A Good Story Depends On Who You're Telling - Markus Redmond

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Film Courage 2

Film Courage 2

4 жыл бұрын

MORE VIDEOS WITH MARKUS REDMOND
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Stuff we use:
CAMERA - This is the camera we have used to film 90+% of our interviews (over 200 interviews and counting) It continues to be our workhorse - amzn.to/2u66V1J
LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - amzn.to/2tbtmOq
AUDIO
Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post amzn.to/2t1n2hx
Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - amzn.to/2tbFlM9
LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - amzn.to/2u5UnHv
COMPUTER - Our favorite computer, we each have one and have used various models since 2010 - amzn.to/2t1M67Z
EDITING - We upgraded our editing suite this year and we’re glad we did! This has improved our workflow and the quality of our work. Having new software also helps when we have a problem, it’s easy to search and find a solution - goo.gl/56LnpM
*These are affiliate links, by using them you can help support this channel.
#writing #story #storytelling

Пікірлер: 3
@brunayamaguchi9664
@brunayamaguchi9664 4 жыл бұрын
"Depends on who you're telling" is the most important and underrated piece of writing advice there is. Markus is awesome
@victorallencook7107
@victorallencook7107 4 жыл бұрын
Continue storyboarding .
@victorallencook7107
@victorallencook7107 4 жыл бұрын
One says , "That man does not NO what he's doing! " , which isn't true . Of course I have to be schooled on many things , but I know what I'm doing . Of course there's a lot to be be learned regarding the business . I'm humble .
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