 Unfortunately, constraining objects to be compressed is always tricky in simulation. So here it’s important to simplify the shapes, that’s why “Use Convex Hull” should be used is this example. 19:35 oh, there's a bug here, Dormant should not move before being hit by the bar!!

But how can I remove it. I simply cant locate this script

Thank you! In my case the script is buggy (disabled) if motion blur is enabled on the layer. Leave motion blur off and have fun.

Thank you so much .. very helpful

Thank you for the hint to the Variety script. The name of the video should be : "Using VARIFONT in After Effects"

Thanks!

Thanks, Eran. I really love your videos and they help me a lot.

💪🩵

This doesnt make sense to the title. You've had to track the sign anyway using Mocha so all you had to do was link an image to the tracking data. Using Gen Fill is a pointless process here.

This is the best! Thank you so much for sharing this!

me sirvio gracias

Gracias!!

Oh my gosh - brilliant tips again - and we have the same taste in music!

braine affect

Looks good. A little reflection would be great too!

Awesome!!! Never tried to learn about music editing in after effects. Sending the rendered version to premiere to add music/fx was such a pain

ערן הורדתי, זה מופיע באפטר, אבל כשאני לוחץ על זה שום דבר לא נפתח :( והאם אפשר להעזר בך בפרטי בנוגע לעוד איזה אפקט באותו הנושא?

Been working with after effects for years...and have never done any of these audio tasks correctly. LOL. Thanks so much!!!

👌Thanks

Eran, one of the best to do it!

cool

i have card Quadro k4200, after effect 2024 not Enable GPU Acceleration. Please, Help me!

Great tutorial! :) It would be even more fun to use the High Pass method as a displacement map for the title. :)

Thanks so much!

Thanks Eran! Quick question: what if I want to composite some motion graphics with either AE layers or AI layers? It changes those colors too, but I cannot "interpret footage" on those types of things. Is there a trick to having both?

I'm extremely happy KZbin recommended your channel a couple of days ago. Your channel is a GOLD MINE dude!

Your videos are so fantastic!!

Fantastic video, exactly what I need!!

So many brilliant little tricks to pickup every video. You’re always amazing Eran!

Thank you very much for this great Tutorial!

sir please make a complete tutorial on 2d compositing

Thanks for the useful info! The only thing that I would improve is to perhaps disperse the top part of the title a little bit once the jeep goes over it

ANOTHER EXCELLENT VIDEO

Hi Mocha Pro cant downloded.Please advice

Several extra steps to achieve tracking with fewer errors, wasting our precious time. Meanwhile, other apps like Fusion and Nuke do better tracking without the need for acrobatics. How difficult is it for Adobe to just improve this important tool instead of subjecting users to tricks?

סרטון טוב ויהיה כן נחמד עם תעשה סרטון על מה שאמרת בסוף הסרטון וגם על הטקסט במדבר

Yes! We wanna see a detailed tutorial about the last example clip ('Abu Dhabi desrt challenge') 😉😀 BTW, thank you very much for this and all the other lessons, Eran! 😊

Thanks for watching! Download the FREE High Pass preset here: bit.ly/4giIAu0

Thank you for sharing this! You are great!

This is such a great technique, thank you Eran! I've shared this video with my students.