3 Vocal Reverb Tips - Warren Huart: Produce Like A Pro

[@betty4774]

me every time there's a new upload 2:00

[@Producelikeapro]

Hi Betty haha I am so glad to be able to help! Have a marvellous time recording and mixing, many thanks Warren

[@valium-fm7236]

@Betty Your coat is red

[@LukeBass1000]

@@valium-fm7236 hmmmmm black clothes

[@idanlib]

I clicked this clickbait and LOLed.

[@captaintrechabomb982]

Starting watching one of these a day + one Bob Ross video a day, tryna get better ya dig

[@andrewwhitehouse1878]

Beautiful Warren, thanks so much for sharing!

[@Producelikeapro]

Thanks ever so much Andrew!!

[@MikeMastropierro]

The Bob Ross of Mixing

[@Producelikeapro]

Hi Mike Mastropierro hahaha Thanks! I need a wig!?

[@MikeMastropierro]

Produce Like A Pro hahah nah that’s alright. It was more like the aspect “effortless mastery”

[@Producelikeapro]

Aw shucks I am so glad to be able to help! Have a marvellous time recording, many thanks Warren

[@TechMetalRules]

Haha, spot on!

[@bogard08]

Wow, nice one.

[@BillGraper]

The key word in every single video you make: FUN 😎👍

[@Producelikeapro]

Hi Friends! What many people love about traditional analog recording was the 'wrongness' the randomness! When I mix I love to experiment with ways to 'mess' things up! Saturation, pitch change, sometimes subtle, sometimes full-blown octaves up and down! What ideas to you use to mess things up, randomise, create wrongness that's all so right! Please let us know! Have a marvellous time recording and mixing my friends!

[@spitfiremusic3997]

Great tips! Mess it up!!

[@metalupyourass9]

I remember I had the best drum sound once tracking.. The next day we realized we labelled the board wrong/mixed up inputs at is was 414s or not 421s. Sounded amazing (obviously) and different

[@Producelikeapro]

Yes, indeed! Thanks Spitfire!

[@hbonthetrack]

Hey Warren. Quick question , some reverb plugins have Eqs on them. is it ok to use them since one of the techniques involve Eqing before the reverb ? are those eqs after the reverb hit or before ?

[@raphaelwolfgang2484]

Very inspiring! Thanks for the tips!

[@shubhshinde4438]

Loved it was soo helpful..........thanks a lot. Would you please show us how do you edit and arrange vocals because most of the beginners like me don't know how to do that fluently.

[@danielvondrak8406]

Awesome Video as always Warren!

[@Producelikeapro]

Thanks ever so much

[@thejonathandoan]

16:10 I tell you, the individual pieces of this puzzle didn’t make too much sense when the puzzle was being built, but the end result was nothing short of transformative! The final vocal sounded incredible! I never would have thought it would make sense, but it truly ended up being absolutely beautiful. Like a painter using multiple colors and techniques to create something magical. So lovely to watch a master at work! Thanks for the video (albeit an old one…)! Cheers!

[@NostraBloom]

Hello sir, love your videos, they are super useful and you have a nice positive energy! Keep it coming, much respect. 🙏

[@Producelikeapro]

Thanks ever so much my friend!

[@peterbrandt7911]

That saturation on the reverb is an amazing idea. The only thing I don't like about: I did not come up with it :D.

[@shestudiossheila7423]

Lol : )

[@Producelikeapro]

Hi Peter Brandt haha thanks my friend! That’s high praise indeed!! I really appreciate it!!

[@BoatzCarina]

you're like TEACHER in my life's Unisersity of Music THANK YOU SO MUCH FOR YOUR EXISTANCE with REGARDS&RESPECT

[@Producelikeapro]

You’re very kind! Thanks ever so much

[@carlitosfreetos]

“Sounds pretty evil, I like it.” Classic Warren quote if I’ve ever heard one.

[@Producelikeapro]

Hahaha yes! Busted! Thanks Carlos!

[@mitsanut5869]

I have really hard time with feeling this as "evil". It can't get more cheesy than this

[@GuyMcguy24]

For those of you watching this - This is amazing advice. The next step is: Customize your own presets!!! You can save the settings you have in one session and transfer those settings to another session ! This is how professional engineers get their own "Sound" and why people will go to YOU for a mix.

[@haylinicole7358]

You've opened my eyes to a whole new world of mixing and mastering. As someone who's only just now beginning their journey producing music and experimenting with it, your channel is definitely one I will refer back to a lot!

[@Producelikeapro]

That’s very kind of you to say! I’m glad to be able to help

[@OdinOfficialEmcee]

One of my favourite reverb tricks that I discovered recently for a really big, deep sounding reverb is to mix your aux signal louder than your dry signal so what your hearing is primarily verb. I found using predelay in this case will ruin the sound though. Short hall or chambers work best

[@Akashsama]

When you unmuted the delays at the end, that was the icing on the cake! Awesome!

[@Producelikeapro]

Thanks ever so much my friend!!

[@dansands6363]

Excellent video Warren! Gonna try out the dual mono trick! :)

[@Producelikeapro]

Thanks Danny! Yes, it's a great trick!

[@DavidHudson]

The saturated reverb was a great thickening trick. Thanks

[@Producelikeapro]

Thanks David! Glad to be able to help!

[@juelanthonybeats2123]

Right??? My vocals instantly sounded a lot better 💪🏽

[@DavidHudson]

Yeah! It gives your vocals more depth without it being thin and empty. 🙂

[@jc1424]

He landed there with world two steps away so many times he should be able to avoid crossing that line everytime by now.

[@GaragebandandBeyond]

Oooh new camera? Looks good!

[@rickcampbell296]

Thanks Warren, you are a monster help understanding all these crazy plug ins.

[@Producelikeapro]

You're very welcome Rick!

[@rocknrollguitar]

My protip to share on this... I have a condenser mic hanging from the ceiling, Panned it all the way to the left and secretly recording aswell. The regular vocal mic. is in front of the singer. Now I have 2 tracks to work with. + the natural reverb and 'roomy' feel really opens up the recording. Especially when vocallists go loud!

[@sea-ferring]

One thumbs up is not enough. This is the kind of thing you learn working with or apprenticing with other engineers and I would never have thought of as a hobbyist mixer.

[@AfferbeckBeats]

I always like the idea of making things sound a bit 'wrong' to create interesting and characterful sounds. I just got Goodhertz' new Megaverb which is based on 'bad' old hardware reverbs for just that purpose!

[@sirdaveandre]

Got the Goodhertz pack last week - havent had the time to try it yet, but as far as I've seen from the videos it seems you can do very interesting stuff with it.

[@Producelikeapro]

That sounds very interesting Dane! Thanks for horsing!

[@Producelikeapro]

Thanks Dave for that info!

[@thewarhenk]

What a beautiful voice he has. If the rest of the song is as listenable, it’s a winner. Thanks for the insights.

[@Producelikeapro]

Thanks very much

[@MrObelisk2290]

Eventide micro pitch shift 9 cents down on one side 9 cents up on the other. Especially on vox, gtr and keys. Thickness for days, taught it to my college students

[@SteveSchuffert]

Hey Warren! Hope all is well. Loving the vids of course. I’ve forgotten which is the one where you demonstrate how to create a dynamic delay. Any clues? Thanks again for all your inspiration and instruction. Steve

[@aswinbeats]

This was more of an inspiration to get creative and go crazy than a plain reverb tips video that I expected. Thanks! 😊

[@Producelikeapro]

You're ever so welcome Aswin!

[@hansraj110995]

You gave answers to so many of my questions at one... Thank you so much... _/\_

[@Producelikeapro]

You're very welcome Hansarj!

[@ad00m5]

Warren - I get a smile every time your saying we are messing it up ! Its taking the human element and bringing it out! Yes, its good to put effort into having a good front end and treated room etc. but once you know your gear and room isn't holding you back.... well its time to MESS IT UP ! Make it interesting!

[@MHVideot]

Do you ever use pre-delay on verb? I like to use it little bit on vocals, like 10-20 ms. I also use often delay with different times each side, with sidechain comp. Hipass about 300 and Lowpass about 3k. :)

[@DavidDiMuzio]

I'm definitely gonna try all of these. Love the octave reverb idea!

[@heavymetalmixer91]

Now, it's time to start destroying "right things".

[@Producelikeapro]

Haha Do it my friend!

[@paulEmotionalaudio]

Used the side chaining compression for reverb on a spring verb and a low input level saturation verb... sounds great!! Thanks again Warren.

[@petarpavasovic6333]

What I find interesting in my mixes is combining both delay and a reverb, by putting a stereo slap delay on vocals (usually about 100ms on the left and 110ms on the right) and then sending those delays to the reverb. It's not really something I discovered myself tho, I would hear it almost every time when I listened to radio. I guess you could achieve the similar result by tweaking the predelay function in your regular reverb. I don't know... Pre delayed reverbs feel a little bit different in a good way. Just putting a reverb on a track makes it feel distant and I often times don't find that useful.

[@paoloolivieri8718]

I think sometimes doing such tricks during tracking will help the singer interpret the song in a different and interesting way. For example one time I was playing with delays while rehearsing before tracking my band's singer on a ballad. Soon ideas came up in his mind, and he told me to exaggerate the output on the delay. He started singing around it and the song came out so great! What do you think about working on vocal sound during a tracking session? I guess sometimes it helps the singer doing his thing in a new and interesting way.

[@TiqueO6]

Of course depends on how the tune is to be in the end but I think it's a more "real" way to make it rather than in Post. And I've found the kind of mic really influences how much the singer (or instrumentalists) will 'emote' - if the mic is very bright like most condensers the singer will not have to produce many subtleties that otherwise they'd have to intentionally create, this dynamic also lends to decreasing creativity while a more natural mic (Ribbon Mics) will bring out more of the personality of the person as well as the sound.

[@MartinVanDerSande]

Thanks Warren! I’m starting a mix soon and you’ve inspired me to play now! Cheers, Marty

[@Producelikeapro]

Please do my friend! Create your won sounds my friend! Creativity is KING!

[@daveprentice]

Hey, Warren, thanks! 3 years down the road, this is exactly the advice I need today!

[@Producelikeapro]

Thanks ever so much Dave!

[@SingleMaltIdiot]

3 tips my hiney. There's like a hundred tips in that first tip alone! This has genuinely exploded my brain insofar as what's apparently possible with reverb. Love it!

[@Jacob-iv7qg]

we are blessed that such a great mixer decided to open a KZbin channel and share his amazing knowledge.

[@michaelharacopos6550]

Are you putting the low/high pass filter on the send?

[@garfeeble]

one of my favorite parts of these videos is the length. 3 vocal reverb tips in 20 minutes means these are some GOOD tips. thank you!

[@rozbcoz]

Consistently blown away by your candid revelations. Much appreciated insight into the world of mixing. Never in a million years would I have stumbled upon what you present so obviously. Thank you. Keep up the good work.

[@Producelikeapro]

Thanks ever so much

[@derekmoffat2233]

Great ideas Warren. Will be trying these out on the tracks I'm working on!

[@Producelikeapro]

Fantastic to hear Derek!!

[@jurgenschuler8389]

Love that video! The only idea I came up with, is putting an amp simulation behind the reverb, especially when I use exaggerated reverbs based on impulse responses. Cabs and reverbs are quite similar, so I used the same plugin twice with different settings and IRs. I never came up with going distorted into the reverb. It's fantastic! Thanks!

[@Producelikeapro]

Thanks ever so much Jürgen! I'm so glad to be able to help may friend! Have a marvellous time recording and mixing, many thanks Warren

[@1verzhn]

I love how you say you were looking for wrongness. I just did a harmony vocal and decided to make it distorted flange. I’m going to keep doing stuff cause I think it’s cool not because someone says this is how it’s done. Great stuff as always warren😎🤙

[@Producelikeapro]

Hi Seymour, fantastic! That's what I like to see my friend! Great experimentation!!

[@mikesparks3398]

i dig these kind of videos! thank you sir!!

[@Producelikeapro]

Thanks ever so much Mike!!

[@sirdaveandre]

Great tips, thank you so much. Love it! I'm Looking forward to try it on my mixes. -- Are you using a new Webcam or is it my monitor? Colors today seems a bit over saturated. Kinda harsh with shnizzle :D

[@real_MacrocosM]

It's 247am in Bangkok. saw this come through as I was about to close Reason and tuck in.. and had to press play. Now I want to sit up and saturate and pitch shift everything. Great Tips. seriously. '600-7.5K'

[@voinrazuma]

A super video! Thank you so much!

[@hazzardsound1505]

What I'm experimenting with is combining my old hardware units like the Ensoniq DP/4, Quadreverb and plugins to create different sounds.....lots of fun!!!!

[@Producelikeapro]

Perfect! I LOVE the Quadraverb! I have one, it's amazing!

[@hazzardsound1505]

@@Producelikeapro by the way.....this is Ajay, just under my new channel name LOL!

[@Producelikeapro]

Hello AJay!! Good to see you haha!

[@BukezFinezt]

I rarely record and mix vocals anymore because my career is all about electronic instrumental music now. I used to record and mix vocals and artists for more than 10 years. But maaaan i love learning a few more techniques and ideas to mix stuff. The different reverbs panned are such a great idea. Thank you! Love your channel! Much love from Berlin!

[@diegooliveirabenjamin]

Love to see that my friend, you rock!

[@Producelikeapro]

Hi Diego Oliveira no YOU Rock my friend! Thanks for all of the great content you put out!!

[@neovxr]

Beautiful one again! But the mix-up download tracks are too easy hahaha, everything falls in place immediately, just with a smart bus structure, some balancing, press two phase switches, and an 80ies short reverb on kick+snare. So many vocal effect tracks, almost nothing more to do except delay automation, plus, to cancel boomy stuff, 2 de-essers, and - that's the quantum physics - on main voc Melda Saturator, and tweak a TDR Nova preset. Plus my synthesized reverb impulse and a multiband comp on the H3000 effect bus. It's like cream now. But the piano was hell. :) :) :) (AirW Point!; Roth-Air, panned delay 20ms, Flux Bittersweet, Pultec emulation, mid-cut. Wow that's a thunder.)

[@bobbaumeister5243]

Thanx Warren! A very useful and effective work to get good results and my own creativity! Great my friend!

[@arijitguharoy6705]

What else I can use rather than D VERB? But the technique is really awesome. Kudos Warren...👏👏

[@Producelikeapro]

You should use your stock reverb plug in indoor DAW

[@AllanGildea]

Cheers Warren, you're a gent. By the way, if you're still on the hunt for 'wrong-ness" give me a shout. I seem to have plenty in my mixes :)

[@Producelikeapro]

Hi Allan Gildea hahaha me too!

[@geniustracks9213]

Warren, what kind of reverb / delay tricks do you think were used on Kelly Clarkson's vocal in "Already Gone?" Its like my favorite feeling one that Ive heard.

[@nurdafrikhanbeatzthetrip1406]

on the third trick would it be possible to get the same result with a multi-mono reverb on a mono aux by un-linking the two sides and putting the plate on one side and the room on the other?

[@sda5150]

Great ideas here Warren! Cheers! I like to go out to an old Zoom 9120 I have, and print that back to a track, then bandpass it with Gband (free)..

[@oestervig]

Great video as always! It's all about creativity! One trick that was "life-changing" for me was learning to use short, barely audible, ambient reverbs to make a vocal sit in the track but still appear dry/up front.

[@necrodogs]

So wrong it's right. i love it :D Thank you as usual

[@Producelikeapro]

Yes! So wrong it's right! Haha

[@michaelliu9944]

Hi, Warren! Thank you for your amazing video! I have a question at the middle of the 2nd part of your tips that why you did a little pull down of the medium frequency to make the sound 'sweeter', as you said in the video? Is there a certain reason? I can understand the high and low frequency taking off but the medium part is a little hard to see. Thank you!

[@Producelikeapro]

Hi Michael, marvellous question! I pull down the High Mids, where your ears are mist sensitive, to make the reverb sound a little less aggressive!

[@michaelliu9944]

@@Producelikeapro Oh, I think I got it! Thank you for your answer!

[@MartinLuxen]

Thank you very much Warren! Great ideas! I use ping-pong delays a lot on vocals, with saturation and a small chorus effect.... Gives some nice width and it won't mess up my mono signal...

[@TheCarymiller]

@ProduceLikeaPro Biggest tip I can give is to put a basic EQ's before your time based FX (more relaxed than the filter technique you used, though that can work too). Typically with the same curve settings and even the same plugins and/or hardware EQ's (if it's possible) as whatever the most important source feeding the send turns out to be (usually it's vocals for me). Now your'e cutting what you don't want to excite, and boosting what you do want to excite. This is especially effective if the same reverb/delay is going to everything in small amounts to give things a "room" sound. The second tip I would give, is no matter how many sends are going to the majority and/or all of your tracks depending...a tiny slapback delay at the end of your FX sends and returns can be really good (say you had a delay and a reverb in a row...you would add another light delay and only feed a tiny percentage of this signal back on every track affected by this chain). This "stretches" the whole mix ever so slightly, and typically helps to "glue" things a bit better (makes the whole of things feel a lot more cohesive, but we're talking about barely adding any back in). Also loved the tips today, all of them are great!

[@philip914]

Your da man warren. Got the hair rockin plenty of reverb and saturation in that style

[@winterjps]

Looks like you've got the iD44 sitting there!

[@Producelikeapro]

I do! I love it!!

[@winterjps]

I love that you can use your system audio for your talkback mic with this one.

[@winterjps]

Add two ASP 800s, and you can do 20 tracks!

[@MarcBecker_Music]

Great video! I've learned a lot, thank you Warren. There are two things I do when I want to make my vocal sound a bit more aggressive at some parts of a song. I use the ghost voice effect of a vocoder and work with delay, modulation and distortion on it. The other one is pretty similar , but it's even more aggressiv. I use Pink Noise, EQ it, modulate it an put all kinds of effects on it like I do with the vocoder. The last in the chain is a gate, which is triggers by the vocal and only opens up, when the voice comes in. If you want to push it even more, you use a clean delay on the vocal and duck it while singing and open it up at the end of a line and do it vice versa with a delay fed by the pink noise signal it sounds pretty wrong in a good way :-)

[@murraywebster1228]

Feed one dense reverb into a more open one, you can go wild with effecting the first reverb, like using a Leslie effect on the first reverb, you can make it really dreamy with low rotation speeds and it’s not so obvious because it is then making the second reverb „swim“ for want of a better phrase, ramping the rotation up or down makes even more „rise or fall to the sound, gets you into some complicated automation but the added movement and variation is the cherry on the top

[@JohnBassarcticsoundstudios]

Sometimes what is cool is recording like quite a few hand claps then print that on a track with the reverb printed on the track and then when you pan it left or right or down the middle it’s like those are little room pockets and you can visually see those rooms It’s like some of the 60s sounds. rooms that you hear it’s pretty cool. I believe on my best friends girl by the cars. when they come in with a hand claps you can imagine that one little room that they’re in Clapping.

[@promixacademy6904]

3 outstanding vocal reverb tips! Tiptastic!

[@Producelikeapro]

Thanks ever so much!!

[@benlang7615]

Such a nice video. So positiv and motivating

[@simonquigley9054]

Couldnt have come a better time. I've been wracking my brains over the vocal mix for an RnB artist I've been recording. He wants something differnt! Other than bloody "Drake" .. great stuff!!

[@vanpeethovenstudio]

Thnx for the good tricks. The Abbey Road one was one of the first things learned mixing and is still a life saver for all times.

[@charosgerotolios8125]

I m new to this and i have also just joined the academy! Love your work, my mind everytime gets blasted away. You know i had all this "rules" in my head that i thought they were valid and i would stick up with them every time but man, i m so happy to found out that i was so wrong! Thank you so much!

[@createsomethinggreat175]

Great video, great song

[@Producelikeapro]

Thanks Chris!!

[@ArthurStone]

Great tips; thanks Warren : D

[@Producelikeapro]

Thanks ever so much Arthur! You Rock my friend!

[@michaellarsen180]

The right left is a classic. :D I love the flanged octave up reverb. Sounded cool enough for me to go do myself! As always, thank you for sharing!

[@Bluesbop]

This is so valuable. I actually went to audio engineering school, your channel has more info and better tips than anything they taught. Thank you!

[@markbathofficial]

Awesome tips!! Love messing around like this.

[@Producelikeapro]

Thanks Mark! You Rock!! Mess around, get creative!

[@markbathofficial]

Produce Like A Pro I just joined up to the academy on the cyberspecial. Thanks for the opportunity! I’m checking out the videos. I would love more videos on a song going from rough acoustic demo to a full arrangement. I love the mixing stuff as well, of course, but the magic of moving a song to a point where it has a full arrangement isn’t shown much because it’s tricky and hard to apply. I think your teaching skills can pull that off though! I have a bunch of song ideas that are at various beginning stages but am stuck moving them as a beginner.

[@kelvynification]

Very nice singing👍 That trick with modulating flanger in the reverb was definitely an ‘Aha moment’ Nice one...

[@loui_oficial]

Hola. Me encantó todo el video. Acabo de descargar los tips y el proyecto. PERO SOLO SE ABRE CON PROTOOLS? Mi daw es cubase. Como pudiera abrirlo? Ya tiene un nuevo like y un nuevo suscriptor. GRACIAS

[@Vambibuda]

Quick question, is there any reason why you did not make any changes to the “pre-delay” knob? I almost thought it was a most for lead vocals to add clarity. I know a lot of the reverb effect is being filtered out but I do that but also play with the predelay. I see it is not officially a most 😆 looking for something wrong to do 😂 love it 👌🏽

[@spitfiremusic3997]

Great tips! Mess it up!!

[@steveduffyraw5122]

great stuff warren man....enjoyed that.

[@Producelikeapro]

Thanks ever so much Steve!

[@alexeysmirnovguitar]

Sometimes I use reverb in the insert of a snare or tom-tom bus just to bring them farther away and create a broader and more ambient sound, like in the 80s. It works well if the initial sound is too dry and "in your face". The more wet I have my reverb mix knob, the farther the source goes. Did that on my mix of this song "Stay", worked really good.

[@Producelikeapro]

Hi Alexey, that sounds very cool my friend! It sounds like you are paying a lot of attention to your mixing! Nice work!

[@nathangabrielmusician]

Another fantastic video! :D

[@Producelikeapro]

Thanks ever so much Nathan!

[@SkyeLabMusicGroup]

Awesome video, and a great philosophy on mixing. I never heard the necessity of "WRONGNESS" so perfectly articulated. Much respect Warren!!! It's not at all easy to do what you do and grow a youtube channel like this. You're like the Hendrix in this space! Bravo! :)

[@AudioReplica2023]

wOW the lighting on this video looks pretty good and detailed. Pretty awesome. You guys learning . lol👍🏽

[@Kspurewal]

Best video, to motivate yourself as a mixer

[@rajkamaljangir3618]

Hi Sir, who is this legend, talking about reverbs in this video?🙂

[@DeltaWhiskeyBravo13579]

I really like this. Thanks much. What I do with my reverb already: Always reverb is on it's own send FX channel and that's a pre-fader send...Much more control to blend it into the dry Abbey Road EQ between 600-10K but it changes depending on the exact sound I'm after I like adding delay going into reverb I'll duck the FX channel keying off the dry, I'm after tails and wanting to push reverb into the background a bit After viewing your video, I'll add some other things like saturation and distortion, and pitch shifting, this is for "blurring" the reverb to help keep it from just being a repeat of the dry, I'll add to the EQ the mid dip as needed That separate reverb for left and right might be accomplished by my nice little Melda multiband reverb. As is, my Melda multiband delay gives me slapback and ping-pong with one instance of it. These are part of my Melda new shiny bits of plug-in toys that have a very, very deep level of editing ability.

[@MUSIC-PRODUCER]

Awesome, Warren!! Song great, but I can't find it. Can you help me? What is a song?

[@LyudmilaOsipova]

Awesome! Brilliant !!! 👍👍👍👍👍

[@Producelikeapro]

Thanks ever so much

[@ryanclark3608]

hey guys...im a beginner to producing...learning everything online...what does he mean when he creates a stereo auxiliary track and how does that affect the vocal track...I see he uses buses. i'm still not 100% certain what buses do...can anyone help me?

[@janminor1172]

I still find reverb hard to master, but what I like to do if I want to put the instruments in a band-like room context: Create your room reverb send, then create two sends with a time delay on it (any delay with no repeats, but 100% wet), say one with 20ms and the other with 40 and route those to the room reverb. Now send instruments you want in the back of the room to the main reverb, like e.g. drums and keys, then tracks you want closer to the listener to the 20ms delay (like maybe guitars) and the lead vocal to the 40ms delay. Gives you a nice depth with just one reverb. Not my original idea though, I saw it somewhere... 😀

[@radstorm]

H Warren, I was wondering if you cover a voice effects topic. One is called Flanging.. Toni Fisher "The big hurt" long ago used it, and I think Led Zeppelin used it in "What is and what should never be" the other is that effect used in songs like Winchester Cathedral, video killed the radio star, etc :o) Wow that section about 3:57 the reverb almost sounded like there was a female voice hint along with the main voice..

[@willscorner8423]

Need a advice: recorded a song, guitar, vocals. The song tells a story so i decided to give the song more atmosphere with background rain, thunder. So but I just didn’t felt right like this. Something was missing. So I added reverb to main and background vocals. People say now the reverb doesn’t fit to the song, but thats how I wanted to song to sound like. Without it, the vocals, at least I think that way, don’t fit in the arrangement, because ya something is just missing without it. What shall I do?

[@musikaner345]

Hey Warren, how do you mix a vocal Duett / Duo? Currently I am working with a band that has two singers. A male and a female vocal. When I record and mix them its always like the two voices compete with another...