Some additional thoughts/corrections: 1) I said the song is obvious about its tonality and, thus, clearly implies major triads underneath the sus chords, but thinking back on it, I'm not sure anyone ever actually plays a D, so I guess it wouldn't be inconsistent to read this in F harmonic major, with a Bb minor chord. Seems implausible from a practical perspective, though. 2) So, full disclosure: In the clip I played to demonstrate the C chord in Lynne's part, I used Melodyne to slightly boost the presence of the E in the chord voicing to make sure it was hearable. It's a bit of a sleight of hand, but it was necessary because I don't actually have the isolated tracks for the individual guitars. In the stems I found, the two acoustics are already mixed together, so the best I could do is isolate the right-hand track, which is where Lynne's part is most present, in order to dull the influence of Petty's part. Unfortunately, it still bleeds through, and there's still an F that's pretty audible, so I bumped up the E a couple decibels in order to compensate. It's the best I could do, given the circumstances, but because it does involve manipulating the sound slightly, I figured I should acknowledge it somewhere. (To be clear, though, the E is still very much there without my meddling. Melodyne consistently identifies it in every statement of this chord voicing. It's just sharing space with the F, and I wanted it to sound clear.) 3) It was surprisingly hard to get accurate traffic death stats for LA specifically. Sources ranged from around 300 per year to over 600, so I decided to just say "hundreds" in order to avoid having to commit to a single source when I don't really have the expertise to determine which ones are most reliable. 4) In retrospect, I wish I could've found something to say about the bass tone. It sounds really good, with a soft sort of warmth to it that feels really comforting in the context of the song. 5) Relatedly, if you're wondering why I notated the chorus double bass in treble clef, it's because I initially had it pegged as a guitar double. Honestly it still might be, I'm not sure, the tone does sound fairly similar to Campbell's part in the breakdown. (although it doesn't sound like a 12-string.) Listening to it more, I feel like it's probably just a second bass, especially since it still exists in the final chorus despite Campbell breaking off and playing a related but distinct part. That'd make more sense to me, so I updated the script, but I'd already filmed with the guitar notation. Whoops. The notes are all correct, though, so not a huge deal. 6) To be clear, I don't have any issues with any of the sponsors I've worked with regularly. They've all been nice to work with, and I think they make good things. I just find that the need to include sponsor sections at all detracts from my ability to make the best videos I can, and I like making the best videos I can, so I'd like to avoid sponsors if possible. Even the good ones. 7) There was never a typo in the thumbnail. Don't believe anyone who tells you I don't know how to spell "Surprisingly".
@alx35412 жыл бұрын
hey I was wondering if you could do an analysis of the song herion by the velvet underground
@Aurora-oe2qp2 жыл бұрын
@@alx3541 Seconding this. The song is great and I just love how long and Winding it is
@alx35412 жыл бұрын
@@Aurora-oe2qp exactly the song is powerful as it is gritty
@mateussn12 жыл бұрын
There actually are some D's in the background vocals in the exposition and march verse, and then in the last chorus. I would say it kinda adds to the duality, as the full Bb chord (the subdominant) reinforces the idea of taking off (freedom). I guess it makes more sense to the whole. There's some fine production behind this song, and I loved the way you brought it all, thanks!!
@yeetyeet70702 жыл бұрын
"one word: free fallin"
@charper131262 жыл бұрын
Nothing says, "I know my audience very well" like 12tone saying, "Calm down, sonata fans"
@StephenJones-il9ok Жыл бұрын
I heard it. But I didn't get the reference. What is it?
@TheRealMarauder Жыл бұрын
@@StephenJones-il9ok en.m.wikipedia.org/wiki/Sonata_form the exposition section.
@StephenJones-il9ok Жыл бұрын
@@TheRealMarauder thank you
@adultnewborn34602 жыл бұрын
Tom was a huge legend in Gainesville Fl. The week he died, I went to a Gators football game, and they played Won’t back down going into the 4th quarter in honor of him. It became a tradition now going into every 4th quarter, along with other Tom Petty songs throughout the game. Man was a legend. RIP
@azrael1467 Жыл бұрын
Proud to be a musician from a place where an amazing musician is from. The Gator band has a full halftime performance of just Tom Petty songs on their socials, definitely worth a watch.
@adultnewborn3460 Жыл бұрын
@@azrael1467 Ohh I had no idea they had a full halftime performance dedicated to him. Thank you for letting me know. I’m about to go watch it now 🧡💙
@playgroundchooser2 жыл бұрын
The "Ventura Boulevard" line may be my favorite bit of music of all time. Hard stop. 😄
@HappyBeezerStudios2 жыл бұрын
it is there, but there is also that pair of lines in Walking in Memphis: "she said, boy you a christian child. I said, ma'am I am tonight" paired with a break in the instruments that leads right into the final chorus of the song.
@MLFranklin8 ай бұрын
Yes
@KaneGruber2 жыл бұрын
That final verse has an added layer of poignancy now that he’s gone: “gonna free fall out into nothin’; gonna leave this world for a while”. ❤
@conorreedR2C2 жыл бұрын
The "Into the Great Wide Open" reference really got me, thank you lol
@Labyrinth10102 жыл бұрын
Same. Love that song!
@Curbjaw2 жыл бұрын
I got to see Tom Petty on his last tour, and when they did Free Fallin', to be in a room with 29,000+ people singing it all together was pretty amazing... and to think it was just a simple joke.
@mx.murphy2 жыл бұрын
I'm not really a commenter in practice, but I almost jumped for joy when I saw that you were doing this song. I'm so grateful that I got to see Tom during his last tour. His music was a constant presence in the background of my childhood, and I hadn't even realized it noticed until I finally got to see him onstage. Like I said, I don't usually comment, but I probably would have even without the message at the end, just to thank you for looking at one of my favorite songs!
@michaelmartin46512 жыл бұрын
In an interview not long before Petty died, Mike Campbell was asked whether there were any songs that he and Tom didn't really like playing anymore at shows, but felt they had to play for the fans' sake. He smiled and said yeah, Free Fallin'. In any case I still love it, and love a great many Petty songs. Personal favorite is The Waiting. This video was so incredibly engrossing and so well-done.
@1oolabob2 жыл бұрын
"Freedom is responsibility" got a big HELL YEAH IT IS from me.
@mandobob2 жыл бұрын
Rick Beato did FF as one of his What Makes This Song Great. It is also a very informative discussion. Highly recommended.
@unperson57132 жыл бұрын
I remember when this instant classic was released. It was like hearing a song I always knew for the first time.
@Inverse_to_Chaos11 ай бұрын
Ever since I was a kid, the backing vocals (16:52) were always satisfying to hear. The song still eliminates any stress I feel whenever it is played.
@nickb202 жыл бұрын
I maintain that this is one of the best and most criminally undersubscribed channels on KZbin. Thank you!
@Aurora-oe2qp2 жыл бұрын
This is gonna be exciting! This is the song that got me into rock and I absolutely adore it. Rest in piece Tom and rock on to all y'all.
@katherineheasley61962 жыл бұрын
This is one of my favorite songs. Tom Petty was one hell of a musician/songwriter.
@MardyAss2 жыл бұрын
He was goddamn awesome and we're much poorer after he disembarked.
@donald-parker2 жыл бұрын
No one could do more with 3 or 4 chords than Tom. His songs .... had song power. Doesn't matter if it is the full band or an unplugged version. They stand. One thing I always noticed about his work was prominent pedal tones. In this song, the guitars are emphasizing the F sound, but in most others it was Benmont. Similar musical device though.
@BlockyRaptor2 жыл бұрын
I miss Tom Petty man, one of my biggest regrets was not seeing him live when i could
@daylightrambler2 жыл бұрын
I don't have a dollar to spare, but I'd be interested in hearing your breakdown of Lynne's production work in ELO. He uses many of the same methods here (synths, layered vocals, multiple guitar parts) but without the bombast of his previous band. A less-skilled producer using these tools would likely create something "slick" and overproduced, but Lynne always seems to understand just where to put everything in the mix to avoid this trap. I'm a big fan, and I try to drop this page into music conversations whenever possible. Keep on rockin'!
@HandscharGeorgeCostanza2 жыл бұрын
Pay up
@Kathayne6362 жыл бұрын
Lol, cheapskate.
@unluckykeys2 жыл бұрын
I think my favorite thing about all of this is how little of the theory was probably called into question when the song was being put together. I get the sense that most of Tom Petty's music was written based around what shapes and notes sound good without getting too deep on specifics. I might be wrong, but I love the idea of this song being written around components that sounded good and just happen to be music theoretically genius
@AkashWShah2 жыл бұрын
These types of songs, which slowly layer on more and more until at the end you have an epic wave of sounds, are probably some of my favorite types. I specifically love them as intros, my favorite examples are Thunderstruck (AC/DC) and Your Betrayal (Bullet for my Valentine)
@alicewilson19132 жыл бұрын
Have a vivid memory of my dad taking me to an indoor rock gym as a kid and this song started playing over the PA, the irony of which was funny, but also a little disconcerting when halfway up a 60ft wall.
@bhhNC2 жыл бұрын
Your analyses are great! I'm 63 (tomorrow) and a whole mess of what you expand upon were killer AOR car radio tunes when I was young. Keep on plowing.
@ShadowWizard1232 жыл бұрын
I have fond memories of this song from back in high school. Love the way you are able to explain some of the secrets to why it's so emotionally resonant.
@Labyrinth10102 жыл бұрын
DAMN, dude. I’ve been a huge fan of this song since the record came out and you’ve clearly demonstrated just how freaking brilliant it is. Incredible. This may be my favorite video of yours. And that’s saying a lot.
@FelixWheatfield2 жыл бұрын
That high F in the bass I would absolutely equate to a sunrise, and I've never been to LA in my life. It's always such a triumphant sound to have the bass play a high pedal while the other instruments are changing chords around it, particularly any kind of IV-V motion or vice versa. Sounds to me like standing like a conquistador on the top of a mountain with your hair blowing in the wind. See: Modern Love by Peter Gabriel, Panic Song by Green Day, and The Real Me by The Who.
@Coddlesworth Жыл бұрын
This is one of your best break downs, IMO.
@OhadLutzky2 жыл бұрын
12tone clearly having lots of fun with whatever DAW software voodoo is allowing him to isolate individual freakin' notes from a guitar chord.
@EricGoetzMusic2 жыл бұрын
It's probably Melodyne.
@Kiaulen2 жыл бұрын
Can we just appreciate Cory's beautiful river at 16:05? That's incredibly realistic to come out of a sharpie pen.
@Cosmolydian2 жыл бұрын
You missed an opportunity to call this video Understandin' Free Fallin'
@angelahull9064 Жыл бұрын
That snare march invoked the image of riding on a train, a very common theme for Petty.
@1oolabob2 жыл бұрын
This is another great analysis of a great song, and again with more depth and more really musically-useful stuff than I should expect for free. By now I'm used to getting a lot out of the videos you make, and as always, I can only think of sincerely thanking you for your work here. I also want to point out that the Tom Petty/ Jeff Lynne team came up with a song that was strong enough to make Johnny Cash want to sing it: I Won't Back Down is a powerful anthem. These two musicians did amazing stuff together, and it feels amazing to understand some of how they did it. Again, thank you.
@rmdodsonbills2 жыл бұрын
I agree that your recent videos have been some of your best work.
@grberendzenproductions3122 жыл бұрын
Dude, I'm 61, a Petty fan since his beginning on the scene and that is one of my favorite songs of all time! I love your analysis. You break things down and explain the things one hears and is cognizant of but doesn't quantify or put into words. I've watched videos with Lynne explaining how the song came to be and knew of the layering technique, but you give insight into why it works so magnificently and why the live versions can never truly recreate the original. That would be a massive undertaking.
@mikefutcher2 жыл бұрын
Your links to sponsor promos the most entertaining! Sometimes I would end up shouting ohhhh - LINK! in an empty room.
@chrishillery2 жыл бұрын
I'll be honest - I've never been a big Tom Petty fan, and this song in particular kind of grated on me. But even with that, this video really showed the level of design and artistry that went into the production, and I can appreciate the song a lot more because of it.
@jmendi552 жыл бұрын
While many of us would agree Petty is on R&R Mt Rushmore, I have to think there's a lot of Jeff Lynne and some Mike Campbell here as well. Jeff's own stuff is a bit too produced for me, but Tom plus these two taking the most rudimentary of ideas and evolving it into this tune is really masterful.
@jessejameskaine2 жыл бұрын
Thanks for this. Tom was the master.
@eli-boy74732 жыл бұрын
That a Lotr reference?
@steakfilly51992 жыл бұрын
@@eli-boy7473 yes it is
@jessejameskaine2 жыл бұрын
@@eli-boy7473 yeah. Tom Bombadil, not Petty. 🤷🏻♂️
@SamuelKristopher2 жыл бұрын
When I get back from my holiday I really think it's time to start donating a bit to this guy. 12tone and Adam Neely have done so much for the musical education community but as great as Adam Neely is, it's sometimes a little bit too high level for me and 12tone hits a really good balance of teaching me something new while using language I understand pretty well. Massive thanks to 12tone for these videos. Absolute legend!
@Labyrinth10102 жыл бұрын
Also check out David Bennett Piano. He’s a great theory teacher.
@Tomy_Yon2 жыл бұрын
❤️ just for reviewing this one.
@Datamining1012 жыл бұрын
This and "we didn't start the fire" were huge for me in 1990.
@tigerofdoom2 жыл бұрын
I like how you slipped "into the great wide open" in there. Nicely done
@HuckleberryAlexander2 жыл бұрын
the narration itself is nice listening to fall asleep to. not to mention the information that i keep trying to stay awake for.
@1rwjwith2 жыл бұрын
It is such a lyric based song with a pretty unique layering over the 3 chord progression, the dynamics and layering make it so much more musically. So many unique touches like that ultra simple 12 string “lead guitar” solo…I have played this song dozens of times live myself having started coving it shortly after it came out. One thing I would like to note is that many musicians really don’t like playing it! I remember the bass player I was working with at the time saying “I hate this song man”! HE WAS MISSING THE GREATNESS OFIT. Also note the story Tom Petty himself told of when asking the Heartbreakers bassist Howe Epstein to play on it…Epstein said , “ I don’t like it”, Tom said “ Well then you don’t have to play on it!” Of coURSE Epstein ended up playing on it hundreds of times after that live! RIP HOWIE & TOM .
@bonniepinney2884 Жыл бұрын
This is one of my favorite songs of all time. Thanks for analyzing it and so many other awesome songs. I love understanding the science behind a song, and how emotion is conveyed though music.
@zenupe842 жыл бұрын
That was a great presentation.
@CaedmonOS Жыл бұрын
Once I'm in a more financially stable situation I'm going to go through my entire subscription list and just support a lot of the creators that I love
@otakubancho66552 жыл бұрын
To me this song really shows how talented Tom Petty was,it also encapsulates he was known for,music that he wanted to listen to and not pandering to the critics!💖💖💖
@JoelKirchartz2 жыл бұрын
Just watched The Prisoner, and I howled when you did "Information"
@paultreneary2 жыл бұрын
I'm going to have to revisit this and play closer attention to it - great vid.
@derekfromwestern89052 жыл бұрын
A Prisoner reference at 15:40. Throwing us old-timers a bone!
@jvz7732 жыл бұрын
Fantastic video, thanks 🙏
@cameronsartin17612 жыл бұрын
Another great video, I thought there is no way I would enjoy an analyze on and admittedly good yet (in my mind prior to watching this video), classic song
@TouchingClothProd2 жыл бұрын
And to think: The record company originally rejected not just the song, but the entire album O_o
@TroyDarling2 жыл бұрын
OK. I’m in on Patreon.
@s.b.20882 жыл бұрын
Fascinating analysis, thanks! I actually think your explanation at 3:50 makes the most sense, when messing around with random chord progressions and alternate fingerings on the piano I *always* end up stumbling upon this riff, and I've always seen it as: Base, BaseSus4, Base, BaseSus2.
@nicholasdelia83302 жыл бұрын
Subbed instantly because your sponsor free! That's awesome man. Great content to coincide!
@jasonremy16272 жыл бұрын
Great analysis as always! Rick Beato's "WMTSG" on this song is a great watch too on this.
@isaacness26472 жыл бұрын
in spanish that song sounds like frijoles (beans in english), so every time it's on the radio its hunger time!
@nickgierczak83982 жыл бұрын
dude, I love you. these videos are awesome
@josephr.lejeune45392 жыл бұрын
Brilliant breakdown of an amazing song. So much to learn here from your analysis. A lesson in production. How to build a song, just the right ingredients at the right time. Everything added to lift the song from simplicity to beautiful! Thank you. You’re an amazing teacher and the drawing just takes it over the top. You make the world a better place. 🙏
@bobfugett7242 жыл бұрын
That was fun. Really, really fun.
@jessemunson13522 жыл бұрын
one of the best songs, ever
@argkitsune2 жыл бұрын
It would be cool if you analyzed the rest of The Downward Spiral 12tone
@AnAmericanComposer2 жыл бұрын
I'm curious if you'd ever take on a longer track with a lot of harmonic complexity, like Duk Koo Kim. Great analysis on Free Fallin! The harmonic basis of that song was actually used to build a series of choral pieces I wrote in college lol
@OrionsVantage2 жыл бұрын
"..declares his freedom into the Great Wide Open" I see what you did there!
@bairnonessie2 жыл бұрын
I would absolutely love to hear a breakdown of some Nightwish songs. Tuomas is a composer sure to go down in history next to the classics.
@wbfaulk2 ай бұрын
"I can hear that F stabbing me in my left ear" On the 12-string, the way that he's voicing the chord - something like X33563 - that high F is being played on three strings: the two strings in the B course, plus the high string of the D course. In addition, that last string is an open string (it's being played with a capo on the third fret), which lends a different timbre. There's a lot of audio information going on with that note.
@RangeWilson2 жыл бұрын
Down-to-earth analysis here (except maybe for that part about Jeff Lynne's C chord), focused on the nuts-and-bolts of crafting a compelling song. To me, this sort of video is far more useful than a bunch of orgasmic cries brought on by a "hip" chord change (I'm looking at you, Rick Beato!)
@Miata8222 жыл бұрын
great video. deepens my understanding of why this song works. I finally joined your patreon.
@emanuellandeholm56572 жыл бұрын
The dracula-doodle is a reference to "vamp", no? That took me a while...
@ruffxm Жыл бұрын
I thought it was his reference to "count". He said "if we count..."
@emanuellandeholm5657 Жыл бұрын
@@ruffxm Oh shit! That's from Sesame street right? That makes sense
@goldenandesite2 жыл бұрын
One my income becomes more stable, I am 100% supporting on Patrion. These videos have helped me a lot with music theory because it talks about songs I like.
@ruffxm Жыл бұрын
If you're so passionate about it, why not 100% support it by even sending just a dollar a month?
@goldenandesite Жыл бұрын
@@ruffxm at the time of posting that, I literally had no job
@richarddeese19912 жыл бұрын
Thanks. This album is genius to me. Most great songs that are believed to be simple are actually a lot more complex & nuanced than they first appear. In hearing the tracks broken down, I did notice something else I found interesting, too. I noticed the chorus voices seem to sing, "Free fallin' / Now muh" [or "meh" or "ma" or something] instead of "Now I'm". Our ears tend to hear what we think they should. I assume they did this for reasons involving keeping the singers synced, and/or because it sounds clearer. I know lead singers sometimes add extra sounds in front of words that otherwise begin with vowels, for something like the same reason (like British people pronouncing the letter 'h' as "haich". It occurs to me that I've heard of this idea before, but I can't think of any (other) specific songs that use it. It's definitely something I'd never come up with on my own. Thanks again. tavi.
@owenvogelgesang73142 жыл бұрын
IMO it sounds more like "I'mma", but it's really up to your interpretation
@dmues5s2 жыл бұрын
Totally agree with that. In live versions you can make out clearly that Scott Thurston is singing "I'mma free fallin'". Go look for the excellent Rockpalast recording from Hamburg 1999. (Edited for the year)
@richarddeese19912 жыл бұрын
@@dmues5s Cool! Thanks. tavi.
@matthewvreeke98722 жыл бұрын
Hey could you do an analysis of Kashmir by Led Zeppelin?
@ephil1052 жыл бұрын
The comment about the drum fills acting as “musical on-ramps” reminds me of Bev Bevan’s fills for ELO. They are all simple but provide that same function.
@hoangkimviet85452 жыл бұрын
Thank you for introducing this song!
@rollomaughfling3802 жыл бұрын
15:15 OMG putting Gollum there is genius!
@rubrshrk2 жыл бұрын
I really enjoy watching this. I'm glad I found your channel!
@jacobleetaylor2 жыл бұрын
First song I remember hearing, me and my dad driving around town about 1993
@tianjohan46332 жыл бұрын
Great one once again. Well done.
@oelarnes2 жыл бұрын
Wrong... it's E/A/B on Capo 1-> To a guitar player, the progression is pretty clearly F/Fsus4/Fsus2. It's the classic cliche pinky noodling on a D chord (with Capo 3). That doesn't make the analysis wrong, since the bass drives the tonal interpretation. But I think it's worth pointing out. Same basic chords and suspensions in Good Riddance (Time of Your Life) by Green Day with a different (also cliche) voicing. As you pointed out it's more about the pedal 1/5 than complex chord modifications (Check out Billy Joe's top fingers in the music video). The picking pattern hitting the D/G pedal point is iconic to the song, and easy to play. Also uses push chords and a similar nostalgic/regretful lyrical theme. Thanks for the analysis.
@JBergmansson2 жыл бұрын
Came here to say the same. With Capo on 3, the chords are all different kinds of D shapes, which essentially mean that "power chords with a melody on top" is exactly the right analysis.
@Jaiarrhea2 жыл бұрын
Except the bass messes that theory up
@charlessale4092 жыл бұрын
No it isn’t. It’s played with E A and B shape chords with ringing open high E and B.
@JBergmansson2 жыл бұрын
@@charlessale409 That makes sense as well.
@Jaiarrhea2 жыл бұрын
I’m gonna it doesn’t matter wha5 a guitar shape looks like, It’s the sound of everything together that determines a chord. I might play on guitar a Dmajor chord, but if the bass is playing a B that will make it a Bmin7 since a bass note will impact the overall tonality a lot. Might be useful for your own way of remembering how to play something by thinking ‘I’m playing Dsus2,sus4 then maj”, but the root movement will determine what the guitar chords ACTUALLY mean. In this instance a power chord with the inner most voice moving around tells us about how the upper voices are interacting - you can separate it and explain it this movement like Suss2 and 4 going to the major, but and the root movement is just as important if note more (I’m sure that’s a matter of opinion tho), as it can really define the qualities of the chord regardless of the upper layers. jazz uses often rootless chords voicings while a bass will play the missing root. As in the above example It’s kinda like calling a Bm9 a Dmaj7/B is a bit pointless in most circumstances. If I were to describe to a band the chords are DM Dsus2 Dsus4 the bass would keep pedalling that D , which wouldn’t really represent the song. But you could say the same thing, But specify the bass movement with slash makings going between 4 5 and 1, that’d be agood explanation too. A bit more confusing in my opinion but not too hard to grasp and could possibly defin3 the overall movement better. I think not however but there you go
@michaelmoore79752 жыл бұрын
Nice. And subbed. Would very much appreciate an analysis on maybe a Jeff Lynne/ELO song. He had some very clever progressions and song structures. Lots of atmospheric and emotive elements. Not a suggestion but I always liked the intro to _Ticket to the Moon_ being exactly the same as _Moonlight Sonata._ Anyway, thanks for the entertainment/enjoyment.
@michaelfitzurka56592 жыл бұрын
exceptional. ty
@CSXIV2 жыл бұрын
"Shouting into the great wide open." I see what you did there.
@frigginjerk2 жыл бұрын
Nice reference.
@toddhatfield53292 жыл бұрын
This is amazing
@notoriouswhitemoth2 жыл бұрын
_We are condemned to be free, responsible for every free thing we do_
@ThelastDJ19762 жыл бұрын
To my mind, Petty is Rock & Roll's greatest songwriter. Thank you for this insightful analysis.
@joeybidster2 жыл бұрын
Great work as always sir. Very thorough 👏 hats off
@nemozamora80912 жыл бұрын
12tone! You should totally do a video of Understanding Where the Streets Have No Name, by U2! It’s one of my favorite songs and has so many layers and so much going for it!
@lp-xl9ld2 жыл бұрын
Tom Petty's best song, or at least my personal favorite...thank you, thank you, him for writing and performing it, you for the analysis.
@frigginjerk2 жыл бұрын
My favorite, too, although I should point out that I have, like, 50 favorite Tom Petty songs. I can't decide, and I see no reason to decide. Too many great ones.
@gordonkennygordon2 жыл бұрын
Good day to you! Lovely work on this song. To my ear, the melody wants to be on the tonic at the end of the first two bars, and the dominant at the end of the second two bars. But the accompaniment - with the Csus+3 (tm) - pulls in the opposite direction each time, so it's never really a dominant, like full-on-dominant-7-let's-go-home, yet never fully resolved either. I lived in LA for a number of years and can attest that every intersection is an ambiguous choice with no clear direction. It doesn't matter which way you turn - eventually you'll wind up at the ocean or the desert... Peace
@maggiemakgill Жыл бұрын
"declaring his freedom IN TO THE GREAT WIDE OPEN! " LOL
@tylerhackner97312 жыл бұрын
One of my favorite songs of the late 80s
@1rwjwith2 жыл бұрын
Brilliant analysis !
@scyz2807 Жыл бұрын
Here's some thing simple - I always picture this song about sky diving. Or the things you want to forget while your "free falling". Or perhaps it's the things you can't forget even though you are "free falling" toward the Earth below.
@codedGiraffe2 жыл бұрын
“Cars are freedom, trust me I know I live in LA and you can’t get much of anywhere without a car.” *Not Just Bikes has entered the chat*
@Anonymous-df8it2 жыл бұрын
lol
@ButtHoleSinger Жыл бұрын
Full Moon Fever was the first CD I ever bought
@JonWRowe2 жыл бұрын
If Petty is playing a 12 string, then the highest note in the mix is either a high C or a high G (my ears aren't good enough to tell), which is either the root or 5th of the C major or C sus 4 chord. I learned in music school that you can get away with minor seconds, but you don't want those two clashing notes on top.
@Jaycalsun2 жыл бұрын
thank you.
@stephenspackman55732 жыл бұрын
Hm. After watching this I went back and tried listening to Free Fallin' as a Jeff Lynne song, rather than (as I usually hear it) Tom Petty. It's interesting. My feeling about ELO was always that (speaking in generalities) the older it is the more I like it, but that's not to say that Lynne ceased to be a genius, and there's a lot of what I used to love here if I listen for it. And always interesting to listen to a track after hearing your analysis-it brings the calligraphy, as it were, into focus. Thanks for the great work!