Can’t wait for NCR to react to cornography 🍆 PS: I think Cole needs to turn up his mic
@juliemanarin4127Сағат бұрын
This is the greatest band in history. Some were their own songs too
@Wasted_Talent0075 сағат бұрын
You guys aren't listening. You are socializing. Who wants to watch that?
@letsif8 сағат бұрын
Three clueless guys talking in a clueless way
@Jetstream0915 сағат бұрын
I want to say something about what Cole and Ryan said about Starless and Strawberry Fields Forever (respectively). To be honest listening to both of them the first time was overwhelming, didn't like those songs as much as other people did but.. as times goes, they grew on me SO MUCH. Here's what I think why Starless is soo beloved - first off, the build up on the middle Is soo amazing as the drums started to fill in and the bass is getter crazier and it just explodes into the saxphone part. Secondly, hearing the melody (from the first 1min) on the last part after the crazy build up was a very satisfying way to closed a MONSTROUS SONG. Here's what I think on why Strawberry Fields Forever is also soo beloved - first off, The song writing on that song from John Lennon was at best (there might be others). Everything about Strawberry Fields Forever was all fascinating from the creation to the production to the final result. Absolutely recommend checking out the demo/early takes from John (available on this site). Secondly, it was 1967, and that's WAY ahead of its time. Might not explained it perfectly but just wanna share why they are soo beloved (also English is not my language)
@3idiotstalking10011 сағат бұрын
Great comment! Great english! Thank you for watching!
@esoomynona581321 сағат бұрын
Tastes change, as does production values and fashion. With the advent of digital recording, computer based recording and engineering, music sounding clean and 'perfect' became a norm. With Zeppelin it was about the art, capturing the moment in the studio. Page sought to convey the bands energy and chemistry and saw the studio space and its sounds as an instrument. He is on record as saying that he was honest about that and left 'mistakes' and glitches in the recording, viewing them as part of the studio atmosphere and recording moment. In that context I'd ask you guys to consider such artifacts not poor production.
@nahtanathanahtan19 сағат бұрын
It’s odd how he had the opposite approach with their live albums
@esoomynona581316 сағат бұрын
@@nahtanathanahtan Well, as you likely know, TSRM was a soundtrack, so I guess there were not the same factors applying. The sound and performance was pretty much as it was with more limited options on production.
@3idiotstalking10011 сағат бұрын
We all know this my friend. All of us have been listening to their albums for at least 4+ years.
@stevenrenton167923 сағат бұрын
Nobody's going to listen to you skipping over bits of tracks.
@3idiotstalking10011 сағат бұрын
Have to for copyright purposes my friend.
@ronreynolds161023 сағат бұрын
...you guys hit it when you mentioned ''punk and rap'' Dylan was doing that type of stuff in the early 1960's ... his influence is not measurable it just continues .. , IMO
@3idiotstalking10011 сағат бұрын
true
@oberaberg5283Күн бұрын
Good luck with your channel with reactions like this!
@3idiotstalking100Күн бұрын
Thx for watching!
@myameegirl6063Күн бұрын
Cole is one of those insecure guys. His taste is so juvenile, and speaks for himself. Anything he doesn't know is a threat to him, and it's those kind of people that can't ever fully grasp art or music. You can tell who never gets girls.
@3idiotstalking100Күн бұрын
Thx for watching!
@iceyrooКүн бұрын
Hendrix > Clapton, plus Clapton is racist so 🤷♂️
@3idiotstalking10011 сағат бұрын
hendrix over clapton on just pure talent
@joefrog91Күн бұрын
Listen to The Kiss and Want. I think that's what you're looking for from Robert Smith as far as intensity matching the music.
@3idiotstalking100Күн бұрын
Ty!
@viniolvrsКүн бұрын
I know this a reaction & chatting channel but you guys talk waaay too much during the songs bro
@3idiotstalking100Күн бұрын
We'll try to cut down on that for the future, appreciate the recommendation!
@MojoPin19834 сағат бұрын
@@3idiotstalking100 Please try to increase the fart production, though; not enough reactors fart during their videos.
@joaolucasgomes3033Күн бұрын
You know there are 5 different versions of Communication Breakdown on BBC Sessions, right? Which one exactly is better?
@3idiotstalking10011 сағат бұрын
You'd have to ask Cole specifically.
@kennygunawan27222 күн бұрын
Noah is the real one
@3idiotstalking10011 сағат бұрын
He is by far the biggest Jeff Buckley fan
@kwise092 күн бұрын
It’s ok. You’ll understand one day
@3idiotstalking100Күн бұрын
Did we not understand it? Felt we pretty much liked the album as a whole
@braindonor87532 күн бұрын
Its crazy the badly mixed, badly mastered, tinny sounding crap you guys listen to then slate this. Haha.
@thedarkness37662 күн бұрын
People be praising Vultures 2 which was unfinished and probably produced by deaf people but they be trash talking Dre‘s production which by the way is still at the top 😂
@3idiotstalking100Күн бұрын
What? We gave this a mostly positive review? And I even said Dre's production was great on this. You clearly didn't watch out review
@JamesDimond-l7u2 күн бұрын
Nina Simone sux and is a dude
@JamesDimond-l7u2 күн бұрын
Cole Jeff is wayy superior to Robert Plant
@3idiotstalking100Күн бұрын
lmao
@puromichoacan83393 күн бұрын
you HAVE to experience THEE best LIVE rock performance ever LED ZEPPELIN - In my time of dying LIVE at Earl's Court 1975 👇👇👇👇👇👇 kzbin.info/www/bejne/roXVgmqsir-mf9Esi=fpNWwTwon9kFkgHZ
@Scoobydcs3 күн бұрын
the trippy parts in dazed and hmmmt is jimmy playing electric guitar with a cello bow!!!
@3idiotstalking100Күн бұрын
indeed!
@hugolundblad34823 күн бұрын
Not sure why this was a single? It wasn’t nearly as radio friendly as the last one, just kind of a decent middle of the album sorta track. I guess it was just for the memes lol
@braindonor87532 күн бұрын
Gets better each time I listen.
@3idiotstalking10011 сағат бұрын
Agreed but it does work. Not a single worthy though
@davidhattman76493 күн бұрын
It's no wonder you have only 362 subscribers. you three have no clue.
@3idiotstalking1003 күн бұрын
Thx for watching!
@hugolundblad34823 күн бұрын
Stream got blocked in scandinavia, this is targeted harassment
@3idiotstalking1003 күн бұрын
Just saw this, they have a problem with “so real” im editing it right now. It should be back up in an hour or less!
@hugolundblad34823 күн бұрын
Thank you! Sucks that the chat replay is gone but what are you gonna do, let me know if you guys are planning another stream tonight/tomorrow.
@3idiotstalking100Күн бұрын
@@hugolundblad3482 We'll be streaming tomorrow (saturday) at around the same time
@MojoPin19833 күн бұрын
Part 1: Boy, I have so much to say about this reaction. Please bear with me; this will be a really long comment. First, let's all acknowledge that Ryan looks virtually identical to Third Eye Blind leader singer, Stephan Jenkins, in the band's music video for their song, Never Let You Go. Right off the bat, you guys mentioned how Jeff drowned while singing Whole Lotta Love, while also referencing Led Zeppelin's first two albums, throughout the video. Interestingly, not only was Jeff's favourite band Led Zeppelin, but he told his friend, Michael Clouse, many years ago, that he wanted to make an album that would make people forget about Led Zeppelin II. How ironic is it that Jeff ended up drowning while singing along to Whole Lotta Love; the opening song on Led Zeppelin II? With respect, guys, I know that this is a reaction video, and you might have to speak intermittently in order to bypass copyright detection, but you spoke way too much during certain songs, thereby drowning out the music and missing key details that seemed to get lost in the din. Grace is also one of those albums that can't really be put on in the background while one is preoccupied with other things, such as reading comments and talking with others. In order to really experience this album, the ideal setting would be to listen to it alone in one's bedroom with their eyes closed. Jeff purposely omitted the lyrics from the liner notes, as he didn't want the listener to be distracted by reading along to the lyrics. He wanted a more immersive listening experience, though, I understand how that isn't feasible in the context of a KZbin video. I would recommend that you give this album further listens with that in mind, as this record is an acquired taste for some and might taken repeated listens for it to click. Some people love it or hate it, immediately, while others have mixed feelings, but with more exposure, they come to really enjoy it. It's also imperative to point out that Grace originally closed with Dream Brother; Forget Her was tacked onto the end of the album posthumously, against Jeff's wishes. In fact, Jeff pulled Forget Her from the album and replaced it with So Real, which was written at the last moment. Like Noah, I wasn't too keen on So Real when I first heard it. I originally echoed his sentiments, but I have some to absolutely love the song's sort of drunken waltz chord progression, and the sudden unexpected transition toward the end is just amazing, especially how it leads into the vocal climax (probably my favourite vocal on the entire album), which sounds eerily similar to the female vocalist (Clare Torry) on The Great Gig in the Sky by Pink Floyd. Another key point to consider is that when Grace was recorded, Jeff and his band were still a three piece; rhythm guitarist, Michael Tighe, didn't join until early 1994, after most of the recording sessions were complete. Additionally, when they first went into the studio, the band had only formed a few weeks earlier, so these songs were largely in their infancy and would later develop and evolve on the road. I would highly recommend checking out Jeff's live work, which demonstrate how much the songs changed over time. Here are some recommendations: *Jeff Buckley - Grace | The Late Show | BBC | 1/17/1995* *Jeff Buckley - Grace | Nulle Part Ailleurs | Paris, France | 1/19/1995* *Jeff Buckley - Dream Brother (Live in Chicago)* *Jeff Buckley - Dream Brother (Live at Club Logo, Hamburg, Germany - Feb 1995)* *Jeff Buckley - Mojo Pin (Live at Glastonbury 1995 - HQ sound)* I think you will all enjoy those performances much more than their respective studio versions. When talking about Eternal Life, you guys mentioned how Jeff's voice wasn't really suited for rock, which I can sort of see. You might also want to check out *Eternal Life (Road Version)* to see how Jeff radically changed this into an almost metal song; it might surprise you in a good way. Additionally, I would recommend listening to *Kick Out the Jams* from Grace (Legacy Edition) and one of my personal favourities, *I Woke Up in A Strange Place* (from Mystery White Boy) to really hear Jeff rock out both musically and vocally. With that out of the way, next up I have to address Cole. I'm all for people having the prerogative to freely express opinions that I disagree with, however, there is a difference between not liking a musical artist and making objectively ignorant and unsubstantiated comments about them. For example, Cole said during Lilac Wine, *"Is his voice really that remarkable? I feel like I could go to any music school in the country and find ten guys that sound just like this. I feel like I know a guy that could sing like this."* Really, man? With respect, that's just delusional. I'm sorry, but you're dead wrong about that. I can provide several quotes from highly acclaimed singers (I will cite some below) who know far more about singing than both of us combined and would echo what I have said. *"I had this really interesting whispering vibrato. It sounded so intimate and spiritual and ethereal, and it reminded me of Jeff a bit. I think I can sing with just about anybody, but he's one of the few singers who truly intimidates me. He's one of the best I've ever heard."* -- John Legend, from Rolling Stone *"Jeff Buckley is one of the greatest vocalists that I’ve ever heard. Listening to him is inspiring, moving, spiritual. What a gift. He’s inspired many admirers and imitators but no one can duplicate him."* -- John Legend from the liner notes of So Real: Songs from Jeff Buckley It's not just Jeff's range or purity of tone that made him such an incredible singer, but it was his nuance and dynamics. His ability to "shape sound in order to fit a feeling," as he once said in an interview, is unmatched. I can't think of a single singer that could convey the entire spectrum of human emotion as well as Jeff did. Cole, you might not like Jeff's melismas, but they are precisely one of the key components that set him apart from other singers, without it being overdone. I think Jeff straddled the fine line between tasteful vocal embellishments and histrionic showboating; the latter being common amongst mainstream pop singers, such as Christina Aguilera. Jeff merely emphasized certain vocal lines when it was necessary for impact, as opposed to just showing off with overwrought, self indulgent singing. With respect to Jeff's version of Lilac Wine, Maroon 5 lead singer, Adam Levine had this to say: *"Jeff Buckley's Lilac Wine is the most beautiful thing ever recorded..."* Here is what Jeff Beck said about the song: *"Both songs are beautiful (Lilac Wine, James Shelton, and Corpus Christi Carol by Benjamin Britten). It's my tribute to Jeff. The record he has left is very emotional, very beautiful. An intriguing work, challenging. Using only his voice, he reaches regions of unimaginable feeling. But, while recording the songs he chose for himself, I am not stealing it because they are two very different visions. I think he would approve. I have the impression that Jeff Buckley, although he had a very brief passage through life, has become something like Jimi Hendrix, whose presence remains forever."* Former Van Halen singer, Sammy Hagar also expressed his love for Jeff's cover: *"Once again, this album doesn’t really need explanation. Jeff Buckley’s only album is one of the greatest, most complete albums ever made. Listen to the whole thing. It’s so emotional, it never fails to get under my skin. It can still give me goosebumps, choke me up and inspire me to go deeper as an artist. It’s also one of the loneliest records - it’s most powerful to listen to all alone with headphones. It’s not the kind of album that you think of cranking up in the car when you’re driving down the PCH (Pacific Coast Highway) with your buddies - it’s a solo experience. His vocal performance during “Lilac Wine…” God - that song! He sounds like he’s crying. You can feel his pain during that vocal performance. I can feel his pain just thinking about that song now. I often think about what he would have created if he’d stuck around a little longer."* Continued...
@MojoPin19833 күн бұрын
Part 2: There was one point where Cole criticized the way Jeff sang the word, 'where' in Lover, You Should've Come Over, suggesting that one ought to just say the word, which I strongly disagree with. Opting for that sort of approach can lead to utterly boring, monotone singing, such as that of Leonard Cohen. The ability to bend notes insofar as Jeff did made his music much more elastic, interesting, unpredictable, and it elevated the emotion that he was trying to get across, thereby grabbing his audience and pulling them in for a closer listen. Back to Led Zeppelin: early on in the video, one of you mentioned that Jimmy Page and Robert Plant are big fans of Jeff's music. Below are a few quotes from them talking about Jeff that Cole ought to take into account, considering that he affirmed Plant's singing as sounding good, later on in the video. *"Technically, he was the best singer that appeared, I'm not being too liberal about this if I say, in two decades (probably meaning since Robert Plant's days in Led Zeppelin). I started to play Grace constantly, and the more I listened to the album, the more I heard - the more I appreciated of Jeff, and Jeff's talents, and Jeff's total ability, to which he was just a wizard; and it was close to being my favorite album of the decade. We (Page and Plant) actually made a point of going to hear him play and sing, and it was absolutely scary. One of the things that was a little frightening was that I was convinced that he probably did things in tunings, and he didn't. He was doing things in standard tuning. I thought, oh gee, he really is clever, isn't he? Jeff Buckley was one of the greatest losses of all."* -- Jimmy Page, from the BBC documentary, Jeff Buckley: Everybody Here Wants You (2002) *"Yeah, I was really affected by Jeff Buckley when I heard him perform; and I heard one of his last concerts in Australia ― penultimate concert ― and it was just absolutely staggering. He was absolutely, I mean, you know, he just touched every emotion in you, you know. He was really superb, and in a total class of his own, as you know, as you've heard so many singers, and you go, 'well, they got that from Jeff Buckley.' He was so, you know, he's iconic, and really just in a total class of his own, as I say, and, so I was really deeply affected by his music, and I thought he was a master. It was tragic to hear that he died, but there was a weird irony when somebody said, that I've heard that, that he was singing Whole Lotta Love. If you say it was his road manager, because I didn't know whether it was true, or there was a...yeah, he had actually sort of said, that was in Australia, that it would be really good if we had done something together. Can you imagine how I would have loved to have done that with him, but, you know, he started doing a second album, and then he called a halt, and then he started up again...yeah, yeah, it's a tragic loss. My God, was he good."* -- Jimmy Page *"On this day in 1996, I saw Jeff Buckley perform in Melbourne. Jeff Buckley was something of an ethereal spirit: a musical magician whose album 'Grace' showcased a unique talent. His name was on the lips of all musos from the release of that album and for the next two years. I had heard him sing a couple of songs at a distance on the Other Stage at Glastonbury, where Page and Plant were headlining: you could feel him, it was extraordinary. I had listened intently to 'Grace' whilst I was on tour and made a point to see him at the Palais Theatre in Melbourne on this day in 1996."* -- Jimmy Page, from his official Instagram account *Asked in a 2003 interview what he was listening to lately, Jimmy Page replied, "Nothing that's had the impact in me that Jeff Buckley did," and coincidentally, in the same issue of Mojo magazine, Elton John was asked about his favorite all-time record, and he cited either Nina Simone at Town Hall or Jeff Buckley's Grace: "Like an album made by someone from a another planet." (Also interesting that Nina Simone was one of Buckley's many influences, which ranged from Nusrat Fateh Ali Khan to the MC5).* -- Jimmy Page - Guitarist from Led Zeppelin/The Yardbirds/solo -- Elton John from page 185 of Traveling Music: The Soundtrack to My Life and Times By Neil Peart "You mentioned two spectacular vocalists there (Jeff Buckley and Freddie Mercury) *I mean, both of whom had much better chops than me.* I mean real great, great singers. Jeff Buckley's voice. I was playing with Jimmy in the mid '90s when we were working with an Egyptian ensemble, and we played a festival in Switzerland, and Jeff Buckley was playing, and we went to see him, and it was mind altering, his voice. Spectacular singing, and so much conviction." -- Robert Plant, from Q TV (CBC) *"He's Plant and Page, in one, on a technical level; it's mind-blowing."* -- Brad Pitt from the BBC documentary, Jeff Buckley: Everybody Here Wants You Noah mentioned Astral Weeks by Van Morrison, at one point, confusing him with Morrissey. Coincidentally, Jeff used to cover the song, The Way Young Lovers Do, from Astral Weeks. In fact, I am not being hyperbolic when I say that Jeff's rendition of that track from his Live at Sin-é (Legacy Edition) album is the most incredible live solo performance of any song ever captured on tape; it is absolutely *blistering.* That one song showcases Jeff's overall musical prowess perhaps better than anything he ever did. It features all of his vocal tricks and acrobatics, and his guitar virtuosity in a single performance. I think Brad Pitt's sentiment above is best personified by this performance. With respect to Jeff's guitar chops, that is something that is often overlooked, or completely unknown, to most people, sadly, as Grace is more of an arrangement album, which doesn't really feature any crazy guitar work. The musical aspect of Grace is more about beautiful melodies and unorthodox chord progressions, which might partially explain Cole's aversion to it. Grace isn't an album packed with catchy hooks and choruses. In fact, Jeff once said when it comes to writing music, he preferred to follow a more "supple line," which probably explains the meandering that Cole picked up on. Most of those quotes can be found in videos on my KZbin channel, if you're interested in watching them. I have a whole slew of videos of other renowned musicians praising Jeff. I would also recommend searching the following: Jeff Buckley Wikiquote, then click on the 'About Jeff Buckley' section in order to read a comprehensive list of some of the most celebrated musicians of all time lionizing Jeff. For example, you guys mentioned Eddie Vedder and Pearl Jam. Here is what Eddie had to say about Jeff: *"Man, I had this guy with me once (most likely referring to when they both played Earth Jam '95), and we were sittin' down, and talkin', and jammin'...he played his version of Indifference, for me...man, I tell ya...I’ll never forget the way He did it...I was just fuckin’ speechless...one of the most memorable moments of my life...I just wish I had seen him more."* -- Eddie Vedder, from Monkeywrench Radio show, after listening to What Will You Say (see Jeff's posthumous live album, Mystery White Boy, for that song) Cole also mentioned This Must Be the Place by Talking Heads. Even David Byrne is a fan. *"I think the Jeff Buckley record, Grace, is...it's on my MP3 player (laughs). And it holds up incredibly well."* -- David Byrne, from Top 100 Greatest Music Albums by Channel 4 (2005) Continued...
@MojoPin19833 күн бұрын
Part 3: You guys all seemed to be alienated by Corpus Christi Carol, which is understandable, due to its unorthodox nature. Perhaps some historical context could help you to better appreciate it and explain why Jeff chose to put this song on the album. I would recommend reading the Wiki article for this piece. Below is an excerpt: "Corpus Christi Carol or Falcon Carol is a Middle or Early Modern English hymn (or carol), first written down by an apprentice grocer named Richard Hill between 1504 and 1536. The original writer of the carol remains anonymous. The earliest surviving record of the piece preserves only the lyrics and is untitled. It has survived in altered form in the folk tradition as the Christmas carol "Down In Yon Forest." Anyway, Jeff was introduced to piece by his friend Roy, and Jeff decided to put it on the album as a tribute to his friend. In 1995, Jeff appeared at the Meltown Festival in London and sang this piece. Said event was hosted by Elvis Costello. Here is what he had to say about Jeff: *"I hope that people who liked him resist the temptation to turn his life and death into some dumb romantic fantasy; he was so much better than that. Not everyone can get up and sing something they take a liking to and make it their own, sing true to their heart, and be curious about all different strains of music. Corpus Christi Carol was a completely conceived interpretation. I'd never heard the piece before, and when I heard the original, I realized what Jeff had done was even more amazing. He'd taken it into his own world. That's something my favorite classical musicians can do, be themselves, but use all that expertise to make the music more beautiful. Jeff did that naturally. Only a handful of people are capable of that.* *I was amazed when he did Meltdown. I asked him what he wanted to sing and he said he'd like to do one of Mahler's Kindertotenlieder in the original German! Absolutely fu..... fearless. He was convinced he could sing it without rehearsal, just because he liked it. In the end he did a Purcell song, Dido's Lament, which is in danger of sounding incredibly poignant in retrospect: 'Remember me, but forget my fate,' but he also sang Boy With the Thorn In His Side (The Smiths) because he liked it, and Grace to show something of himself.* *When he started singing Dido's Lament at the rehearsal, there were all these classical musicians who could not believe it. Here's a guy, shuffling up on-stage, and singing a piece of music normally thought to be the property of certain types of specifically developed voice, and he's just singing, not doing it like a party piece, but doing something with it. My last memory of him was at the little party in the green room afterwards. There were all these people sitting round Jeff who'd never met before - Fretwork, the viol group, a classical pianist, and some jazz player ― all talking and laughing about music. He'd charmed everybody. I'd much rather remember that than anything."* -- Elvis Costello from Mojo Magazine, August 1997 Q: "What songs do you wish you could sing?" A: *"It would be great to sing [Purcell’s] “When I Am Laid in Earth” like Jeff Buckley did at Meltdown in ’95. It was astonishing to hear him sing this piece of music from Jacobean times, and it just feel like it could’ve been written for his voice. But he had such a gift of an instrument of a voice. He could turn that to all sorts of music that took his interest, and it didn’t sound in any way an affectation that he did it. He would sing Nusrat Fateh Ali Khan (Pakistani Qawwali singer) pieces he’d learn phonetically; he didn’t understand the language. He talked about singing Mahler at that festival. I said, “That’s in German. Do you speak German?” “No, I’ll learn it.” I was curating that festival. Now it’s very poignant because it was his last performance in London, but we didn’t know that then. His life was ahead. There was all these great things that he was still going to do. That was just a very sad coincidence. We should be happy that he sang it that one time. You heard him sing something like [“When I Am Laid in Earth”], surely you’ve heard Grace, you’ve heard “Corpus Christi Carol” by Benjamin Britten - he could sing that as well as he could sing a song by Morrissey, although why anybody would want to do that, I don’t know. Or a song by Led Zeppelin; why anybody would want to do that, I don’t know, but he did. That’s his choice."* -- Elvis Costello from the Rolling Stone article: The Last Word: Elvis Costello on Reassessing His Back Catalog and Why He’s a ‘Freak of Nature’ - January 14, 2022 Radiohead and Fake Plastic Trees also came up during this video. “A SHAMELESS RIP-OFF OF JEFF BUCKLEY AND THE COCTEAU TWINS.” Thom: *“Wow! No, but Jeff Buckley gave me confidence to sing in falsetto. And the Cocteaus are cool.”* Colin: *“When we were recording ‘Fake Plastic Trees,' we went to see Jeff Buckley play at The Garage. He just had a Telecaster and a pint of Guinness and it was just fu..... amazing. Then we went back to the studio and tried an acoustic version of ‘Fake Plastic Trees.' Thom sat down and played it in three takes, then burst into tears afterwards. And that’s what we used for the record.”* -- Thom Yorke and Jonny Greenwood, from the September 1997 issue of VOX *Jeff Buckley was a pure drop in an ocean of noise."* -- Bono of U2 from Mojo Magazine, August 1997 *"[Talking about Grace] Apart from being my favourite word or name in the English language, Grace overpowers karma. Grace does not make sense. It rewards where rewards are not justified. It covers where no cover is expected. It is the highest human state. Jeff Buckley's voice reminds me of the first line of the old Salvation Army hymn "Amazing Grace, how sweet the sound." Grace as a signature. Grace personified in one man's vibrato − a delicate, tremulous voice which rightfully betrays its Middle Eastern tutelage. Jeff was trained in Sufi singing. His ululating voice reminds me how few singers there are in Rock and Roll."* -- Bono of U2 taken from the December 1999 issue of Propaganda Speaking of Bono, I have a video of him on my channel opining on that extended 22 second note that Jeff sings at the end of Hallelujah, which astonished Ryan; you might want to check that out. Rage Against the Machine and Audioslave guitarist, Tom Morello, said the following about Jeff's version of the song: *"His "Hallelujah" is contender for greatest recording ever."* *"Jeff is one of my favorite musicians and singers of all time. Never have I seen such infinite musical potential in anyone. It's just gone. It's chilling how much it hurts."* -- Ben Harper from Canada's JAM! Music David Bowie also called Grace his favourite album of all time and listed it as one of his desert island albums. I could go on about how amazing Jeff was, but you get the picture. When so many musical legends praise an artist to the extent that Jeff is revered, one would be intellectually lazy to merely dismiss their expertise on these matters. It's not just me and other fans of Jeff that recognize his brilliance; don't take our word for it, rather, defer to those who know best when it comes to what comprises extraordinary musical talent. Thanks for reacting to this album, and please forgive my brevity. All the best. God bless you guys.
@JamesDimond-l7u2 күн бұрын
Too much nerd
@3idiotstalking10011 сағат бұрын
Wow, don't know what to say. I'll have to go back & read through all of this soon. Thank you very much for the thoughts though & for watching!
@cerealisreal3 күн бұрын
please i beg you save the talking for after the song
@3idiotstalking1003 күн бұрын
Thx for watching!
@bravepotato13054 күн бұрын
Rock and roll hall of fame son
@3idiotstalking10011 сағат бұрын
indeed!
@nahtanathanahtan4 күн бұрын
Kings 👑
@3idiotstalking100Күн бұрын
Nathan! Thank you sir!
@StefanoUnlimited4 күн бұрын
Love the reactions and especially with cole i agreed with his opinions consistently . Great job guys.
@3idiotstalking10011 сағат бұрын
lmao thx man!
@gdmyers474 күн бұрын
I'd say that his next album, "Blonde on Blonde," is generally considered to be his most acclaimed album, and is a double album. He recorded three albums during the 1965-1966 timeframe, "Highway 61 Revisited" being the second in the "trilogy," and "Blonde on Blonde" being the third.
@3idiotstalking10011 сағат бұрын
Not sure about that. I'd say it's for the most part overall Highway 61
@gdmyers478 сағат бұрын
@@3idiotstalking100 What are you basing that on? How old are you, out of curiosity? "Blonde on Blonde was voted a little higher than "Highway 61 Revisited" quite a few years ago on "Rolling Stone" magazines list of the 100 greatest albums of all-time, The Beatles "Revolver," being voted number one on that list.
@Christopheralanoliver5 күн бұрын
pretty sure the gnx came out the same year kendrick was born
@3idiotstalking10011 сағат бұрын
oh shit you are right
@iceyroo5 күн бұрын
Sometimes y’all opinions make me want to squabble lol 😂
@3idiotstalking1005 күн бұрын
lmfao
@isaacmeadows77745 күн бұрын
Just discovered dude from this song. Great vid!
@3idiotstalking10011 сағат бұрын
Thank you!
@lovebanzai5 күн бұрын
Pls listen to “Hiatus Tapes” by Banzai This was a great reaction
@3idiotstalking1005 күн бұрын
Thank you! I'll add it to our list!
@jacksonhill44775 күн бұрын
If this doesn’t win album of the year I’ll be pissed
@3idiotstalking1005 күн бұрын
Fantastic pick!
@hugolundblad34825 күн бұрын
Ryan hating on The Heart pt. 5 was not on my bingo card but alright lol. Also both you and Cole have some wack ass discog rankings, Noah is on the right track though
@3idiotstalking1005 күн бұрын
lmao not hating on the heart pt 5, this is kendrick my guy, it's still a banger.
@hugolundblad34825 күн бұрын
Yeah ik know I'm just fuckin with you
@3idiotstalking1005 күн бұрын
@@hugolundblad3482 we know all love bro :)
@bellesque8615 күн бұрын
You guys are too young to understand this song and you would have to look up all the references to know what it’s about. You’re taking something out of it’s timeframe that’s at least 60 years ago. Dylan has always been a poet.
@3idiotstalking1005 күн бұрын
Which song are you referring to, this is a whole album that we reviewed
@bellesque8615 күн бұрын
@@3idiotstalking100 The first one.
@3idiotstalking1005 күн бұрын
@@bellesque861 Well we've all heard the songs on this b4, so we know the references
@garykatz7755 күн бұрын
You guys need to revisit this in 20-25 years when you have the maturity to really listen to the song with fresh ears and no preconceptions.
@3idiotstalking1005 күн бұрын
I don't quite understand what this means. We all love this song & gave it high ratings?
@ronturner98505 күн бұрын
You say you don’t know why this song is so popular… you never will.
@3idiotstalking1005 күн бұрын
Not what we said friend, we said we completely understand why it's popular, 2 of us just didn't believe it deserves to be.
@MMMlewis5592-q1b6 күн бұрын
Idk but definitely appreciate the video
@3idiotstalking1005 күн бұрын
Thx for watching!
@peteypete12166 күн бұрын
3 total idiots
@peteypete12166 күн бұрын
How many times do you guys get beatings a day , a nerd hangout
@3idiotstalking1005 күн бұрын
Thx for watching!
@kai-12557 күн бұрын
You should check more of their discography, its amazing They are also very political, with diverse album Yanqui U.X.O (fun fact, recorded by steve albani) and their most recent, NO TITLE AS OF 13 FEBUARY 2024 24,30 DEAD talking about the ongoing genocide in gaza. Some new albums I would definently recommend: F♯ A♯ ∞ 'Allelujah! Don't Bend! Ascend! G_d's Pee at State's End! and Luciferian towers. Their EP, Slow riot for new zero kanada is amazing also Their album (which I didnt mention) Asunder, Sweet and Other Distress is an interesting. Not that I dont like the album, but i just consider it a full song, since its split up into 4 tracks cheers mate
@3idiotstalking1005 күн бұрын
We've listened to all of their discography. :)
@kai-12555 күн бұрын
@@3idiotstalking100 DAMN! already?
@FantasticBabblings8 күн бұрын
I’ve never seen a channel more aptly titled.
@3idiotstalking1005 күн бұрын
Thanks for watching!
@karenglenn67078 күн бұрын
I’ve been a huge fan of theirs since around 1979. Please don’t take this the wrong way , but you guys don’t seem to get it. You’ve only listened to Disintegration or Pornography, you have no idea of their history, both musically and personally. The stunning lyrics, music and arrangements by Robert Smith who has a genius level brain. Fans have been waiting 16 years for this amazing album. So much has happened personally for them, Robert lost members of his family, Simon lost his wife, Roger has been battling cancer. For those of us who love them and have done for years, this is a brilliant album and fits exactly where it should and does.
@3idiotstalking1005 күн бұрын
Well, we did state at the beginning we did not know much outside of 2 of their albums. We're only talking about this album individually, not their discog
@beanybun61108 күн бұрын
Ringo’s tambourine has more brain cells than you guys combined…😂
@3idiotstalking1005 күн бұрын
I'm a bit confused why people think we don't like this song? We all gave it an 8 or higher
@craigproctor95608 күн бұрын
You all just morons and you all just a tension seekers idiots who people just laugh and make fun of you morons and you all are stupid
@iceyroo8 күн бұрын
3 idiots dropped right as Kendrick dropped lol
@hugolundblad34828 күн бұрын
Kendrick can wait, the 🐐s just dropped
@Alex-dd9of8 күн бұрын
Stand by
@3idiotstalking1005 күн бұрын
The timing was so insanely unfortunate... I was in Tennessee when Kendrick randomly dropped. Had to wait till I got back, but just posted it!