5 Things You DIDN'T Know about the RODE VideoMic GO II - ft. Sony ZV-E10

[@TDCIYB77]

Wow.. A "X Things you didnt know" video with things i ACTUALLY dont know from other reviews! No clickbait! Congrats! Subbed!

[@WayneRECs]

Lol, thanks! The one benefit of having to buy your own mic, you can watch everyone else's videos while you wait for it to arrive! Thanks for your comment & sub!

[@mattsnipes257]

Same here so I also subbed.

[@geefy0]

You’re a natural presenter! I think you will grow very quickly!

[@WayneRECs]

Thank you the the kind encouragement!

[@HarryShares]

I have watched dozens of review for this product and YOURS IS : GREAT ONE THIS IS ONE OF THE BEST REVIEW OF THIS AMAZING MIC. you get my subscription. KEEP UP THE GOOD WORK. i do hope you will get many subsribers soon... Greeting from Indonesia. CHEERS

[@WayneRECs]

Thanks so much for the kind words! So glad you found my channel! The VideoMic GO II really is an amazing mic! Hope this helps if you have one and thanks for the sub!

[@GeologyDude]

Great review. I saw all of the others and your review definitely had another angle for information…. I ordered the mic a couple days ago before they were all sold out.

[@WayneRECs]

Thanks for the kind words & congrats on snagging one! If there's one common takeaway from every review, it's that the VideoMic GO II sounds sweet! Enjoy yours when you get it!

[@omideghbal1263]

It was one of the best reviews I've watched in the last few years

[@WayneRECs]

Thanks so much for saying so!

[@ColdStream]

WAIT A MINUTE!! You have 49 subs 7 months ago and now you have more than 1k 😭😭😭😭 I can't even get to 1k and it's been years!! 😭😭😭 Congratulations!!

[@WayneRECs]

Thanks for your comment and kind sentiment! I'm so grateful for everyone who supported my channel! And it looks like you have almost a quarter of a million views (and one new subscriber lol) so keep at it on our channel!

[@ColdStream]

@@WayneRECs and I'd be crazy not to hit subscribe to you, your video is brilliant and comprehensive, I need to get up to your standard 💪💪 keep going 👌 and thank you so much!! Massively appreciated 😍

[@salawow1]

Really Awesome video and tips! Would be great if you could do a video on this mic pairing with a smartphone vlog or video shooting!

[@WayneRECs]

Thanks for your comment and suggestion! I'll definitely explore smartphone audio content!

[@dentaltv]

I'm so happy that you are sharing these precious insights !!! I was able to level up my audio a lot THANKS TO YOU 🤗

[@WayneRECs]

So glad that you're here! Just doing my part to help KZbin sound better one Content Creator at a time!

[@armando.visuals]

Ok this was the honest detailed review! GREAT JOB!

[@WayneRECs]

Thanks so much for saying so!

[@AngloSaxon1]

I have just bought one of these microphones and I couldn't be happier. it just works, and it works great. I have used it as an usb mic and recorded an episode of my Podcast with it and it does sound great, not as good as my main microphone, but it is a great mic.

[@FashionableFather]

Great review!! And you have a great voice to listen to. And rockin a PC!! Me too.

[@WayneRECs]

Ha, seems like PC users are a dying breed! Thanks for your comment and kind words and you got yourself a great channel!

[@nathanksimpson]

Great video. Lots of good details without being overwhelming. Guide arrows are also nice for using the mic on a different shock mount (ones with adjustable angles for boom poles).

[@IsomPhilips]

Excellent video! I just sold my Videomic NTG and am waiting for my Videomic GO II to arrive. I really like the small form factor of the GO II and your video confirmed my thought that I wouldn't be giving up too much by selling my Videomic NTG. Well done!

[@WayneRECs]

Hi Isom! Thanks for your comment! Glad to assuage your fears! I think you'll be pleased with the VideoMic GO II's performance as well as it's ease of use over the NTG. I have a variety of different mics, but truthfully, the VideoMic GO II has gotten me more excited to create content than almost any other piece of gear!

[@artjohnson01]

Superb. Can’t say any more about the content. Thanks so much for this clear and thorough review of the RODE Video Mic GO II.

[@WayneRECs]

Thanks so much for the kind words! I greatly appreciate it and hope my video helps some creators out there!

[@chr1staki]

You sealed the deal for me 💰

[@WayneRECs]

Thanks for your comment! I think you'll be happy with this mic!

[@Berghiker]

I'm ordering one today.

[@WayneRECs]

Awesome! I don't think you'll be disappointed!

[@jayconnor7045]

Wayne Excellent review of select aspects of the GO II I just got mine today An you have a great VO voice Thanks

[@WayneRECs]

Hey Jay! Thanks so much for the kind comment! Hope you like the VideoMic GO II as much as I do!

[@UNIONFEATURES]

Brilliant breakdown on the GO II. Big thanks.

[@allinonecomputers]

Excellent video.

[@WayneRECs]

Thanks so much!

[@ezrarichardson279]

Great video! Nice to see another very small creator making much better videos then I can. I suck at KZbin for now. I’m improving though!

[@WayneRECs]

Hi Ezra! Thanks for stopping by! Glad you're here! Keep at it! Small channels are like the hidden gems of YT. It may take them a while to mature, but eventually they get noticed! And always striving to improve is really the key!

[@ezrarichardson279]

@@WayneRECs Yeah, I often find the smallest channels I discover are some of the best (myself not included yet lol). Anyway great content.

[@dr150]

Great video. It answered many of my questions!

[@WayneRECs]

Thanks for your comment! Glad it was helpful!

[@dxsaigon]

In both your review, and some of the other reviews I've watched, the NTG sounds more muffled than then Go II... Thanks for the great video!

[@WayneRECs]

Hi Thomas! Good ear! The NTG (with no HPF engaged) has a flatter frequency response whereas the VideoMic GO II has almost a built in high pass filter in it's frequency response. This means the NTG picks up more bass frequencies than the VM GO II which is why on lower voices, the NTG can sound more muddy or muffled compared to the VM GO II which might have more clarity but less fullness. Thanks for your comment!

[@dxsaigon]

@@WayneRECs Thanks for the reply!

[@arichster]

Great video. Super practical information about uses of mic. Thanks.

[@WayneRECs]

Thanks Alan! I appreciate you saying so!

[@wokeslayer577]

Awesome vid, got yourself a sub from Tw.

[@WayneRECs]

Thanks so much! Really appreciate your nice comment and sub!

[@taghappytv]

Keep up the great work... Looks like your channel has grown a bit recently

[@WayneRECs]

Thanks for your comment! I've grown a little in the last month, but still appreciate being able to reply to every comment!

[@mahmood1212]

Thanks, informative video

[@uni-with-anna]

Super helpful video, thank you!

[@WayneRECs]

You're welcome! Thanks so much for stopping by!

[@salimfm1]

Such an excellent review! Was looking to get Rode Videomic for ZV E-10.

[@VideoGizmology]

Great review covering details that I didn't know before watching.

[@WayneRECs]

Thanks so much! Glad it was helpful!

[@Dstonephoto]

Speechless. Your channel is dope.

[@brianmarkgriffin]

Your voice. If you were telling me the side effects of my medications, I would listen to every word.

[@WayneRECs]

Ha, thanks! What if I told you that the side effects of watching my videos may cause you to Subscribe, Improve your Audio & feel the urge to spend money on microphones... lol

[@amarshall621]

Elite content! Just subbed

[@WayneRECs]

Thanks! I appreciate it!

[@drawingarchitecture]

Happy to report that I finally got the Go II mic the first time finally hit our market in the Philippines. I was worried when there was an electronic hum when I connect via USB to my PC computer on the first day of my testing. No hum when I connect via the 3.5mm jack to my Sony ZV-1 or my RX0 II cameras. Taking out the sponge foam this morning seems to have resolved that hum problem via USB connection - I just have to add a small pop filter to prevent plosives. I have combined the Go II with the NVIDIA Broadcast app for noise elimination, and seems excellent enough for cleaner recordings in my untreated area. Still experimenting with settings, and have yet to use the Rode Connect app. Combining it with the wireless Sony ECM-W2BT microphone system works out as well - I can have 2 sets of recordings using the Go II mic: transmitting to the Sony camera, and via USB to my PC when I am using OBS + Zoom. Just great to come back to this video to remind me about the settings I can do to improve the mic input. Thank you for producing these videos.

[@WayneRECs]

Hey Janeil! Thanks for the update! Glad to hear that the mic is working out for you and your set up! Hope it was worth the wait and thanks for your comment!

[@drawingarchitecture]

@@WayneRECs After much research and testing, the electronic hum that is present when I connect the Go II mic to my Alienware laptop is radio or electrical interference! I turned all my equipment off (lights, computer, UPS, dock station), with just the Go II mic connected to my iPad Pro via USB - no electrical hum. But as soon as I just turn on the UPS (2 meters away), the interference is present; same thing if the only other thing on is my Elgato Right Light (less than a meter above the mic). It seems the stronger electrical interference hum to the Go II mic is a combination of every nearby electrical device. Now this is a problem. However, as I have reported earlier, not a problem with connecting via the 3.5mm jack to a camera or to a Sony ECM-W2BT setup. My Elgato Wave 3 mic doesn't have this problem of electrical interference. Wayne, my question is, is this electrical interference hum a normal occurrence to using the Rode Video Mic Go II? I have found out some people complaining happening to the Video Mic Go, and Go Mini - they assumed it is Wi-Fi interference. These are just budget mics. Have you experienced this problem? I mean, if even turning on my lighting triggers this hum, I am only limited to connecting the mic to just via 3.5mm jack. I don't hear complaints from audio KZbinrs, and all reviews including yours seem to not mention about it at all. If I do want to use the Go II mic via USB (I tried various ones), I have to use it via NVIDIA Broadcast noise-removal function, and still will have some hints of that hum at the end of my words. Does buying the original USB cable from Rode eliminate this problem? Do higher Rode mics like the NTG or Pro lineup have this problem?

[@theragavelan]

@@drawingarchitecture Did you find answer to this question. When I use this mic with USB then half of the volume is filled with humming or white noise. Did you find any fix?

[@drawingarchitecture]

@@theragavelan I figured that the power supply to my multi USB hub was causing the issue of the electrical humming. The humming went away.

[@theragavelan]

@@drawingarchitecture Oh..in my case I tried it on my phone also, outside away from all interference. Still I'm getting white noise. Can I share a sample audio to you so that you can see if you faced that same noise or is it different?

[@deaafrizal]

this is what i need thanks a lot!

[@WayneRECs]

Ha, glad this video helped you out too!

[@mrhowah4688]

That was an awesome awesome review. Subscribed!

[@WayneRECs]

Thanks so much! I appreciate it!

[@hal_of_a_time]

Very informative video

[@WayneRECs]

Thanks for your comment! Glad it was helpful!

[@petersterling5334]

Great Video! Smooth Delivery

[@WayneRECs]

Thanks Peter! I appreciate you saying so!

[@RaddyDev]

The review was great, thank you. I am tempted to get one myself for my zv-e10. I keep having to hold my Yeti X when I do talking head videos

[@WayneRECs]

Thanks for your comment! Given the current landscape of on camera offerings, the VideoMic GO II easily tops the list! You know it's good when the only complaint online is the lack of an included dead cat! But if that's the kind of thing that got cut for RODE to be able to offer this at $100, it's ok with me!

[@RaddyDev]

@@WayneRECs thanks, Wayne. I am ordering one now

[@cocoscabana]

You are so knowledgeable and clear (haha) in your instructions...I'm just learning about audio. You, I can listen to again when I try these basic steps to double check while creating content....Thank You !! I also have figured out to snap my fingers if a cut Is good or bad to edit...(in between my clips- talking head style recordings.)

[@WayneRECs]

Hey Coco! Great tip with the snap of a finger to aid in editing! We VO people have been using that trick to edit audio faster for as long as I can remember (I have a dog clicker in my studio to make visible spikes in my waveforms). Maybe I'll have to make a video about this...

[@cocoscabana]

I got that from Meredith Marsh. I decided to expand on it : 2 snaps for NO and 1 snap for good cut..a clicker would be perfect. I should have one around here with 3 big rescues..(by the way, I'm on 30 acres) so my youngest is on patrol i.e. darks at helicopters lmao, the other 2 , are like...Dude u woke me from my nap, now my hearts beating, can't go back to sleep lololol..thought you could appreciate that. PLEASE DO A VIDEO YES, and I'm trying to learn the elgato Wave 3 link for a total newbie, and connecting to Canon M50...(both used, new to me ) I bought a wrong long cable ugh. That's why I'm trying to shoot audio separate...for a total newbie who wants more out of Rush, but is self learning Premiere...no easy task. Thx, feel free to edit or delete...

[@MrJoeGooch]

Great review. Cheers Wayne👍

[@WayneRECs]

Thanks so much! I appreciate your comment and hope my video helped you!

[@markuskomulainen1387]

Excellent review 🔥

[@WayneRECs]

Thanks so much! I appreciate you stopping by and saying hello!

[@niltons.spagnuolo]

Excellent review Wayne. It works well indoors. But I would like to know if I can use it to record an interview outside.

[@WayneRECs]

Hi Nilton! Thanks for asking! I think it really depends on a number of factors including how far away from the mic/camera you are, how far apart are the interviewer and interviewee if they are both in the shot and what kind of outdoor environment you'll be in (i.e. city, rural, near roads, by the ocean etc.). If two people are next to each other and about 3'-4' away from the mic (and they speak facing the camera instead of to each other) then it should be ok. But if 2 people are social distancing from each other by 6', the mic most likely will not be able to pick up both of them standing so far apart.

[@RafalReyzer]

Nice video! I got Rode VMG2 and also experienced some hum via USB, but then I realized that it was picking it up from a fridge that was far away and the mic was set on high gain. In an untreated recording spot, it's better to put it on an arm to be closer to it.

[@WayneRECs]

Hey Rafal! Thanks for your comment! The Fridge is the worst enemy of all recordings lol!

[@rpallagi]

Great reviews man!

[@WayneRECs]

Thanks Roland! I appreciate you saying so!

[@TechOutAdam]

I've seen so many other reviews focus more on video quality than overall functionality. You even busted out a real tape measurer. lol Loved the review!

[@WayneRECs]

Hey Adam! Thanks for your comment! You know it's serious when the tape measure comes out lol!

[@orionaslt]

Everything I wanted to know in one review! Watched plenty of other ones and this review is just cherry on a pie. P.S. for upcoming videos please include metric measurements also :)

[@WayneRECs]

Thanks for your Comment! Glad you found it helpful! (And I'll be mindful of all my International friends in the future!)

[@gtretroworld]

Nice in-depth review that others missed on..cheers Buddy and have a new Sub🤘

[@WayneRECs]

Thanks so much! Glad to have you here!

[@WeiHoung]

I was like... wait...I know this voice... oh it's that guy who's name is like mine and we both do voiceovers! 😅 Nice review!

[@WayneRECs]

Wei! So glad you found this channel! I've seen/heard your work too! We are like MCU Variants lol! Thanks for your comment!

[@WeiHoung]

@Wayne RECs haha TOTALLY! Looking forward to what unfolds now... will keep checking out your vids!

[@rob_haberman]

Great video! Subscribed

[@WayneRECs]

Hey Rob! Thanks so much! Glad you're here!

[@AJCoReTV]

I bought the VideoMic NTG, $250 pricey tho. I just feel the sound of the NTG ever so slightly fuller & being able to boom it closer because of the extra length is nice. Great video 💯

[@WayneRECs]

Hey AJ! Thanks for your Comment! You're totally right! The NTG has a much flatter frequency response and captures more bass frequencies as opposed to the VideoMic GO II (which almost has a built in 150Hz high pass filter). I think both mics are great depending on any individuals specific use cases and amount of audio knowledge. IMO, you can't go wrong with either based on your specific needs, but I'm mostly impressed that RODE actually offers the VideoMic GO II as it fills this gap between the many options of budget on-camera mics and higher end mics (which may have features the everyday creator may not understand or even complicate things).

[@AJCoReTV]

Yes. I wish I would’ve had this option last year when I bought the Deity D4 Duo. I made a video on my channel. Honestly, picking between the VM NTG & VM Go II will be tricky for some & an easy choice for others for sure. Would you consider my voice in the high frequency?

[@WayneRECs]

Hey AJ! I checked out your vids and your frequency range seems to extend below where the VM GO II's low end drop off is. (Keep in mind your voice could be affected by your mic & recording set up and any post effects). So it seems like the VM GO II would make your voice sound brighter but a little less full compared to the NTG with no hpf engaged (though most voices don't go below the 75 Hz mark). But say for example a typical female voice might sound nearly the same on both mics. I also have a Deity D4 Duo and while I'm not enamored with how I sound on it, the dual capsule and separate input were really the selling points for me with that mic.

[@GabeCuello]

Great video! Might check this mic out.

[@WayneRECs]

Hey Gabe! Thanks for the kind words! The VM GO II is definitely a versatile and affordable mic for lots of different uses!

[@stevefromthegarden1135]

Nicely done. My nephew has been suggesting this mic to me since it came out. (or to get a lapel mic) 😀

[@WayneRECs]

Hey Steve! Thanks for your comment! I took a peek at your channel and definitely think the VideoMic GO II would help you with your indoor shots. But with the distance and environment with some of your outdoor content, a lav setup could help isolate your voice. Sometimes it's about having the right tools for certain situations. That being said, any kind of external mic most likely will be better than a camera's built-in mic. Hope this helps!

[@stevefromthegarden1135]

@@WayneRECs Thanks for taking the time to look into this on my channel. The lav mic with wind muff would be the most ideal for outdoor use and might be the best overall solution for my videos. The other factor is spreading the cost out without getting someone else upset. 😅

[@PhillipLearnTeach]

Awesome tips Wayne. I tried to pull in closer the mic but the sound still feels like an empty room. I have the ZV-E10 as well. ideas?

[@AngelFrancoart]

Buena o muy buena explicación de cómo funciona los RODE MIC 🎤!!!

[@WayneRECs]

Thanks so much!

[@briangschaefer7048]

Brilliant video. Thank you :)

[@SleepynComics]

Thank you. That was informative.

[@WayneRECs]

Thanks for your comment! Glad my video was helpful!

[@Makiaveliiste]

Hello, thank you for this very informative video. What lens are you using from 5:19 to 6:16? a 16mm or a 30mm? Also, what lens are you using throughout the rest of the video? Thank you !

[@jjsadv]

Im waiting to try it in wind.. the Video micro has been the king of handling wind.

[@WayneRECs]

Hey JJ! Looks like David Harry just got a WS12 that he'll be testing out with his VideoMic GO II kzbin.info/www/bejne/lZnIanV6a7hokNU Could be interesting to hear his take on it!

[@jjsadv]

@@WayneRECs I picked up a go2 and a dead cat yesterday. I will know soon enough :)

[@jjsadv]

@@WayneRECs I do watch Davids stuff.. I hadn't subbed.. so I fixed that and subbed.. He is an interesting character.. love the accent..

[@youteamschannel]

Great Video Wayne! A nerdy question: I assume the output from the 3,5mm is line level, but since it doubles as a headphone (monitoring) jack when using USB it must have an pre-amplifier for headphones as well. I tried to connect the USB to my PC to test the options such as High Pass filter and Exiter. These "DSP" changes are audible when monitoring with headphones. So my main question is: Assuming the Pre-Amp in the VideoMic Go ii is better than my Sony ZV-E10, would it make sense to have a high output level from the headphone jack (like your trick to use wireless Go ii to gain 6 db). Furthermore for "lazy" recordings i considered using the Noise Gate gives a low-noise signal into the ZV-E10's mic jack. Perhaps not as good as removing noise in post, but it would streamline my recording+editing process All this of course requires the VideoMic Go ii to be connected to a computer, smartphone or tablet. But for studio setups, that could be OK. What do you think? PS: Tried the same trick on my Shure MV88+. That mic has a build-in DSP. It actually works there as well and does not need to be connected after configuration as the setting is stored in the mic

[@josefale]

Hi. Great video. There`s another user here on youtube talking about this mic clipping no matter what settings. Did you notice something about that? Thanks.

[@WayneRECs]

Hi Jose! Thanks for your question! In all of my use, I didn't personally notice any distortion or clipping issues and I have watched a number of other creators who have experienced this problem. As I am not currently in possession of the mic I can't do any further testing, but from what I understand based on other's experiences is that some cameras or devices may be more prone to clipping issues than others. Also, that being said, one factor to consider is that while the RODE VideoMic GO II is marketed towards vloggers (who often times shoot outdoors), I primarily used mine in a controlled studio environment. If you're intended use is in unpredictable or outdoor settings, you may want to consider the experiences of others in similar recording situations.

[@itspraveensharma]

Great Video....

[@WayneRECs]

Hi Praveen! Thanks so much for saying so! I appreciate you stopping by!

[@itspraveensharma]

@@WayneRECsFor a creator with under 1k subs, your presentation skills are right up there with creators on the top.... You should be there faster...

[@WayneRECs]

Thanks Praveen! That's the ultimate compliment any creator can receive!

[@itspraveensharma]

@@WayneRECsYours Welcome. 🤞

[@AzizulBaharom]

great video..i'm looking for get one for my gopro..sadly in malaysia still don't hve it.. really wnna get one..i might buy via amazon..tq for info

[@WayneRECs]

Thanks so much for the kind words! IMO, it really is a great mic for on camera applications and in your case, it's shorter length will be better for the wider GoPro angle (as opposed to the NTG which would constantly be in your shot). Let me know how you like it when it's available to you!

[@robwoolley]

Nice! Keep up the good work.

[@WayneRECs]

Hey Rob! Thanks so much! I appreciate the encouragement!

[@ing-tangtawan]

just wondering .. is it beneficial to supply power (just the power) from USB Charger or Power Bank to the USB-C port on the microphone while its working with the camera through 3.5mm jack? My concern is that I want to set the preamp on my camera to the lowest possible, but since this mic doesnt have a battery.. meaning that i cannot turn the settings down to the lowest. I know that I can plug it into a computer and use the software there while still outputting the signal through 3.5mm to the camera. but what if i just plug in the power from DC charger to the microphone, will it provides power for the mic so i can lower the gain from my camera preamps? Just trying to avoid using computer or smartphone here.

[@natemorrissey1118]

Hello Wayne. Thanks for the video. I have the Sony ZV-E10 and the RODE VideoMic GO II and trying to connect the two to a mic stand using a 6' 3.5mm cable from Amazon. I have tried two now and get a squeal with both. I had no problem with the chord provided by RODE and mounted on the camera. Any suggestions? Thanks again.

[@KryptonicHD]

Your channel is awesome!

[@WayneRECs]

Thanks so much! I appreciate you saying so!

[@DavidBrackett385]

I found this thing to be super super easy to clip in rode connect.

[@WayneRECs]

Hey David, thanks for sharing! Have you tried lowering the Level and/or enabling the Pad in Rode Connect? Those in combination with moving the mic a little further away from your sound source could help.

[@DavidBrackett385]

@@WayneRECs hey man! Great channel by the way, yeah I tried and I just couldn’t find the right level, prob my fault lol

[@allanjoseph_filmer]

Great video. and love your voice clarity.. but I do have a question !! Is it good enough for a run and gun wedding filmmaker or do you have other suggestions ?? thank you for the review 😁

[@WayneRECs]

Hey Allan! Thanks for your comment! To answer your question... it really depends on what your intended use is. If it's your only mic and you're relying on it capturing audio vows from more than 6' away OR if your looking to isolate specific voices directionally in a loud reception, I don't think this mic is the right tool for that. If it was a 2nd or 3rd mic that you wanted to use instead of a camera's built-in mic to capture generally clear audio, then totally! As it gets plug-in power from your camera, it's one less thing to worry about battery wise. That being said, with the pressure of weddings and reliably recording audio that you only get one shot at, I'd always recommend more pro grade gear with certain redundancies to ensure you don't miss critical moments.

[@allanjoseph_filmer]

@@WayneRECs thank you for taking the time to reply.. I'm from India and the audio game is not like the US in terms of weddings and also in options for equipments is really slim. thanks for the advice . Much love form India ❤🥰

[@nmbr73]

Excelent video! Definitely deserves more likes and subs! Btw. my bad, but I had to google that: about 40in / over 3ft = about 1m ;-)

[@WayneRECs]

Ha, thanks so much for the kind sentiment! I'll def have to keep all my European friends (and everywhere else that's not the US) in mind with our backwards measurement system!

[@greenlightstudios3469]

I ordered one, coming in today to use with Rode Go ii. I which I could trust rode go ii recording capabilities but I cant monitor it so I need to send it to a camera so it can be live monitored. I really want to use it for boom mic for interviews, I don't like the look of a lapel mic unless its a infomercial lol.

[@WayneRECs]

Ha, lapel mics always feel like daytime talk shows to me lol! Sounds like you'll have a good audio setup for interviews! Thanks for sharing!

[@va-ch]

とても良くわかりました。いい音ですね！ I understand very well. Sounds good!

[@PeterAlanJohnson]

Great sound for the close miking- is the room treated much?

[@WayneRECs]

Thanks! And yes, I'd say my space is highly treated lol!

[@geefy0]

Excellent! Subbed.

[@WayneRECs]

Thanks so much! I appreciate the sub!

[@GroupIII]

This is great. Truthfully I couldn't hear the difference and I'm listening using my Bose earbuds and can hear lots of clarity. I struggle with sound, the last video I've released sounded great on my pc/iPad and sound was good. In YT there was a 15 sec part that was blown out. My gosh, embarrassing. To make matters worse, I can hear a tapping in the sound, I'm guessing the mic was picking up the ceiling fan. Anyway, I'm learning a lot and your video helps a lot. Thank you and I hope all well. Take care.

[@WayneRECs]

Nestor! Thanks so much for your comment! I checked out the video you mentioned and actually, depending on the device your viewers watch your content on, that small section of audio may not sound so bad. We all are our own biggest critics and sometimes we just have to put ourselves out there, learn from mistakes and try our best to improve over time. One tip I can give during editing, is to visually look at your audio waveform in your editing software. If it looks normal with peaks and valleys, it's probably good to go. But if the audio looks like a solid block, that's an indication the audio was recorded at too high a level. You can also look at your meters in your editing software and try to keep everything out of the red (which is clipping or close to clipping). Hope this helps and keep up the great content on your channel!

[@GroupIII]

@@WayneRECs hi Wayne, actually I’m starting to look at sound applications. This is all new to me as I was a simple editor but with my own criticism of sound and color those applications are now something I need to learn, on top of my career, home, investment and exercising. Thank you for your suggestions. Take care for now.

[@codysy7114]

Great video! I just wanted to ask on how to noise rejection is especially on the sides is? I have been getting a lot of background noise with my other mics. Also, how is it for recoding instruments mainly drums? Thanks!

[@WayneRECs]

Hey Cody! Thanks for your comment! The side rejection is good considering what the mic is intended for but is not at the level of say something like an XLR shotgun mic. I also don't think it would be well suited to instrumentation, especially drums, as the maximum SPL is relatively low.

[@GregoryPoliti]

Hello! Thanks for your great, informative videos. I’ve watched many already and really enjoy them. I’ve been inspired by an individual I really admire to start exploring video production. I would primarily consider myself a documentary photographer first, and so my sole camera is a FUJIFILM X100V. I am heavily leaning towards getting a Rode Videomic Go II. Would pairing it with a Rode Wireless Go II add any benefits other than making it wireless? And is it possible to simply mount the Videomic directly to something like a Manfroto Pixie or would a more proper boom arm be a better option? My goal is to start out with simple “talking head” videos. Thanks again!

[@WayneRECs]

Hey there! Thanks for your comment! Glad to hear your starting your journey! Now that you mention it, the RODE VideoMic GO II and the Wireless GO II would be an ideal combination for your specific production needs! You could connect the VM GO II to one of the WL GO II transmitters AND use the other transmitter as a second mic for back up purposes or to mic up someone else! You can sent the Wireless GO II to record 1 transmitter to the L channel in your camera and the other to the R and then use them in post as you see fit. You can also definitely attached the VideoMic GO II to something like a PIXI (I've done that in another video) but you would need to be mindful of mic positioning to avoid breaths and plosives if setting a mini tripod on a table in front of you. I'd also recommend something like the Ulanzi U-60 ball head for the Manfrotto PIXI. The U-60 can be configured as a dual cold shoe head and you could attach the VideoMic to one and a Wireless transmitter to the other while giving you extra movement for better mic positioning. Additionally, this set up could be put on a boom mic stand if you wanted some extra height. Hope this info helps and thanks for watching my videos!

[@antsalmon]

Do you think the Videomic go 2 presents a great benefit for video creators using their phones while starting out? Currently I'm using the Joby Wavo mobile and that is alittle less in price than the rode videomicro. Which in some videos the wav mobile and Videomicro sound almost the same. I am wondering if you recommend I make plans to upgrade to the videomic go 2. I currently am not too pleased with the quality on the Wavo mobile. It is light and compact for mounting and travel. So it is definitely a great cheap option for vlogging. But I am not finding myself doing much vlogging or walk & talk style videos. Even then, the videomic go 2 seems almost as compact as the wavo mobile so it doesn't look like a problem for vlog style filming. Thank you!! and thank you for this very clear cut video that doesn't rehash any basics that other reviews have done.

[@WayneRECs]

Hey Anthony! Thanks so much for your comment! While I think the RODE Videomic Go II would be a nice upgrade for from the Joby Wavo, I checked out your channel and I think while the VM GO II will give you more production versatility, I'd suggest considering thinking about sound treatment in your recording environment. Sound treatment isn't super glamorous, but if you already have a mic, better gear may not improve your audio as much as room treatment, especially for the casual KZbin audience. Don't get me wrong, I love new mics as much as the next person and if the VM GO II's additional features (i.e. RODE Central/Connect) are things that will benefit your production workflow over another basic on camera mic, then upgrading would be totally worth it! Ultimately, there are lots of different paths to take when it comes to improving your audio. Like in gaming culture, one person may level up their Strength stats first and another there Agility stats, but in the end we're all moving towards building great characters. The same is kinda true for audio (though IMO room treatment can fast track that process over expensive gear). Just my thoughts and hope this helps!

[@Alakazam2047]

Great work! A couple questions though! If I'm using this mic to record family vacations on my Sony a7c camera (~1m away about), what volume do you recommend I set the camera to? What about if I have the NTG with its own gain control? Thank you!

[@WayneRECs]

Thanks for your Comment! Funny, what seems like a pretty straight forward question (what level should I set my camera too) from my perspective is actually pretty complex. From an audio standpoint, before we talk about specific mics, we need to define a few things. Is this family vacation at a quiet lake house? Is it at Disney World? Is it a cross country road trip? First understanding the environment helps to identify potential needs. Second, how big is your family? You plus 2 others? plus 4 others? plus 10 others? Capturing audio from lots of different people (of different heights and body positions i.e. facing the camera or facing away) could influence how you record. Third, are you operating the camera from behind and want to capture your own audio? Or are you vlogging along with your family? You may want to explore dual capsule mic options that record 2 separate tracks (one to L and the other to R). Fourth, what's your shooting style? Do you want to set it and forget it and enjoy engaging with your family or do you envision a more production style approach where you'll have the ability to make adjustments to your gear as needed? So.... I personally normally favor options that provide the most control but with the understanding that incorrect use may lose certain moments. For practical advice: with the VideoMic GO II, start your audio record level so that your levels are peaking around -12 to -6db on your meter. For the NTG, I generally advise to turn that up on the higher end (12-14) and lower your camera level as low as it can go while still getting your signal to peak -12 to -6db. Sorry, I really wish I could have just told you "11" lol

[@Alakazam2047]

@@WayneRECs Terrific questions! Nonsense, your answer was exactly what I needed to read! Thank you very much! If I didn't understand the thought process behind the answer, I wouldn't have learned how to also apply that later when I have different environments and scenarios to account for! Disney World and Las Vegas with a family of family of 5 (not including me) are probably the best examples actually! I prefer a set it and forget it approach, since I like to capture those blink-and-you-miss moments with kids and toddlers having fun. In that sense I am more of a run and gun approach with a desire to make creative family moments (not vlogging). And your advice for the two mics are perfect! I didn't know that I should be cranking my mic high while keeping the camera low!

[@WayneRECs]

Ha, glad I gave you lots of food for thought! A good general rule about audio levels is to let the actual audio equipment do the heavy work (as it was designed to) and your camera's input and preamp to do less (as they are components not often prioritized in cameras). With something like the Deity D4 Duo, it's a small on camera microphone with a front facing capsule and a rear facing capsule and separates them in camera s L and R. But, it also has a 3.5mm Input jack that overrides one channel. So the front mic still records, but you could connect something like a RODE Wireless GO Receiver into the Input and have both an on camera and a wireless lav both feeding into your camera. I'll keep an eye out for your Dumbo Ride video of you and your family in separate elephants but with super crispy audio lol!

[@shamsaddinamanov3879]

great video.

[@WayneRECs]

Thanks so much! Hope it proved useful!

[@daviday87]

Awesome video. I have a Canon EOS R. I just ordered the RODE VideoMic GO II, with the hopes of building a cost-effective, lightweight actor's selftaping setup, with high quality audio. What would be your recommendations for capturing the best audio with these two when having to stand at least 40 inches away from the camera? The idea of buying the Wireless GO seems like an expensive additional step, and I can't always pack a boom or a c-stand when traveling, so I was hoping to figure out solutions with just the EOS R & the RODE VideoMic GO II (along with a tiny mic stand & my laptop if needed)...Thanks in advance. Really awesome video.

[@WayneRECs]

Hey Davide! Thanks for your comment! If you're building a stationary rig that will be on a tripod, I'd look into an 11" magic arm or (`$20) generic articulating arm with a cold shoe attachment. This could act as a mini boom on top of your camera's hot shoe and move your mic ever so closer to the actor (which IMO every bit helps). The VMGOII is lightweight enough so that it wouldn't affect the balance too much though you may need an additional 3.5mm TRS extension cable to reach the camera's mic input. Something like this would also allow for more adjustability with mic placement and the ability to point it more accurately to the sound source (as opposed to the fixed position on top of the camera). While this won't replace using a boom mic stand or something similar, it would allow for easy set up and would be more travel friendly. Hope this helps!

[@daviday87]

@@WayneRECs super. Thanks for the advice!

[@flyboytech8246]

Also what boom stand are you using

[@rainsong9]

I cant get high quality recording from RODE Reporter app (android) and the native recording app on my LG V30 does not recognize the mic when I am connected with USB.

[@afoeder]

Hi and thanks for the video! What Ulanzi piece is this at 7:19? Thanks!

[@WayneRECs]

Hi Adrian! Thanks for your comment and question! That the Ulanzi U-60 dual cold shoe mount. It's actually a great tripod head (I'm using a mic stand adapter). The top cold shoe is reversible and can be unscrewed, flipped and reveals a standard 1/4" thread.

[@PaulinoAuyon]

Ah, voiceover work. No wonder there was something enjoyable about the audio of your videos. Subscribed!

[@WayneRECs]

Paulino! Thanks for the kind words (and compliment on my audio!) Yes, VO is my main gig and YT is my side hustle (mostly because it's nice sometimes to speak your own words as opposed to what someone else writes lol) Thanks for the sub!

[@ChrisSgaraglino]

Awesome, thank you! I do have a question: I am looking for an on-camera mic that I can use in my RV (no audio treatment) for vlogging that is going to give me the least amount of echo from the small area. I shoot with a Canon XA40, and it will be on a small tripod about 20-24" away. I have considered the NT5, NTG, and now the VM Go II? (I do have a MKE600 and NGT3b in my studio, but there is quite a bit of echo in the RV, and treatment in the RV is not an option). I'm looking for perfect, I am looking for better, and vlog acceptable with minimal post. Thank you in advance!

[@WayneRECs]

Hey Chris! Thanks for your comment and question! Based on the info you provided and what you're looking to do, I'm not sure that the VM GO II will work the way you need. Some general things to consider in untreated spaces, generally, you'll be better served by a mic with a supercardioid or hypercardioid pick up pattern. If you're in a tight, untreated RV and want to mitigate as many reflections or your voice bouncing off of hard surfaces, a microphone that is good at rejecting sound from the sides can really help. Honestly, you'd probably get the best results with your MKE600 or NTG3B. Your camera has XLR inputs that provide +48v so that shouldn't be an issue. I'd test those first in your actual RV location. When testing, think about things like where you are directing your voice. If you're facing the short side, that could sound different than if you're facing the long end. Also think about your mic placement. You could have a separate boom mic stand to help get better mic positioning (or even something like a friction arm/ magic arm between your camera hot shoe and mic clip can help close that distance gap). I can see how permanent sound treatment isn't a viable option, but you could consider a single sound blanket (like one from Audimute) which would be large enough to cut off some of the extra space and absorb your voice. And though not my first recommendation, inexpensive moving blankets can potentially have a similar (yet lesser) effect. Hope these tips help!

[@oscarvfernandez]

Hi, Thanks, very useful video. I have a Sony ZV-E10 camera and I want to use the Rode VideoMic Go II microphone. I have not been able to get it hooked into the mount in the right place. It doesn't fit. Do I need a cage to screw it in? Thanks again!

[@WayneRECs]

Ho Oscar! While I currently do not have access to a ZV-E10 or a RODE VideoMic GO II, after loosening the locking ring on the mic's shockmount, you should be able to slide it right into your camera's hot shoe. One thing to note is that the cold shoe plate on some microphone shockmounts may not be a square (some are rectangular in shape and can only be inserted into a hot shoe in one orientation. If this is the case with your mic and camera, it may be that the shockmount fits when you slide it in rotated 90 degrees (facing to the side) but not when you try to slide it in facing to the front of the camera. In that case, there may be a small screw on the underside of the base of the shockmount which you can loosen and rotate the cold shoe plate. Hope this heps!

[@oscarvfernandez]

@@WayneRECs Hi Wayne! Done! It worked, thanks a lot. My problem was to be too cautious loosening the locking ring. I was afraid to break it, but it only needed more determination. For being able to do it, good information is needed. Thanks a lot for your help. I’m very lucky having such kind of support. I really appreciate. Thanks! 👍

[@Lensesandgadgets]

@wayne. Can ask you what brand/model you using between boom and mic cold shoe? I like how it has swivel and able to hold the go II transmitter. Thank in advance. Just submitted.

[@WayneRECs]

Thanks for asking! It's a Ulanzi U-60 Dual Cold Shoe Ball Head. What really awesome is that the ball head top is removeable so it can either be a 1/4 20 mount or flipped over and it's a cold shoe.

[@Lensesandgadgets]

@@WayneRECs Nice! Thank you

[@aksoofficial]

Thanks a lot for the detailed video! I have a very specific use case that I hope you can assist with. I'm a DJ and I'm looking for a mic with which I could record some ambient/crowd noise that I can add to my mix recordings. Normally, I would turn up to a gig and there's a person on the decks before me. So, I am looking for something that is very easy to setup (in that circumstance) and also portable to transport. Turning up early to do a proper mic up is usually not really an option. The price point of this mic is very attractive, but one thing that makes me a bit nervous is the super-cardioid pick up pattern, which to my knowledge also picks up a bit of signal from the back of the mic. What are your thoughts on this? Any ideas that you could share would be highly appreciated!

[@WayneRECs]

Thanks for your comment! Based on what you've described, I'm not sure the VideoMic GO II is the best option for your specific scenario. Given the lack of time to do any sort of mic check, it really sounds like a 32-bit float recorder would produce the best results. I've been recording in 32-bit float in live situations and it's been great to be able to hit record and not worry about clipping. The downside is most 32-bit float devices are double the cost of the VMGO II. Another option would be finding a mic that has a safety track feature (or less ideal a limiter). A pad or gain control would also be useful. I think pick up pattern, while generally important, comes in second to the ability to handle a wide dynamic range. If you can find one, the ZOON M3 could be a good option as it's a standalone mic with a built in recorder. If you're really set on ~$100 usd, the Deity V-Mic D4 has a gain knob (that goes to -5db).

[@aksoofficial]

@@WayneRECs Thank you very much for the tips, much appreciated. I wasn't aware of the Zoom M3, to be honest, and it looks like a good option for sure. I currenly own a Zoom H5, so I am looking to something that will maybe allow me to record direcly on it (as it also has gain adjust). The budget is not strictly fixed at the sub-100 USD options but I also am not in a position to go to the very high budget options. I was actually looking at Rode M5, which seem to be a popular options for crowd mic-ing churches. They also are not very expecnsive at ~170€ for a pair, from what I have seen. The only consideration is that they require phantom power, but my H5 should supply that without an issue. I really need one mic bit if they come as a bundle, then I can have one spare, or something like that. Have you had any experience with these mics by any chance?

[@rawnato]

Thanks for the video man! And I have a question for you! I don’t understand nothing about audio, and I really need to know what is the level I need set on my camera! For example I need to increase the level of the camera until hit 0db something like that? I set my last video on level 3 on Sony with rode video micro and I think it’s something like garbage

[@WayneRECs]

Thanks for your comment! In your case, if you are only using 1 mic (like the Rode Video Micro) running directly into your Sony camera, you only have one gain setting to worry about. That's in your camera. Ideally, you would raise the level until you're meter is peaking around -12db to -6db when speaking normally to your camera. This will give you enough head room to hopefully not clip your audio (i.e. exceed 0db). BUT, if you mostly do talking head videos at your desk, you can move your VideoMicro physically closer to you which will allow you to lower your camera's audio record level and overall give you a cleaner sounding audio recording. You could do this using a Boom Mic Stand and a 3.5 mm extension cable to boom your micro overhead. Or depending on how far your camera is away from your seating position, even something like a 12" friction arm (magic arm) attached to your camera's hot shoe mount can help extend the mic out some. Generally speaking, in an ideal world, you would find the optimal place for your mic (as close to your subject as possible) and then raise any gain level accordingly. Hope this helps!

[@rawnato]

@@WayneRECs thanks for answer me, and just to you know, I’m recording like that all in one desk stand, with the mic on top of my head, like your mic in your video 🤘🏻

[@chadhosegood]

@Wayne RECs ! I miss your goalie videos. I’m looking to upload quick acoustic guitar and singing videos and don’t want to record all the time on my big studio rig. I have a portable Bose speaker that i can run my mic and acoustic guitar into. I want to set up and use video from my iPhone and a mic like this pointed at the speaker to get the effects (reverb, delay on guitar). What on camera/phone mic would you recommend? I currently have a Rode Micro but wondering if there is something better. Thanks!

[@WayneRECs]

Chad! You are totally awesome! Thanks for your comment and glad you found me! To answer your questions, for you I'd actually consider something like a Zoom AMS-24. It's actually a mobile-friendly audio interface that would accommodate a guitar and mic (assuming you're ok using a mic you already have & an effects pedal). But this would be more for a video focused setup. If you're prioritizing the performance aspect (and use the portable speaker for it's effects features), you'll likely want a mic with a higher SLP if you still intend on miking the speaker. While it hasn't quite released yet, look into the new Deity V-Mic D4. It also has an adjustable gain knob on the back for added control (especially handy when inputing into a phone).

[@chadhosegood]

@@WayneRECs Wayne - you are amazing! Thank you for that as I use the Rode Micro and well.... its GREAT for a cheap starter mic but wanted something that, as you said, can handle higher SPL and work with my DJI Osmo Action and Iphone 14 pro. I will definitely check these out!

[@flyboytech8246]

What did you use to attach the rode wireless go to the boom mic

[@WayneRECs]

Hi, thanks for asking! I used a Ulanzi U-60 Dual Cold Shoe Ball Head. The awesome thing about this particular ball head is that the top attachment screws on one way to give you a cold shoe mount OR you can unscrew it, flip it over and make it a 1/4 20 screw thread. I have this mounted on just an Onstage Boom Mic Stand but do have a few adapters to go from the mic thread to the Ulanzi thread.

[@Flowerjessy]

Why is it that when I plug it and listen to my recorded video, there is no sound?

[@greinalexandra]

Great video

[@WayneRECs]

Thanks so much for your kind words!

[@jduvall]

Quick question could you plug this to a zoom f3? Would it fit? If not is there a way i could make it fit like an adapter?

[@WayneRECs]

You could if you used something like the RODE VXLR+ or RODE VXLR Pro. Those two 3.5mm female to XLR male adapters convert 48v phantom power to "plug-in power" so that you can plug in an on camera mic like the VideoMic GO II into the F3. You would need to enable phantom power in the channel in the F3 though.

[@quintessentialgrooming5285]

Can it be used with an interface via a 3.5mm to XLR adapter?

[@WayneRECs]

Yes, but you would need an adapter like the RODE VXLR+ which converts 48v Phantom Power down to ~5v-7v for mics that take plug-in power like the VideoMic GO II. I'll actually be demonstrating exactly this in an upcoming video!

[@hochzeitsphotocom]

Why can't you put the usb c output directly into the camera but in my phone or computer i can?

[@WayneRECs]

Thanks for your question! I think it really comes down to not all camera USB ports and functionality are the same (as a computer's) and not all microphones are designed for this kind of interface. If a camera was designed with digital audio transfer in mind and a mic was also specifically designed for this purpose, then it totally is feasible. I have a GoPro Hero 4 that accepts a Sennheiser mic via it's mini-usb port. But these two devices were specifically designed for this purpose. And while I'm glad everything is shifting towards USB-C as standards, even though the plugs physically fit, it doesn't mean they are capable of transferring the correct information (like the 3.5mm TRS vs TRRS issue that can come up).

[@williamsuen1831]

Can I use the Rode Central App on an iPad Pro and plug the VideoMic Go II directly on the iPad Pro? Because I am using the iPad Pro to record my voiceover and I need the Rode Central App to filter noice

[@WayneRECs]

Hey William! While I don't have an iPad, based on the RODE website, the Videomic GO II is compatible via the RODE Central app but you might need the RODE specific lightning adapter for it to work (I think it's the SC15 or SC19 cable)

[@williamsuen1831]

@@WayneRECs Thank you for your research and reply. 😀

[@dentaltv]

What boom arm are you using in your setup?

[@WayneRECs]

In this video I'm using an OnStage MS7701B Euro Boom Microphone Stand. While it is a little more expensive than a generic stand, if you're relying on it holding up hundreds of dollars of equipment, the extra investment for a reliable, sturdy mic stand is worth it IMO.

[@HavalKurdistanBaşûr]

Whenever I join a live stream, the streamer can hear me clearly but I can't hear them through my android phone S23ultra speakers unless I connect a headphone through 3.5mm jack. Please advice, thank you 😊

[@WayneRECs]

Hi, thanks for your question! So to clarify, when you are a guest on a livestream and are using your S23 Ultra, you connect a RODE VideoMic GO II to use as an external mic and then are only able to hear the host via your headphones (which you have to plug into your VideoMic GO II)? If you're asking how to use an external mic BUT use your phones onboard speakers for playback, I don't think that is currently possible. While separating your input device (mic) and output device (speakers) is pretty standard say in Windows, on Android I don't think it's possible. The closest thing Android gets to separating devices is "Separate App Sounds" located from "Settings", "Sounds and vibrations", "Separate App Sounds". If you have a connected BT speaker, you could try using this setting to set media output to that speaker for the app you use to Livestream, but I can't confirm that your input device (VM GO II) would still function as intended.

[@HavalKurdistanBaşûr]

@@WayneRECs Thank you so much 🙏🙏🫡🫡😊😊

[@ericdoziermusic]

What ball head are you using on the boom stand?

[@WayneRECs]

Hey Eric! I used a Ulanzi U-60 Dual Cold Shoe Ball Head. What's really great about it is that the top is designed to be a cold shoe mount, but can be unscrewed, flipped around and become a 1/4"-20 mount.

[@ericdoziermusic]

@@WayneRECs Thanks!