The DAW always stays on your internal hard drive. It’s the individual projects and large sample libraries that can be on an external SSD

I don’t recall if I did

You may have to instruct your DAW to search your external drive, dependent on the DAW

@@Semyon_Music thanks. Will try that!

They released a limited edition version?

@@Semyon_Music wait it's the 770s. I think lol

Both are different headphones and I believe both are not limited, but I never looked into it

@Semyon_Music dt 770 pro x limited edition. They are 👌🏻 but I think ima have to shoot for the 1770

@monstermind4286 let me know how you like those

You can if you want to charge your laptop faster or if you laptop needs more wattage during heavy use

Glad you found it helpful! I purchased the 18 inch version

You have to check the manual of the interface you plan on using if it can be used via a hub or must be a direct connection

I have a sit to stand desk so at the height I have it (30 inches), there’s still enough clearance! Also this works with my NI S61 MK2, but I could see how thicker keyboards might not fit

Let me know how you like the presonus interface when you get it! It looks nice

@Semyon_Music I already got it! It's super dope with every connection you need, and the sound quality is SUPERB!! I LOVE IT!! ❤️ 💯 5 stars! 🌟🌟🌟🌟🌟 I'm just waiting to get the Caldigit Element Hub now here in a couple of days to pair with it!! 💪🏽🏆

@tri-unetrl3966 awesome! 🔥

Cable organization goes a long way!

Yup!

They’re not on Amazon unfortunately. They’re made by a company called SoundAnchors

@@Semyon_Music link?

Thanks! I bought it used off of a musician so the wood was just in good condition!

Completely agreed! 🔥

All awesome tips, thanks! What temp does the kester 44 need?

Thanks for the tip!

Has not fallen off yet thankfully, but I’ll definitely look at securing it with how you mentioned!

​@@Semyon_Music Ahh that is a relief! -Also a relief you could interpret my jargon deficiency :) Sounds like a potential "part 2" could be upcoming!

Thanks! 🔥

I usually leave it all plugged in until I take my laptop with me

Thanks! The new studio is going to be in the basement because the room measurements turned out to work with a studio build. Definitely the dream one day is to have a separate building in the backyard!

I need to make a playlist on Spotify/Apple Music of the music I've recorded, produced, mixed, mastered for others. My own music is coming soon this year

Was expecting something like Max Cooper with that setup…

Congrats on the studio build!

@@Semyon_Music I appreciate it. We all have a passion, profit or not. 🎹🎶🎛

For sure, passion comes first!

Thanks! 🔥

Not enough to pay all the bills, still need a full time job!

😂 it’s sitting on the desk riser with the monitor

Thanks for the reco! It looks nice on photos. How’s the feel and weight of the action compared to other keyboards?

@@Semyon_Music top notch! Just make sure you get the PHA-4 Concert version and not the normal. It’s on par with Kawai’s top of the line keybeds and personally I like em way more than any piano Fatar keybed.

@mikulamusic awesome I’ll have to check it out! I agree on the Fatar weighted key-bed, I tried to like it on the NI S88 but it didn’t feel natural

Thank you! Can’t wait to hear the FP01s in the new space! 🔥

Thanks! 🔥

Thanks man!! Glad you like the sample pack! 🔥

Me too! 🔥

Why do you think these monitors are a scam? Which monitors do you have?

@@Semyon_Music they don't make their own drivers. At least not when I investigate this model. They are using what look like 35 dollar 4" Dayton reference aluminum cone drivers (not a well dampened material) with phase pole and what looks like 20 dollar mediocre bright sounding Peerless ring radiator tweeter that I don't like the sonic effects of and they are anything but clinical reference. The box is only 35 pounds which to me is a joke for a monitor that costs 5G. That 35 pounds includes all the drivers and subs, the cabnet and the tri-amplifier and processor made by Hypex. Hypex does good work. They also make the plate amps and processors in other brands and various other monitors that are whey cheaper. The dual firing woofer are a gimmicky way to get "fuller" bass, the woofer is spaced too far from the tweeter for near field, there is no waveguide for the tweeter to address baffle diffraction. A 4 inch woofer will not have a satisfying midrange as many are complaining about. They say they simulate other monitors and they say they do it without EQ but by changing the crossover settings in the active network. Thats still an EQ change because of FIR filter adjustment. Thats a very artificial thing to do with a speaker because it alters its flattest timbre it was designed for after its already supposed to be engineered for one FIR filter setting for its flattest setting so all the other modes other than flat mode on a Barefoot are a gimmick. Adam gets monitors with FIR filters specifically engineered at one setting for their models which are calibrated and engineered in a very specific way in an anechoic facility in germany. Adam audio manufactures their own drivers, their own woofers, their own dome woofers, and their own state of the art ribbon tweeters designed for extended periods of listening to avoid ear fatigue while having a very natural sound that's open and detailed colored grain-free sound because of how it moves air and is not contrived by the effect of what radiator ring tweeters to do crush and distort air. I find the sound of even my entry level T-series Adams to be much better than Barefoot. I also own the A7V which to me sounds light year better. I would like to own the A8H and also some S series models and their 2100 sub. That stuff is on another level.

There should be zero difference

Yup! It's fully acoustically treated and the workflow of having the artist right beside me helps a lot

@@Semyon_Music Do you use the pib or any type of reflection shield. do you have any links to the vocals your recorded?

@roderickmims4802 I don’t because there is enough acoustic treatment in the room where there are basically no reflections. I just use a pop filter on the mix. Reflection shields sometimes create more problems but amplifying unwanted frequencies so it’s better to just have a treated room

​@@Semyon_Music Ahh I'm asking because I have GIK acoustic panel as well and I'm having low end or boxy like effect in my room. James said it might becoming from my ceiling since I don't have much up there and I cant fit all of my panel on the corner either. Do you record right under one of your traps on the ceiling?

@roderickmims4802 definitely you need lots of coverage on the ceiling. I have four 6 inch thick panels on the ceiling and that fixed my boxy low end problem. Specifically, the A note frequency was so amplified without the ceiling clouds

It is the output of the headphone cue. On my Apollo x4, I have 2 headphone outputs so Cue 1 and Cue 2. I can choose what mix is played through each cue

Haven’t heard the FP03 in person, but they have a ported design. FP02 and FP01 are not ported. If you have the budget, I’d recommend the FP02s or FP01s!

They’re called the Sound Anchor stands!

I didn't, but I based my decision based on my current room size and future room size. I'd say if you have a 10x8 room or bigger, fully acoustically treated with panels, go for the 01s

Didn’t claim I was a professional soldering expert! Just a music producer showing others what I know about making cables at home. The cables have held up so far!

@@Semyon_Music no problem, i havent implied you labeled your work wrong just thought to give my view!

All good! What kind of tip would you recommend for cable soldering?

@@Semyon_Music as i wrote, tip choice is bad, in fact cone tip which comes default with almost everything is one of least useful tip shapes and i never use it. for most things including cables i prefer C or cf series tip, which is super easy to keep clean and has large flat contact area, holds a lot of solder exactly where you need it. Second thing when you want to solder(heat) a joint tip has to have some solder on it to make proper contact, and using even more when joint is tough and will wick solder away to prevent iron tip from loosing proper contact. You used cone tip (B series) which never has solder where you need so what happened in the video is quite expected. also, i prefer to have least amount of stipped wire in the connectors, because some connectors have to be made that way or cable wont fix in locking mechanism

doing it properly will avoid excessive time terminal is heated and prevent it from melting plastic its mounted in

Is the processing happening with external hardware, with UAD plugins, or with 3rd party plugins in your DAW?

@@Semyon_Music Thank you for your response. I want to simultaneously record two signals in my DAW Logic. 1. Processed with UAD Unison + Inserts (wet), 2.Unprocessed signal going only through Unison Preamp and nothing else (dry). Nothing to do with verbs. The unprocessed signal is for safety only so that I may be able to change it later if required. I was wondering if there is a way to record them both by just soft patching within UAD console or maybe a physical patch. I am new to the UAD world. Thank you for the help. :) P.s I do have an RME Fireface as well but want to use the unison preamps.

I figured it out. While One channel can be recorded 'wet'. I can just record for example Aux 2 from UAD Console in my DAW 'dry/unprocessed'.

Glad it worked out!

Maybe in the future! RCA is not a type of cable I typically use. I only use XLR, TRS and TS cables at the moment

DIY = Do It Yourself

@@Semyon_Music Cool, in the UK we call that DIY. 🤷🏻‍♂️ Nice vid anyway. Thanks.

@TeleTonemonkey it’s DIY here as well! Just a typo in the thumbnail!

🔥🔥

It’s the ableton push 3!

8kg or about 18lbs

Very true!

Haha 😂 Gotta get those custom sleeves

🔥