Never ever explained on the Internet.. and for free.. awsome work bro.. unlocked.. eye opening
@packerjetmin4Күн бұрын
Fantastic method of teaching. I definitely subscribed. Much thanks
@fanyuan7000Күн бұрын
精髓是,C切换到G的时候,同一把位只需要把根音、三音切换下,就是G的五声音阶了
@darrylem61572 күн бұрын
I always skipped ur vids early in my musical career because I found them very daunting, but now that I've learnt a miniscule more, I see an abundant wealth of knowledge in them. Thank u sooo much for sharing ur wisdom! ❤
@sk863cuz2 күн бұрын
This is a gold mine of cool chord progressions 😂
@frankeinsteinrestoration82503 күн бұрын
Fair play this is a master class. Many thanks. Brilliant channel
@loelco81624 күн бұрын
9:25
@loelco81624 күн бұрын
6:08
@loelco81624 күн бұрын
4:59
@loelco81624 күн бұрын
3:40
@loelco81624 күн бұрын
0:35
@loelco81624 күн бұрын
03:10
@eiredes6666 күн бұрын
now we're talkin'
@masonmecrazy967 күн бұрын
Insane lesson, 11 out of t0
@Mike-c8x11 күн бұрын
9:06
@jimdep654213 күн бұрын
Toward the end of the video the 4 chord changes to a D major and the Dorian scale is mentioned as a choice, combined with the Am Pentatonic scale over the Am one chord. A good song example of this chord pattern and scales is Santana's Oye Como va.
@robertomighty456213 күн бұрын
Excellently conceived, structured and executed lesson. Kudos!
@semirozerkan533215 күн бұрын
Its like learning opeth songs without realizing them i love this list
@hb228915 күн бұрын
I've been learning the guitar for almost Two years now. I am starting to understand certain things and it feels good to do so. This video is helping me immensely to understand the intervals or distance in pitch from the root or 1 and how to understand the meaning or name of each interval. Thank you!
@jhunlimited_llc15 күн бұрын
Nicely done! 💯💢👌👏👏👏
@geovannycamargo128216 күн бұрын
Falla el pinche video
@x13roger8016 күн бұрын
Just clicked with me that the patterns you learn are modal!
@felixdias461118 күн бұрын
well explained
@alguitarchristie20 күн бұрын
Great lesson. Thanks
@mrdge-request609223 күн бұрын
Beautiful lessons. Well done.
@mrdge-request609223 күн бұрын
I love it. Well done. I'll try it right away.
@CrayZgunZ25 күн бұрын
Anyone have a few chord progressions ?
@blackholexgamer246425 күн бұрын
11:52fk good
@zombert693725 күн бұрын
Great info!
@bryanwchambers973429 күн бұрын
How many boomers are here for the bends?
@4mb12729 күн бұрын
The piano that is playing the chords is tuned way too low. Either that or the sound selected has way too much dissonance. It should sound sharp and clear, not flat like a pancake.
@picajooolАй бұрын
If you have E minor to D major progression, would that be also a key of D mixolydian?
@thomaswalker8790Ай бұрын
Great 👍👍👍
@magnethomewoodАй бұрын
TThank you for this, it's golden
@FiredSixАй бұрын
On 5:55 if we were just stacking thirds why do we end up with perfect fourth can someone elaborate?
@FiredSixАй бұрын
Or do we only stack thirds and play corresponding scale degrees in whatever interval?
@IDGAFCOVERSАй бұрын
I don’t understand the section talking about how the fourth degree of the scale has trouble with fitting into certain cords of the scale. In the previous explanation/example, you talked about the best substitutions for accord are the ones that are two above and two below the cord that you’re starting on. if you start an in line, and you are playing an F major chord in the C major, in my mind, a minor should be choice that you can make to substitute with sense. It is two notes higher than the F. I guess I’m imagining the F being in the base of the a minor chord making it an F major seven chord, or even if it was at the top, it would be in a minor six cord. Am I making sense? That’s the only thing that really was confusing me. Whycan I not apply the rule of two above and two and below to this situation?
@fretjamguitarАй бұрын
I hope I'm understanding your question correctly. The section you mention was purely about the melodic (singular) 4th tone in the major scale, and how it interacts with the seven diatonic chords of the same key. I think the easiest way to internalise this is to land on and emphasise the melodic note F when changing to the chords C, Em and Am. The general point was that chord substitution should ultimately involve ear training, identifying when a resting melodic tone might not fit comfortably over the substitute chord. The tonic scale's 4th degree tone, and its three "awkward" chords (I, iii, vi) in the same diatonic key is just a fundamental example of this.
@TheChoosenOne1698Ай бұрын
Thank you, thats a very detailled and comprehensive lesson.
@PremkumarkhАй бұрын
I have been digging in many channels on youtube as a self-taught guitar player... finding you accidentally makes my journey more profound and sublime... this channel deserves more than anything else...
@fretjamguitarАй бұрын
That's beautiful. Glad you found it!
@R.D.StevensАй бұрын
Yep
@mzainal33Ай бұрын
Thanks
@fretjamguitarАй бұрын
Much appreciated my friend.
@gavriloprincip11Ай бұрын
the Irony that Chompsk's sycophants are responsible the current intolerant dogmatic cultural marxist hegemony
@fretjamguitarАй бұрын
I think you commented on the wrong video.
@antonychennat4709Ай бұрын
Very useful lesson..excellent and Great.🤙
@gonzalorocamora4399Ай бұрын
God damn this is amazing 😮
@Wotsits1012Ай бұрын
I finally understand this now
@mabblersАй бұрын
Thanks!
@fretjamguitarАй бұрын
Very kind of you, thank you.
@krosiumprd474Ай бұрын
Thank you !!
@mozartspАй бұрын
this is so good
@t.maxx75Ай бұрын
great lesson great explanation, pure clear, but why don't use real piano sound, the midi piano degrade everything