6 Piano Warm-Ups That Won’t Waste Your Time

Many piano warm-ups are a waste of time. Here are 6 effective warm-ups that prepare your body AND mind for a productive practice session.
**********************************************************
Become a Piano Roadmap member to receive access to my follow-along piano course that follows the Faber Adult Method Book 1, along with any and all new video lessons that I release! www.pianoroadmap.com
The Piano Roadmap Membership gives you access to the follow-along piano course that goes through the entire Faber book 1, step by step (you must purchase the book separately). You'll have an assignment every day and know EXACTLY what to practice. I also give you supplementary exercises and pieces that go hand in hand with Book 1. There are 195 days of video lessons and over 22 hours!
It's a monthly subscription that you can cancel anytime, and I also offer a 7-day money-back guarantee. Use code INTRO2024 for your first month at only $25! Valid for a limited time
If you want to support this channel:
Patreon: / pianoroadmap
PayPal: [e-mail]
Stay in touch!
Facebook: / pianoroadmap
Private Facebook Group: / pianoroadmap
Instagram: / pianoroadmap
Chapters:
0:00 What makes a good warm-up?
1:02 No. 1
2:35 No. 2
4:08 No. 3
6:55 No. 4
7:49 No. 5
8:59 No. 6
9:58 other ideas

[@Charlie_Higgitt]

Piano roadmap with another concise and useful video! Different articulation is definitely an engaging idea. Re sight reading, I love the x3 idea (more data gathered on return always useful for mini aha moments). Your channel is growing and it’s well deserved. Thanks ❤

[@PianoRoadmap]

Thank you! 100% on the sight reading x3. I learned this when having to sight read for vocal studios. The voice professor would thankfully stop them mid-song to address something, and I would get 15 seconds to adjust and adapt.

[@gordonogle1288]

Super 🎹

[@shermiesdad]

Another great idea 💡 in the “why didn’t I think of that” category from my favorite piano teacher! 😎

[@williambunter3311]

Thank you for this. I believe the ability to take in a piece as a whole is essential for full enjoyment. For example, when playing something by Bach, such as a two part invention, or for more advanced players a fugue, it is so easy to miss out on the significance of the repeat of the melody when it is played by the left hand. One plays it as demanded by the score, but almost as an inconsequential afterthought rather than an important part of the whole in its own right.

[@PianoRoadmap]

Absolutely! It's about keeping your mind in the game. I like to photocopy my Bach scores & highlight different voices so I KNOW when certain melodies come back.

[@Bani788]

Yours that very valued line:" let go of your pride" that's really what I seen how people bec of that kind of pride they lose lot of things in the life. Definitely with improvising start all music. No one born with music knowledge and at the same time God gived music in their self to discover it. God bless you and all who read!

[@lawrencetaylor4101]

Merci beaucoup. Scale variations is a great idea. I also practice a stride bass while doing scales.

[@PianoRoadmap]

Cool idea!

[@Dima7979]

Another great video full of useful ideas. Thank you!

[@PianoRoadmap]

Hello! Thanks so much, and glad you find them useful!

[@brendamengeling4653]

Thank you! I’m most intrigued by the voicing idea. I’m having trouble doing that in pieces, and the simplistic, five-finger scale practices to learn how to voice are super boring and don’t seem to translate to actual music in my experience. I have the music for that piece too, and several others by other composers.

[@PianoRoadmap]

You're welcome! I love hearing the different voices highlighted.

[@hosham2012]

I can’t purchase your course there is a problem in your website it doesn’t show where to put my card information to make the purchase

[@PianoRoadmap]

Hello! Try this link. You should be able to either enter your credit card info or use PayPal: www.pianoroadmap.com/offers/dQLFnAJm/checkout

[@PianoRoadmap]

Feel free to email me if it’s still not working for you: [e-mail]

[@hosham2012]

same problem I emailed you@@PianoRoadmap

[@backtoschool1611]

I cant sight read.