Hey that is a really good video! Now obviously it’s only scratching the bare surface of music theory but it might be really good for beginners. Now i already noticed that you talked about what note is notated in between the bottom lines of the clefs rather then saying what note they’re marking (G, F, C). Also you talked about crescendo and decrescendo where you didn’t mention the word diminuendo but wrote it down in the timestamps. Now for 11 (key signatures) you COULD have said that you obviously stop playing the F# if the there’s a signature change, but that really isn’t a big deal. A pretty common mistake also is translating staccato with short even though it only means clearly separated but of course it is not wrong to say short since that is what composers tend to mean with staccato, especially in contemporary music. The sweeping line for phrasing marks, ties and slurs can also go below the notes. Accents is what we call the group of symbols telling us what to do with specific notes but what was shown here is actually most commonly a sforzando-accent. Depending on what you play the trill might also go to an interval below and might vary between semitones, whole tones even thirds and doesn’t have to be played super fast… Usually this is instructed in you music and also applies to turns, etc. Important to say would probably also be to say that triplets and duplets only appear in binary/ternary time signatures. Pedal marks can also be noted with a rectangular bow. Again; I really like this video. It’s fabulous. But i just think if you want to have the most important information in it you should have all of the most important information in it. Still is a great option to learn basic terms and symbols! Hope you’re doing well!
@constancemunyire30134 ай бұрын
Thank you 😂
@wonderfulworld35034 ай бұрын
God bless 🙏
@lunagamergirl61973 ай бұрын
Thx for that 😊
@amazinggrace56925 ай бұрын
Oh this is much much harder than I imagined.
@jamesmcdunn5 ай бұрын
Not really. You don't use every one of those things in every song. Just do it slowly. It will work out okay.
@Scarrrz3 ай бұрын
I played the trumpet for over 8 years, and it was VERY overwhelming in the beginning, but as James below says, you don't use many of the symbols in daily music, but slowly integrating them in different pieces you do over time will make things MUCH easier. Especially pacing yourself. It all connects eventually.
@aozorashiАй бұрын
@@jamesmcdunn Definitely! Like every skill, everything is hard at first. You just need to get past the hard part~
@kezif28 күн бұрын
actually you could learn notes, measurement and your band director would help with accents
@ajh990420 күн бұрын
@@jamesmcdunnsame
@tristacker5 ай бұрын
I've always wondered why I could never learn to read music. Now I know why.
@NabPunk5 ай бұрын
The system is kinda dated if you ask me. we should try to make some changes, but people generally don't like that assertion
@skyworm80063 ай бұрын
@@NabPunk I've seen alternative systems and they're all bad / made by people who don't understand the existing system and what it's used for.
@Terry-te7kt2 ай бұрын
@@skyworm8006 yeah that really sucks because yeah people like stevie wonder aka a blind legend was able to play so well without sheet music and ray Charles who was a composer and was also blind but still was able to learn without sheet and other musicians like Eric Clapton who was not a pianist but a guitarist who like the rest of them sadly 😢 “didn’t understand the existing system and what it’s used for” 😂don’t make me laugh. Music is a form of creativity and and expression there is no system that u have to follow to be a musician because sadly stevie wonder was born blind yet the fact that he could not read sheet music never stopped him from being the great musician that he was so come back to earth for two seconds and realize that people can find anyway to learn anything if they really want it and that’s something that no amount of sheet music can teach them
@paulthesoundguy1Ай бұрын
You do not learn all about music at one time, it’s gradual learning about how to “read and speak” music. JUST LIKE LEARNING how to do math or actual reading or writing….it takes time to GROW
@Mercure250Ай бұрын
@@Terry-te7kt Ok, first of all, oh my God, please use more punctuation, I felt out of breath reading this. Second, the above comment meant a system to write down music, not to do music in general. And lastly, nobody here said you can't learn music without sheet music. But just because you can learn music without sheet music doesn't mean sheet music isn't useful.
@ProgramistaNaBudowie5 ай бұрын
Thank you very much! I am self-practicing piano for three months now and I saw most of the symbols presented in this video but it was helpful you explained them.
@matticawood5 ай бұрын
No problem! It’s good to have these things solidified in your head 😊
@innermostbeing5 ай бұрын
Your thoughts and efforts to bring this video is a reflection of your musical maturity. I have never come across anything closer to your video until this day. Your effort will allow any amateur musician to easily understand the music symbols. This video will also partially help all those grappling to understand music theory as part of their exams. You were mind-blowing!!! You made me subscribe to your channel. Looking forward to many more creative productions that will help music learners (also me) around the globe. Thank you so much, Matthew!
@jaimegarzi20295 ай бұрын
45/50!! That symbols for string instruments got me, didn't know that they even exist.
@crazyrun20245 ай бұрын
Since I play piano they also got me but somehow I've never heard of turns before
@misanthropicmusings45965 ай бұрын
@@crazyrun2024 I encountered the mordant and turn once, and can't remember where-- not a pianist, but I dabble.
@KubickQ2 ай бұрын
string player here, knew some by appearance but not name and entirely didn't know only three
@thefourthdymensionmusicАй бұрын
same. brass boi over here.
@philiproyd65635 ай бұрын
I always struggled to tell the difference between Common Time and Cut Time. Now I understand. Thank you. One thing you did not mention was double-dotted notes.
@MemeAsylumFanАй бұрын
Double dotted notes are basically a dotted note, but the note that is added to the first note (for example let's take a dotted quarter note, they get an eight as a dot, and for double dotting, dot the second note; the eight, so a sixteenth.) A double dotted quarter is 1.75 beats in 4/4
@lukeaubee2 ай бұрын
This guy's content shouldn't be free! We are so blessed to have free access to this stuff in our modern world.
@ranjankumarsahu99815 күн бұрын
If you can afford to pay, please go ahead. Knowledge should be shared
@islampiano512 ай бұрын
Matthew is best piano teacher. I had many teachers, but I didn't know teachers like he.
@mikehaws31872 ай бұрын
Yes 50 music symbols. Well done
@nicolasmastowski5645 ай бұрын
Very nice vid ! To me an easier way to remember - treble clef: the second line (where there is the spiral) it's a G, bass clef, between the two dots it's an f, alto / tenor clef, the middle of it is a C
@m4gn5g625 ай бұрын
This is actually incredibly correct as the clefs by true name are G clef F clef and C clef. And when they move around it changed the location of said note
@jimrodarmel85125 ай бұрын
@@m4gn5g62 I learned to read music as a vocalist, and was taught G clef and F clef shortly after the names treble and bass, and alto and C clef at about the same time. I was only told the C clef could move around, and that it's common in earlier music. I was surprised the tutor here didn't mention the F / G / C names, it makes them much clearer.
@penelopegoldberry83055 ай бұрын
@@jimrodarmel8512 The G clef can move too. It's rare, though, but for recorder-players, it could make things so much easier. Unfortunately, it's not done...sob!
@SirSkippyMan6375 ай бұрын
As a pianist, I did not know: double sharp, sforzando, double whole note, octave signs (on treble/bass clefs), difference between acciaccatura and appoggiatura, alto/tenor clef, down/up bows, rubato. So 41/50. Nice vid man!
@blackmage12765 ай бұрын
He really poorly explained alto and tenor clef. The clef shape shows which line is middle c. On the alto clef, middle c is in the middle of the staff. This means you could move the clef anywhere so that any kind of clef is possible
@rrinnlonginus2 ай бұрын
I have self-teach myself for years purely by trying to read what the symbols mean and learning how does it affect a piece by listening to a sample or transcribing a piece myself for years. This video got recommended to me and I though I can do some refreshing course with it. Though I didn't expect to reflect on myself and say that I am very grateful to somehow be able to teach myself just through the internet and with the right source.
@shelbypierson51182 ай бұрын
For the few seconds at 2:16 i recognized that Rachmaninoff song. It's so fun to play! It made me so happy.
@MA-dg1qr11 күн бұрын
Just what I am looking for ... thanks, Matthew.
@isisdelph52723 ай бұрын
If you are a musician it’s your responsibility to understand the music you read, thanks for showing all these symbols
@Keyboardje5 ай бұрын
I am self-taught at reading notes and playing the keyboard, doing it by ear and by intuition from childhood on, never really knowing if I did things accurate or not, especially when trying to play classical pieces, but I'm not one to want to take actual lessons. I do things "my way" :D But now I am amazed at how much I turn out to have gotten right just by figuring it out for myself. Nice :)
@Pixelgd_58215 ай бұрын
you just made me travel back to 1st grade
@matticawood5 ай бұрын
What a wild ride that must have been 😉
@AmericanScholar825 ай бұрын
I'm glad to say that I knew most of these. But there were some that I didn't know, especially the ones that are used for instruments other than the piano. Most of these I learned in High School Music Theory, but a few I learned or relearned on my own, as I would practice reading music and play pieces on the piano.
@Wootwootwooton5 ай бұрын
I think I knew them all, mostly (I've played both piano and cello), but some were good refreshers of the names (marcato, breve, the differences in grace notes, tenuto, volta, and the coda). Thank you!
@Betty_Boop-y2a5 ай бұрын
I'm so glad this was in my fyp.
@lesliemacmillan99325 ай бұрын
Very good, high-density info! 🙂 Trills, mordants, turns, and acciaccaturas are played as fast as you possibly can but in perfect control. Think of them as hemi-demi-semi-quavers (1/64th notes.) Most of us do these grace notes not with adjacent fingers but with one finger removed for better control. e.g., 4-2 or 5-3. Try it! You should practice trilling (especially trilling!) with every possible combination of fingers of both hands. But 4-2 with the right hand will get you started. 5-3 is hard but handy to have in your toolbox. An acciaccatura ("crush") is played as that single very short note just before the main note, so the main note comes in on time and has its full value. (That means you have to steal a tiny bit from the note or rest before.) An appoggiatura comes in on the beat and robs its indicated value from the main note. If the appog. is an eighth note (as they usually are) and the main note is a quarter note, you play it as two eighth notes. If the appog. is a eighth note and the main note is a half note, you play it as if the half note was a dotted quarter note. But the appog. is still subordinate to the melody indicated by the main note. Note that in Chopin, there are often multiple small auxiliary notes before or after a main note. Usually you interpret two or three notes as an acciaccatura (before the beat, robbed from the previous note) even though they won't have a line through them. Only a single note gets a line. A line through three notes would look messy. If there are many small auxiliary notes, you have some liberty as how to play them. They usually aren't rendered as hemi-demi-semi-quavers but more like rippling water. This (and the explanations in the video) is the usual convention for grace notes in classical and romantic music. In baroque (Bach) the symbols are usually interpreted differently and it depends on what the various editors wrote in over the decades as baroque composers didn't write any marks in at all. The pianist was expected to follow contemporary performance practice...or he could send Bach a text message (written with a quill pen) and ask him how he wanted his piece to sound.
@DanielWheeler-kh4ei2 ай бұрын
Tldr? Idk
@lesliemacmillan99322 ай бұрын
@@DanielWheeler-kh4ei You either want to know this stuff in order to play classical music properly....or you don't.
@oppositeistrue2 ай бұрын
Thankyou for showing us that, saved me a lot of time, I'm not one for giving up but if I thought for a second I could do that, I'd be lying...
@YorkshireTripper.5 ай бұрын
You always knock out a belting video Matthew . You explain things clearly and very simply to make everyone understand too many piano youtubers just waffle on and you get lost in what they are trying to explain but not your videos .
@curtpiazza16885 ай бұрын
Great for beginners! Great review for experienced musicians! Very well presented! 😊
@kneuper30815 ай бұрын
Why not write the actual note instead of double sharp or double flat
@CasualEdits8345 ай бұрын
Reasons of the minor or major.
@CasualEdits8345 ай бұрын
A composition was wrote in a minor or major with flats or sharps if he wrote a 2 sharp in a ( a flat minor) [Example] that would not be composed correctly and couldn't fully be correct.
@kylone15 ай бұрын
This sounds like a video idea.
@matticawood5 ай бұрын
There are a couple of reasons, but one of the easiest to understand is that a typical scale needs to contain one of each letter (A B C D E F G) and so if you have a section of the music that is using a G# harmonic minor scale (for example) the notes would be G# A# B C# D# E Fx. The 7th note in this scale is a double sharp because if it were a G we would have two forms of G (G and G#) and no forms of F. Another reason is that particular chords that are being outlined need to retain particular intervals (note distances)…and when used in certain keys and scales, you end up with double sharps and double flats. For example a D major chord contains the notes D F# and A. A D# major chord would need to retain the same note relationships, so it would be D# Fx A#. That’s not my best explanation, but hopefully that gives you an idea! Maybe there is a video to be made on it 😊
@eddieandmaxie5 ай бұрын
Im pretty sure it depends on the key signature, because you’re not really going to use flats in a signature that has sharps, unless your transitioning from a sharp to flat key signature, same for the opposite. At least I’m pretty sure.
@EazyP_ZАй бұрын
I've been hoping to find something like this, a quick and short notation refresher. Thanks!
@romeomihaes82122 ай бұрын
Perfect video i was looking for explains everything very simple with examples of how it can look.
@WorldofWonder-he9vgАй бұрын
Wonderful! Thank you ever so much for this! Keep up the good work, and God bless you!
@jzluzzy1232 ай бұрын
thank you kind gentleman! making information that is difficult to obtain and digest simple
Trumpet player here. Most of those marks are familiar, but this video did remind me of some of them, and some were completely new. In order: Marcato: I saw that before, but forgot in the interim Sforzando: Apparently I forgot or was mis-taught what that meant. I though that that was the same as an accent mark. Turn: completely unknown Acciacatura: never heard that name; I heard of a "grace note" Appoggiatura: never heard of it Forte-piano: I thought that that meant accent Mordent: completely unknown Volta Brackets: I was taught about "first and second endings "; I never heard the name "Volta bracket" before Arco: completely unknown, since I'm not a string player. (I knew about up-bow and down-bow from when I was in the orchestra, but since I'm not a string player, I didn't remember which symbol is which)
@RonSonntag5 ай бұрын
Very good! I had 50/50. Appreciate the detailed nuances.
@combro70965 ай бұрын
The notes we hear don’t line up with the visuals showing turns and inverted turns at 9:22 don’t line up with what we’re actually hearing. What we hear is actually G-A-G-F-G, not F-G-F-E-F. The same goes for mordents at 12:19. I don’t have perfect pitch, but it threw me for a loop when I expected the semitone from F to E and heard a whole tone!
@matticawood5 ай бұрын
You are correct! That’s funny 😂 I was clearly not listening properly while editing!
@wolfgangbauer27295 ай бұрын
same man
@combro70965 ай бұрын
Nope, he definitely plays an F
@joewhitfield63165 ай бұрын
Extremely helpful! Thanks for sharing.
@alec.j4 ай бұрын
47/50, orchestra has taught me well :)
@kalyanarajasekharbabu9312 ай бұрын
Yes basics first we have to learn so easily understand your presentation
@cowboycurtis22294 ай бұрын
Note lengths and rest lengths are dependent on the time signature. A half note is not always 2 beats. If the time is 2/2, then a half note is one beat.
@bestbs06215 ай бұрын
Yet another great video! Even though I have been playing for a couple of years now and recognized most of the signs, it was still a fun vid to watch. For real though, I’ve been playing for like 5 years and have never seen a double whole note in my entire life lmao 💀💀💀
@yoelthepianista14275 ай бұрын
AAA I NEED THIS. I'm writing a ballade and I NEED to know this
@JosephAntonio-xe6qh4 ай бұрын
I knew 43 symbols. Thank you for the information.
@jeffersonkee6440Ай бұрын
Thanks for the refreshments!
@AtlanticNotesPiano5 ай бұрын
Amazing explanation!
@sheldonsays99223 күн бұрын
Right. So intuitive ....
@deliseovpstudio29785 ай бұрын
MANY, MAANNNYYY THANKS @2:07 for using the word QUIET to equate with the "pp", "p" & "mp" dynamics markings!! It's a "pet peave" of mine, but it IS more accurate to say (in music). It also corrects the concepts that people have when they say things like: "Turn the music 'UP', I can't hear it because the volume is too 'LOW'!" - - When people say things like that, I know they'll also have a hard time with PITCH being "high/low". 🎉Thank You all the same for your video!!🎉
@deliseovpstudio29785 ай бұрын
Whoops! Did I speak too soon? @6:04, you referred to double flats as being "two bs ("B")" - - "Flats" are just that -Flats-! When we call them "b"s, that causes confusion when you call a different note by its letter name. I had a student messed up/confused for days when we were talking about notes in the key of "A-Flat" - - they kept saying, "This is in the key of 'a-B-flat' " instead of just calling it "the key of A-Flat" 🤭. Is it a Brit-thing to call flats "B"s? I fly WAAAAAY off of the handle when my students call sharps - - - HASHTAGS!!!! 😡😡😡 - - It would be like a math teacher allowing students to call pulse signs (+) a "cross" (†) NOPE not the same thing... Or is it not? After all, Christ did go to the cross † so that all who accept His gift of salvation could be "ADDED" to the Kingdom of God, right🤭? Praise God for that! Have a blessed day!
@omonotv5 ай бұрын
This video will help a lot of aspiring pianists like me, great video like always matthew :)
@matticawood5 ай бұрын
Thank you, I’m glad you think it is useful 😊
@stephenmallick99244 ай бұрын
Great. High-density information. Thanks🙏
@SoundyVoid5 ай бұрын
Knew everything, but it's very very helpful, I wish I had a video like this when I was starting out. Great job!
@arthurmerkel1615Ай бұрын
only didn't know about marcato, everything else checks out. good video
@alexstucky5 ай бұрын
Yay! I knew most of them, except for the uniquely string stuff (clarinet player here). Some I didn't know the real name for, ie the grace notes.
@wunderkinder_wk5 ай бұрын
😱 This is hard, so many symbols to remember..but never encountered most of it... Thanks for sharing tho 😊
@scmtuk36625 күн бұрын
Also, on the subject of septuplets for example, there is no strict definition as to what the notes are played "in the time of". That is, sometimes, it's 7 notes played in the time of 4 notes, and sometimes, it's 7 notes in the time of 8 notes. To avoid this, sometimes tuplets are written as a ratio, where the first number is the number of notes being played, and the second number is the number of notes being substituted in length. For example, 5:4 would be 5 notes in the time of 4 notes. While, septuplets may be played as either 7:4 _or_ 7:8, I believe it's usually assumed that in general, that n-tuplets are to be played in the time of the largest power of two notes _below_ the number of the n-tuplet. That is, 5:4, 6:4, 7:4, 9:8, 10:8, 11:8, 12:8, 13:8, 14:8, 15:8, etc. For example, some people may find it makes more sense that 15-tuplet notes are played in the time of 16 notes, instead of 8 notes.
@DownhillAllTheWay5 ай бұрын
Terrific video! Just the facts - no embroidery! OK - you asked! I learned piano from age 14 till 16. After that, I played around a little bit, but pretty-well dropped out of music altogether. I still play the harmonica (very badly), and about 10 years ago, I was given the sheet mucic for Bach's Toccata & Fugue in D min, so I bought a cheap electronic keyboard, and learned it. It took an entire year (my sight-reading is really BAD), but I could finally play it fairly well, I thought. I'm nearly 80 now, but I remembered all the symbols that apply to the piano (you don't have to bow a piano), except two that you surprised me with. (1) A 'turn', I had remembered as being up and down a semitone, rather than a tone, and (2) the Tenuto mark, I had remembered as being half a staccato - the note played for half its length, instead of staccato, where the note is sounded and not allowed to sustain at all While learning initially, I came across triplets of course, but I never encountered quintuplets or septuplets, thank goodness! I learned Liszt Consolation No. 3, which I was proud of because it has mixed timing, but that was about as far as I got.
@Anette-d1s5 ай бұрын
In Norway we call treble clef G clef and the bass F clef. Because they are curled/dotted around their respective G and F. That's how we learn to read them.
@kobigerassi55015 ай бұрын
In Israel we call them Sol kclef and Fa clef, we study the solfag European way...Do Re MI Fa Sol LA Si Do ...😊
@hoangtrung215254 ай бұрын
@@kobigerassi5501Us Vietnamese learn the same names!
@littleDutchie924 ай бұрын
In the Netherlands we call it g- clef (sleutel(key)) and f clef as well!!
@isisdelph52723 ай бұрын
I was taught in the USA but not by classical pianists but old time jam pianists and the would also say G clef and F clef or Treble and bass
@jackdolphy89655 ай бұрын
It’s also useful to call the treble clef the G clef. And bass clef is called F clef. The reason is fairly obvious.
@DieterLo122 күн бұрын
Wonderful teaching!
@윤성진-p2d1m5 күн бұрын
할머니? 아니야!!!!!!!!
@hektor67663 ай бұрын
Alto and Tenor are both C clefs, the indentation in the symbol sitting on the C line in each case; like the Treble clef curls around the G line, and the serif of the vertical bar or the dots (which were originally horizontal bars) of the bass clef sitting on or surrounding the F line.
@organic5273 ай бұрын
Thank you Matthew….I love this video🙏🩷
@brianregan50535 ай бұрын
Great explanation. I think I have retained about a tenth of it.
@razorwhipqueen89723 ай бұрын
Favourite type of Volta in a repeat is when it has a fifth-time repeat bar :D I had *one* piece like it and it was one that my music teacher came up with himself to torture my classmates and I with
@beehive5370Ай бұрын
50/50 baby!
@MiaPianinger3 ай бұрын
Jesus! This is more complicated than I thought :(. Very explicative video, thanks!
@RobespierreThePoofАй бұрын
It really isn't. You only need to memorize and apply them.
@anthonypride19465 ай бұрын
Nice video. But I have to advocate for two symbols for organ players. In organ pedalboard notation on the bass clef a V or inverted V indicates to use the toe of the foot and the oval or indicates to use the heel. But there were several other symbols I didn't know.
@I_uhhhh5 ай бұрын
D.C. - Da Capo 14:51 D.S. - Dal Segno 14:57
@aidenmonahan1766Ай бұрын
0:20 I would like to state that defining the clefs by the lowest space is incorrect. They are actually defined as a G clef (treble), F clef (bass), and C clef (alto and tenor). The f, g, or c are where the focal point of the clef. The G is where the treble clef swirls around, the f is where the two bass clefs dots are in between, and the C is in the center of the tenor or alto clef. This means that if you move the clef up or down on the staff it changes where the focal note is. This is most commonly seen in alto and tenor clef which are the same clef just a whole step apart
@aidenmonahan1766Ай бұрын
And I stand by that
@matticawoodАй бұрын
I wasn’t defining the clefs by the lowest space. You are correct that treble is a G clef, bass is an F clef and alto/tenor are C clefs. I was showing the lowest space on the stave as an example of a note in each clef for comparison so that it’s easier to see that the notes change depending on the clef you are using. If I referenced the G, the F and the C instead…those that don’t understand note reading at all wouldn’t be able to see as clearly that the notes are different on the stave if I referenced a different place on the stave for each clef. Those that do understand sheet music, like yourself, already know this…so it isn’t a problem. 😊
@JJ-si4qhАй бұрын
Even as someone who has done this for decades, there has to be a significantly better writing system
@marinesculucian65385 ай бұрын
music is harder than math ... 😶😧😵💫🤓
@HYP3RK1NECT4 ай бұрын
Improvisa diatonicamenre. Te recomiendo un controlador midi. Y improvisa en formato midi. Allí te darás cuenta de cual es tu "tempo y rítmica". Se te hará más fácil saber emular y escribir el tempo.
@Glamrock_fred3 ай бұрын
But music at school I got full mark and im 1st of music at school
@mazilys3 ай бұрын
Music is math, math is music
@VEGITOBLUE-q8w2 ай бұрын
And somehow I’m better at music than math
@Tried_Original2 ай бұрын
🤓 ☝️ Well actually math is just language and music is also a language, which means every language you know is just math.
@solveigcronstrom77872 ай бұрын
Thank you for the good initiative. But...have you ever considered making 2 videos with 25 signs? I would not be surprised if anyone more than me woukd be happy.
@edwardonsax99195 ай бұрын
the timing on the beat notes I never saw explained that way before, or else you were just taught differently. the 1-beat note is a quarter, because it's 1/4 of a whole note. The 2-beat note is a half note because it is half of a whole note. the one with 1 flag or bar across is an 8th note, 2 flags/2 bars a 16th note. I knew most of what you showed, but appreciated the review of the speed markings and the articulations.
@शिव_सागर5 ай бұрын
Thank You Very Very Much! Nice explanation! 🙏🙂💛
@synthiaannstan5 ай бұрын
🎉 Thank you! I knew most for the piano.
@kuuvene86595 ай бұрын
Treble clef actually tells you where the G is, not the place of the F. It's also called an G-clef, and the bass(?) clef is also called a F-clef, due to it telling the location of F. Same logic on Alto-clef or C-clef, which locates the C.
@emoakland53395 ай бұрын
Re: key signatures - they don’t actually tell you what key they’re in. So, say a key signature has F# in it. Yes, it could be G major, but it could also be E natural minor. You wouldn’t know which just from the key signature - you need to look at the notes in the song or piece of music you’re playing and whether that resolves on a G (or G major chord if it uses chords) or E (or E minor chord if it uses chords).
@svnrm20042 ай бұрын
Thank you so much for the inputs. 🌟🌟🌟🙏
@Slinky02055 ай бұрын
I have no idea why I watched this(I got 46/50), but I really enjoyed it!
@suikun2454 ай бұрын
I would like to know why they have those particular shapes, like the history behind the first creation of those symbols before they became standard in music sheets.
@willzang30005 ай бұрын
time stamps wouldve been so sick bro ty
@cowboycurtis22294 ай бұрын
#5... if there has been an F# *in the measure* and it's followed by an F with the natural symbol, then it's a normal F again. Don't need a natural once you get to a new measure, as it is implied by the key signature (although some will add it in parentheses as a courtesy reminder).
@jean_mollycutpurse_winchesterАй бұрын
Oh, I have SO many questions!
@xlegendgamingbg403524 күн бұрын
My brain just blew up 😂
@jejebenj1285 ай бұрын
43. DOWN/UP BOWS When playing on a pipe organ especially pedalling, down bow symbols indicate that the note is played by a heel, and up bow symbols indicate that the note is played by a toe
@killianmiller61075 ай бұрын
Tell me more, what’s the difference? Does it have something to do with how much force you’re pressing on the key?
@redtomato4903Ай бұрын
I’ve seen those symbols used to indicate upstrokes and downstrokes for drumming as well
@odiesback27 күн бұрын
I enjoyed this!
@Alilguyman2 ай бұрын
11:37 For the Tenuto you should also remember to for percussion and only percussion the tenuto means to accent the note like a marcato but instead of more than an accent, its a little bit less than an accent.
@samuelolugbemi50775 ай бұрын
This is great resource ❤
@killianmiller61075 ай бұрын
I was curious about the version of sforzando being written as sf instead of sfz when I was working on arranging certain orchestral pieces for concert band (like Dvorak symphony 7), I didn’t know they were basically the same and it was okay to alternate between them. Musescore doesn’t like to play sf as loud as it should be.
@Kikicat_Plays5 ай бұрын
As a viola player, I got 35/50. Honestly didn't know I knew that many since I've played for only 4 years.
@adamhero4593 ай бұрын
1:38 And the natural lasts the entire bar unless a sharp/flat is after it for the same note later in the bar.
@caterinaml5 ай бұрын
Thank you! This was easy to learn and remember. 💕🎼🎹💕
@OmarTravelAdventures5 ай бұрын
Thank you this is so useful!
@davidribeiro52545 ай бұрын
First video of yours and I absolutely love it. Just out of curiosity, where are you from? Thanks in advance.
@umangmishra93285 ай бұрын
Thanks to ABRSM AND THE Trinity College of music London ❤❤❤❤❤❤❤
@lesliemacmillan99325 ай бұрын
The notes in a turn respect the key signature. In a turn or a lower mordant that is based on the tonic in a minor key, does the leading note below the tonic, which is normally sharped as an accidental, get sharped when you play the grace note? It's not part of the key signature but in the body of a minor piece the leading note will often (but not always) be sharped.
@juliegale3863Ай бұрын
Not being a musician it was amazing how many I did know😊
@eighborl367sjokes5 ай бұрын
No way you took my favorite Beethoven Sonata as example
@kartikraman4815 ай бұрын
Good explanation. Upload more
@paulromsky95275 ай бұрын
I play keyboards; I knew Pizz was to pluck for strings, but I didn't know Arco was to bow the strings.. so I scored 98%. When I write a phrasing mark ("looks" like a large tie), I start and end it with a small vertical line at the tips. So in my notation, if you see a large tie over many notes that span multiple bars, and there is no vertical lines at the tips, it IS NOT phrasing, but an actual slur. Also, I never abbreviate. Example: Rit. is always written as Ritardando. In the 21st century, we don't use quills and ink, we use pencils, pens, and markers... so there is no need to "re-dip" when writing - like they did over 200 years ago.
@PastaDrums3886Ай бұрын
I was surprised with how many I knew. I had never even heard of the last, like, seven. There were some that I knew the symbol and what it was called but had forgotten the definition.
@motionista3 ай бұрын
I am relearning piano after failing as a kid. We were taught in musical school that the treble clef starts with a sol (G), not fa (F). We drew it one line higher. Is it a common difference in the way they teach music theory in Europe and the US?
@matticawood3 ай бұрын
Nope 😊 I was just using the same note for each clef so a comparison can be made. But treble clef is G clef and that’s why the simple spirals around the G. Bass clef is an F clef which is why the F is between the two dots. Alto and Tenor are both C clefs because the center of the symbol is where you can find a C.