Atterberg really loved that melodic line at 16:28, it occurs several time in his symphonies (for example in the slow movement of the sixth). The sheer beauty he puts in his melodies is incredible.
@freddoliveira2 күн бұрын
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@freddoliveira2 күн бұрын
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@freddoliveira2 күн бұрын
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@freddoliveira3 күн бұрын
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@kbrinckmeier3 күн бұрын
Fantastisch !!! Bravo !!!
@Classicjoa3 күн бұрын
Very good.Wonderful!
@genheywoodkirk4 күн бұрын
Sounds like Honegger's 3rd Symphony I heard. But this work was 6 year faster than that !
@Classicjoa5 күн бұрын
Very good. Great players. Wonderful!
@ClassicalMusicAndSoundtracks5 күн бұрын
Nice piece!
@serbanalexandru179815 күн бұрын
Very bright music! love it!
@stevencovacci976420 күн бұрын
G E N I U S -- I hope the Sinfonia and other larger works get recorded ASAP
@paulgreen692121 күн бұрын
I try to avoid comparing the works of the various composers, but I think I am qualified to comment on conception of ideas and execution. I regularly call classical music philosophical music. For me philosophy is “understanding THE GOOD and governing oneself accordingly.” Take Ludwig Van Beethoven as a case of extraordinary confluence of genius, spiritual temperance by virtue of psychological, and emotional hardship with great expansiveness of poetic insight. This combination consistently produces works of transcendent resonance and profundity. And, we did not even mention the overarching and guiding grace of sublime inspiration. So, it is evident that relatively few composers attain the creative plateaus that quickens “The spirit of Man” to the extent that they are lifted to a sphere of transformative enlightenment of life and hope. I share the birthday of Frederick Chopin. Some years ago I debuted an arrangement of one of his intensely elegiac etudes for which I composed expressly elusive lyrics. I am happy to report that the effect on the audience was like the proverbial thunderclap. My master musician nephew was the only one to comment. He complimented me on my phrasing, which for me “sealed up the sum”. This experience confirmed for me the joy and beauty of Divine grace of inspiration; which enjoins the chosen vessel in an outpouring of heavenly ministration. I am impressed by the allegro of this concerto, except it did not move me beyond being entertained. Just a little food for thought, perhaps? PWG
@sapper471122 күн бұрын
I find many musical similarities, even melodic, between Ditters Von Dittersdorf and Beethoven.
@MegaCirse22 күн бұрын
Bir hikayeye yanlış başlarsanız, sanki anlatacağınız konudan kaçıyormuş gibi, ana yoldan çıkıp karanlık ormanlara girip inkar ederseniz sürekli ve sonsuz bir yarışın içinde olursunuz. Yalana inanmak gerçektir. «BH. Crusell» onu her dinlediğimde beni kendi yalanlarımla yüzleşmeye zorluyor.
@armand616722 күн бұрын
23:07
@stanhauser24 күн бұрын
00:01 - Adagio - Allegro 10:40 - Menuetto 15:08 - Poco adagio (Thème Russe con variazioni) 20:38 - Allegro Moderato
@user-unetaro25 күн бұрын
如何にもロココな音楽感
@大橋一男-o2j26 күн бұрын
J C F Bach のピアノとチェロのだめのソナタ初めて聴きました、このBach の曲かなり珍しいです、 通常だと、設定されないのでは。
@joseluisperdigon5263Ай бұрын
The moment the second movement comes back. I have no words to describe how touching it is. 18:15
@constantquestioning4010Ай бұрын
Une grande découverte. Dukas (décédé quatre ans avant le commencement de la Seconde Guerre) s’inspire de la pièce méconnue de Corneille, « Polyeucte », portant sur son martyre en Arménie, premier pays à se convertir au christianisme ? Il s’ouvre sur le songe prémonitoire de sa nouvelle épouse, Pauline : c’est l’aube de l’essor de la chrétienté sur le continent eurasien … François Xavier Roth est parmi les meilleurs chefs ; l’orchestre si unie et sensibilisée. Merci infiniment 🙏🏼🕯🕯🙏🏼
@SwaroqueАй бұрын
Second Movement is Schubertian.
@ivankuligovskii5046Ай бұрын
Help!!! Does anybody have a sheet music of this masterpiece? IMSLP doesn't have, and no other internet site
@d.o.7784Ай бұрын
So Athens has been destroyed by industrialization…. It used to be standing by itself, now surrounded by structures….
@ovidiupetria7583Ай бұрын
What kind of nickname is this? And why don't you show yourself with your true name? Thanks
@idonkat6097Ай бұрын
I just wish the soloist's sound was on par with the spectacular orchestra, it sounds so strained and strangled
@N_Loco_Parenthesis2 ай бұрын
This music is the death knell of romanticism. Ring out bells, your wild times are passed.
@josephmathmusic2 ай бұрын
18:48 - 18:58
@swazifiction2 ай бұрын
Lovely. Though Bohemian, this is very Viennese school.
@arturomancilla21442 ай бұрын
Oh, my... What a beautiful symphony. I simply loved it!
@Nushika92 ай бұрын
WHAT ARE YOU, KZbin, TRYING TO SHOW ME, AH? yES, LIKE MANY OTHER OR, ROBABLY , ALL OTHER FAMOUS COMPOSERS, I HAD USED CREATIONS OF COMPOSERS OF THE PAST AS SOME SMALL PARTS OF MY SUITS AND COMPOSITIONS. FOR AUTHORS OF ELECTRONIC MUSIC, LIKE MY MUSIC IS, IT IS MORE THAN NOTMAL ALSO. I LIKE VERY MUCH THIS OVERTURE AND TOOK THE PART OF IT, CHANGED PART, AS THE BEGINNING OF MY JEWISH SUITE. BUT, NEVERTHELESS, THIS SUITE , AS THE WHOLE MUSICAL PIECE, IS MY CREATION. IT INCLUDES A LOT OF MY ORIGINAL PIECES, AND IT-ALL IS THE DIGITAL MUSIC PERFORMED BY MY COMPUTER WITH ME-MYSELF, AS THE SOLOIST. THE ANSOLUTELY THE SAME THINGS IN THEIR COMPOSITIONS HAD DONE SUCH COMPOSERS, AS BERLIOS, RACHMANINOV AND A GREAT LOT OF OTHERS. WHAT ARE YOU TRYING TO ACCUSE ME IN. MY COMPOSITIONS BY ALL COPYRIGHT STANDATDS ARE MY COMPOSITIONS, NOT ANYBODY ELSE'S AND NOBODY OF YOU I WOULD NOT LET CLOSE TO MY PIECES' AUTHORSHIP. AND THAT IS ALL. CREATE YOURSEVES, AND DO NOT EXPECT STUPID DUDES OF BOTH SEXES TO LET YOU ROB THEM. CIAO! ONCE AGAIN, MY DIGITAL MUSIC IS RECORDED AND PERFORMED BY ME AND MY COMPUTER. SO, NO CLAIMS TO INFRINGE MY COPYRIGHT PROTECTION HAS ANY SENSE!
@efraindavila46382 ай бұрын
Muchas gracias por compartir este hermoso concierto. No soy músico pero aprecio mucho la música principalmente barroca y clásica. Me recuerda al mismo Kuhlau , Paisiello, Ries Clementi y Lessel por citar solo algunos músicos clásicos que son poco conocidos con una música muy bella que compiten (Guardando las distancias) con Beethoven y Mozart por citar a algunos. Nuevamente , gracias desde Puebla, México.
@freddoliveira2 ай бұрын
...
@speterkar2 ай бұрын
Otherworldly beauty!
@multch20062 ай бұрын
10:10 is the best thing I have ever heard
@brianrichardcohn21592 ай бұрын
Very nice. :)
@ericdevaughn59412 ай бұрын
Pure Romanticism. I feel like im on a wild steed taking me on an adventure through an unexplored forest. This Symphony has a direction and moves you places. Like its supposed to. So it doesn't break new ground. Not every Symphony or composer has to. This is executed so well. I like this adventure. I will find and listen to his other symphonies and hope for another adventure. So glad i got to hear this. Im 70 years now and this Symphony makes me feel younger than that with optimism. So Yeah , i like it !
@Dieubussy2 ай бұрын
Beau-père de George Bizet. L'air "Rachel, quand du seigneur la grâce tutélaire (etc)" fut un des plus célères dans tout le XIX ème siècle. Il a donné son nom à un personnage de Proust, maîtresse de Saint-Loup. A la mort de Bizet sa fille se remaria avec un avocat du nom de Strauss et tint salon, pour devenir le modèle de Madame Verdurin.
@ChillinDylan28752 ай бұрын
1:00:00
@mihailghiga27323 ай бұрын
The 3rd section has arrived into the Romanian folklore as a kid song: Cucule cu pana sura, Cookoo with gray feathers.
@yt20xxx06yt3 ай бұрын
Fantastic piece and performance!
@andreagriseri76563 ай бұрын
Famous as composer and publisher. He published works of Mozart Haydn, Vahnall and Beethoven who, akin with Mozart befriended him. Mozart's k499 (quartet) is dedicated to Hoffmeister. Very nice his concert for viola and orchestra
@orpheus.musicacademy3 ай бұрын
Does anyone have an idea where I can find sheet music for this piece?
@orpheus.musicacademy3 ай бұрын
Does anyone has an idea where I can find sheet music for this piece?
@CarlosLima-oe7wn3 ай бұрын
Uma bela sinfonia, no mesmo nível dos compositores mais conhecidos. Nos moldes de Haydn e grande criatividade sonora.
@Midoriventure3 ай бұрын
Everyone mentioning any specific part of the music goes on about the adiago or points to moments in the finale, but y'all are sleeping on the allegro. It's my favorite part of this whole piece. How can anyone be deaf to the piano in it? How does no one feel the emotion? The gaiety and hope, things hazarded and finished, the ongoing saga that enhances the orchestra when it returns, which further enhances the piano now delicate, asking, gentle...then so emotional, the denial, the explanation, the return of liveliness so pretty but colored by heartbreak, normalcy before venturing to descend and rise again, worse and more rending than before, different and the same, the orchestra helping this time. Does the allegro not hold anyone else? It has everything, both the quiet solemnity and spirited brightness divided between the other two movements. It suits the finale better than the finale does for combining those two. It's wonderful.
@TroelsNybo1st3 ай бұрын
Hogwood conducted Gade? Delightful surprise.
@serpaul94743 ай бұрын
Eseguendola leggermente più lenta, si potrebbero cogliere meglio le espressioni e passaggi meravigliosi che si perdono in velocità "banalizzandola"
@nurik_king0033 ай бұрын
Bravo😮
@James-ll3jb3 ай бұрын
Wow. Last heard this in 1969 and couldn't relate to it. 😊