There is a theory on this topic on the Internet. The point may be that we are talking about a reference to the work of Mihai Eminescu, which deals with an illegitimate daughter... in those days it was terrible, terrible and such people could be bullied or ignored. And this is exactly what we are talking about in this work. I further quote from the article: True, not a Catholic pastor, but a local rich and spoiled nobleman who systematically organized horse races, drinking parties, parties, orgies and other joys of ordinary life. And he taught his illegitimate daughter named Blanca to do the same, but then at the age of sixteen he was delighted with the news of being tonsured into a monastery right tomorrow, because it was not good to remain like that - it was her own fault that he had once sinned wrongly with her mother. The daughter in the coffin in white slippers saw the prospect of praying, fasting and fingering the rosary, but she had no leverage over her father, so she simply decided to spend her last free evening better than the upcoming one. And of course, on a horse ride in the forest, she meets an unknown person in the forest who sings amazingly, and looks good too (there are parallels, right?). It looks so good that Blanca does not refuse to hook up with him right here, without leaving the lime tree. Unfortunately, the guy was not a gothic, twisted three-hundred-year-old vampire, but a completely banal forest spirit. Therefore, her further fate, although unknown, is read by default as unambiguous and very sad. "Two days later, a horse in foam galloped to the castle gate, but no one in this world has ever seen the beautiful lady again." The daughter of a Catholic pastor clearly had a common trait with Blanca (presumably, with Sarah) - she did not have anything good in her life (if she did not initially rejoice at the prospect of the monastery as a native). And her previous life should have been even less light than that of Sarah or Blanca. But adjusted for the isolation from society, she was probably brought up on the verge of a decent conversationalist. Here one can involuntarily make the assumption that the count wanted to convert her, but doubted, and eventually changed his mind, just killed her. Or vice versa, he wanted to kill, but doubted, in the end he still made the first choice. But now this case haunts him even now, 200 years later. Целую!!! )

Возможно, ошибка при переводе. Но незаконнорожденные дети были не только у католических пасторов, но даже у римских пап )) Сексом они занимались, и заводили любовниц (а кто и любовников) не зависимо от того, что им можно или нельзя.

Haha, I'm doing the same, two years later. He is magnificent, isn't he? I love how he evolved in this role and how he perfected it.

Hello! Magda is played here by Natalia Dievskaya (Наталия Диевская), if you still need this info

@@anst_kchv спасибо 🙂

Да тут уже очередь 😂😂😂. Все хотят 😁)))

Он всегда сыну по сценарию предлагает самому обратить Сару. Это не зависит от того, кто партнёрша.

Да, тоже хотела написать, что тут по сценарию папочка всегда предлагает сыну укусить Сару)) Но сыночек гораздо охотнее укусил бы Альфреда😅