My grandma passed away just over a decade ago, and my parents have had a lot of her stuff just sitting around for most of that time. Money was always really tight for her and it was her dream to go live in the mountains of Colorado, which was a bit of a far cry from Eastern Missouri. I was just recently given her old Canon AE-1 Program, and very quickly fell in love with film. She only got to visit Colorado a few times, and I know this camera would have been by her side at all times. Given these would have cost a decent amount in the '80s, it was probably one of her more expensive possessions and she certainly would have cared a lot about it. So I'm having it professionally restored and I'm planning on taking it with me pretty much anywhere I go, to help keep her wanderlust spirit going

Very usefull but for some reasons i will keep using the RB67 with strobes!!!!

Is it possible to fire this lens without using leaf shutter? I want to use in body shutter in most cases and use ls only in studio

impessive blue and red colors! thank you, good video!

I gotta say, for how much labs charge extra for remjet removal I thought it. would have some super expensive and exclusive chemical to remove it

He didn't want the future of his company in the hands of someone else. Ironically Kodak just got bought out

Speaking of wide angle lenses have you ever used a 75mm Geortz Hyperion on 8x10? It's not too sharp but it's like 140 degrees coverage which I love. It's a WWI vintage but mine is in mint shape.

My remjet liquid is pink :/

By opening your aperture one stop, you will not loose much depth of field, and you exposure can be shorter to get more detail in the water, even with reciprocity failure. Thought I mention this. Great work, keep up the good work.

I wonder why you white balance the scan in Lightroom when Negative Lab Pro explicitly states, as shown in the video, to *not* do it?

Excellent video!

I shot a 1978 slr for 25 years and after the first time I had the no advance happen, I got in the habit of looking at the rewind arm every time I advanced the film. Never had a problem again. You don't need to look at the advance lever, look at the rewind crank.

And yet there is never enough stock available!

Keep it up.

Hello if i wipe the film with my fingers before developing in total dark is it ok or i might harm the emulsion?

Have you ever had an issue with the U/S lever on this lens? Just purchased mine and when I try to change from U to S, it springs right back to U. Wondering if this is user error or something you've experienced with your camera?

Still waiting on the third installment from Smarter Every Day.

It looks like 🗑️

This has been the most informative presentation about this new film by far for me. I hope that you will follow up with more as you learn more about it.

Love this film, nit perfect but a great start! Adding history into my film library, thanks for explaining the steps on how to scan, NLP it is…

Great stuff. I’m thinking the next step for Harman will be to use a more conventional colour film base. Makes sense to use XP2 as the initial base to get the project off the ground.

Great shots! Am I the only one who thinks this shows hints of Ferrania Solaris? Whatever they do to change and improve this film, I just hope they aim to keep these reds.

I ordered three 35mm rolls from B&H. Getting it this Wed. Seriously looking forward to exposing this film. Thanks for this video.

I’ve seen the film cross processed. Very nice results

Thank you for this video! This is the most insightful and informative videos on Phoenix 200 I've seen so far. The big guys are taking the shortcut to get their videos out and here you are stealing the show with useful information.

Good stuff, this film really deserves more and more applause! Great shots and coverage on this new kid on the block! Have a roll ordered, cannot wait, so excited, and so excited to have you back on the tube! ❤ 🎉🎉

You should say HI next time you come down. Might get me to shoot some film again.

I would love to try at least a couple of rolls. Does anyone know if or when this is going to be available in the USA?

Some of the pictures I have seen from this film look pretty sweet. I think if you avoid high contrast scenes and shoot in more even light, this film looks great.

In the footsteps of what Adox did for Color Mission, it makes total sense. We need some competition in the color film space to keep things healthy. Why trashing experimental batches when Lomography made a business out of it 😆 Additional points for Savannah, one of the cutest cities in the US. I recommend Jonathan Stalcup book on Savannah Architecture Guide.

It is super contrasty - I'd almost bet this would be beautiful on cloudy days!! Meaning we finally have a color film for days when typically bnw works best

This is so awesome!

*Some details left out in this video:* *Price:* MSRP $12.99 GBP (inc VAT) - $13.99 USD (exc. tax) - $15.49 EU (inc VAT). *Medium Format:* Currently for launch it is 35mm but they are evaluating it for other formats like 120. *Variable ISO Speed:* While the box is ISO 200 in the tech guide the film can be rated from ISO 100 to 400 without push/pull processing. Your film may have some purple speckling as this experimental film did have some coating anomalies. Remember this is an experimental film!

What do you call the black and red bucket you shook the film in?

7:03

excelente, thanks

Thank you so much for this review. It really convince me to do the process myself now !

Filter = Funnel

Exothermic = Releasing Heat | Endothermic = Absorbing Heat (Cooling)

I highly recommend removing the remjet layer with baking soda & water before developing. You can then wipe the excess off with a soft sponge. There is no effect on the developing & Blix at all when doing it that way.

Thank you for this clear and informative explanation, it is highly appreciated.

How long can you shelf it and for how many rolls roughly per 1L?

Thanks a lot for this! Just a question: Shouldn't I be using the sync port in the LS-lens (and not the camera body) while shooting in U-mode? Thanks again!

Sorry, but you are using wrong words to describe things...easily done and I would do the same 2:50 needs re-edit.

What is that nifty tool to pull the leader out of the canister? Have hunted and finding nothing. Thanks, Adriel

🎉🎉thanks

I recently developed a roll of Kodachrome. I soaked it in baking soda, rinsed, and did my normal b&w process. I took the film out of the tank, and I could see my images on there. I hung it to dry. I came back and there were no images. A couple of days later, I thought, “maybe I didn’t get all of the remjet off of it. I rinsed it again. Pulled it out. There were images. It dried and there were no images again.

Someone needs to tell that guy his hat is to small for his head.

I have been searching how to do this for an hour. U told me within a couple of seconds. Thank you!

Do you or anyone else have links to websites of videos with the best, most reliable way to do a pre-bath to remove remjet prior to starting development? I'm about to jump headlong into bulk loading Vision3 500T....watching all I can, but just wondering if anyone has a tried and true remjet removal pre-bath formula. Thank you in advance, CC