1. Rhythm and playing ahead or behind is more important than what notes are played. 2. Play some notes softly and the normal volume notes will pop out (feel accented). 3. Focus on the notes of the 7th arpeggio. 4. Practice the major, Mixolydian (b7), and Dorian (b3, b7) modes 5. Target an arpeggio note on beat 1 or 3 using chromatic or chromatic enclosures before. 6. Study melodic contours longer lines/licks emblematic of bebop (listen to songs)… build these lines from arpeggios, scale runs, and targeted notes (#5 above). 7. Take one lick and transpose it to all 12 keys (helps speed your thinking whennimprovising because you’ve memorized a lick with the 3,5,7,9 arpeggios already)
@MikeHeise-g4p4 күн бұрын
Developing vocabulary by organizing letters (notes) into words ( lines or melodic cells) is a nice analogy. Thank you!
@jonbarnhart19472 күн бұрын
Glad to see you doing more pianistic videos. Sax always helps me but I’m a pianist so this is even more helpful!!
@patrickr.58215 күн бұрын
Hi Jeff. Are you still playing the saxophone?
@cookichaКүн бұрын
I have a playlist named "Gold" where I save the videos I don't want to lose, for later multiple rewatch. I put like half of Jeff's vids in there 😄
@GregDalbey11 сағат бұрын
Good stuff! Thank you!
@Dannytyrellstudios3 күн бұрын
Great clear organized presentation
@martinjazzwebster4 күн бұрын
Fantastic lesson. Some of the best advice I’ve ever heard. Thanks
@eraniel1464 күн бұрын
Much value to your content. Worth purchasing you courses.
@uvalenzuela4 күн бұрын
You're a great teacher! Thanks!
@edwardvivenzio58434 күн бұрын
Great lesson,thanks Jeff!
@thomascohen99243 күн бұрын
Very good summary of the essentials. Where were you when I needed you back in college in the 70s? LOL. BTW, I'm surprised you didn't use the term "enclosures." (There's always a critique on KZbin, eh?)
@darrinp14114 күн бұрын
Really useful stuff, thanks Jeff :-)
@rolandgerard60644 күн бұрын
Great stuff, thanks!
@avantijazz4 күн бұрын
Way way too little stress is put in most jazz education on the dynamic weight of a phrase. Lots about note choices and some about rhythm, but the point about shaping the dynamic from note to note is hardly ever mentioned. Thanks for touching on it here, Jeremy Siskind stresses it too. I think you could make a bigger deal of it in another video So if we look at all the swing 8th notes in a bar of 4/4 ||oO|oO|oO|oO|| boo-BAH-boo-Bah-boo-Bah-boo-Bah Bebop lines have an inner note-to-note dynamic variance, which along with a good swing, is what makes them sound so cool.
@davidrichards13026 сағат бұрын
The first absolutely crucial step is to grok that bebop improvisation is never the foremost concern of the faux sophisticate.