![Donizetti: Lucia di Lammermoor - Callas, Tagliavini, Cappuccilli, Serafin (1959) [Subtitles]](/img/o.gif)
3 жыл бұрын
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4 жыл бұрын
4 жыл бұрын
4 жыл бұрын
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4 жыл бұрын
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@mrshovelbottom7475 2 күн бұрын
2:22:10 *ENGLISH Translation from google* CARMEN No, I don't love you anymore. JOSE But I, Carmen, still love you; Carmen, alas! me I adore you! CARMEN What's the point of all this? So many superfluous words! JOSE Carmen, I love you, I adore you! Well, if necessary, to please you, I will remain a bandit, whatever you want - everything, you hear me? All! But don't leave me, oh my Carmen, ah! remember, remember the past! We used to love each other! Ah! don't leave me, Carmen, ah, don't leave me! CARMEN Carmen will never give in! Free she was born and free she will die! *FRENCH* CARMEN Non, je ne t'aime plus. JOSÉ Mais moi, Carmen, je t'aime encore; Carmen, hélas! moi, je t'adore! CARMEN À quoi bon tout cela ? Que de mots superflus! JOSÉ Carmen, je t'aime, je t'adore! Eh bien, s'il le faut, pour te plaire, je resterai bandit, tout ce que tu voudras - tout, tu m'entends? Tout! Mais ne me quitte pas, ô ma Carmen, ah! souviens-toi, souviens-toi du passé! Nous nous aimions naguère! Ah! ne me quitte pas, Carmen, ah, ne me quitte pas! CARMEN Jamais Carmen ne cédera! Libre elle est née et libre elle mourra!
@manuelawiederkehr9167 2 күн бұрын
So beautiful. Love it. ❤
@alanblock7099 3 күн бұрын
Amazingly beautiful
@pofimabelgium2677 4 күн бұрын
Beautiful
@charlesnaturalist37 4 күн бұрын
Bravo pour cette excellente initiative de faire cette vidéo en utilisant en fond les 2 artistes (Sabine & Marianne) qui subliment ce Duet. Etant Françaises, elles l'expriment à la perfection...De plus faire ce travail d'afficher à l'instant t les paroles de chacune des protagonistes du Duet est déjà délicat en soi mais permettra à tous les non Francophones de comprendre les paroles...et pourra être également utile aux Francophones...
@eugeniocamporato8427 6 күн бұрын
❤️
@xx-tq4ub 7 күн бұрын
Truly overwhelming.
@albertomartinez9828 7 күн бұрын
Las mas grande obra musical.
@seuradu8065 8 күн бұрын
Bellini is genial composer
@alexseyer8878 8 күн бұрын
Mad scene: "Spargi d'amaro pianto" 1:30:34 Powerfull and exquisite! My favorite recording ever! Callas or anyone.
@giannagloriamanetti8795 10 күн бұрын
La Callas alla scala diede forfait in una famosa serata perché non era più in voce e non sosteneva Corelli che,interrogato, da gentiluomo non lo ha mai ammesso
@youngjang585 10 күн бұрын
33:24 Casta Diva
@marysexton3236 10 күн бұрын
Mother Mary I love you!
@itsgoingtobeok-justbreathe4808 13 күн бұрын
great except for the last minute when you tube pop up boxes of other videos covered lyrics!
@CaridadDiazMartell 14 күн бұрын
Hermosa voz gracias preciosa cancion bendiciones
@Green-im1yf 14 күн бұрын
Love Classical Music
@jakim1360 17 күн бұрын
숙제 )
@jakim1360 17 күн бұрын
사탄 표시 진하게 하갈로 하기 끝
@eloperista 21 күн бұрын
Callas is wonderful, but too Guiot, Gedda, Massard and all, and Prêtre incredible. The choir, the orchestra. The best really
@glauciusazeredoazeredo9694 23 күн бұрын
Não a toa Plácido Domingo o ajudou num momento muito difícil de sua vida. Ele Plácido falou que não podia não faze-/lo e se arriscar a perdermos uma das vozes mais lindas entre todas.. vindo dele que elogio que marca muitas etapas da música em todos os tempos..
@richardverrieres6648 25 күн бұрын
😀💕♥️🍀
@ElisabettaCONTI-cd3dk 25 күн бұрын
ECCO I " 3 MITI DELLA LIRICA". INSUPERABILI!
@Caparso-lg9cw 28 күн бұрын
Cały czas zaległe ćwiczenie z solfeżu. Pan Jakub nie zaliczył.
@demoslifesh 28 күн бұрын
Paz en mi alma
@janewainwright9756 Ай бұрын
My 94 yr old mother passed 20 mins ago and I'm playing her fave..😢4/6/2024 Australia
@paquimedinanavarro1441 Ай бұрын
Inconfundible ,maravillosa, espectacular y todo lo que se diga es poco
@user-gz8px9rk4e Ай бұрын
Beautiful ❤❤❤❤❤❤❤❤ Lady ❤ She Sings Masterfully Lovely 🥰 And Beautifully Awesome 😎
@farishanafiah8461 Ай бұрын
And now, Shaquille O'Neal can't stop explaining how to save money on gas.
@hessojean3950 Ай бұрын
Légendery Norma of Callas !!!!!!
@frankmaiorana66 Ай бұрын
In lieu of this great recording the Callas Gobbi Di Stefano Tosca I will always consider it a great tragedy that they could never put together a staged production of Tosca Callas Gobbi Di Stefano. I know a reason for that is that Tosca was never a favorite role of Callas. She actually never sang a staged production of Tosca at La Scala this recording represents the only time she sang Tosca at La Scala.
@Hussain_Eidani Ай бұрын
Beautiful ❤
@dragamandrapa Ай бұрын
Maria Callas,for ever!
@b42baritone Ай бұрын
Every time I hear this aria, Im thinking of what was Mozart thinking when he wrote this. He must have hated soprano singers. What a difficult aria to sing. And yet, It is beautiful.
@LudovicCruchot1 Ай бұрын
Grazie !
@emlynjay8633 Ай бұрын
J.J.O an exquisite voice!
@claudioestebanboccia1354 Ай бұрын
Es un sueño!!!!!!!!
@sergioyanez8280 Ай бұрын
🥹🥹
@Hussain_Eidani Ай бұрын
The best ❤
@user-jg9sk6ob7j Ай бұрын
Музыка Норма Беллини, просто фантастика, до слез пробивает.Мария Каллас великолепна, слов нет. Беллини будет жить вечно со своей музыкой. Это музыка огромной и страстной любви,которую можно передать только в музыке. Гении создали это твлрение.
@Hussain_Eidani Ай бұрын
This is a true masterpiece 👏, Maria callas is amazing ❤
@luciamartinez6207 Ай бұрын
Qué maravilla !!
@Shahrdad Ай бұрын
I think EMI wanted their own Gioconda than Centra’s. Instead of Lucia, they could’ve recorded Traviata I suppose. 1960 would’ve been far too late for Traviata.
@ER1CwC Ай бұрын
I think Traviata would have been doable in 1960. The only trial would have been Sempre libera, but there would have been work arounds for that -- record it one verse at a time, skip the Eb, etc.
@Shahrdad Ай бұрын
@@ER1CwC But between 1959 and 1960, something happened to her voice where the upper register because threadbare and raspy. I think that would've been just as obvious with Traviata as it is with Norma.
@ER1CwC Ай бұрын
@@Shahrdad Oh absolutely. I think 1960 would have been the absolute last year it would have been remotely viable. She made radical changes to her technique in 1961 that were very problematic, probably due the influence of that vocal coach she was working with in Paris. Actually, upon some hasty reflection, I'm inclined to say that 1959 wasn't that different from 1960. She was rustier in 1960 and probably physically weaker, but the top was vanishing fast in 1959. She could kind of hard knuckle a high C or Db when she was feeling alright (e.g., in Pirata), but she couldn't sing them when she was ill (e.g., Hamburg), and even elsewhere (e.g., Amsterdam), they are glassy.
@Shahrdad Ай бұрын
@@ER1CwC Agree largely, but her Gioconda recorded in September of 1959 doesn't have any of that raspiness that you heard in 1960. The high B in Suicidio is actually rounder and prettier than in 1952. What happened between than and 1960, I don't really know. I think it all had to do with breath support (which Phyllis Curtin first mentioned in the 1980s, citing the sinking chest and forward shoulders you see in videos, especially when she goes for high notes). I have always wondered if the added adrenaline of her new separation from Meneghini gave her an extra boost of physical strength when she recorded Gioconda, but for me, that's one last sunny moment. It took me along time to come to believe it, but I think the downward trajectory of the voice all started with the rapid and massive weight loss. And the more I have taken care of bariatric patients, the more I come to see that the simplest answer was the correct one.
@ER1CwC Ай бұрын
@@Shahrdad Yeah probably. What I would say was that the combination of weight loss and not believing in fachs were catalysts. I think she had technical issues, particularly in the primo passaggio, which were always going to manifest at some point: it was a matter of when, not if. Changing her support system so quickly and singing rep that put pressure on the wrong parts of her voice accelerated it. I also don't think she was someone who could self-diagnose problems and come up with solutions adeptly (unlike Milanov). Orfeus sent me the in depth analysis of Callas's decline by Conrad Osborne. Have you read it? I don't agree with everything Osborne observes, but it is an interesting piece.
@Hussain_Eidani Ай бұрын
The best Carmen ❤
@rosernabona9364 Ай бұрын
Norma di Bellini , al Teatre del Liceu sempre ha sigut un exit ❤
@Nobilangelo Ай бұрын
What a cast! and with glorious Maria at the top! The result is superNorma.
@pepecamino7256 Ай бұрын
Hermosa canción y hermosa interpretación
@stevenchen7701 Ай бұрын
Callas, Corelli, and Ludwig together-breathtaking!
@AmyAmy-er8bp Ай бұрын
kzbin.info/www/bejne/jnuXomRsoJdrd5o Inch er? Panir patrastox???
@UweSchwarz-bx7vj Ай бұрын
M Mi LP
@tamunagejadze9750 Ай бұрын
❤❤❤❤❣️🙏🏾☀️🌹