Yes that is very similar. In EZD3 you should select the TD17 preset for the right input (the midi mapping). That’s the only difference. Good luck!

@@theundercoverscene7247 Wow, Coen, I truly appreciate you responding so quickly. I imagine you're a busy guy. Thanks for taking the time to answer my question. Cheers.

In GB you can create a midi track and then you activate the plugin EZD3 (on that track). There must be several tutorials that show it in detail. Probably also by Toontrack.

Nee, bij een vriend ;)

Thanks for the nice words David! Rock on 🤘🏻

Haha no sorry. How is your experience with that hihat? Is it worth the upgrade?

@@theundercoverscene7247 yess amazing, i just use it live on a single track, and trigger the rest midi. (Kick toma cymbals enz.

@@badjabadjawebaadjaSounds cool :)! Good workaround, but I expect it must be possible to trigger the hihat in EZD and get midi output. After a (future) software update maybe? Good luck!

Thanks for the tip! 🙏🏻

Thanks! Depending on your drum module you sometimes don’t need an audio interface. My TD27 (but also a TD17) can connect via usb directly to the laptop. I have no experience with using EZD3 live on stage. Latency can be an issue. There are settings in EZD3 to keep them low (sample rate). But there will always be some latency.

@@theundercoverscene7247 "Wow, thanks for explaining so kindly! Awesome performance, awesome sound. I should start recording first. Thanks a lot!"

I recently used Ezdrummer live at a gig. It worked pretty well. I used a Scarlet 4i4 interface and by running usb into the bands XR18 I managed to split it into four outputs for kick, snare, toms and cymbals for better FOH EQ.

Bonjour! Yes that is correct. Good luck

Hi Stanley, thanks! You’d need to connect your module to your computer in order to activate the EZD sounds. Either in your DAW or the stand alone version of EZD. Then you should be able to stream songs from Spotify to your module (via Bluetooth) and play along and hear the EZD sounds. There could be a tiny bit of delay, depending on the sample rate you are running (in EZD). But no, you don’t need to record the song first. Hope that helps!

Thanks! Do you mean your single midi track? You can export that in GarageBand: Export mix I believe it’s called. So you activate the EZD plugin on the midi track, then you solo that track and click on export. You’ll get a audio/wave file of only the drums. Hope that helps!

@@theundercoverscene7247 thankss

Hi, thanks a lot! Glad it is useful! Sounds like you have a great setup (too :), I’m curious how you like the VAD. To sync multiple cameras, there is a handy multi-cam feature in Davinci Resolve, the editing program I use. It can sync on sound (that would be the ticking sounds recorded by the cameras). Sometimes it doesn’t work for all cameras and I manually drag one track until it is in sync. So I look at what moment I hit a snare for example and when you hear it. You can drag per frame accuracy (nudging). It’s important to sync all tracks before you start to make cuts in the video track(s). Hope that helps!

@@theundercoverscene7247 Thanks.. yeah I use Final Cut Pro and there is the same thing there for syncing audio. I just wasn't sure if you were doing some sort of visual stick click in the beginning to line everything up

@@ChasingDreamsLivingLife typically that is not necessary, is my experience, but of course you can do that anyway :)

Good comment. Both work I believe. I prefer to set sensitivity settings already in the module, so it is closest to my playing style, also if I’m just playing along without recording. About the mapping: I agree, that can be convenient. Thanks!