You guys do such a lovely rendition of this tune! So good! ❤

❤❤❤❤❤

I imagine it's torture for someone who improvises breaks to just "play it straight" but you did a fantastic job. I just may practice for once!

Ive been trying to get the solo on intro but the solo break in ive forgotten you by Rhonda Vincent. Do you have that solo break?

Great lesson on the NNS. But why did you go back to the Old Numeral System as you say for Classical Music ? The Nashville Number System uses Arabic #'s only. The NNS developed by The Jordanaires Neal Mathews around 1957 to make writing Vocal parts easier for all the different sessions they were doing. In the early 60's Charlie McCoy adapted it to chords. There is no reason to use Roman Numerals. 1 2- 3- 4 5 6- will reach the brains of new and old musicians a lot quicker than I ii iii IV V vi. And don't even get me started on the Tonic , Sub , Dominate BS.....

Awesome tune, nice playing

You and billy strings could do well together. I heard you play bluegrass in the backwoods amazingly good

A favorite tune of mine for 27 years since I heard it on Dan Crary's Jammed if I do as a duet with Norman.

Beautifully done! This well help me learn it properly. You have great technique and wonderful dynamics. Thank you!

Excellent

Love this tune, I play it on guitar...nice job!

Too fast, doesn't make sense to me.

Badass dude, you sound great!

Smokin’ ! Love it. 😅

Love all your tutorial Very well done

Good job man

That funky chord from the high dbl stop E to the A is just the flat 7th chord, a D 🎉❤ 🤓 Love this video!

dope reel

very flatt and scruggs. love it

Tristan, mighty fine vid. Thanks from BC.

Are you hitting all the strings when you tremolo or just the one that correlates with the note? I’m genuinely curious and would love some tips for starting out on mandolin. Thank you. God bless you❤️✝️🙏

Fire 🔥

Great detailed and well explained lesson, thanks!

This is my favorite song about talking horses.

Hey Tristan, thanks so much. Really enjoying this break down.

You do a pretty good job of explaining the diatonic chords which by definition are formed from the notes in the scale, and numbers associated with classic music theory. However, you went off the ranch when you called this the Nashville Number System. Just so you'll know, I've played in and around Nashville for 50+ years in many genres, but most of it in bluegrass, interacting and playing with some of the biggest names including but not limited to Bill Monroe. You are, of course free to use the diatonic system if that is what works for you, but there is a lot of misconception to unpack if you are going to call it the NNS. First, in the NNS, EVERY number by itself begins life as a major... ALWAYS. To indicate anything else requires a suffix. For instance, in a chart, for a 6 minor you would probably see 6- or maybe 6m. I don't know a single player who would play a 6 as anything other than major. Even in verbally calling out progressions in a jam, if you want an E minor in the key of G, you have to say 6 minor. I'm not going so far as to say it couldn't happen, but I've personally never seen a chart in Nashville written in Roman numerals. Don't be deceived by how much misinformation there is on KZbin. If you want to vet what I'm telling you, check out anything by Chas Williams, who is a recognized authority on the subject. Also, my friend and colleague, Nick Bruno, has an excellent, concise book explaining in detail what I have briefly touched on. Nick has been playing sessions, writing charts, and producing long enough to have learned the system from the people who originated it. I play with him on average a couple of times a week and have learned much from his excellent charting skills. Keep on the grass..

Well done Tristan! Thanks for helping us peons along.

Great tutorial, thank you.

Those triplets are pretty cool. You should do a mini-lesson on using them in context. Really enjoyed the in-depth lesson.,

Nice!

Wow!!!! Thank You! I have been listening to, and loving this solo for a long time. I could never figure it out. It's such a unique take on the melody.

This is the second video of yours that I've watched and I just want to say. You have such a pleasing and calming voice which I think is great for teaching. It helps put the student or the person trying to learn at ease. Also, are those runs specific to Doyle the ones at the end there? Because they're so cool!

I really appreciate this Tristan! I'm wanting to get into bluegrass mandolin and I think Ronnie is absolutely someone you should be listening to and I appreciate this breakdown! Honestly, this is valuable just for the Monroe style kind of those iconic licks and you really give a good sense of the feel of it which is so important. Ronnie had great drive!

ADHD made it to 19 mins

What is that style called where you join up tremeloed chords with single note lines? My favourite player Caleb klauder does it all the time ? Thanks love your vids❤

Fantastic!

You just taught me those double stops! Thanks for posting, it really sounds great

Excellent. I really like the way you break down every detail of the tune. The way you talk though each measure and show which finger postions to use is most helpful. A tune suggestion would be Monroe's " Old Mountaineer". Thank you!🎶

Stelling!

Fabulous! 🎉

Well now, that there’s a manly version of Beaumont rag. Kick ass!

Excellent version!

You taken the sharp edges off it❤

Thanks! Pretty much made my day.

Thanks! Pretty much made my day.

Awesome tutorial! This is one of my favorite tunes!

Tristan - very nice! Just learning this little crooked tune. I enjoyed hearing you here in Charlotte last year w/ Adam and Megan. I've learned several John Hartford tunes since then! Cheers!

They should make this in a regular mandolin, so mando players don't have to learn a whole different batch of chord shapes...

That one tune sounds like a rewrite of the Chicken Reel, very nicely done... very cool mandolin...

thank you tristan you are awesome :)